Time Seated, with Two Attendant Figures, 1696–1770, Pen and brown ink, brush with pale and dark brown wash, over leadpoint or black chalk, 9-3/4 x 13-15/16 in. (24.7 x 35.4 cm), Drawings,…

The Vision of St. Hubert, 1728–1800, Pen and brown ink, brown wash, over black chalk. The paper washed blue outside framing lines, 11-5/8 x 7-1/2 in. (29.6 x 19.0 cm), Drawings, Vittorio…

Noah letting the animals into the ark, ca. 1630, Etching, sheet: 5 1/4 x 3 3/4 in. (13.3 x 9.5 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua)

Religious scenes used in Salus Anime, n.d., Woodcuts, sheet: about 2 1/2 x 2 in. (6.4 x 5.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Jan Cornelis Sylvius, Preacher (reverse copy), n.d., Etching, Prints, After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

The Winepress of the Wrath of God, from the Apocalypse, n.d., Engraving; second state of two, plate: 12 1/16 x 8 3/4 in. (30.7 x 22.2 cm), Prints, Jean Duvet (French, ca. 1485–after 1561)

Aux Trois Quartiers, Nouveautés Élégantes, Hiver 1887–88, 1887–88, Lithograph and wood engraving, Overall: 9 3/16 x 6 x 1/16 in. (23.3 x 15.3 x 0.2 cm), Books

Ill-Matched Couple, n.d., Engraving, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Maunder's Fish Shop, Chelsea, 1890, Transfer lithograph with scraping, drawn on medium-grained transfer paper, Image: 7 1/16 × 6 3/4 in. (18 × 17.2 cm), Prints, James McNeill Whistler…

Three Male Heads, 19th century, Pen and black ink, red and brown wash, over black chalk; on beige paper, lined, Sheet: 4 3/16 x 8 9/16 in. (10.7 x 21.7cm), Drawings, Honoré Daumier (French,…

A Parisienne on a Crowded Street, 1844–1907, Watercolor, graphite, pen and ink, sheet: 8 1/8 x 6 1/8 in. (20.7 x 15.5 cm), Drawings, Henri Somm (French, Rouen 1844–1907 Paris)

Jupiter Hurling a Thunderbolt, 1530–37, Brown ink and washes, black chalk underdrawing, traces of red chalk, laid paper, 6 5/8 x 7 5/8 in. (16.8 x 19.3 cm), Drawings, Giulio Romano (Italian,…

The Tall Bridge, 1878, Lithotint with scraping, first state of two (Chicago), printed in brown ink on, chine: 11 x 7 1/4 in. (27.9 x 18.4 cm), Prints, James McNeill Whistler (American, Lowell,…

The Messengers tell Job of his Misfortunes, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 7/16 x 6 5/8 in. (21.4 x 16.8 cm), Prints, William Blake (British, London…

Early Morning, Battersea (Battersea Dawn) (Cadogan Pier), probably 1863, Etching and drypoint; second state of two (Glasgow); printed in black ink on cream laid Japan, Plate: 4 1/2 × 5 15/16…

A Park with Figures at a Statue near Water, 1775 (?), Gouache, watercolour. Framing line in pen and brown ink., sheet: 10 7/8 x 15 3/8 in. (27.6 x 39 cm), Drawings, Salomon Gessner (Swiss,…

L'Amour, n.d., Etching, second state (?), sheet: 11 7/16 x 8 5/16 in. (29 x 21.1 cm), Prints, Jean François Janinet (French, Paris 1752–1814 Paris), After Jean Honoré Fragonard (French,…

Fameux Jury de Peinture. Salon de 1841, March 20, 1841, Lithograph, sheet: 9 13/16 x 14 7/16 in. (24.9 x 36.6 cm), Prints, Clément Pruche (French, active 1831–70)

Vignette Illustrating Torquato Tasso's 'Gerusalemme Liberata' (X:78), 1745, Red chalk over traces of graphite, sheet: 8 1/4 x 6 1/2 in. (21 x 16.5 cm), Drawings, Giovanni Battista Piazzetta…

Juno, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 7/8 × 2 1/16 in. (4.7 × 5.3 cm), Prints, Etched by Stefano della Bella (Italian, Florence…

The Decapitation of a Male Saint, 1686–1775, Brush and red wash, over red chalk, 14 3/16 x 10 1/4in. (36.1 x 26cm), Drawings, Carlo Innocenzo Carloni (Italian, Scaria 1686–1775 Scaria)

Plate 4 from the 'Disparates': Simpleton, ca. 1816–23 (published 1864), Etching, burnished aquatint, burin and drypoint (?), Plate: 9 9/16 × 13 7/8 in. (24.3 × 35.2 cm), Prints, Goya (Francisco…

Design for Panel: Allegorical Figure of Europe, 1650–79, Black chalk, 9 15/16 x 8 15/16in. (25.2 x 22.7cm), Drawings, Giacomo Barri (Italian, documented Venice after 1630–1689 Venice)

Masked Man using a Lantern to Collect Discarded Pamphlets by a Tombstone, published in Le Charivari, ca. 1830, Lithograph, sheet: 11 7/16 x 8 7/8 in. (29 x 22.6 cm), Prints

Standing Female Figure, ca. 1739–40, Etching, sheet: 4 1/2 x 2 11/16 in. (11.4 x 6.9 cm), Prints, Pierre Ignace Parrocel (French, 1702–1775)

Four Canephori, 1510–85, Pen and brown ink, over black chalk. Squared in pen and brown ink, 6 3/16 x 7 3/4in. (15.7 x 19.7cm), Drawings, Carlo Urbino (Italian, Crema ca. 1510/20–after 1585 Crema)

Design for a Chest of Drawers, 18th century, Pen and black and gray ink, brush and gray wash., sheet: 14 5/16 x 9 1/8 in. (36.3 x 23.2 cm), Anonymous, French, 18th century

St. Sebastian, ca. 1510, Engraving, sheet: 4 1/8 x 2 7/8 in. (10.5 x 7.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Plate 2 from 'The Disasters of War' (Los Desastres de la Guerra): 'Rightly or wrongly' (Con razon ó sin ella.), 1810 (published 1863), Etching, lavis, drypoint, burin, and burnisher, Plate: 6 in.…

Twenty-four Cavaliers in Two Columns, 1652, Etching, Sheet (with border): 9 7/16 × 13 1/8 in. (24 × 33.3 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence)

The Tragic Actor: Rouvière in the Role of Hamlet, 1865–66, Etching on blue laid paper, final state (II), from 1905 Strölin edition, plate: 14 3/8 x 8 9/16in. (36.5 x 21.7cm), Prints,…

Illustration for a Book: Booty Presented to Three Dignitaries, 1696–1770, Graphite or black chalk. Horizontal and vertical centering lines ruled in faint graphite or black chalk, 2-15/16 x 6-1/8…

Plate 70 from 'The Disasters of War' (Los Desastres de la Guerra): 'They do not know the way.' (No saben el camino.), after 1814–15 (published 1863), Etching, drypoint, burin and burnisher, Plate:…

A Domestic Scene, 1582–84, Pen and with brown and gray-black ink, brush with gray and brown wash, over black chalk, Sheet: 12 7/8 x 9 1/4 in. (32.8 x 23.6 cm), Drawings, Annibale Carracci…

Unidentified Subject, 1702–59, Black chalk, highlighted with white, on gray-washed paper, 10-7/16 x 10-7/8 in. (26.5 x 27.7 cm), Drawings, Placido Costanzi (Italian, Rome 1702–1759 Rome)

Sea Monster (in two fragments), 1548–1612, Pen and brown ink., 3 9/16 x 3 in. (9.1 x 7.6 cm), Drawings, Ascribed to Bernardino Poccetti (Italian, San Marino di Valdelsa 1548–1612 Florence)

Reclining River God, a Goat's Head, and Studies of Heraldic Emblems (recto); Cavalier Standing on a Globe Supported by a Kneeling Giant (verso), 1612–75, Pen and brown ink (recto). Pen study…

The Nativity, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach)

Draughtsman Making a Perspective Drawing of a Reclining Woman, ca. 1600, Woodcut, sheet: 3 1/16 x 8 7/16 in. (7.7 x 21.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

A Woman Spinning (recto); A Woman Holding a Bundle (verso), 18th century, Pen and brown ink, 11 5/8 x 7 3/16 in. (29.5 x 18.3 cm), Drawings, Giacomo Ceruti (Italian, Milan 1698–1767 Milan)

Fragments choisis dans les Peintures et les Tableaux les plus interessants des Palais et des Eglises d'Italie, 18th century, Etching, sheet: 8 1/8 x 5 7/8 in. (20.6 x 15 cm), Prints, Jean…

Album Title Page: Hanging Scene, 19th century, Graphite, sheet: 6 5/8 x 9 in. (16.8 x 22.8 cm), Drawings, Anonymous, French, 19th century

Elevation of an interior with a chimneypiece surmounted by a mirror and a second floor balcony, 1830–97, pen and ink, graphite, and oil on tracing paper; mounted on wove paper, Overall: 20 7/16 x…

Two Polish horsemen with their horses facing left, from 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois), ca. 1651, Etching, Sheet: 7 3/16 × 7 3/8 in. (18.3 × 18.7 cm),…

Bust of an Old Man with a Flowing Beard: the Head Bowed Forward: Left Shoulder Unshaded, 1630, Etching, Sheet: 3 3/4 × 3 1/8 in. (9.5 × 8 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch,…

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Illustration for a Book: Inhabitants Leaving a Conquered City, 1696–1770, Black chalk. Horizontal and vertical centering lines ruled in faint black chalk, 2-15/16 x 5-15/16 in. (7.4 x 15.1…

The Rialto, 1879–80, Etching and drypoint; first state of three (Glasgow); printed in black ink on medium weight ivory laid paper, Plate: 11 11/16 × 7 15/16 in. (29.7 × 20.1 cm), Prints,…

The Barber's (The Barber's Shop, Chelsea), [1886–95], Etching and drypoint; first state of two (Glasgow); in black ink on ivory laid paper, Plate: 6 7/16 × 9 7/16 in. (16.3 × 24 cm), Prints,…

Mask, Etching, Prints, Attributed to Stefano della Bella (Italian, Florence 1610–1664 Florence)

San Lorenzo, Library, Ricetto, entry portal from library, elevation (recto) San Lorenzo, Library, Ricetto, entry portal from library, plan and section (verso), early to mid-16th century , Dark…

Woman's Head, from L'Estampe Moderne, 1897–99, Photolithograph, mount: 16 7/16 x 12 5/8 in. (41.7 x 32 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)

Putti at play, second half 19th century, Graphite and brown wash, image: 4 3/4 x 9 7/16 in. (12.1 x 24 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet…

Design for the decoration of the dining room, 20 rue Matignon, second half 19th century, Gouache on wove paper, sheet: 8 1/16 x 12 13/16 in. (20.4 x 32.6 cm), Drawings, Jules-Edmond-Charles…

St. Giles-in-the-Fields, 1896, Transfer lithograph with stumping, drawn on white transfer paper with a grained-stone texture; only state (Chicago) probably printed posthumously by Goulding; printed…

The Dog on the Kennel, 1858, Etching, second state of two (Glasgow), printed in black on coarse fibrous wove paper, plate: 2 13/16 x 3 1/2 in. (7.1 x 8.9 cm), Prints, James McNeill Whistler…

Snow Plant, Sarcodes sanguinea, July 1909, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret…

Louis XVI Entering Paris, October 6, 1789, 1789, Pen and black ink, brush and gray wash, watercolor and gouache, over graphite, 5 3/16 x 8 3/16 in. (13.2 x 20.8 cm.), Drawings, Jacques…

The Successful Fortune Hunter, or Captain Shelalee Leading Miss Marrowfat to the Temple of Hymen, 1802, Hand-colored etching, Sheet:: 13 1/2 × 9 5/8 in. (34.3 × 24.5 cm), Prints, Thomas…

Antiope, ca. 1639–40, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 7/8 x 8 3/8 in. (35.3 x 21.2 cm), Prints, Gilles Rousselet (French, Paris 1614–1686…

Glass Furnace: Murano (Murano – Glass Furnace), 1879–80, Etching and drypoint; first state of four (Glasgow); printed in brown ink on ivory laid paper, plate: 6 1/4 x 9 1/4 in. (15.9 x 23.5…

Man with Torch at Temple Door, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After…

Three Standing Male Figures (recto); Two Standing Male Figures (verso), 1502–93, Pen and brown ink, brush and brown wash (recto); pen and brown ink, over traces of black chalk (verso), 8 x 3…

The Siege of a Fortress, n.d., Woodcut, sheet: 8 13/16 x 14 15/16 in. (22.4 x 37.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Head of an old bearded Man facing Right, Etching, Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua)

Germain-Augustin and Rose de Saint-Aubin, Drawn by Their Uncle, 1766, Gray wash over black chalk and graphite., 7 3/16 x 4 13/16 in. (18.2 x 12.2 cm), Drawings, Gabriel de Saint-Aubin (French,…

Game of the Bridge, Pisa, 1634, Etching, state i, Prints, Designed by Stefano della Bella (Italian, Florence 1610–1664 Florence), Etched by Antonio Francesco Luccini (Italian, born Florence, 1605)

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 8 9/16 x 5 3/16 in. (21.8 x 13.2 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

The Apse of Notre-Dame, Paris, 1854, Etching with engraving and drypoint on laid paper; fourth state of nine, plate: 6 1/2 x 11 13/16 in. (16.5 x 30 cm), Prints, Charles Meryon (French, 1821–1868)

The Virgin With Child and St. Anna, 1516, Engraving, sheet: 4 3/8 x 3 1/2 in. (11.1 x 8.9 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Design for a Fireplace, 1633 or after, Pen and brown ink, brush and gray wash, with framing lines in gold paint, 13 7/8 x 9 3/8 in. (35.2 x 23.8 cm), Anonymous, French, 17th century, After Jean…

Design for a Stage Set at the Opéra, Paris: A Fountain, 1830–90, Graphite, Irregular sheet: 4 5/16 x 6 3/8 in. (11 x 16.2 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

The Seven Angels with the Trumpets, from The Apocalypse, Latin Edition, 1511, 1511, Woodcut, sheet: 15 5/16 x 11 1/16 in. (38.9 x 28.1 cm), Prints, Albrecht Dürer (German, Nuremberg…

Woman Kneeling Facing Left (recto); Seated Woman Facing Right (verso), 1555–1619, Pen and brown ink, touched with white, over traces of black chalk, squared for transfer in black chalk (recto),…

Plate 24: herdsman atop a horse, seen from behind, leads his cattle down a hill, a tower on a hill to left in the background, from 'Diversi capricci', ca. 1644–47, Etching; third state of…

Saint Francis of Assisi and Saint Louis of France Venerating an Image of the Virgin, ca. 1618, Pen and brown ink, on beige paper, sheet: 9 5/16 x 6 3/8 in. (23.6 x 16.2 cm), Drawings, Guercino…

Design for a Stage Set: Semi-Circular Architectural Ruins, Fountains, and an Obelisk., 1657–1743, Pen and brown ink, brush and brown wash over traces of graphite., sheet: 9 5/16 x 14 13/16 in.…

A guardian angel walking with a child, ca. 1640, Etching, Sheet: 7 11/16 × 5 1/16 in. (19.5 × 12.8 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona)

Bon Voyage (Buen Viage), from The Caprices (Los Caprichos), plate 64, 1799, Etching, burnished aquatint and burin, Image: 8 7/16 × 6 3/16 in. (21.5 × 15.7 cm), Prints, Goya (Francisco de Goya…

Design for a Soup Tureen with Pig on Top, 19th century, Pen and brown ink with gray wash on laid paper, sheet: 13 5/16 x 19 3/8 in. (33.8 x 49.2 cm), Drawings, Anonymous, French, 19th century

Design for a sepulchral monument with a portrait bust, 1673, Pen and brown ink, red and brown wash, red chalk, over black chalk or graphite, sheet: 8 1/8 x 4 1/4 in. (20.6 x 10.8 cm),…

Design for wallpaper featuring oak leaves, acorns, and intertwined twigs, 1830–97, gouache on wove paper, image: 6 13/16 x 6 13/16 in. (17.3 x 17.3 cm), Drawings, Jules-Edmond-Charles…

The Children's Pic-Nic, ca. 1872–74, Lithograph, image: 9 1/8 x 12 3/8 in. (23.2 x 31.4 cm), Prints

Head of a Man, 1575–1633, Red chalk, 11 15/16 x 7 13/16in. (30.4 x 19.9cm), Drawings, Antonio d'Enrico Tanzio (Tanzio da Varallo) (Italian, Riale d'Alagna 1575/80–1632/33 Novara)

Partial design for a ceiling painted in strapwork and pine cone motifs, 19th century, graphite, pen and ink, and watercolor on wove paper; inlaid in blue wove paper, Drawings,…

Ground Plan of a Pavillion, 16th century, Pen and brown ink, brush and brown wash on laid paper., 13 9/16 x 9 9/16 in. (34.5 x 24.3 cm), Drawings, Anonymous, French, 16th century

Design for a Decorated Console with Two Slaves on Top of an Eagle, 1762–1844, Pen and brown ink, brush and gray wash, 9- 5/16 x 7- 1/4 in. (23.6 x 18.4 cm), Giuseppe Bernardino Bison…

Hungarian horseman riding towards the left, other horsemen in the background, a circular composition from 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois), n.d., Etching; reverse…

Coat of Arms with a Mask, Held by Two Genii, 1527, Engraving, sheet: 3 1/16 x 4 5/8 in. (7.8 x 11.8 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Two Nude Children Supporting a Blank Shield, ca. 1510, Engraving, sheet: 3 5/16 x 4 3/16 in. (8.4 x 10.6 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Border and Three Pediments (recto), Fifteen circular Designs (verso), 18th century, Pen and black ink over graphite, bottom design (recto) with brown, yellow, and blue wash on Whatman paper, sheet:…

Madame Claire Philippe de La Pierre (née da Cunha), 1796, Black chalk, stumping, with white highlights, on white paper, 11 3/4 x 10 in. (29.8 x 25.4 cm), Drawings, Jacques Antoine Marie…

Pink-purple Orchid, ca. 1911, Watercolor and brown ink over graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American, New York 1867–1944 New York)

A Company of Horsemen, Etching, sheet: 10 13/16 x 16 13/16 in. (27.4 x 42.7 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice)

The Letter, 1890–91, Drypoint and aquatint, printed in color from three plates, plate: 13 5/8 x 8 15/16 in. (34.6 x 22.7 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926…

Saint Jerome Praying in a Landscape., 1550–60, Pen and brown ink, brush and brown wash, highlighted with white gouache, on paper tinted with a light brown wash, 8 3/8 x 6 9/16 in. (21.2 x 16.6…

Design for a Chair, ca. 1820, Ink, watercolor, gouache and wash, sheet: 7 1/4 x 4 7/16 in. (18.4 x 11.3 cm), Attributed to Gillows (British, 19th century)

Seascape with Bacchus and Ariadne, 1742, Engraving, image: 11 5/16 x 15 1/16 in. (28.8 x 38.3 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome), Engraved by…

Wooded Landscape with Stag, 1800–1877, Pen and brown ink, watercolor, heightened with white gouache, sheet: 15 9/16 x 19 11/16 in. (39.5 x 50 cm), Drawings, Carl August Lebschee (German,…

A Symphony (from 'Vanity Fair'), January 12, 1878, Color lithograph, image: 12 1/8 x 7 5/16 in. (30.8 x 18.6 cm), Prints, Sir Leslie Ward ['Spy'] (British, 1851–1922), Caricatue of Whistler…