Librifly Art Gallery 2.589.713 / 2.589.715 Entries < previous page Page 1198 / 25898 next page > Saint John the Baptist holding his folded robe, ca. 1641, Etching; second state of three, Sheet: 5 11/16 × 4 3/4 in. (14.5 × 12 cm), Prints, Stefano della Bella (Italian, Florence… The Prodigal Son in a House of Ill Repute (L'Enfant prodigue dans une maison de débauche, version couvert), ca. 1636, Etching; third state of three (Join-Lambert and Préaud), sheet: 10 1/8 x 12… Hanging Lantern, 19th century, Pen and ink and gouache, Overall: 14 1/8 x 18 3/8 in. (35.9 x 46.7 cm), Drawings, Anonymous, Chinese, 19th century The Vision of God, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 9/16 x 6 5/8 in. (21.7 x 16.8 cm), Prints, William Blake (British, London 1757–1827 London) Design for an Oil Lamp, 19th century, Graphite, brush and gray wash, watercolor, gouache, and gold gilt, sheet: 17 3/8 x 11 1/2 in. (44.2 x 29.2 cm), Drawings, Anonymous, French, 19th century Design for a ceiling painted with clouds, 1830–97, graphite, pen and ink, watercolor on wove paper, image: 8 7/16 x 10 3/4 in. (21.4 x 27.3 cm), Drawings, Jules-Edmond-Charles Lachaise (French,… Judith Decapitating Holofernes, 1511–74, Pen and brown ink, brown wash, 6-1/16 x 4-7/8 in. (15.4 x 12.4 cm), Drawings, Giorgio Vasari (Italian, Arezzo 1511–1574 Florence) (?) St. Peter's, Corinthian capital, elevation; base, elevation; volute, end elevation, profile, and view from below (recto) St. Peter's, Corinthian capital, acanthus leaf details and profiles of… Beggar Leaning on a Stick, n.d., Etching, Sheet: 3 7/8 × 3 1/8 in. (9.8 × 8 cm), Prints, David Deuchar (British (born Scotland), 1743–1808), After Rembrandt (Rembrandt van Rijn) (Dutch,… Bundled Firewood Seller, 1746, Etching with some engraving, Sheet: 9 7/16 x 7 5/16 in. (24 x 18.5 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765… Venus and Cupids on Clouds, n.d., Engraving, sheet: 12 13/16 x 8 7/16 in. (32.5 x 21.4 cm), Prints, Attributed to Jacopo Francia (Italian, before 1486–1557), Attributed to Giulio Bonasone… The Farriers, 1888, Transfer lithograph drawn on medium-grained transfer paper; only state (Chicago); printed in black ink on cream wove proof paper, Image: 7 7/8 in. × 7 in. (20 × 17.8 cm),… A Sailor Smoking with His Arms Crossed, 18th century, Etching, image: 7 1/16 x 4 15/16 in. (18 x 12.5 cm), Prints, Joseph François Foulquier (French, Toulouse 1744/45–1789 Martinique),… Baker Boy, 1746, Etching with some engraving, Sheet: 9 3/16 x 6 5/8 in. (23.3 x 16.8 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After… Frontispiece for Les Oeuvres de Scarron, 1649, Etching, state iii, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence) Plate 20 from 'Los Caprichos': There they go plucked (i.e. fleeced) (Ya van desplumados.), 1799, Etching, burnished aquatint and drypoint, Plate: 8 7/16 × 5 7/8 in. (21.4 × 15 cm), Prints,… Christ Preaching (La Petite Tombe) (copy), n.d., Etching, Prints, After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam) Puckaly in Moor Cast, from Indian Trades and Castes, ca. 1840, Watercolor and gouache, sheet: 14 3/8 x 10 3/8 in. (36.5 x 26.4 cm), Drawings, Anonymous, Indian, 19th century The Return of the Prodigal Son, ca. 1510, Engraving; first state, sheet: 7 1/16 x 9 5/8 in. (17.9 x 24.4 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden) The Boulogne Train Station. An English Excursion Train (La gare de chemin de fer de Boulogne. Un train de plaisir anglais), from Physionomies des Chemins de Fer (Physiognomies of the Railways),… Sketchbook with views of Tours, France and its environs, 1828–29, Graphite and watercolor on wove paper, 36 folios, each sheet: 4 15/16 x 7 11/16 in. (12.5 x 19.5 cm), Eugène Delacroix… Design for a ceiling, second half 19th century, Graphite, gouache, and watercolor, Overall: 13 1/2 x 19 1/2 in. (34.3 x 49.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),… Arms of Michel Beheim, n.d., Woodcut, sheet: 11 x 7 5/8 in. (27.9 x 19.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg) Church of the Holy Apostles, New York City, 1845, Watercolor, ink and graphite on paper, sheet: 19 7/8 x 10 3/8 in. (50.5 x 26.4 cm) Wooded Landscape with a Tower, 17th century, Pen and brown ink, brush and brown wash, over traces of graphite. Framing lines in graphite., 7 11/16 x 10 1/2 in. (19.6 x 26.7 cm), Drawings,… Three designs for painted borders to decorate a room, 19th century, graphite, pen and ink, watercolor on separate sheets glued to heavy wove paper, Drawings, Jules-Edmond-Charles Lachaise… Design for a Frieze in Fontainebleau Style, 19th century, Pen and brown ink heightened with white, sheet: 10 11/16 x 16 5/8 in. (27.2 x 42.2 cm), Drawings, Anonymous, French, 19th century Plate 23: a satyr sitting against a tree to right and holding a flute in his right hand, a child playing with a goat to left, from 'Diversi capricci', ca. 1644–47, Etching; third state of four… Flayed man seen from the back, his right arm extended, ca. 1531–76, Engraving, sheet: 6 1/4 x 4 1/2 in. (15.8 x 11.4 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after… A Pole Holding a Horse by the Bridle, ca. 1662, Etching, Plate: 2 15/16 × 3 15/16 in. (7.5 × 10 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence) Christ Descending into the Grave, from The Grave, a Poem by Robert Blair, March 1, 1813, Engraving, plate: 9 x 4 7/8 in. (22.9 x 12.4 cm), Prints, Luigi Schiavonetti (Italian, Bassano del… The Annunciation, 1515, Woodcut, sheet: 11 9/16 x 10 3/16 in. (29.4 x 25.9 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden) Jupiter and Europa, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 7/8 × 2 3/16 in. (4.7 × 5.5 cm), Prints, Etched by Stefano della Bella… The Happy Family (L'Heureuse fécondité), n.d., Etching, before first state, Sheet: 12 1/8 x 13 3/8 in. (30.8 x 34 cm), Prints, After Jean Honoré Fragonard (French, Grasse 1732–1806… The Prodigal Son in a House of Ill Repute, ca. 1636, Engraving, Sheet (trimmed): 12 1/16 × 14 3/16 in. (30.6 × 36.1 cm), Prints, Anonymous, After Abraham Bosse (French, Tours 1602/1604–1676 Paris) Allegorical Figure of Study, 1657–1747, Pen and brown ink, brush and gray wash, over black chalk, 5 11/16 × 7 3/4 in. (14.5 × 19.7 cm), Drawings, Francesco Solimena (Italian, Canale di… Pan at the left seated next to a standing nymph, to the right Cupid holding cymbals, 1531–76, Engraving, sheet: 10 9/16 x 8 5/8 in. (26.8 x 21.9 cm), Prints, Giulio Bonasone (Italian, active… The Painter Rewarded, 1634–1705, Pen and brown ink, brush and gray wash, highlighted with white gouache, 14 3/8 x 10in. (36.5 x 25.4cm), Drawings, Circle of Luca Giordano (Italian, Naples… Plate 5 from 'Los Caprichos': Two of a kind (Tal para qual), 1799, Etching, aquatint and drypoint, Plate: 7 3/4 × 5 7/8 in. (19.7 × 14.9 cm), Prints, Goya (Francisco de Goya y Lucientes)… Armed Four-Master Putting Out to Sea from The Sailing Vessels, ca. 1555–56, Engraving, plate: 8 13/16 x 11 9/16 in. (22.4 x 29.3 cm), Prints, Frans Huys (Netherlandish, 1522–1562), After… Jan Lutma, Goldsmith, 1656, Etching, drypoint, and burin, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam) Portrait of Edgar Allan Poe, 1876, Etching on blue laid paper, from 1905 Strölin edition, plate: 7 1/4 x 5 3/4in. (18.4 x 14.6cm), Prints, Édouard Manet (French, Paris 1832–1883 Paris) A Peasant in a High Cap, Standing Leaning on a Stick, 1639, Etching; second state of two, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam) La Mère Gérard, 1858, Etching; fourth state of four (Glasgow); printed in black ink on tan chine on off-white wove paper (chine collé), plate: 5 x 3 1/2 in. (12.7 x 8.9 cm), Prints, James… Design studies for monuments, 19th century, Graphite., sheet: 7 3/8 x 9 3/16 in. (18.7 x 23.4 cm), Drawings, Attributed to Anonymous, German, 19th century An Angel Bringing Food to a Hermit, ca. 1750–56, Etching, Sheet: 10 1/4 × 9 1/2 in. (26 × 24.1 cm), Prints, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), After François… Death Beating a Drum, ca. 1653, Etching, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence) The angel awakening Joseph to the presence of the Virgin and Child, ca. 1645–49, Etching, sheet: 5 3/8 x 7 3/8 in. (13.7 x 18.7 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto)… The Return of the Prodigal Son, 1636, Etching, Plate: 6 1/8 × 5 7/16 in. (15.6 × 13.8 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam) Tantalus at left speaking to Diana at right, set within an elaborate frame, from the 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 1/4 x 3 15/16 in. (13.3 x 10 cm),… Design for a Stage Set: Double Stairway Pierced by an Arcade (recto); Slight Sketch (verso), 1698–1765, Pen and brown ink, brush and gray wash, over traces of graphite or black chalk (recto);… Apollo and Daphne, from 'The Loves of the Gods', ca. 1531–76, Engraving, sheet: 6 1/8 x 4 5/16 in. (15.5 x 10.9 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576) Title Page: Paisages maritimes, ca. 1644, Etching; first state of two, Plate: 3 1/8 × 5 9/16 in. (8 × 14.1 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence) Design for an Octagonal Gothic Pedestal Table with Pendentives: Elevation and Plan, early 19th century, Ink and wash, sheet: 8 9/16 x 12 5/16 in. (21.7 x 31.2 cm), Anonymous, British, 19th century Design for painted wall decoration in the Chateau de Lude, Sarthe, second half 19th century, gouache on laid paper, inset in blue wove paper, sheet: 10 7/8 x 9 5/16 in. (27.7 x 23.7 cm),… Band, ca. 1878, Made in United States, American, Trimming, 65 x 6 in. (165.1 x 15.24 cm), Textiles Drawing for Book Illustration, 'Cour des femmes à la Conciergerie', late 19th–mid-20th century, 12 5/8 x 9 1/8 in. (32.1 x 23.2 cm), Drawings, Georges-Bertin Scott (French, Paris, 1873–1942) Plate 12: sheep and ram in a pasture, from 'Various animals' (Diversi animali), ca. 1641, Etching; third state of three (De Vesme), Sheet (trimmed to plate): 3 3/8 × 4 5/16 in. (8.6 × 11… Design for wall decoration in a gallery of the Chateau de Lude, Sarthe, second half 19th century, gouache on linen, sheet: 11 7/16 x 8 3/4 in. (29.1 x 22.2 cm), Drawings, Jules-Edmond-Charles… Seated Woman Holding a Fan, ca7, Red, black, and white chalk, 8 3/8 x 8 1/8 in. (21.3 x 20.6 cm), Drawings, Antoine Watteau (French, Valenciennes 1684–1721 Nogent-sur-Marne), Watteau was most… La Fiamma è Vicina al Fuoco, 1850–1914, Etching, sheet: 7 15/16 x 11 in. (20.2 x 28 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres) Hercules at the Crossroad, ca. 1498, Engraving, second state of two, sheet: 12 11/16 x 8 7/8 in. (32.3 x 22.5 cm) plate line shows only at top and left, Prints, Albrecht Dürer (German,… Rape of the Sabines, 1499–1543, Pen and brown ink, brush and brown wash, 6-1/2 x 15-1/4 in. (16.6 x 38.8 cm), Drawings, After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499–ca. 1543 Messina) Little Evelyn, 1896, Transfer lithograph, drawn on white transfer paper with a grained-stone texture; only state (Chicago); printed in black ink on the cream laid paper used for, Image: 6 7/8 × 4… Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 11 3/16 x 18 7/8 in. (28.4 x 48 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau) Two Figures of Angels Standing, 1490–1505, Pen and brown ink, over leadpoint(?), 8 3/4 x 5 5/8 in. (22.2 x 14.3 cm), Drawings, Workshop of Perugino (Pietro di Cristoforo Vannucci) (Italian,… Landscape with Two Figures, Pen and brown ink, brush and gray-blue wash., 8 1/2 x 11 1/8 in. (21.6 x 28.3 cm), Drawings, Anonymous, French, 17th century Design for Chimney Piece, Château du Duc de Meternick, Johannisburg, second half 19th century, Pen and black ink, watercolor, and gilt, 8 1/2 x 8 1/8 in. (21.6 x 20.6 cm), Drawings,… Design for a pin with a blue scarab, 19th century, Ink and watercolor on cardboard, sheet: 8 7/8 x 6 in. (22.6 x 15.3 cm), Drawings, Anonymous, French, 19th century Olympus naked seated on a tree stump holding pipes, set within a niche, ca. 1515–27, Engraving, Sheet (Trimmed): 9 1/8 × 4 3/16 in. (23.2 × 10.7 cm), Prints, Marco Dente (Italian, Ravenna,… Studies of a Man's Head in Profile, and of a Standing Male Figure, Pen and brown ink, pale brown wash, 6-3/4 x 7-1/4 in. (17.1 x 18.4 cm), Drawings, Salvator Rosa (Italian, Arenella (Naples)… Songs of Innocence and of Experience: The Tyger, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm),… Nativity, n.d., Etching, second state, image: 7 11/16 x 4 3/4 in. (19.6 x 12 cm), trimmed to image, Prints, Claude Gillot (French, Langres 1673–1722 Paris) Orange Mariposa Tulip, Calochortus Kennedyi, April 21, 1914, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm),… Virgin and Child Seated by the Wall, 1514, Engraving, Sheet: 5 3/4 × 3 7/8 in. (14.6 × 9.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg) Design for a Coat of Arms Partially Covered in Drapery, 1652–1725, Black chalk and graphite, sheet: 2 13/16 x 2 5/16 in. (7.1 x 5.8 cm), Giovanni Battista Foggini (Italian, Florence… Head of Christ, 1559–1613, Oil paint on a sheet of paper that had previous writing by the artist in pen and brown ink (surface varnished), 16-15/16 x 11-7/16 in. (43.0 x 29.0 cm), Drawings,… Arabie, 1644, Etching, state iii, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676) Lot and His Daughters, 1530, Engraving; first state, sheet: 7 7/16 x 9 5/8 in. (18.9 x 24.4 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden) Design for a Fountain, 19th century, Graphite, pen and brown ink, brush and brown wash, heightened with white, sheet: 7 1/2 x 7 1/2 in. (19 x 19 cm), Drawings, Anonymous, French, 19th century Ornamental drawing, 16th century, Pen and brown ink, Sheet: 23 3/8 × 17 5/16 in. (59.3 × 44 cm), Drawings, Anonymous, French, 16th century Architectural Design Presenting Two Alternate Solutions (in two fragments), 17th century, Pen and brown ink, brush and brown wash over leadpoint., 10 11/16 x 3 9/16 in. (27.2 x 9 cm),… Man Calling Over His Right Shoulder, ca. 1645–50, Etching, sheet: 4 3/16 x 3 1/4 in. (10.7 x 8.2 cm) wide margins, Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa… Design for a Candelabra, 19th century, Pen and brown ink, sheet: 8 7/8 x 5 1/8 in. (22.5 x 13 cm), Drawings, Anonymous, French, 19th century Costume Design, 1836–37, Pen and brown ink, watercolor, graphite, 9 1/2 x 5 7/8 in. (24.2 x 15 cm), Drawings, Pierre-Numa Bassaget, called Numa (French, active 1830–54) Design for Gallery Ceiling, Hôtel Cottier, ca. 1879, Brush and oil, 10 5/8 x 8 1/8 in. (27.0 x 20.6 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet… Sadness, January 21, 1800, Hand-colored etching, printed in brown ink, Sheet (trimmed): 11 in. × 8 5/8 in. (27.9 × 21.9 cm), Prints, After George Moutard Woodward (British, ca. 1760–1809 London) The Good Samaritan, 1633, Etching, engraving and drypoint; fourth state of four, Sheet: 10 5/16 × 8 3/8 in. (26.2 × 21.3 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden… Rhododendron Flowers, March 30, 1911, Watercolor and brown ink over graphite, with details in ink brown ink, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson… Design for a Candlestick, ca. 1530–46, Pen and brown ink, light brown wash, over traces of black chalk and some incised lines made with a straight edge, Sheet: 14 5/16 x 6 11/16 in. (36.3 x 17… Colinet Mocked by Two Boys, from Thornton's Pastorals of Virgil, 1821, Wood engraving, block: 1 7/16 x 3 1/8 in. (3.7 x 7.9 cm), Prints, William Blake (British, London 1757–1827 London) Landscape with Two Men Under a Tree., 1612–66, Pen and brown ink, brush and brown wash, sheet: 7 1/2 x 9 11/16 in. (19 x 24.6 cm), Drawings, Pier Francesco Mola (Italian, Coldrerio 1612–1666 Rome) The Coiffure, 1890–91, Drypoint and aquatint, printed in color from three plates; fifth state of five (Mathews & Shapiro), plate: 14 1/4 x 10 1/2 in. (36.2 x 26.7 cm), Prints, Mary Cassatt… Design for Three Reclined Reading Sofas with Trays, on Casters, Upholstered in Green and Red, early 19th century, Ink, watercolor and wash, sheet: 8 11/16 x 12 3/16 in. (22 x 31 cm),… Bacchus standing in a niche holding grapes in his raised right hand, fruit in his left hand, a dog lower right, ca. 1515–27, Engraving, Sheet (Trimmed): 8 5/8 × 4 1/8 in. (21.9 × 10.5 cm),… The Adoration of the Shepherds, ca. 1560-65, Etching, sheet: 9 3/16 x 6 5/16 in. (23.4 x 16.1 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576) Saint Jacob Minor, 1595–1616, Etching and engraving, Sheet: 14 1/4 × 9 7/16 in. (36.2 × 23.9 cm), Prints, Jacques Bellange (French, Bassigny (?) ca. 1575–1616 Nancy) Madonna and Child with the Infant Saint John, 1527–85, Pen and brown ink, brush and brown wash, 7 x 9-3/4 in. (17.8 x 24.8 cm), Drawings, Luca Cambiaso (Italian, Moneglia 1527–1585 Madrid) The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done,… Gaeta, 19th century, Pen and black ink, brush and gray wash. Framing lines in pen and brown ink, brush and brown wash., sheet: 9 15/16 x 14 3/16 in. (25.3 x 36 cm), Drawings, Anonymous, French,… 2.589.713 / 2.589.715 Entries < previous page Page 1198 / 25898 next page >