Roman Landscape near Rocca di Papa, 1866, Pen and black and greyish brown ink, brush and brown ink, watercolor, sheet: 9 5/8 x 13 1/8 in. (24.4 x 33.4 cm), Drawings, Ernst Furchtegott Mohn…

Grand Duke Cosimo I of Tuscany Surrounded by his Artists., ca. 1556–62, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of black chalk or graphite, on…

Design for Three Chairs, Two with Armorial Ornament on Backs, early 19th century, Graphite, sheet: 10 13/16 x 14 15/16 in. (27.4 x 38 cm), Anonymous, British, 19th century

Design for a Plate, ca. 1770–90, Black chalk, 8 3/4 x 9 13/16 in. (22.3 x 25 cm), Drawings, Anonymous, French, 18th century

Plate 8: cow, from 'Various animals' (Diversi animali), ca. 1641, Etching; second state of three (De Vesme), Plate: 3 5/16 × 4 1/8 in. (8.4 × 10.5 cm), Prints, Stefano della Bella (Italian,…

Palazzo Pirro in Rome, section (recto) Palazzo Pirro in Rome, sections; profiles (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 9 5/8 x 13 9/16 in. (24.5…

Spoon Designs, 19th century, Pen and brown ink over graphite on laid paper, sheet: 7 1/8 x 4 9/16 in. (18.1 x 11.6 cm), Anonymous, French, 19th century

Bridge at Blenheim Palace (recto); York Cathedral (verso), 18th–19th century, Watercolor and gouache over graphite, sheet: 6 7/8 x 10 11/16 in. (17.5 x 27.1 cm), Drawings, Hubert Cornish…

Drawings Showing Combat on Foot (Champ Clos), 16th century, German, Pen, ink and watercolor on paper, 7 1/2 x 5 1/2 in. (19 x 13.9 cm), Works on Paper-Drawings

Saint Remi (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Black chalk, heightened with white chalk, on beige paper, 18 9/16 x…

Study for a Bookplate with St. George Rescuing a Maiden from a Dragon, late 19th–early 20th century, Pen and black ink, brush and grey and black wash, over black chalk., 19 1/4 x 15 9/16 in. (48.9…

Design for an Urn with Garland of Vegetables and Fruit and Medallion with Profile of a Caesar., 1496–1528, Pen and brown ink, sheet: 8 1/4 x 12 1/8 in. (21 x 30.8 cm), Drawings, Giovanni…

Design for a framed panel with painted decoration, 1830–97, pen and ink, watercolor, and gouache over graphite on laid paper; mounted on blue wove paper, Overall: 10 9/16 x 8 3/16 in. (26.9 x…

Les Musards de la Rue du Coq (Dawdlers of the Rue du Coq), 1805, Hand-colored pen lithograph, sheet: 12 5/16 x 17 5/8 in. (31.3 x 44.8 cm), Prints, Pierre Nolasque Bergeret (French, Bordeaux…

Man in a Coat and Fur Cap Leaning against a Bank, ca. 1630, Etching, New Holl. first state of three, Sheet (trimmed at left into subject): 4 5/16 × 3 1/16 in. (11 × 7.8 cm), Prints,…

Still Life: Vases, a Cassolette on a Pedestal, and an Overturned Basket of Fruit, n.d., Pen and brown ink, gray wash, over graphite., 5 7/8 x 9 1/8 in. (15 x 23.2 cm), Drawings, Jean Jacques…

Head of a Bearded Man, 1516–17, Black chalk on paper, 6 5/8 x 5 1/4in. (16.9 x 13.4cm), Drawings, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto)

The Bottomless-Pitt, March 16, 1792, Hand-colored etching; open letter state, sheet (trimmed to plate line): 10 7/8 x 8 9/16 in. (27.6 x 21.7 cm), Prints, James Gillray (British, Chelsea…

Bastione Ardeatino, Rome, plan and section (recto) Bastione Ardeatino, Rome, plans (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 22 11/16 x 16 1/4…

Design for a Stage Set at the Opéra, Paris, 1840–90, Graphite, Irregular sheet: 14 3/16 x 10 11/16 in. (36.1 x 27.1 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Study after the Belvedere Torso, ca. 1585, Red chalk, 9 15/16 x 7 1/2in. (25.2 x 19.1cm), Drawings, Cavaliere d'Arpino (Giuseppe Cesari) (Italian, Arpino 1568–1640 Rome)

Design for a Man's Tomb, 16th century, Black chalk, pen and brown ink, watercolor, sheet: 19 x 11 3/4 in. (48.2 x 29.9 cm), Drawings, Anonymous, French, 16th century

Saint George and the Dragon, ca. 1504, Woodcut, sheet: 8 1/4 x 5 9/16 in. (21 x 14.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Songs of Innocence and of Experience: A Poison Tree, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1…

Leda and the swan, ca 1531–76, Engraving, sheet: 6 x 2 3/8 in. (15.2 x 6 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576)

Plate 26 from 'The Disasters of War' (Los Desastres de la Guerra): 'One can't look.' (No se puede mirar.), 1810–20, published 1863, Etching, burnished lavis, drypoint and burin, Plate: 5 11/16 ×…

Virgin and Child, 1775, Etching, Sheet: 5 5/16 x 4 5/16 in. (13.5 x 11 cm), Prints, After Simone Cantarini (Italian, Pesaro 1612–1648 Verona)

Design for a Sconce, 18th century, Pen and black ink, brush and grey wash., sheet: 7 3/8 x 10 1/2 in. (18.7 x 26.6 cm), Drawings, Anonymous, French, 18th century

Saint Jerome Writing, 1591–1666, Pen and brown ink, on brownish paper, sheet: 13 7/16 x 11 9/16 in. (34.2 x 29.4 cm), Drawings, Imitator of Guercino (Giovanni Francesco Barbieri) (Italian,…

Table with Three Levels with Ornamental Objects, 19th century, Pen and ink and gouache, Overall: 14 1/8 x 18 3/8 in. (35.9 x 46.7 cm), Drawings, Anonymous, Chinese, 19th century

Design for a Stage Set at the Opéra, Paris, 1828–90, Watercolor over graphite, sheet: 9 1/2 x 15 13/16 in. (24.2 x 40.2 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

The Angry Parrot, n.d., Wash and Chinese white, 5 3/16 x 8 3/16 in. (13.2 x 20.8 cm), Drawings, Jean-Georges Vibert (French, Paris 1840–1902 Paris)

A Nobleman and a Lady Seated in a Landscape (copy), n.d., sheet: 4 5/8 x 2 7/8 in. (11.7 x 7.3 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

The Holy Family with Two Angels in a Vaulted Hall, ca. 1503, Woodcut, sheet: 8 1/2 x 5 15/16 in. (21.5 x 15.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Standing Savoyarde with a Marmot Box, ca. 1715, Red and black chalk, 12 5/16 x 8 in. (31.2 x 20.3 cm), Drawings, Antoine Watteau (French, Valenciennes 1684–1721 Nogent-sur-Marne), Early in…

Figures, 18th Century, Pen and brown ink, brush and brown wash, 3 11/16 x 4 3/4 in. (9.4 x 12.1 cm), Drawings, Anonymous, French, 18th century

Apollo and Coronis., 1652–1725, Pen and brown ink, brush and brown wash, over black chalk, sheet: 10 7/16 x 13 5/8 in. (26.5 x 34.6 cm), Drawings, Giovanni Battista Foggini (Italian,…

Senator Dolph of Oregon (Joseph Norman Dolph), ca. 1894, Graphite and pen and black ink on scratchboard, sheet: 13 1/2 x 10 1/4 in. (34.3 x 26 cm), Drawings, Thomas Nast (American (born…

Pidgeon Hole. A Convent Garden Contrivance to Coop up the Gods, February 20, 1811, Hand-colored etching, Sheet: 8 7/8 x 12 3/4 in. (22.6 x 32.4 cm), Prints, Thomas Rowlandson (British, London…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 9 1/16 x 8 7/8 in. (23 x 22.5 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Cancalaqua, Erythraea venusta, April 1914, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret…

A Bravura Air. Mandane, December 22, 1801, Hand-colored etching, sheet (trimmed to plate line): 14 3/16 x 10 in. (36 x 25.4 cm), Prints, James Gillray (British, Chelsea 1756–1815 London)

Portrait of a Man in a Cap, 1699–1758, Black chalk, stumped, highlighted with white, on faded gray-green paper, 11 13/16 x 8 13/16in. (30 x 22.4cm), Drawings, Bartolommeo Nazari (Nazzari)…

A riding school, a horseman with sword jumping directed by another man with a sword in center, a man standing next to his horse to right, various horsemen, the school, and two dogs in the…

Old Man with Beard, Fur Cap, and Velvet Cloak, ca. 1631, Etching; second state, Sheet: 5 15/16 × 5 1/4 in. (15.1 × 13.3 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669…

Partial design for the decoration of a ceiling in geometric panels painted with putti, masks., and griffins, 1830–97, graphite, pen and ink, watercolor, and gold paint on tracing paper; mounted…

The Journey of Youth, 1923–24, Lithograph, image: 6 7/8 x 17 7/8 in. (17.5 x 45.4 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York)

The Peasant Couple at Market, 1519, Engraving, Sheet: 4 1/2 × 2 7/8 in. (11.5 × 7.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Poet Virgil in a Basket, 1512, Woodcut, sheet: 16 3/8 x 11 3/8 in. (41.6 x 29 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Boy Returning Joyfully, with Plough and Oxen, from Thornton's Pastorals of Virgil, 1821, Wood engraving, block: 1 1/2 x 3 1/16 in. (3.8 x 7.8 cm), Prints, William Blake (British, London…

Two Alternate Decorative Designs for Ceiling, 19th century, Graphite and gouache, sheet: 10 3/8 x 10 5/16 in. (26.4 x 26.2 cm), Drawings, Anonymous, French, 19th century

Design for Two Red Fringed and Tasseled Curtains Hanging from Rods, early 19th century, Ink, watercolor and wash, sheet: 9 5/8 x 11 7/8 in. (24.4 x 30.2 cm), Anonymous, British, 19th century

The Descent from the Cross, from The Small Passion, ca. 1509, Woodcut, sheet: 5 1/16 x 3 13/16 in. (12.8 x 9.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Study for a Stage Set, 18th century, Pen and gray ink, brush and gray and colored wash over traces of black chalk and graphite, 10 1/16 x 16 in. (25.6 x 40.6 cm), Drawings, Jacques de Lajoüe…

From Top to Bottom, or Cause and Effect (Du haut en bas...ou les causes et les effets), April 1814, Etching, hand-colored, plate: 9 5/8 x 12 7/8 in. (24.5 x 32.7 cm), Prints, Elie (French,…

After-dinner Coffee, ca. 1889, Soft-ground etching; third state of three, plate: 7 7/8 x 5 7/8 in. (19.9 x 14.9 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le…

Odalisque Reclining in a Harem, 1850–1914, Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)

Design for Fringed Curtains Hanging at Two Windows, early 19th century, Ink and wash, sheet: 8 9/16 x 12 3/16 in. (21.7 x 31 cm), Anonymous, British, 19th century

Samson Rending the Lion, ca. 1497–98, Woodcut, sheet: 15 3/16 x 11 in. (38.6 x 28 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Landscape (recto); Landscape (verso), 1489–90, Brush and brown wash, highlighted with white gouache, on gray-green prepared paper (recto); pen and brown ink on unprepared off-white paper (verso),…

Wandering Minstrel; Old Nuremberg, 1843–84, Watercolor, 19 1/2 x 12 3/4 in. (49.5 x 32.4 cm), Drawings, Alexandre-Louis Leloir (French, Paris 1843–1884 Paris)

Design for an Overdoor, ca. 1640, Pen and gray ink, brush and gray wash, 11 1/2 x 9 1/2 in. (29.2 x 24.1 cm), Anonymous, French, 17th century

Design for a Stage Set at the Opéra, Paris, 1830–90, Watercolor over graphite, Irregular sheet: 6 x 16 3/4 in. (15.3 x 42.5 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Head of an old bearded Man facing Right, Etching, Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua)

The Clock Tower, Paris, 1852, Etching, sheet: 17 11/16 x 12 3/16 in. (45 x 31 cm), Prints, Charles Meryon (French, 1821–1868)

Caricature of a Fat Person Wearing a Long Cloak and a Tricorne, Seen from Behind, 1760 (?), Pen and black ink, gray wash, 6 7/8 x 4 13/16 in. (17.5 x 12.3 cm), Drawings, Giovanni Battista…

Entombment, n.d., Engraving, Sheet: 9 15/16 × 7 9/16 in. (25.3 × 19.2 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Betrayal of Christ, from The Passion, 1508, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Christ on the Cross with Mary and Saint John (second sheet of two), 1510, Woodcut, sheet: 10 x 6 3/8 in. (25.4 x 16.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Chimneypiece Design with Mirror, 19th century, Graphite, Anonymous, British, 19th century

Design for Vase, mid-18th century, Pen and black ink, brush and brown wash, brush and sanguine wash, 6 5/16 x 4 1/16 in. (16 x 10.3 cm), After Jacques François Joseph Saly (French,…

Visiting the Sick, after 1635, Engraving, Sheet (trimmed): 8 9/16 × 11 7/8 in. (21.7 × 30.1 cm), Prints, Anonymous, After Abraham Bosse (French, Tours 1602/1604–1676 Paris)

The Shoemaker, 1632–33, Etching; second state of two, Sheet: 11 5/16 × 14 7/16 in. (28.7 × 36.6 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Jan Uytenbogaert, Etching and drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Design for a Round Pedestal Table on Casters, early 19th century, Graphite, sheet: 8 11/16 x 12 5/16 in. (22 x 31.2 cm), Anonymous, British, 19th century

Standing Male Nude, ca. 1506, Pen and brown ink, 7 x 3 5/8 in. (17.8 x 9.2 cm); maximum; corners have been cut, Drawings, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?))

Illustration for a Book: Reception of Monks at a City Gate, 1696–1770, Black chalk. Horizontal and vertical centering lines ruled in faint black chalk, 2-15/16 x 6-1/4 in. (7.5 x 15.9 cm),…

Illustration for a Book: Troops Advancing toward a City Gate, 1696–1770, Graphite or black chalk. Horizontal and vertical centering lines and another vertical line in graphite or black chalk…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 10 15/16 x 8 11/16 in. (27.8 x 22.1 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

The Wrath of Elihu, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 1/2 x 6 9/16 in. (21.6 x 16.7 cm), Prints, William Blake (British, London 1757–1827 London)

Study for a Head of a Man, 1625–1713, Black chalk, on white paper, 9 5/8 x 8 1/4in. (24.5 x 21cm), Drawings, Attributed to Carlo Maratti (Italian, Camerano 1625–1713 Rome)

Designs for Two Candelabras, 19th century, Pen and brown ink, a: 9 3/4 x 5 3/16 in. (24.8 x 13.2 cm) Left , Drawings, Anonymous, French, 19th century

The Agony in the Garden, ca. 1657, Etching and drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Drawing After and Architectural Fragment of a Coffered Ceiling, 19th century, Graphite on laid paper, sheet: 12 x 8 in. (30.5 x 20.3 cm), Drawings, Anonymous, French, 19th century

Virgin and Child, 1775, Etching, Sheet: 7 x 6 11/16 in. (17.8 x 17 cm), Prints, After Simone Cantarini (Italian, Pesaro 1612–1648 Verona)

Jupiter and Semele embracing, an eagle beneath them, a tree at right with a blank tablet hanging from a branch, a winged putto holding a thunderbolt at left, ca. 1515–27, Engraving, Sheet…

Speculum Romanae Magnificentiae: Subjects after Antique Cameos and Gems, ca. 1550–70, Engraving, first state, Sheet: 10 7/8 × 16 5/16 in. (27.7 × 41.5 cm), Prints, Anonymous, Italian, 16th…

Head of a Man, 1837–1911, Metalpoint on white prepared paper, 8 3/4 x 7 in. (22.2 x 17.8 cm), Drawings, Alphonse Legros (French, Dijon 1837–1911 Watford, Hertfordshire)

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 11 1/8 x 7 3/4 in. (28.3 x 19.7 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Six Faces of Whistler, 1892–1902, Drypoint, plate: 7 5/16 x 5 7/16 in. (18.6 x 13.8 cm), Prints, Mortimer Menpes (Australian, Port Adelaide 1855–1938 Pangbourne, England)

Arrie, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 3/8 x 8 3/8 in. (34 x 21.2 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham…

Design for ceramic tile decoration of a bathroom in 'Pompeian' manner (possibly for Hope's Deepdene?), second half 19th century, Graphite, pen and brown ink, watercolor, and gouache, 13 7/16 x 19…

Earth, 1630, Etching, Sheet: 5 13/16 × 4 5/16 in. (14.8 × 10.9 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Fortune Making a Prince Drink, ca. 1543, Etching in red ink, Sheet (trimmed/circle): 8 1/4 × 8 1/2 in. (21 × 21.6 cm), Prints, Antonio Fantuzzi (Italian, active France, 1537–45), After…

Head of a Man, 1837–1911, Red chalk, 17 1/8 x 12 5/16 in. (43.5 x 31.3 cm), Drawings, Alphonse Legros (French, Dijon 1837–1911 Watford, Hertfordshire)

Design for a Vase, 19th century, Graphite, watercolor, gouache, sheet: 16 3/16 x 10 9/16 in. (41.1 x 26.9 cm), Drawings, Anonymous, French, 19th century, Designs: Louis-Charles Labbé (French,…

Design for a Desk with Cabinet, 19th century, Graphite, with framing lines in graphite, 9 3/16 x 6 15/16 in. (23.4 x 17.7 cm), Anonymous, French, 19th century

From Sir William Hamilton's Collection, May 8, 1801, Hand-colored etching, sheet: 10 3/16 x 8 1/16 in. (25.8 x 20.5 cm), Prints, James Gillray (British, Chelsea 1756–1815 London)

Landscape with a Fortified Building, 1624–63, Pen and brown ink, brush and brown wash. Framing lines in pen and brown ink on mount, 2 15/16 x 4-9/16 in. (7.4 x 11.6 cm), Drawings, attributed…

Design for painted decoration of a ceiling incorporating interwined initials: DD, second half 19th century, pen and ink, watercolor on wove paper, Overall: 10 11/16 x 8 1/4 in. (27.1 x 21 cm),…