Child Carrying a Puppy on his Shoulder, ca. 1662, Etching retouched with gray wash; artist's proof, Sheet (trimmed): 5 11/16 × 5 3/8 in. (14.4 × 13.7 cm), Prints, Stefano della Bella…

Bacchus, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 7/8 × 2 3/8 in. (4.8 × 6 cm), Prints, Etched by Stefano della Bella (Italian, Florence…

La Vieille Femme Assise, Etching, second state, image: 6 11/16 x 8 3/8 in. (17 x 21.3 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Cornelis van Poelenburch (Dutch, Utrecht…

The Triumph of Mordecai, ca. 1641, Etching and drypoint, sheet: 6 15/16 x 8 11/16 in. (17.6 x 22 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Plate 72 , from 'Los Caprichos': You will not escape (No te escaparàs.), 1799, Etching and burnished aquatint on laid paper, Plate: 8 3/8 x 5 7/8 in. (21.2 x 14.9 cm), Prints, Goya (Francisco de…

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

The Arrest of Christ, 1624–63, Pen and brown ink, 3-3/4 x 5-5/16 in. (9.5 x 13.5 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano (?) 1615/20–after 1679 Gubbio (?))

The Martyrdom of Saint John, from The Apocalypse, 1511, Woodcut, sheet: 15 3/8 x 11 1/8 in. (39.1 x 28.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Cartouche Decorated with a Mask, Swags and Rosettes., 1790–1800, Pen and brown ink over black chalk, with vertical crease through the center to create the symmetry of the design,…

Design for a coffered ceiling with alternative decorative patterns, 1840–97, Pen and ink, watercolor, and gouache on wove paper; inlaid in wove paper, Drawings, Jules-Edmond-Charles Lachaise…

Design for a Cartouche with a Coat of Arms containing a Griffin, 1732–1802, Pen and brown ink, brush and brown wash over traces of leadpoint, 8 13/16 x 7 1/8 in. (22.4 x 18.1 cm), Carlo…

Plate 5: two pilgrims with hats rest to the left, seen from behind, a horseman rides towards the background to the right, from 'Various Figures' (Agréable diversité de figures), 1642, Etching;…

The Brothers, 1895–96, Transfer lithograph, drawn on thin, transparent transfer paper; first state of two (Chicago); printed in black ink on medium weight cream laid paper, Sheet: 10 x 7 5/8…

Design for Five Table Top Mirrors with Varying Ornament, early 19th century, Graphite, sheet: 10 13/16 x 15 1/16 in. (27.5 x 38.3 cm), Anonymous, British, 19th century

Male Figure Seen from Rear, After a Drawing by Michelangelo, 1508–1600, Pen and brown ink on brown paper, 10 7/8 x 4 3/8 in. (27.6 x 11.1 cm), Drawings, After Raphael (Raffaello Sanzio or…

Virgin in Glory with Angels, 1556–1622, Pen and brown ink, brush and brown wash, over black chalk, 10 5/16 x 8 1/16in. (26.2 x 20.5cm), Drawings, Aurelio Lomi (Italian, Pisa 1556–1622 Genoa (?))

A Prehistoric Stone Circle on a Mound, an Extensive Landscape Beyond, mid-18th–early 19th century, Black chalk or graphite, pen and brown ink, brush and brown wash, and watercolor; framing line…

The Holy Family, 1734–1802, Red chalk, highlighted with white, on beige paper, 9 7/8 x 7 15/16in. (25.1 x 20.2cm), Drawings, Gaetano Gandolfi (Italian, San Matteo della Decima 1734–1802 Bologna)

Little Court, Cloth Fair, 1887, Transfer lithograph, drawn on coarse-grained transfer paper; only state (Chicago); printed in black ink on off-white proving paper, Image: 7 9/16 × 3 3/4 in. (19.2…

Design for a Chalice with Lid, 19th century, Pen and brown ink, watercolor. Framing lines in pen and gray ink. Design pasted onto mounting paper., sheet: 10 3/16 x 6 15/16 in. (25.8 x 17.7…

Saint Matthew holding a pouch, ca. 1515–27, Engraving, Sheet (Trimmed): 8 1/4 × 5 1/4 in. (21 × 13.3 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome), After…

The Publisher Aubert (You must admit the government has a comic appearance), 1831, Lithograph, image: 7 5/8 x 10 13/16 in. (19.4 x 27.5 cm), Prints, Charles-Joseph Traviès (French,…

Two Seated Satyrs and a Child Satyr, 1696–1770, Pen and brown ink, brush with pale and dark brown wash, over red chalk, 8 1/4 x 9 13/16in. (20.9 x 25cm), Drawings, Giovanni Battista Tiepolo…

Satyr carrying a nymph restraining her right arm, ca. 1515–27, Engraving, Sheet (Trimmed): 6 3/4 × 4 7/16 in. (17.1 × 11.2 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died…

St. James Major, ca. 1510, Engraving, sheet: 4 5/8 x 2 7/8 in. (11.7 x 7.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Order of the Chevaliers Marching at Fontainebleau in May 1633, 1634, Etching, Sheet (trimmed): 10 11/16 × 14 1/16 in. (27.1 × 35.7 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Solf-Coraven, or Beggar, from Indian Trades and Castes, ca. 1840, Watercolor and gouache, sheet: 14 3/8 x 10 3/8 in. (36.5 x 26.4 cm), Drawings, Anonymous, Indian, 19th century

Design for Four Vases, ca. 1770–85, Pen and brown ink, and black chalk, 14 13/16 x 9 1/8 in. (37.7 x 23.2 cm), Drawings, Anonymous, French, 18th century

St. Dorothy (Schr. 2610), 15th century, Metalcut, sheet: 2 1/2 x 1 15/16 in. (6.3 x 5 cm), Prints, Anonymous, German, 15th century

Portrait of a Man, 1594, Black and red chalk, heightened with white., 11 1/4 x 8 11/16 in. (28.5 x 22 cm), Drawings, Anonymous, French, 16th century642e18e4d3585_AM170720_077588.jpg | The Holy…

The Holy Family resting on their flight into Egypt, ca. 1637–1639, Etching, Plate: 8 13/16 × 6 11/16 in. (22.4 × 17 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona)

The Virgin and Child in the Clouds, 1641, Etching and drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Louis III et Carloman donnent aux eveques du Royaume l'assurance de leur Fidelite en 882, ca. 1791, Pen and black ink, gouache, sheet: 4 3/16 x 3 in. (10.7 x 7.6 cm), Drawings, Nicolas Lejeune…

The Lamentation for Christ, n.d., Woodcut, sheet: 15 7/16 x 11 1/16 in. (39.2 x 28.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Study of a Putto Seated on a Corbel in a Shell Niche, ca. 1674–76, Red chalk, Sheet: 7 x 5 1/16 in. (17.8 x 12.8 cm), Drawings, Carlo Maratti (Italian, Camerano 1625–1713 Rome), The Great Hall…

Saint Joseph Seen with his Flowering Staff, which is Held by the Christ Child, 1591–1666, Red chalk, sheet: 10 3/16 x 9 1/8 in. (25.9 x 23.2 cm), Drawings, Attributed to Guercino (Giovanni…

Hurlingham, 1879, Etching and drypoint; fourth state of four (Glasgow); printed in black ink on ivory laid paper, image: 5 7/16 x 7 15/16 in. (13.8 x 20.1 cm), Prints, James McNeill Whistler…

San Lorenzo, New Sacristy, niche frame, tabernacle, plan and elevation (recto) San Lorenzo, New Sacristy, entablature, cornice, and base of niche, profiles (verso), early to mid-16th century ,…

Tête à Tête, 1716, Pen and gray ink, brush and gray wash, heightened with white, over traces of graphite, contours incised., 2 15/16 x 4 3/8 in. (7.5 x 11.1 cm), Drawings, Claude Simpol…

Design for a Garden Capriccio, n.d., Pen and black ink, with graphite underdrawing. Framing lines in pen and black ink., 17 1/8 x 11 5/8 in. (43.5 x 29.5 cm), Workshop of Gilles-Marie Oppenord…

Saint Eustace, ca. 1501, Engraving, Sheet: 14 1/8 × 10 9/16 in. (35.8 × 26.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Cavalry Battle, n.d., Pen and bistre, washed with bistre and ink, 12 5/8 x 18 3/8 in. (32.1 x 46.7 cm), Drawings, After Jacques Courtois (French, Saint-Hippolyte 1621–1676 Rome)

The Presentation of the Virgin in the Temple, from The Life of the Virgin, ca. 1503, Woodcut, sheet: 11 3/4 x 8 1/4 in. (29.8 x 21 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528…

Lamp, Hellenistic or Early Imperial, 1st century B.C.–1st century A.D., Greek or Roman, Terracotta, Overall: 1 3/16 x 4 1/16 in. (3 x 10.3 cm), Terracottas

Design for a Stage Set at the Opéra, Paris, 1825–90, Graphite, Irregular sheet: 12 7/16 x 19 1/8 in. (31.6 x 48.5 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Willie Harradon, Cyclist, The Youthful Phenomenon, from World's Champions, Second Series (N43) for Allen & Ginter Cigarettes, 1888, Commercial lithograph, Sheet: 2 15/16 x 3 1/4 in. (7.4 x 8.3…

Four Putti on Clouds, 1640–50, Pen and brown ink, brown wash, over traces of black chalk, 6 3/8 x 8 1/4in. (16.2 x 21cm), Drawings, Leonardo Scaglia (Italian, documented Perugia, Ancona,…

Design for a ceiling, second half 19th century, Graphite, pen and black ink, adn watercolor, Overall: 14 13/16 x 10 3/8 in. (37.7 x 26.4 cm), Drawings, Jules-Edmond-Charles Lachaise (French,…

Design for a Chandelier, 19th century, Pen and brown ink, sheet: 14 x 17 3/16 in. (35.5 x 43.6 cm), Drawings, Anonymous, French, 19th century

Design for a beamed ceiling in French Renaissance style, 1830–97, pen and ink, wash and watercolor over graphite on wove paper, image: 19 7/16 x 13 1/2 in. (49.4 x 34.3 cm), Drawings,…

Portrait of Rinaldo Orsino, Archbishop of Florence (1474-1508), early 17th century, Pen and dark brown ink, brush and brown wash, highlighted with white gouache, over traces of red chalk, on…

The Ravisher, ca. 1495, Engraving, Sheet: 4 1/2 × 4 in. (11.4 × 10.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Lady on Horseback and the Lansquenet, ca. 1497, Engraving, Sheet: 4 3/16 × 3 7/16 in. (10.7 × 8.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Plate 37 from 'Los Caprichos': Might not the pupil know more? (Si Sabrá mas el discipulo?), 1799, Etching, aquatint and burin, Plate: 8 3/8 x 5 7/8 in. (21.3 x 15 cm), Prints, Goya (Francisco de…

Allegory of Shipping, Pen and black ink with brush and brown wash with white heightening over graphite underdrawing, 6 1/8 x 8 3/8 in. (15.5 x 21.3 cm.), Drawings, Charles Percier (French,…

Design for Salon Ceiling, Château de Cangé, second half 19th century, Pen and black ink, watercolor, gouache, 6 5/8 x 7 3/4 in. (16.8 x 19.7 cm), Drawings, Jules-Edmond-Charles Lachaise…

Fortitude in profile view walking toward a fire at left and leading a harnessed lion, a landscape in the background, ca. 1515–27, Engraving, Sheet (Trimmed): 10 1/4 × 7 5/16 in. (26 × 18.5…

The Image Seen by Nebuchadnezzar, 1655, Etching, burin, and drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Study for Portraits, 18th century, Red chalk, brush and black wash, gray wash., 5 5/8 x 4 3/8 in. (14.3 x 11.1 cm), Drawings, Anonymous, French, 18th century

Design for a Carved or Openworked Frame with a Variant, 1652–1725, Pen and brown ink, brush and brown wash, over traces of black chalk, vertical line in graphite through the center (recto); Pen…

Ennui (The Medium Plate), 1914–15, published 1929, Etching; fifth state of six, plate: 8 15/16 x 6 15/16 in. (22.7 x 17.6 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942…

Andria,from The Comedie of Terence, 19th century reprint, n.d., Woodcut, sheet: 3 1/2 x 5 5/8 in. (8.9 x 14.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Eunuchus, from The Comedie of Terence, 19th century reprint, n.d., Woodcut, sheet: 3 1/2 x 5 5/8 in. (8.9 x 14.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

A Soldier on Duty, mid to late 17th century, Etching, Sheet: 7 3/8 x 4 7/16 in. (18.8 x 11.3 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Pallas et Arachne, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 13/16 × 2 3/16 in. (4.6 × 5.6 cm), Prints, Etched by Stefano della Bella…

Design for a Firescreen (?), 19th century, Watercolor, sheet: 7 9/16 x 12 3/8 in. (19.2 x 31.4 cm), Drawings, Anonymous, French, 19th century

Laughter, January 21, 1800, Etching, printed in brown ink, hand-colored, Sheet: 11 5/8 × 8 15/16 in. (29.5 × 22.7 cm), Prints, After George Moutard Woodward (British, ca. 1760–1809 London)

Design for a Stage Set at the Opéra, Paris, 1840–90, Graphite, Irregular sheet: 12 13/16 x 12 9/16 in. (32.5 x 31.9 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Design for an Urn with Satyrs for Handles., 17th century, Pen and brown ink, brush and brown wash over traces of graphite. Additions in gray wash by a restorer, Sheet: 7 9/16 x 6 in. (19.2 x 15.3…

Design for the decoration of an oval ceiling with putti and garlands; with a detail of a lunette, 1830–97, graphite, watercolor and gold paint on tracing paper; mounted on wove paper, Overall:…

Design for a Stage Set, 1840–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Design for Ceiling, 19th century, Pen and black ink, brush and gray wash over graphite, 10 3/4 x 13 3/4in. (27.3 x 34.9cm), Drawings, Charles Monblond (French, 19th century)

Saint John the Baptist Preaching., 1612–66, Pen and brown ink, brush with brown and red wash, red chalk, sheet: 7 7/8 x 10 13/16 in. (20 x 27.4 cm), Drawings, attributed to Pier Francesco…

A Woman Seated at a Bench on the Avenue du Bois, 19th century, Watercolor over traces of graphite, sheet: 7 7/8 x 11 in. (20 x 28 cm), Drawings, Berthe Morisot (French, Bourges 1841–1895 Paris)

Head of a Bearded, Young Man in Profile Facing Right, 1545–55, Black chalk on light brown paper, 8 1/4 x 6 1/4 in. (21 x 15.8 cm), Drawings, Bronzino (Agnolo di Cosimo di Mariano) (Italian,…

Design for a ceiling paianted in filagree patterns, 1830–97, watercolor, gouache, and gold paint on wove paper; inlaid in wove paper, Overall: 10 5/16 x 14 3/4 in. (26.2 x 37.5 cm),…

The Holy Family with the Infant Baptist, 1521–75, Pen and brown ink, brush and brown wash, highlighted with white, on blue paper, 5 11/16 x 4 3/16in. (14.4 x 10.6cm), Drawings, attributed to…

Ceiling, Cove, and Wall Decorations of the 'Guilio Romano' Room, Villa Madama, 1824, Graphite, watercolor, and gouache, 9 5/8 x 15 11/16 in. (24.4 x 39.9 cm), Drawings, Anonymous, French, 19th century

Fashion illustration, no. 2224, July 1885, Watercolor, sheet: 14 x 10 5/8 in. (35.5 x 27 cm), Drawings, Jules David (French, 1808–1892)

Head of a Woman (recto); Head of a Child, Study of Children's Forearms (verso), 1634–89, Black chalk on blue paper, 7 5/8 x 8 7/8in. (19.4 x 22.5cm), Drawings, Ciro Ferri (Italian, Rome…

Decorated Initial with Scene of Christ Entering the Temple., 1408–11, Pen and pale grayish brown ink, brush and pale grayish brown wash (figural scene), pen and pale brown ink, over construction…

Dignity! - 'Grace was in all her Steps. Heaven in her eyes, In all her actions dignity', June 21, 1821, Hand-colored etching, sheet: 10 3/8 x 8 9/16 in. (26.4 x 21.7 cm), Prints, Theodore Lane…

The Nôtre-Dame Pump (small plate), 1854, etching on heavy machine-laid paper; second of three states, plate: 4 1/4 x 3 1/8 in. (10.8 x 8 cm), Prints, Charles Meryon (French, 1821–1868)

Flower Vendor, 1738, Etching with some engraving, image: 8 13/16 x 6 3/4 in. (22.4 x 17.2 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After…

The Prodigal Son in a House of Ill Repute, ca. 1636, Etching; third state of three, Sheet: 10 7/8 × 13 9/16 in. (27.7 × 34.4 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Saint Jerome (recto); Soldier with a Spear (verso), 1460–1525, Brush with black ink and gray wash, over traces of black chalk or charcoal, highlighted with white gouache on blue paper (recto);…

Pastoral Scene: Nomads with Sheep and Cattle, 1609–64, Brush, brown, red-brown, blue, and white paint, on brownish paper, 10 1/16 x 14 1/4in. (25.6 x 36.2cm), Drawings, Giovanni Benedetto…

Virility, 1636, Etching, Sheet (trimmed): 10 1/16 × 12 11/16 in. (25.6 × 32.2 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Landscape with a Large Cannon, 1518, Etching, sheet: 8 1/2 x 12 5/8 in. (21.7 x 32 cm) fair margin, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Jardinière, 18th century (?), Pen and black ink, brush and grey wash, sheet: 16 1/4 x 22 7/16 in. (41.2 x 57 cm), Drawings, Anonymous, German, 18th century (?)

Design for a sepulchral monument; verso: Design for a monument, late 17th–early 18th century, Pen and brown ink, over red chalk and black chalk or graphite, brown and brownish yellow wash;…

Design for a Decorated Wall with Grottesque over Blue Background, 1762–1844, Pen and black ink, brush and orange-gold, black wash with white gouache over traces of leadpoint on blue prepared…

Virgin and Child Crowned by Two Angels, 1518, Engraving, Sheet: 5 7/8 × 3 15/16 in. (14.9 × 10 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Pelham Bay, ca. 1875, Etching, plate: 4 x 5 1/16 in. (10.2 x 12.9 cm), Prints, Henry Farrer (American, London 1844–1903 New York)

Floris II from the series Counts and Countesses of Holland, Zeeland, and West-Frisia, 1650, Engraving and etching; second state of three, sheet: 20 7/16 x 15 1/16 in. (51.9 x 38.3 cm), Prints,…

Ségur d'Aguessau, February 18, 1850, Lithograph, sheet: 14 1/4 x 9 15/16 in. (36.2 x 25.2 cm), Prints, Honoré Daumier (French, Marseilles 1808–1879 Valmondois)

A Rat Seen in Profile., 1685–1755, Brush with gray, brown, and light pink wash over traces of graphite. Traces of framing lines in pen and black ink at right edge, sheet: 4 9/16 x 8 9/16 in. (11.6…

Neptune in his Chariot being drawn by seahorses, from the 'Division of the Universe', 1531–76, Engraving, sheet: 7 13/16 x 10 1/4 in. (19.8 x 26 cm), Prints, Giulio Bonasone (Italian, active…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 2 7/8 x 3 11/16 in. (7.3 x 9.3 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)