Design for Hôtel de Trevise, Paris, second half 19th century, Pen and gray ink, watercolor, heightened with white, 6 7/8 x 16 15/16 in. (17.5 x 43.1 cm), Drawings, Jules-Edmond-Charles…

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

A Sibyl Holding a Scroll (Study for the Cimmerian Sibyl), 1638, Pen and dark brown ink, sheet: 7 13/16 x 5 7/8 in. (19.8 x 15 cm), Drawings, Guercino (Giovanni Francesco Barbieri) (Italian,…

Architectural fantasy, 18th century, Pen and brown ink, watercolor, 9 in. (22.8 cm) in diameter, Drawings, Attributed to Jean Henri Alexandre Pernet (French, Paris 1763–after 1789)

The Toilet, 1878, Lithotint, with scraping and incising, on a prepared half-tint ground; second state of five, Image: 10 1/8 x 6 7/16 in. (25.7 x 16.4 cm), Prints, James McNeill Whistler…

Head of a Bearded Man Looking to Lower Left (Nicodemus), 1579–82, Brush and oil paint on paper, 15 1/4 x 10 3/4in. (38.7 x 27.3cm), Drawings, Federico Barocci (Italian, Urbino ca.…

Hercules at the Crossroad, ca. 1498, Engraving, Sheet: 13 1/8 × 9 1/8 in. (33.4 × 23.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Advancing Figure, 1568–1640, Red chalk, 7 13/16 x 3 5/8in. (19.8 x 9.2cm), Drawings, Cavaliere d'Arpino (Giuseppe Cesari) (Italian, Arpino 1568–1640 Rome)

A Pikeman, 1632, Etching; second state of two, Sheet (trimmed): 9 5/16 × 6 5/16 in. (23.6 × 16 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Study of B.P., 1923, Lithograph, image: 8 3/4 x 7 3/8 in. (22.2 x 18.7 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York)

Ecce Homo, from The Passion, 1512, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Decorative Group, 16th century, Pen and brown ink, on brown paper, 8 7/8 x 8 1/2in. (22.5 x 21.6cm), Drawings, After Federico Zuccaro (Zuccari) (Italian, Sant'Angelo in Vado 1540/42–1609 Ancona)

Tavolo e sedin [Perspective of a Circular Table with 3-Pedestal Base and a Side Chair], 1937, Brown pencil, Drawings, Guglielmo Ulrich (Italian, 1904–1977)

The Virgin with the Swaddled Child (copy), n.d., Engraving, Sheet: 5 7/16 × 3 11/16 in. (13.8 × 9.4 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for Cartouche, 18th century, Pen and wash, sheet: 6 1/8 x 9 1/8 in. (15.6 x 23.2 cm), Drawings, Fortunato Tesi (Italian, 18th century)

La salle des pas-perdus a l'ancien Palais de Justice (The antechamber of the Palais de Justice, Paris, after Ducerceau), 1855, Etching (from a pewter plate), plate: 12 x 17 1/8 in. (30.5 x 43.5…

'Les Miséreaux', 1859–1923, Black chalk tinted with colored chalks, 21 x 16 in. (53.3 x 40.6 cm), Drawings, Théophile-Alexandre Steinlen (French (born Switzerland), Lausanne 1859–1923 Paris)

La Loi Solaire, 19th century, Prints, Charles Meryon (French, 1821–1868)

Job's Evil Dreams, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 1/2 x 6 5/8 in. (21.6 x 16.8 cm), Prints, William Blake (British, London 1757–1827 London)

The Cobbler, ca. 1632–33, Etching, Sheet: 11 7/16 × 14 11/16 in. (29 × 37.3 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Cartouche Framed by Children and a Goat, 1646, Etching; second state, Sheet: 4 1/8 × 7 5/16 in. (10.5 × 18.6 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence)

Assumption of the Virgin, 1575–1642, Red chalk, 10 1/2 × 7 5/8 in. (26.7 × 19.4 cm), Drawings, After Guido Reni (Italian, Bologna 1575–1642 Bologna)

Design for Architectural Ornament; verso: Two Designs for Architectural Ornament, 18th century, Graphite, sheet: 4 13/16 x 7 5/16 in. (12.3 x 18.5 cm) irregular, Drawings, Anonymous, French,…

A Lyre Bird, ca. 1846–55, Graphite, 3 9/16 x 2 in. (9.1 x 5.1 cm), Drawings, Charles Meryon (French, 1821–1868)

The Unsafe Tenement (The Old Farm), 1858, Etching; third state of four (Glasgow), printed in black ink on gray chine on white wove paper (chine collé), plate: 6 1/8 x 8 7/8 in. (15.6 x 22.5…

Christ on the Cross with the Virgin and Saint John, 15th century, Woodcut, hand-colored, sheet: 13 3/4 x 9 1/16 in. (35 x 23 cm), Prints, Anonymous, German, 15th century

Rapture (Le Brun Travested, or Caricatures of the Passions), January 21, 1800, Hand-colored etching, printed in brown ink, sheet: 11 7/16 x 8 11/16 in. (29 x 22.1 cm), Prints, After George…

Hercules and Cacus, n.d., Woodcut, sheet: 15 7/16 x 11 1/8 in. (39.2 x 28.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Stage Set at the Opéra, Paris, 1830–90, Watercolor over graphite, sheet: 9 7/16 x 17 5/16 in. (24 x 43.9 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Title-page from Pelbartus de Temesvar, 1502–14, Metalcut (?), sheet: 11 13/16 x 8 3/4 in. (30 x 22.2 cm), Prints, Johann Otmar (German, Augsburg, 1502–1514)

Rest on the flight into Egypt, Mary holding the infant Christ while St. Joseph hands him a fruit, ca. 1639, Etching, Sheet: 12 3/16 × 7 11/16 in. (31 × 19.6 cm), Prints, Simone Cantarini…

A horseman with sword in hand galloping towards the right, other horsemen galloping towards the left in the background, from 'Various cavalry exercises' (Diverses exercices de cavalerie), ca.…

The Triumph of Nature Over Art (design for an engraving of 'De Florum Cultura'), ca. 1633, Pen and brown ink, brush and brown wash, over black chalk, 7 13/16 x 5 11/16in. (19.9 x 14.5cm),…

Fan Leaf Decorated with Caricatures and Reversible Heads, early 19th century, Etching on prepared green paper, sheet: 12 5/16 x 21 1/4 in. (31.3 x 53.9 cm), Prints, Attributed to Anonymous,…

Design for a Piano with an Owl, 19th century, Graphite, sheet (irregular): 6 5/8 x 4 in. (16.8 x 10.1 cm), Anonymous, French, 19th century

Standing Gentleman, three-quarter length profile facing right, n.d., Black chalk, heightened with white on dark brown paper, 15 13/16 x 5 11/16 in. (40.1 x 14.5 cm), Drawings, Attributed to Anne…

Illustration for 'The Major's Daughter' (Once a Week), 1862, Wood engraving; proof, sheet: 5 x 4 7/16 in. (12.7 x 11.3 cm), Prints, After James McNeill Whistler (American, Lowell,…

Frontispiece for Les Tréteaux by Charles Monselet [Paris, 1859], 1850–1914, Etching; third and final state, sheet: 7 7/8 x 5 5/16 in. (20 x 13.5 cm), Prints, Félix Bracquemond (French,…

Temple of Minerva, elevation of architrave (recto) Temple of Minerva, column shaft (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 11 9/16 x 17 3/8…

The Poet Virgil in a Basket, 1525, Engraving; first state, Sheet: 9 5/8 × 7 7/16 in. (24.5 × 18.9 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden), According to…

Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), 1520–50, Pen and brown ink, brush and brown wash, over leadpoint or black chalk, 3 7/8…

Songs of Experience: Title page, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm), Prints, William…

Study of a Seated Putto Looking at His Right (recto); A Woman's Head, Study after the Antique (verso), 1590–1630, Red chalk (recto and verso), framing in black chalk (recto), 7 15/16 x 5…

The Island of San Giorgio Maggiore, Venice, 1764–1835, Pen and brown ink, brush and gray wash, over traces of black chalk. Framing lines in pen and brown ink, 7 1/16 x 8 5/8in. (18 x…

Plate 34 from 'Los Caprichos': Sleep overcomes them (Las rinde el Sueño.), 1799, Etching and burnished aquatint, Plate: 8 7/16 x 5 15/16 in. (21.4 x 15.1 cm), Prints, Goya (Francisco de Goya…

Saint Christopher Facing Left, 1521, Engraving, Sheet: 4 11/16 × 2 15/16 in. (11.9 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a paneled ceiling painted with putti, birds, and floral motifs on tracing paper; mounted on wove paper, 19th century, pen and ink, watercolor, and gold paint, Drawings,…

The Virgin Appearing to St. Bernard of Clairvaux, 1687–1772, Pen and brown ink, brown and gray wash, over red chalk. Squared in red chalk, 10 11/16 × 7 13/16 in. (27.2 × 19.9 cm),…

Perspectival Cross-Section of a Venetian Palace, 1830–79, Pen and gray ink, brush and light wash, metal point framing lines, with small spatters of brown wash, 9 3/4 x 13 1/4 in. (24.8 x 33.7…

Design for a Music Room, 1805, Pen and gray ink, brush and gray, yellow, blue, and pink wash., sheet: 15 1/2 x 21 7/8 in. (39.4 x 55.6 cm), Drawings, Anonymous, French, 19th century

Three Dancing Nymphs and a Satyr, 1702–88, Pen and brown ink, brush and brown wash, over graphite, 6 9/16 x 8 1/16in. (16.7 x 20.5cm), Drawings, Francesco Zuccarelli (Italian, Pitigliano…

Drawing of an Interior: Salon, 1857, Pen and blue ink, watercolor, heightened with white, sheet: 6 1/8 x 9 1/2 in. (15.5 x 24.1 cm), Drawings, Anonymous, French, 19th century

Christ Before Pilate: The Large Plate (copy in reverse of center), n.d., Etching, Prints, After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

The Entombment, n.d., Woodcut, sheet: 14 15/16 x 10 3/4 in. (37.9 x 27.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

A standing sailor talking to a seated Levantine, ca. 1660, Etching; first state of two, Sheet: 7 3/16 × 7 3/16 in. (18.2 × 18.2 cm), Prints, Stefano della Bella (Italian, Florence…

Sacrifice in a Classical Building, 18th Century, Pen and ink and bistre wash on paper, 5 3/8 x 3 7/8 in. (13.7 x 9.8 cm), Drawings, Anonymous, French, 18th century

Pincushion Cactus, Cactus Grahami, May 10, 1912, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings,…

Design for a sepulchral monument with a seated prophet or philosopher; verso: Sketches, late 17th–early 18th century, Pen and brown ink, over black chalk; verso: black chalk, sheet: 9 1/2 x 5…

A Peasant on Horseback seen in Profile Facing Right; Two Studies of the Same Man's Head., 1610–64, Pen and brown ink; traces of sketches in graphite, Sheet: 2 9/16 x 3 5/8 in. (6.5 x 9.2…

Whirligig Peddler, 1742, Etching with some engraving, image: 9 x 7 7/16 in. (22.9 x 18.9 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After…

Landscape Study: Surburbs of Rome, 1606–80, Pen and brown ink, 7 3/8 x 12 3/8in. (18.7 x 31.4cm), Drawings, Giovanni Francesco Grimaldi (Italian, Bologna 1606–1680 Rome)

S. Costanza, drum, interior, elevation; column shafts, profiles; narthex, section; stair, detail plan (recto) stair, plans; window, elevation (verso), early to mid-16th century , Dark brown ink,…

South Sea Fishers, 1850, Etching on wove paper; first of two states, plate: 2 5/8 x 4 11/16 in. (6.6 x 11.9 cm), Prints, Charles Meryon (French, 1821–1868), After Reinier Nooms, called…

The Bathers, 1651, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Three Standing Figures in Antique Costume., 1610–64, Pen and brown ink; framing outlines in dark brown ink, Sheet: 2 13/16 x 2 5/16 in. (7.2 x 5.9 cm), Drawings, Stefano della Bella…

Whistler Asleep, 1897, Drypoint, plate: 7 11/16 x 11 5/8 in. (19.6 x 29.5 cm), Prints, Giovanni Boldini (Italian, Ferrara 1842–1931 Paris)

The Wife-Beater, ca. 1633, Etching with engraving, Sheet (trimmed): 10 3/16 × 13 1/8 in. (25.8 × 33.3 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

A Jessamy, December 1, 1790, Etching and aquatint, sheet: 13 1/8 x 8 9/16 in. (33.4 x 21.7 cm), Prints, George Moutard Woodward (British, ca. 1760–1809 London)

The Death of Maitre Andre, n.d., Etching, second state, image: 7 3/16 x 8 3/8 in. (18.3 x 21.3 cm), trimmed to image, Prints, Claude Gillot (French, Langres 1673–1722 Paris), Engraved by…

Partial design for a ceiling with an ornate border, 1830–97, graphite on wove paper, sheet: 10 3/4 x 14 13/16 in. (27.3 x 37.7 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died…

Fantastic Hairdress with Fruit and Vegetable Motif, 18th century, Watercolor on canvas laid down on board, 17 1/4 x 22 in. (43.8 x 55.9 cm), Drawings, Anonymous, French, 18th century

Studies of Hands, ca. 1517, Red chalk. Lined, 4-13/16 x 6-7/16 in. (12.2 x 16.3 cm), Drawings, Andrea del Sarto (Andrea d'Agnolo) (Italian, Florence 1486–1530 Florence)

The Miraculous Draught of Fish, Engraving, sheet: 9 13/16 x 14 3/4 in. (25 x 37.5 cm) trimmed to platemark L. and R. and more from top and bottom, Prints, Battista Franco (Italian, Venice ca.…

A Deacon Led to Martyrdom, 1575–1640, Pen and brown ink, brush and blue wash, highlighted with chinese white, on blue paper, 8 7/8 x 5 9/16in. (22.6 x 14.1cm), Drawings, Giovanni Mauro della…

A naked man pursing a naiad and a cupid into the water, ca. 1515–27, Engraving, Sheet (Trimmed): 4 3/16 × 6 13/16 in. (10.7 × 17.3 cm), Prints, Marco Dente (Italian, Ravenna, active by…

Iron Grate with Acanthus Ornament, 19th century, Gray and brown wash with touches of gold, sheet: 12 5/8 x 17 in. (32.1 x 43.2 cm), Anonymous, British, 19th century

Philip IV on horseback, after Velázquez, 1778, Etching, Plate: 14 1/2 × 12 3/16 in. (36.8 × 31 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux),…

Franken, pientre du roi, 17th century, Etching, second state, sheet: 14 x 10 1/8 in. (35.6 x 25.7 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Jerome Franken (French)

Design for a coiffered ceiling, second half 19th century, Graphite, pen and black ink, gouache, and watercolor, Overall: 10 5/16 x 14 15/16 in. (26.2 x 37.9 cm), Drawings, Jules-Edmond-Charles…

Carousel in Florence for the Marriage of The Grand Duke Ferdinand II, 1637, Etching, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence)

Fulham (Chelsea), 1879, Etching and drypoint; cancelled plate, after fifth state of five (Glasgow); printed in black ink on ivory wove paper, plate: 5 1/4 x 8 in. (13.3 x 20.3 cm), Prints,…

The Whore of Babylon, from The Apocalypse, 1498, Woodcut, sheet, 15-5/8 x 11-1/4 in. (39.5 x 28.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), By 1498, Dürer had…

Figures, 1624–63, Pen and brown ink, brush and brown wash, 3-9/16 x 5-1/4 in. (9.1 x 13.3 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano (?) 1615/20–after 1679 Gubbio (?))

Wheatfields, 1865, Watercolor, over black chalk, 3 11/16 x 6 1/4 in. (9.4 x 15.9 cm), Drawings, Théodore Rousseau (French, Paris 1812–1867 Barbizon)

America, Asia, and Europe, 18th century, Brush and brown wash on paper, 7 3/8 x 6 3/16 in. (18.7 x 15.7 cm), Drawings, Anonymous, French, 18th century

Fred Wood, Cyclist, from World's Champions, Second Series (N43) for Allen & Ginter Cigarettes, 1888, Commercial lithograph, Sheet: 2 15/16 x 3 1/4 in. (7.4 x 8.3 cm), Trade cards from 'World's…

Jezebel Promising Naboth's Vineyards to King Ahab, ca. 1517, Woodcut; first state, sheet: 9 1/2 x 6 3/4 in. (24.1 x 17.1 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Design for a Stage Set at the Opéra, Paris, 1828–90, Graphite, black chalk, heightened with white, sheet: 11 1/8 x 16 15/16 in. (28.3 x 43 cm), Drawings, Eugène Cicéri (French, Paris…

Chile, from 'Game of Geography' (Jeu de la Géographie), 1644, Etching; undescribed state, Sheet: 3 1/16 × 2 1/16 in. (7.7 × 5.2 cm), Prints, Etched by Stefano della Bella (Italian, Florence…

Margot Wearing a Bonnet (No. 4), 1923, Drypoint; second state, restrike, plate: 9 x 6 1/4 in. (22.8 x 15.8 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le…

Design for a Mirrored Marble Table Ornamented with Gold, early 19th century, Ink and watercolor and wash, sheet: 9 5/8 x 11 7/8 in. (24.4 x 30.1 cm), Anonymous, British, 19th century

Four Figures Kneeling in Supplication, 1830–71, Red chalk, Overall: 9 9/16 x 16in. (24.3 x 40.6cm), Drawings, Alexandre Laemlein (French, Hohenfeld 1813–1871 Pontlevoy)

Wives at Table During the Absence of their Husbands, ca. 1636, Etching, Sheet (trimmed): 10 1/4 × 13 3/8 in. (26 × 34 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Family Warming Their Hands By a Fire, 18th century, Etching, Prints, Noël Hallé (French, Paris 1711–1781 Paris)

Design for a Frame in the Form of a Cartouche (Mirror?), 1698–1765, Pen and brown ink, brush and brown wash, sheet: 7 3/8 x 4 3/8 in. (18.8 x 11.1 cm), Drawings, Attributed to Giovanni…

Water Carrier, 1742, Etching with some engraving, Sheet: 9 3/16 x 6 5/8 in. (23.4 x 16.8 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After…

Plate 30 from 'Los Caprichos': Why hide them? (Porque esconderlos?), 1799, Etching, burnished aquatint and drypoint, Plate: 8 7/16 x 5 15/16 in. (21.4 x 15.1 cm), Prints, Goya (Francisco de Goya…

Shepherd with His Flock in a Clearing, 1776, Brush, brown wash over black chalk. Framing lines in pen and brown ink., 10 9/16 x 13 5/16 in. (26.8 x 33.8 cm), Drawings, Jean-Baptiste Le Prince…

Plate 7: a triple waterfall, a dead tree to right, a mountain and a herd of cows to right in the background, a round composition, from 'Roman landscapes and ruins' (Paysages et ruines de Rome),…

Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), 1520–50, Pen and brown ink, brush and brown wash, over leadpoint or black chalk, 3-7/8…