A Male and a Female Saint (Joseph of Aramathea? and Saint Catherine of Siena? Adoring the Virgin and Child in Glory (recto); Minerva Bellona with a Victorious Warrior (verso), 1623–90, Pen and…

The Virgin Immaculate and Four Male Saints (Study for The Dispute over the Immaculate Conception), 1625–1713, Red chalk on beige paper., 14 3/8 x 8 1/8in. (36.5 x 20.7cm), Drawings, Carlo…

Philosopher with an Hourglass, 1620–74, Etching, Prints, Jan Lievens (Dutch, Leiden 1607–1674 Amsterdam)

A Seated Apostle (recto); Drapery Study (verso), 18th century, Black chalk on blue paper, sheet: 6 1/4 x 5 1/16 in. (15.9 x 12.9 cm), Drawings, Anonymous, French, 18th century

State of the English Nation [Toestand der Engelsche Natie], ca. 1780, Engraving, plate: 8 3/16 x 13 5/16 in. (20.8 x 33.8 cm), Prints, Anonymous, Dutch, 18th century

The Latest Fashions, Expressly Designed and Prepared for Le Moniteur de la Mode, March 1, 1887, Hand-colored lithograph, Sheet: 15 9/16 x 10 1/2 in. (39.5 x 26.6 cm), Prints, Jules David…

St. Jerome (Schr. 1554a), 15th century, Woodcut, hand-colored, sheet: 6 1/2 x 4 13/16 in. (16.5 x 12.2 cm), Prints, Anonymous, German, 15th century

Plate 5 from the 'Disparates': Flying Folly, ca. 1816–23 (published 1864), Etching and aquatint, Sheet: 9 9/16 × 13 15/16 in. (24.3 × 35.4 cm), Prints, Goya (Francisco de Goya y Lucientes)…

Le Savetier, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, published in 1795, Etching; first state of three…

Five Foot Soldiers and a Mounted Turk, ca. 1495, Engraving, Sheet: 5 3/16 × 5 11/16 in. (13.1 × 14.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Woodland Scene with Light Sketch of a Madonna and Child, 1528–92, Pen and brown ink, brush and brown wash, over black chalk, on buff paper, 8 1/8 x 10 7/8in. (20.6 x 27.6cm), Drawings, attributed…

Study for a Garden Capriccio, n.d., Pen and black ink, over traces of graphite. Framing lines in pen and black ink., 18 1/8 x 11 3/8 in. (46 x 28.9 cm), Workshop of Gilles-Marie Oppenord…

Virgin on the Crescent with a Starry Crown, 1508, Engraving, Sheet: 5 in. × 2 15/16 in. (12.7 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Wooded Landscape with Figures and Cows at a Watering Place (The Watering Place), August 1, 1797, Soft-ground etching with aquatint; second state of two, sheet: 11 x 13 3/4 in. (27.9 x 34.9…

The Judgment of Paris, 16th century, Etching, sheet: 11 15/16 x 18 5/16 in. (30.4 x 46.5 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576)

Design for a Porcelain Candelabra, 19th century, Graphite, watercolor, gouache, and gold gilt, sheet: 17 5/8 x 10 5/8 in. (44.8 x 27 cm), Drawings, Anonymous, French, 19th century

Santa Maria dell'Anima (Schr. 1019m), 15th century, Woodcut, hand-colored, sheet: 10 5/8 x 6 7/8 in. (27 x 17.5 cm), Prints, Anonymous, German, 15th century

Design for a Chair, ca. 1770–90, Graphite, 8 15/16 x 9 3/4 in. (22.7 x 24.7 cm), Drawings, Anonymous, French, 18th century

Designs for an Art Nouveau Table and Chair, 19th century, Watercolor over graphite with touches of gouache on heavy wove paper, sheet: 12 5/8 x 16 7/16 in. (32 x 41.7 cm), Anonymous, French,…

Design for a Narrative Frieze: A Commander Addressing His Troops, 1535–1607, Pen and brown ink, brush and gray-brown wash, highlighted with a little white, over black chalk, on brownish…

Design for a Bed and a Canopy, 18th century, Pen and black ink, brush and brown and gray wash, watercolor, sheet: 8 7/16 x 5 11/16 in. (21.5 x 14.4 cm), Drawings, Anonymous, French, 18th century

Summer, ca. 1637, Etching, Sheet: 10 1/16 × 12 13/16 in. (25.6 × 32.5 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Two Grotesque Heads Facing One Another and Touching Tongues Within a Circle, 1727, Pen and brown ink, sheet: 12 7/8 x 8 1/2 in. (32.7 x 21.6 cm), Drawings, Gaetano Piccini (Italian, active…

Witch of Endor, 19th century, Pen and brown ink, brush and gray wash, graphite, 4 9/16 x 3 9/16 in. (11.6 x 9.1 cm), Drawings, Ary Scheffer (Dutch, Dordrecht 1795–1858 Argenteuil (active France))

Design for Ceiling, Hôtel Hope, 1867, Gouache and watercolor, 3 3/8 x 4 7/16 in. (8.6 x 11.3 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French,…

Design for Elevation of Gallery Bay, Château de Deepdene, 1875–79, Graphite and gouache, 13 1/8 x 9 1/4 in. (33.3 x 23.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

Marine, 1865–66, Etching, aquatint, roulette and bitten tone in brown ink on laid paper with partial watermark (fleur de lis in a cartouche), only state, plate: 5 1/2 x 7 7/8in. (14 x 20cm),…

Félix Bracquemond in 1852, 1878, Etching, sheet: 12 15/16 x 9 13/16 in. (32.8 x 25 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres), Engraved by Paul Adolphe Rajon (French,…

Scenes from the Life of Saint Anthony Abbot, 1532–87, Pen and brown ink, red chalk, brush and red wash. Traces of squaring in black chalk, 10 1/4 x 14 5/16in. (26 x 36.3cm), Drawings,…

The Map, 1890, Drypoint; third state of three, plate: 6 1/4 x 9 1/8 in. (15.8 x 23.2 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)

Scene of Sacrifice, 1624–63, Pen and brown ink, brush and brown wash. Framing lines in black chalk, and pen and brown ink on mount, 4-1/16 x 6-1/8 in. (10.3 x 15.5 cm), Drawings, attributed…

Oyster Seller, 1738, Etching with some engraving, Sheet: 9 5/16 x 6 13/16 in. (23.6 x 17.3 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After…

Design for Cartouches Decorated with Sea-Shells, Garlands, Foliage, Volutes and Urns, 1609–60, Leadpoint, 11-1/2 x 7-5/8 in. (29.2 x 19.4 cm) irregular borders, Drawings, After Agostino…

Juno asks Aeolus to raise a storm against the Trojan fleet, set within an elaborate frame, from the 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 5/16 x 4 1/8 in. (13.5 x…

Design for a Decorative Panel, 18th century, Red chalk, sheet: 16 15/16 x 10 3/8 in. (43.1 x 26.4 cm), Drawings, Anonymous, French, 18th century

Plate 15 from the 'Tauromaquia': The famous Martincho places the banderillas playing the bull with the movement of his body., 1816, Etching, burnished aquatint, drypoint and burin, Plate: 9 3/4 ×…

The Flight into Egypt, 17th century, Pen and brown ink, brush and gray wash, heightened with white, 14 x 10 3/8 in. (35.6 x 26.3 cm.), Drawings, Jacques Stella (French, Lyons 1596–1657 Paris)

Design for a Sconce, 18th century, Pen and black ink, brush and grey wash., sheet: 11 1/8 x 7 9/16 in. (28.3 x 19.2 cm), Drawings, Anonymous, French, 18th century

Perspectival study for one quadrant of a ceiling design including a trompe l'oeil balustrade, second half 19th century, graphite, pen and ink, and watercolor on wove paper, Drawings,…

Studies of Four Englishmen, after James Gillray, ca. 1817–25, Brush and brown ink on calque; mounted on wove paper, sheet: 10 1/2 x 6 3/4 in. (26.7 x 17.1 cm), Drawings, Eugène Delacroix…

Clélie, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 3/8 x 8 3/8 in. (33.9 x 21.2 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham…

Time and Truth, 1696–1770, Pen and brown ink, brush with pale and dark brown wash, over leadpoint or black chalk, 10-1/16 x 8-11/16 in. (25.5 x 22.1 cm), Drawings, Giovanni Battista Tiepolo…

Plate 12 from the 'Disparates': If Marion will dance, then she has to take the consequences, ca. 1816–23 (published 1864), Etching,burnsihed aquatint and drypoint, Plate: 9 5/8 × 13 7/8 in.…

Design for Bedroom Ceiling, Hôtel Hope, 1867, Watercolor and gouache, 6 7/8 x 10 1/4 in. (17.5 x 26.0 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet…

British Tars Towing the Danish Fleet into Harbour; the Broad-Bottom Leviathan trying Billy's Old Boat, and the Little Corsican tottering on the Clouds of Ambition, October 1, 1807,…

A vulture eating the innards of Titius, Cupid above two women to the left, set within and elaborate frame, from 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 5/16 x 3 15/16…

The Nôtre-Dame Pump (small plate), 1854, Etching on wove paper; second of three states, sheet: 10 1/16 x 9 1/16 in. (25.6 x 23 cm), Prints, Charles Meryon (French, 1821–1868)

Battle Scene, 19th century, Pen and watercolor on paper, 11 5/8 x 19 in. (29.6 x 48.3 cm), Drawings, François Joseph Heim (French, Belfort 1787–1865 Paris)

Sibylle Persique, ca. 1635, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 14 1/16 x 8 3/8 in. (35.7 x 21.3 cm), Prints, Gilles Rousselet (French, Paris 1614–1686…

The Monstrous Craw; or a New-Discovered Animal, March 1, 1802, Hand-colored etching, Sheet (irregular): 14 7/8 × 8 1/16 in. (37.8 × 20.5 cm), Prints, Thomas Rowlandson (British, London…

Modello for Ceiling Fresco with Papal Coat of Arms, 1557–1629, Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk, on blue paper; squared in black chalk,…

Allegory of Vices, 1840–98, Brush and watercolor and gilt over graphite, 4 3/4 x 12 13/16in. (12 x 32.5cm), Drawings, Attributed to Gustave Moreau (French, Paris 1826–1898 Paris)

Portrait of Pope Marcellus II, right hand raised facing left, ca. 1555, Engraving, Sheet: 15 3/8 × 9 5/8 in. (39 × 24.5 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna,…

The Arms of Ferdinand I, King of Hungary and Bohemia, n.d., Woodcut, sheet: 10 1/16 x 5 7/8 in. (25.6 x 14.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Vulcan seated hammering on an anvil flanked by Venus and three cupids, ca. 1515–27, Engraving, Sheet (Trimmed): 4 3/8 × 6 7/8 in. (11.1 × 17.5 cm), Prints, Marco Dente (Italian, Ravenna, active…

Seated John the Baptist with a Lamb in a Landscape, 1787–1871, Pen and brown ink, brush and pale brown wash, 5-7/8 x 7-5/16 in. (15 x 18.5 cm), Drawings, Tommaso Minardi (Italian, Faenza…

Ceiling Design in Moorish Style for the de la Rochejaquelein Family, second half 19th century, Graphite, pen and black ink, and watercolor on tissue, 11 5/8 x 8 5/84 in. (29.5 x 20.5 cm),…

The Circumcision, 1634–89, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on light brown paper, 14 7/16 x 9 7/16in. (36.6 x 24cm), Drawings, Ciro Ferri…

Holy Family with the Infant Saint John the Baptist, n.d., Pen and brown ink, sheet: 8 3/16 x 6 1/4 in. (20.8 x 15.9 cm), Drawings, Hans Krumpper (German, Weilheim ca. 1570–1643 Munich), This is…

Pompeiian Design for Paneling, second half 19th century, Graphite and watercolor, 12 x 10.5 in. (30.5 x 26.7 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre…

The Sunny Smithy, 1895, Transfer lithograph, drawn on thin, transparent transfer paper; only state (Chicago); printed in black ink on ivory wove proofing paper, Image: 5 9/16 × 8 1/16 in. (14.2…

Somerindyck House, Bloomingdale Road (from Scenes of Old New York), 1870, Etching, plate: 3 1/16 x 4 3/16 in. (7.8 x 10.7 cm), Prints, Henry Farrer (American, London 1844–1903 New York)

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite and gouache, sheet: 9 5/16 x 3 1/8 in. (23.6 x 7.9 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

St. Thomas, ca. 1510, Engraving, sheet: 4 5/8 x 2 13/16 in. (11.7 x 7.1 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Plate 54 from 'The Disasters of War' (Los Desastres de la Guerra): 'Appeals are in vain' (Clamores en vano), 1811–12 (published 1863), Etching, lavis, burin and burnisher, Plate: 6 in. × 8 1/16…

The Angel Gives Saint John the Book to Eat, from the Apocalypse, n.d., Engraving; second state of two, plate: 12 1/16 x 8 9/16 in. (30.6 x 21.7 cm), Prints, Jean Duvet (French, ca. 1485–after 1561)

Confidences in the Garden, 1894, Transfer lithograph, drawn on thin, transparent transfer paper; only state (Chicago); printed in black ink on fine cream laid Japanese paper, Image: 8 3/8 × 6…

Venus and Cupid riding two sea monsters, Cupid raises an arrow in his right hand, two heads representing wind in the clouds above, ca. 1515–27, Engraving, Sheet (Trimmed): 10 7/16 × 6 13/16…

Quietude, ca. 1891, Drypoint; third state, plate: 10 1/8 x 7 1/16 in. (25.7 x 17.9 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)

Landscape, 1892, Monotype in oil colors, heightened with pastel, sheet: 10 x 13 3/8 in. (25.4 x 34 cm), Prints, Edgar Degas (French, Paris 1834–1917 Paris), Degas undertook a series of…

Design for Back of a Sedan Chair, ca. 1700, Pen and brown ink, brush and gray wash, graphite, 15 1/4 x 8 in. (38.8 x 20.3 cm), Drawings, Anonymous, French, 18th century, Anonymous, Italian, first…

The Wild Man or the Masquerade of Orson and Valentine, 1566, Woodcut, sheet: 10 13/16 x 16 1/4 in. (27.4 x 41.3 cm), Prints, Anonymous, Netherlandish, 16th century, After Pieter Bruegel the…

Family Group Kneeling Before a Street Shrine, ca. 1600, Red and black chalk. Framing lines in pen and brown ink, 6 1/8 x 8 1/8in. (15.5 x 20.6cm), Drawings, Ventura Salimbeni (Italian, Siena…

Sheet of Figure Studies and Ornamental Motifs (recto and verso)., 1520–35, Pen and brown ink over leadpoint (recto and verso), Overall: 8 3/16 x 13 1/8 in. (20.8 x 33.3 cm), Drawings,…

Design for a Covered Urn with Two Eagles, 17th century, Pen and brown ink, brush and brown and black wash, 10 3/4 x 8 3/16 in. (27.3 x 20.8 cm), Drawings, Anonymous, French, 17th century

Design for White Curtains with Gold Pendiment and Tie-backs, early 19th century, Ink, watercolor and wash, sheet: 10 5/8 x 14 5/8 in. (27 x 37.2 cm), Anonymous, British, 19th century

Design for a Vignette: Harbor Scene, Pen and black ink with brush and gray wash, 1 1/4 x 3 3/8 in. (3.1 x 8.6 cm), Drawings, Charles Percier (French, Paris 1764–1838 Paris)

The Mystic Marriage of Saint Catherine; Saint Celestine V Renouncing the Papacy; Saint Catherine Touched by Divine Love, ca. 1780, Pen and black ink, gray wash, over black chalk underdrawing.…

The Banquet of the Rich Man, mid to late 17th century, Etching, Sheet: 10 1/4 × 12 7/8 in. (26 × 32.7 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Frontispiece for Il Mercurio, III: Hercules Planting His Club, 1652, Etching, state i, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence)

Air, 1630, Etching, Sheet: 5 13/16 × 4 5/16 in. (14.7 × 10.9 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Embarkation of St. Ursula, 1665, Etching, sheet: 10 3/8 x 13 3/4 in. (26.4 x 35 cm), Prints, After Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome), Etched by Dominique…

Woman with the Hind, 1509, Engraving, sheet: 4 1/4 x 2 7/8 in. (10.8 x 7.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

The Town and Lake of Nemi, 1815–80, Graphite and black chalk, heightened with white on blue paper, 11 15/16 x 17 15/16 in. (30.4 x 45.6 cm), Drawings, Édouard Bertin (French, Paris…

Design for wall panels, mirror, and fire mantle, second half 19th century, Graphite, pen and black ink, gouache, and watercolor, Overall: 10 5/8 x 15 5/16 in. (27 x 38.9 cm), Drawings,…

Design for a Stage Set at the Opéra, Paris, 1828–90, Graphite, sheet: 11 15/16 x 19 13/16 in. (30.4 x 50.4 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Church, Amsterdam, 1889, Etching; cancelled impression of the only state (Glasgow); printed in black ink on ivory wove paper, Plate: 8 1/2 × 5 1/16 in. (21.6 × 12.9 cm), Prints, James…

Four Sketches of Putti Hanging Coat of Arms, 1702–86, Pen and brown ink, brush and gray wash over leadpoint, 6-7/16 x 9-1/8 in. (16.3 x 23.2 cm) irregular borders, Carlo Marchionni (Italian,…

Rinceaux with Child Frightened by Dogs, Plate 8 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), ca. 1648, Etching, Sheet: 3 in. × 9 3/4 in. (7.6 × 24.7 cm), Prints,…

Cleric (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Red, white, and black chalk, on dark gray paper, 18 7/8 x 12 1/4 in. (48.0…

Abraham Casting out Hagar and Ishmael, 1637, Etching with touches of drypoint, Sheet: 5 1/4 x 3 15/16 in. (13.3 x 10cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Sibylle Samienne, ca. 1635, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 16 1/8 x 10 3/8 in. (41 x 26.3 cm), Prints, Gilles Rousselet (French, Paris 1614–1686…

Design for the Tomb of Christophe de Thou (d. 1582), 16th century, Graphite, Drawings, Anonymous, French, 16th century, Barthélemy Prieur (French, Berzieux ca. 1536–1611 Paris)

Design for a ceiling decorated with bands of oak leaves and a central panel of scrolls and rinceaux, 1830–97, Watercolor, gouache, and gold paint over graphite on wove paper; inlaid in blue…

Landscape with Three Gabled Cottages Beside a Road, 1650, Etching and drypoint; third state of three, sheet: 6 9/16 x 8 3/16 in. (16.7 x 20.8 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch,…

Plate 41 from 'The Disasters of War' (Los Desastres de La Guerra): 'They escape through the flames' (Escapan entre las llamas), 1810 (published 1863), Etching and burin, Plate: 6 1/4 × 9 3/16…

La Coupe Enchantee, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, published in 1795, Etching and engraving;…

Beheading of a Kneeling Nude Man, 1502–93, Brush and brown wash, 5 1/4 x 5 1/16in. (13.3 x 12.9cm), Drawings, Romulo Cincinnato (Italian, Florence ca. 1540–1597/98 Madrid)

Ruins of a Temple in a Roman Landscape, ca. 1646, Etching; second state of six (De Vesme), Plate: 5 3/16 × 5 3/16 in. (13.1 × 13.2 cm), Prints, Stefano della Bella (Italian, Florence…

Man of Sorrows, from The Passion, 1509, Engraving, Sheet: 4 11/16 × 2 15/16 in. (11.9 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)