Bill Lying on His Mother's Lap, ca. 1889, Soft-ground and aquatint; fourth state of five, plate: 7 1/16 x 5 7/16 in. (17.9 x 13.8 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania…

Jean Duvergier de Hauranne, abbe de Saint-Cyran, Etching, image: 13 9/16 x 9 7/16 in. (34.4 x 23.9 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne…

Two designs for wall panels, second half 19th century, Graphite, gilt, gouache, and watercolor, Overall: 13 9/16 x 19 13/16 in. (34.5 x 50.3 cm), Drawings, Jules-Edmond-Charles Lachaise (French,…

Two Studies of a Seated Male Nude Seen from the Back, 1596–1602, Red chalk, with some contours reinforced in pen and brown ink. Upper right corner replaced, 7-13/16 x 5-1/4 in. (19.8 x 13.3…

Rest on the flight into Egypt, Mary holding the infant Christ with St. Joseph at right, ca. 1640, Etching, Plate: 6 15/16 × 10 3/8 in. (17.7 × 26.3 cm), Prints, Simone Cantarini (Italian,…

Christ Giving the Host to a Holy Abbess (after Gaulli), 1639–1709, Pen and brown ink, brush and gray wash. Squared in black chalk, 15-1/4 x 9-1/4 in. (38.8 x 23.5 cm), Drawings, After…

Design for an Architectural Interior, n.d., Pen and black ink, brush and gray, blue and brown wash, 6 7/16 x 11 11/16 in. (16.3 x 29.7 cm.), Drawings, Pierre Nicolas Ransonnette (French, Paris…

Christ on the Cross, 1590–1600, Black chalk. Traces of reddish-brown oil paint at lower left, 10 11/16 x 7 1/2in. (27.1 x 19.1cm), Drawings, attributed to Girolamo Muziano (Italian,…

The Circumcision, Study for an Engraving, 1634–89, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, 10 15/16 x 7 13/16in. (27.8 x 19.9cm), Drawings, Ciro…

Fragments choisis dans les Peintures et les Tableaux les plus interessants des Palais et des Eglises d'Italie, 18th century, Etching, sheet: 6 7/16 x 8 3/16 in. (16.3 x 20.8 cm), Prints, Jean…

Woodcutter Trimming Faggots, 1853–54, Conté crayon with stumping on beige laid paper, Overall: 15 x 11 3/4in. (38.1 x 29.8cm), Drawings, Jean-François Millet (French, Gruchy 1814–1875 Barbizon)

A Giant Seated in a Landscape, sometimes called 'The Colossus', by 1818, Burnished aquatint with scraping and strokes of 'lavis' added along the top of the landscape and within the landscape,…

Design for a Ewer, 1734–91, Pen and black ink, brush and gray wash., 9 5/8 x 5 9/16 in. (24.4 x 14.1 cm), Drawings, Jean Charles Delafosse (French, Paris 1734–1789 Paris)

Funerary Scene in a Temple, ca. 1760, Etching, image: 5 1/16 x 7 1/2 in. (12.9 x 19.1 cm), Prints, Pierre Moreau (French, 1722–1798 Paris)

The Crucifixion (Round) (copy), n.d., Engraving, Diameter: 1 7/16 in. (3.6 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Arion, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 13/16 × 2 1/4 in. (4.6 × 5.7 cm), Prints, Etched by Stefano della Bella (Italian,…

Man Wearing a Small Turban Ornamented with Plumes and Ribbon, Facing Right, from Studies of Small Heads in Oriental Headdress, 17th century, etching, sheet: 4 5/16 x 3 1/8 in. (11 x 8 cm),…

Mauritanie, 1644, Etching, state iii, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676)

Ornamental Designs After Antique Vases, 1548–1612, Pen and brown ink, brush and brown wash., 4 15/16 x 7 5/8 in. (12.5 x 19.4 cm), Drawings, After Bernardino Poccetti (Italian, San Marino di…

Design for Gallery Elevation and Ceiling, Hôtel Cottier, ca. 1867, Watercolor and gilt, 11 5/16 x 13 1/4 in. (28.8 x 33.7 cm), Jules-Edmond-Charles Lachaise (French, died 1897),…

Design for the decoration of a ceiling, 1830–97, pen and ink, watercolor, and gouache on wove paper; mounted on wove paper, Overall: 10 5/16 x 14 13/16 in. (26.2 x 37.7 cm), Drawings,…

Plate 37 from 'The Disasters of War' (Los Desastres de La Guerra):'This is worse' (Esto es peor.), 1810 (first published 1863), Etching, lavis and drypoint, Plate: 6 in. × 7 15/16 in. (15.2 ×…

Elevation of the Entrance to an Arsenal, Pen and black ink with brush and gray, brown and blue washes, 7 5/8 x 11 7/8 in. (19.3 x 30.2 cm.), Drawings, Attributed to Jean Charles Delafosse…

Ornamental drawings (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 3 7/16 x 11 3/4 in. (8.7 x 29.9 cm)

The Holy Trinity (Schr. 774a), 15th century, Woodcut, hand-colored, sheet: 3 7/16 x 2 5/8 in. (8.8 x 6.7 cm), Prints, Anonymous, German, 15th century

The Presentation in the Temple in the Dark Manner, ca. 1654, Etching and drypoint, Plate: 8 1/4 x 6 3/8 in. (21 x 16.2 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Design for a Lighthouse (Margate?), ca. 1815, Pen and black ink, watercolor. Framing lines in pen and black ink., sheet: 15 1/2 x 12 5/16 in. (39.4 x 31.3 cm), Debenne (French, active ca. 1815)

Lamp, Hellenistic or Early Imperial, 1st century B.C.–1st century A.D., Greek or Roman, Terracotta, Overall: 1 5/16 x 4 7/8 in. (3.3 x 12.4 cm), Terracottas

Tobit burying the Dead, ca. 1647–51, Etching, Sheet: 8 1/16 × 11 3/4 in. (20.4 × 29.8 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua)

Le Public à l'Exposition (The Public at the Exhibition), June 18, 1864, Lithograph; third state of three, image: 8 13/16 x 8 11/16 in. (22.4 x 22 cm), Prints, Honoré Daumier (French,…

A Fountain in a Grotto, ca. 1598, Pen and brown ink, brush and brown wash, over traces of black and red chalk, maximum, corners cut to octagonal shape: 10 3/4 × 7 1/4 in. (27.3 × 18.4 cm),…

Cameo, No. 1 (Mother and Child), 1880–1903, Etching; only state (Glasgow); printed in black ink on dark ivory laid paper, Plate: 6 7/8 × 5 in. (17.5 × 12.7 cm), Prints, James McNeill…

Plate 18 from the 'Disparates':Birds of a feather flock together, ca. 1816–23 (private printing ca4), Etching, burnished aquatint and burin, Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm), Prints,…

Spring (Ver) from The Seasons, 1570, Engraving; first state of three, sheet: 9 x 11 7/16 in. (22.8 x 29 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), After Pieter Bruegel…

Standing Male Figure with Left Arm Extended, 18th century, Red chalk, traces of black chalk, heightened with white, on beige paper., 16 5/16 x 11 1/8 in. (41.5 x 28.3 cm), Drawings, Charles…

Design for a Decorative Wall Panel with Profile Portraits, and a Study for a Column, 19th century, Watercolor on wove paper (wall panel); pen and ink (column), sheet: 6 3/8 x 10 1/16 in. (16.2 x…

Minerva (Study after a Sculpture), n.d., Conté crayon, stumping, heightened with white chalk on faded blue paper, sheet: 11 1/2 x 8 7/16 in. (29.2 x 21.5 cm), Drawings, Louis Léopold Boilly…

Death on the Battlefield, from 'The five deaths' (Les cinq Morts), ca. 1648, Etching; proof state retouched with graphite and pen and brown ink, Sheet (trimmed): 7 1/2 × 11 3/4 in. (19.1 × 29.8…

Lust (Luxuria) from The Seven Deadly Sins, 1558, Engraving, plate: 8 7/8 x 11 11/16 in. (22.6 x 29.7 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), After Pieter Bruegel the…

Return of the Prodigal Son, 1620–69, Etching, pen and ink, Plate: 6 1/8 × 5 7/16 in. (15.6 × 13.8 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

The Merchant Robbed by Monkeys, 1562, Engraving; first state of five, plate: 8 15/16 x 11 9/16 in. (22.7 x 29.4 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), After…

Watch Design, 1794, Watercolor with pen and ink on laid paper, sheet: 13 5/8 x 9 5/8 in. (34.6 x 24.4 cm), Drawings, Delamotte

Design for double doors decorated in the rococco style, 1867, graphite, pen and ink, watercolor and gold paint on wove paper; mounted on blue paper, Overall: 14 3/4 x 10 3/8 in. (37.4 x 26.4…

Molière's tomb, Père-Lachaise Cemetery, Paris, 1854, Copper plate, plate: 2 5/8 x 2 3/4 in. (6.7 x 7 cm), Plates, Charles Meryon (French, 1821–1868)

The Lamentation, n.d., Woodcut, sheet: 15 5/16 x 11 1/8 in. (38.9 x 28.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

The Angel Appearing to the Shepherds, 1634, Etching, burin, and drypoint; third state of three, image: 10 5/16 x 8 9/16 in. (26.2 x 21.7 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch,…

The Church of St. Etienne-du-Mont, Paris, 1852, Etching and drypoint on laid paper; eighth (final) state, plate: 9 13/16 x 5 1/8 in. (25 x 13 cm), Prints, Charles Meryon (French, 1821–1868)

Naked woman (Leda) and swan (Zeus) embrace on a river bank; two figures jump into the water at middle ground; a town and bridge in the background., early 16th century, Engraving, Sheet (trimmed…

Jansenius, eveque d'Ypres, Etching, first state, image: 11 13/16 x 9 3/8 in. (30 x 23.8 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris)

Pastry Shop, ca. 1632–33, Etching, sheet: 10 1/4 x 13 3/16 in. (26 x 33.5 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

The Great Triumphal Car third sheet, n.d., Woodcut, sheet: 8 3/8 x 10 1/16 in. (21.3 x 25.6 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Cosimo de Medici, Prince of Tuscany, and His Wife, Marguerite Louise d'Orleans, 1661, Etching, Sheet: 5 3/8 × 5 7/16 in. (13.6 × 13.8 cm), Prints, Stefano della Bella (Italian, Florence…

Scherzo di Fantasia: Two Standing Orientals and a Standing Youth with a Sword, 1696–1770, Pen and dark brown ink, brush with pale and dark brown wash, over traces of black chalk, 13-11/16 x…

Bust of a Woman, 18th century, Graphite, 4 x 3 3/4 in. (10.2 x 9.5 cm) Oval, Drawings, Anonymous, French, 18th century

Pietà, 1612–16, Etching with stippling and engraving, Sheet (trimmed): 12 3/16 × 7 13/16 in. (31 × 19.8 cm), Prints, Jacques Bellange (French, Bassigny (?) ca. 1575–1616 Nancy)

A Trip to Scarborough, March 3, 1783, Etching, sheet: 9 7/16 x 16 5/16 in. (24 x 41.5 cm), Prints

Design for the decoration of a ceiling in the house of Baron Malet, Jouy-en-Josas (Seine et Gise), second half 19th century, Gouache on laid paper; inlaid in blue wove paper, sheet: 8 5/8 x 11…

Saint Jerome Extracting a Thorn from the Lion's Foot, Lyons, 1508 (copy), n.d., Woodcut, Sheet: 9 11/16 × 7 3/16 in. (24.6 × 18.2 cm), Prints, After Albrecht Dürer (German, Nuremberg…

Figures in a Garden, 1784, Gouache, 12 1/2 x 17 1/4 in. (31.7 x 43.8 cm), Drawings, Jean Démosthène Dugourc (French, Versailles 1749–1825 Paris)

Elevation of an Italianate interior, including steps and an upper loggia decorated in composite columns, 1830–97, pen and ink, wash and watercolor, heightened with white on wove paper, sheet:…

Christ on the Cross with the Virgin and Saint John, n.d., Woodcut, sheet: 8 5/8 x 5 7/16 in. (21.9 x 13.8 cm), Prints, Formerly attributed to Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Prodigal Son Leaves Home, ca. 1636, Etching and engraving, Sheet: 11 7/8 × 14 1/16 in. (30.1 × 35.7 cm), Prints, Anonymous, After Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Mars, Venus and Cupid, ca7–1639, Etching, Sheet: 10 5/16 × 7 7/8 in. (26.2 × 20 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona), After Paolo Veronese (Paolo Caliari)…

New Caledonia: Large native hut on the road from Balade to Puebo, 1845, 1863, Etching on laid paper., plate: 5 3/8 x 9 3/4 in. (13.7 x 24.8 cm), Prints, Charles Meryon (French, 1821–1868)

Two designs for a ceiling, second half 19th century, Graphite, pen and black ink, and watercolor, Overall: 10 1/4 x 15 7/8 in. (26 x 40.4 cm), Drawings, Jules-Edmond-Charles Lachaise (French,…

Clothing Beggars, possibly 1635, Etching, Sheet (trimmed): 10 1/4 × 12 15/16 in. (26.1 × 32.8 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Designs for Ornamental Motifs and for a Herm Supporting a Chimney Piece, 1568–1625, Pen and brown ink, brush and brown wash, over black chalk, 12 x 8 1/2in. (30.5 x 21.6cm), Drawings,…

Design for an ornamental plaque for a bath house, 1830–97, graphite, wash, and watercolor on wove paper; mounted on wove paper, Overall: 9 11/16 x 12 5/8 in. (24.6 x 32.1 cm), Drawings,…

Virgin and Child with Two Saints (recto); Fragmentary Design of a Pietà (verso)., 1515–20, Red chalk (recto); soft black chalk (verso), sheet: 8 1/16 x 6 1/8 in. (20.5 x 15.6 cm), Drawings,…

Presentation of the Infant Jesus in the Temple, ca. 1643, Pen and brown ink, brown wash., 8 3/16 x 5 7/8 in. (20.8 x 15 cm), Drawings, Charles Mellin (French, Nancy ca. 1597–1649 Rome)

A lion, dragon and fox fighting each other, an inscribed banderole above, an oval composition, ca. 1515–27, Engraving, Sheet (Trimmed to plate): 4 3/4 × 6 9/16 in. (12 × 16.6 cm), Prints,…

Plate 51 from 'Los Caprichos': They spruce themselves up (Se repulen.), 1799, Etching, burnished aquatint and burin, Plate: 8 1/4 x 5 13/16 in. (20.9 x 14.7 cm), Prints, Goya (Francisco de Goya…

Ornamental Design with Fruit and Flowers (recto); Flower Stalk with Leaves (verso), 18th century, Black chalk with pastel on blue paper (recto); black chalk (verso), 16 1/16 x 11 1/4 in. (40.8 x…

Saint Anthony of Padua adoring the Christ Child, copy after Cantarini, 1640, Etching, Sheet: 10 13/16 × 7 1/2 in. (27.4 × 19 cm), Prints, Anonymous, Italian, 17th century, After Simone…

Three Designs for Ceilings, Hôtel Cottier, ca. 1879, Graphite, 10 3/8 x 14 7/8 in. (26.4 x 37.8 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French,…

Embroidery Pattern with Seven Six-pointed Stars and Four Corner Pieces, 1521 before, Woodcut, sheet: 11 5/16 x 9 1/16 in. (28.7 x 23 cm), Albrecht Dürer (German, Nuremberg 1471–1528…

Courtyard of the Chateau de Saint-Cloud, n.d., Pen and brown ink, watercolor, over traces of graphite. Scattered stains., 7 15/16 x 12 5/8 in. (20.1 x 32.1 cm), Drawings, Victor Jean Nicolle…

Christ Carrying the Cross, from The Passion, 1512, Engraving, Sheet: 4 3/4 × 3 1/16 in. (12 × 7.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Bacchanale with Eight Figures, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After…

Au jardin d'acclimatation, 1850–1914, Etching; first state of two, sheet: 9 15/16 x 12 1/2 in. (25.2 x 31.7 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)

Design for a Stage Set at the Opéra, Paris, 1828–90, Graphite, brush and gray wash, sheet: 11 13/16 x 18 3/16 in. (30 x 46.2 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Design for Decorated Archway, Monaco Pavillion, 1878, Pen and black ink, graphite, watercolor, and gouache, 8 x 11 in. (20.3 x 27.9 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died…

An Old Man in Profile, 1761, Etching, plate: 5 1/16 x 3 7/8 in. (12.9 x 9.8 cm), Prints, Captain William E. Baillie (Irish, County Kilbride 1723–1810 London), After Rembrandt (Rembrandt van…

Monstrous Craws at a New Coalition Feast, May 29, 1787, Etching and aquatint, sheet: 14 5/8 x 18 7/16 in. (37.2 x 46.9 cm), Prints, James Gillray (British, Chelsea 1756–1815 London), Queen…

L'Enfant Trouvé:–a Sample of Roman Charity!–or–the Misfortune of Not Being Born with Marks of 'the Talents', May 19, 1808, Hand-colored etching, sheet (clipped impression): 10 1/16 x 14…

Satyr Leading Goat on which a Infant Rides, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Anonymous, Italian, 16th century, After…

Prise de Constantine, 19th century, Pen and ink and watercolor, 5 7/8 x 11 in. (14.9 x 27.9 cm), Drawings, Auguste Raffet (French, Paris 1804–1860 Gênes)

Baby's Lullaby, ca. 1887, Drypoint; second state of two, plate: 6 1/4 x 6 1/4 in. (15.9 x 16 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)

Hermit Saints (Schr. 1773b), 15th century, Woodcut, hand-colored with oxidized silver; printed by hand, sheet: 5 11/16 x 4 3/4 in. (14.5 x 12 cm), Prints, Anonymous, German, 15th century

Elevation of a Pulpit, Front View, R. Edmundson & Sons, early 19th century, Ink and watercolor, sheet: 9 1/2 x 11 13/16 in. (24.2 x 30 cm), Anonymous, British, 19th century

Le Cocu battu et content, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, 1795, Etching and engraving; second state…

Design for an Casket heavily decorated Foliate Scrolls, Garlands and a Satyr Mask, 1652–1725, Pen and brown ink, brush and gray wash over traces of graphite, sheet: 6 x 9 5/16 in. (15.2 x 23.7…

Fortitude, from the series The Seven Virtues, 1530, Engraving, sheet: 6 7/16 x 4 1/4 in. (16.4 x 10.8 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

L'Homme au Gros Dos Orné d'Une Rangée de Boutons (Man with a Large Back Ornamented with a Row of Buttons), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains…

Cut-leaved Balsam Root, Balsamorrhiza macrophylla, May 26, 1913, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm),…

Cephalus and Procris, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 3/4 × 2 1/4 in. (4.5 × 5.7 cm), Prints, Etched by Stefano della Bella…

The Blacksmith, 1895–96, Transfer lithograph with stumping, drawn on thin, transparent transfer paper; second state of three (Chicago); printed in black ink on cream laid paper, Image: 8 3/8 ×…

Songs of Innocence and of Experience: The Chimney Sweeper, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1…

Saint Jerome Penitent in the Wilderness (copy), n.d., Engraving, Sheet: 12 5/8 × 8 15/16 in. (32.1 × 22.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)