The Unsafe Tenement (The Old Farm), 1858, Etching; fourth state of four (Glasgow); printed in black ink on medium weight tan antique laid paper, Plate: 6 1/4 × 8 7/8 in. (15.8 × 22.6 cm),…

A Shepherdess and Her Flock in the Shade of Trees, 1854–55, Conté crayon and pastel on laid paper, 14 3/4 x 10 3/4 in. (37.4 x 27.3 cm), Drawings, Jean-François Millet (French, Gruchy…

Design for Hall Ceiling, Hôtel de Trévise, second half 19th century, Graphite, watercolor, and gouache, 11 x 9 3/4 in. (27.9 x 24.8 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died…

Child's Head, 18th century, Red chalk. Framing lines in pen and brown ink., 5 5/8 x 6 in. (14.3 x 15.3 cm), Drawings, Anonymous, French, 18th century

Allegory on the Marriage of the Dauphin and Marie-Antoinette in 1770, 1770, Brush and gray wash, accents in pen and brown ink, over black chalk. Framing lines in pen and brown ink; margins tinted…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 10 3/8 x 4 1/2 in. (26.4 x 11.4 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Plate 4: A military encampment with a soldier standing on a parapet to the right beating a drum, from 'Various Military Caprices' (Varii capricci militari), ca. 1641, Etching; second state of…

Copy after a reproduction of a Rodin drawing, n.d., Pen and black ink, 14 5/16 x 9 1/4 in. (36.4 x 23.4 cm), Drawings, Anonymous

Baby's Back, 1890, Drypoint and soft ground etching; third state of three, plate: 9 3/16 x 6 1/2 in. (23.3 x 16.5 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le…

The Vision of the Seven Candlesticks, from The Apocalypse, n.d., Woodcut, sheet: 17 3/8 x 12 in. (44.1 x 30.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for an Oval Serving Dish with Circular Raised Platform, ca. 1770–90, Black chalk, 8 1/8 x 13 3/4 in. (20.7 x 34.9 cm), Drawings, Anonymous, French, 18th century

Sea Battle, 1596–1669, Brush and brown wash, 4 3/4 x 7 1/16in. (12.1 x 18cm), Drawings, Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome)

Design for a Frontispiece, 1720, Pen and black ink, brush and gray wash, framing lines in pen and black ink, 5 1/4 x 3 3/8 in. (13.4 x 8.5 cm), Drawings, Bernard Picart (French, Paris…

Theseus finding his father's arms, 1645 (published 1648), Etching, sheet: 11 13/16 x 7 7/8 in. (30 x 20 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua)

Adam and Eve, 1504, Engraving, Sheet: 9 3/4 × 7 1/2 in. (24.7 × 19.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Pluto and Proserpine, from 'The Loves of the Gods', ca. 1531–76, Engraving, sheet: 5 5/16 x 4 5/16 in. (13.5 x 11 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576)

Design for the Decoration of a Lunette on the Staircase, Hôtel de Pless, Berlin, second half 19th century, Gouache and oil on paper, sheet: 7 13/16 x 14 3/8 in. (19.8 x 36.5 cm), Drawings,…

A Judge of the Criminal Court, ca. 1798–99, Pen and gray ink with watercolor, over traces of graphite, sheet: 11 7/8 x 7 5/8 in. (30.2 x 19.3 cm), Drawings, Pierre Narcisse Guérin (French,…

The Head and Shoulders of a Woman in Profile; Separate Studies of Her Head and Ear (recto); Fragment of Drapery Study, Profile of Architectural Molding (verso)., 1592, Black chalk (recto);…

Old Man with a Divided Fur Cap, 1640, Etching with some drypoint; first state of two, sheet: 6 7/16 x 5 11/16 in. (16.3 x 14.4 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden…

Songs of Innocence and of Experience: Nurses Song, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm),…

Jacob's Ladder, 1655, Etching, burin, and drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Elevation of Nave, Chapelle des Catéchismes, Ste Clothilde, Paris, second half 19th century, Pen and brown ink, brush and gray wash, watercolor, gouache, gilt, and graphite, 19 1/2 x 13 5/16…

Saint George on Horseback, 1505–8, Engraving, Sheet: 4 5/16 × 3 3/8 in. (10.9 × 8.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Frederick, Lord North, 1764–1802, Black, red, and white chalk on laid paper prepared with wash. Oval., 5-3/8 x 4-1/2 in. (13.7 x 11.4 cm), Drawings, Francesco Bartolozzi (Italian, Florence…

Half-Figure of an Angel Looking Upward (recto); Bust of a Man in Left Profile (verso), 1611–89, Red chalk, on beige paper, 6 3/8 x 8 7/16in. (16.2 x 21.4cm), Drawings, Baldassarre Franceschini…

Ladies and Gentlemen, 1776, Etching, image: 4 5/16 x 5 5/16 in. (10.9 x 13.5 cm), Prints, Joseph François Foulquier (French, Toulouse 1744/45–1789 Martinique)

Putti at play, second half 19th century, Graphite and brown wash, image: 5 x 9 5/16 in. (12.7 x 23.7 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet…

The Silver Tomb of St. John Nepomuk in the Cathedral of St. Veit's Prague, designed by Fischer von Erlach, 1729., ca. 1729, Red chalk, 19 3/4 x 14 15/16 in. (50.2 x 37.9 cm), Drawings, Jeremias…

Death Appearing to a Wedded Couple from an Open Grave, 1639, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Mode de l'année prochaine, ca. 1830, Colored lithograph, image: 8 1/2 x 6 3/8 in. (21.6 x 16.2 cm), Prints, After Charles Philipon (French, Lyons 1806–1862 Paris), V. Ratier (French, 19th century)

Design for Pink, Gold, Blue and White Curtains with Blue Fringes and a Gold and Wood Pediment, early 19th century, Ink, watercolor and wash, sheet: 8 5/8 x 15 1/16 in. (21.9 x 38.2 cm),…

Masks of 1831, published in La Caricature, March 8, 1832, Lithograph, sheet: 9 15/16 x 13 3/8 in. (25.3 x 34 cm), Prints, Honoré Daumier (French, Marseilles 1808–1879 Valmondois)

St. Paul, Etching; second state of two, sheet: 4 3/4 x 3 9/16 in. (12 x 9 cm), Prints, Laurent de La Hyre (French, Paris 1606–1656 Paris)

Studies for Two Armchairs (recto); sketches for Three Chairs and Parts of a Fourth (verso), ca. 1800–1805, Graphite, 4 5/8 x 7 7/8 in. (11.8 x 20 cm), Drawings, Manner of Charles Percier…

The Holy Family on their flight into Egypt, ca. 1647, Etching, sheet: 11 7/16 x 7 3/4 in. (29 x 19.7 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua)

Entrance to the Harbor of La Rochelle, ca. 1920–28, Graphite and watercolor on paper, 10 3/4 x 16 3/8 in. (27.3 x 41.6 cm), Drawings, Paul Signac (French, Paris 1863–1935 Paris)

Two Women Wearing Coats, 1863–64, Steel engraving with hand coloring, Sheet: 13 11/16 x 10 1/16 in. (34.8 x 25.6 cm), Prints, Anonymous, French, 19th century, Monnin, active 19th century (French)

Forum of Nerva, entablature, elevation; cornice, elevation (recto) Forum of Nerva, architrave panel, ceiling plan, Corinthian, capital (verso), early to mid-16th century , Dark brown ink, black…

The Virgin and Child with Two Angels, 1523, Engraving; touched with gray wash on face and shoulders of Virgin; first state, sheet: 5 15/16 x 4 1/16 in. (15.1 x 10.4 cm), Prints, Lucas van…

Childhood, 1636, Etching with engraving, Sheet: 10 5/8 × 13 1/4 in. (27 × 33.7 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Sicile, 1644, Etching, state iii, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676)

Drawing After an Architectural Fragment with a Corinthian pilaster, 19th century, Pen and ink over graphite on laid paper, sheet: 9 1/2 x 6 5/8 in. (24.2 x 16.8 cm), Drawings, Anonymous, French,…

Thistle Sage, Salvia carduacea, 1909–14, Watercolor and brown ink over graphite, with page design indicated in graphite and two details in ink, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2…

On ne s'avise jamais du tout, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, 1795, Etching and engraving;…

Design for a Cartouche (recto); Designs for Frames (verso), 1610–64, Pen and brown ink, over red chalk (recto); pen and brown ink, over black chalk (verso), 9 15/16 x 7 5/16in. (25.2 x…

Cornelis Claesz Anslo, Preacher, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Design for a Pitcher, ca. 1857, Pen and black ink, watercolor., sheet: 10 1/2 x 6 1/8 in. (26.7 x 15.6 cm), Drawings, Anonymous, French, 19th century

The Palaces, 1879, Etching, drypoint and open bite (?); fifth state of six (Glasgow); Printed in black ink on medium weight ivory laid paper, Plate: 9 13/16 × 14 3/16 in. (25 × 36 cm), Prints,…

The Holy Family, 1512–13, Drypoint, Sheet: 8 1/4 x 7 1/8 in. (21 x 18.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), Dürer created only three prints in the medium…

Centaur with a Young Satyr, 1727–1804, Pen and dark brown ink, brush and gray-brown wash, over traces of graphite or lead, 7 11/16 x 10 13/16in. (19.6 x 27.5cm), Drawings, Giovanni Domenico…

Fan Design with Grotesques, 19th century, Pen and ink, sheet: 11 15/16 x 20 3/16 in. (30.4 x 51.3 cm), Drawings, Anonymous, French, 19th century

Illustration for a Book: Scene of a Murder in an Interior, 1696–1770, Black chalk. Horizontal and vertical centering lines ruled in faint black chalk, 2-15/16 x 6-3/16 in. (7.4 x 15.7 cm),…

Design for Two Plain Tabletop Mirrors, early 19th century, Ink and watercolor and wash, sheet: 8 11/16 x 12 1/4 in. (22 x 31.1 cm), Anonymous, British, 19th century

Bust-Length Study of a Man Wearing a Hat in Three-Quarter View (a Frankish Nobleman), 18th century, Red and white chalk, some black chalk, on gray-blue paper, sheet: 13 3/16 x 8 3/8 in. (33.5 x…

Napoleon Dance in Holland, January 1, 1814, Hand-colored etching, sheet: 11 15/16 x 9 in. (30.3 x 22.8 cm), Prints, Charles Williams (British, active 1797–1830)

Employment Bureau, 1633, Etching, Sheet: 11 1/8 × 14 1/2 in. (28.3 × 36.9 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Design for a Clock: Commerce, 19th century, Graphite, watercolor, gouache, and gold gilt, 11 1/16 x 16 1/8 in. (28.1 x 40.9 cm), Drawings, Anonymous, French, 19th century

Death of a Roman Matron, 1781–1835, Pen and ink, brush and brown wash, 8 x 10 in. (20.3 x 25.4 cm), Drawings, Bartolomeo Pinelli (Italian, Rome 1781–1835 Rome)

Two Dogs, n.d., Pen and brown ink, 2 15/16 x 8 1/4 in. (7.5 x 21 cm), Drawings, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois)

Hungarian horseman riding towards the right, other horsemen in the background, a circular composition from 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois), ca. 1651, Etching,…

Design for a Chair, ca. 1820, Ink, watercolor and wash, sheet: 7 5/16 x 7 3/8 in. (18.5 x 18.7 cm), Attributed to Gillows (British, 19th century)

Architectural Capriccio: Grand Staircase Seen through an Archway, 1712–93, Pen and brown ink, brush and brown wash, over black chalk, 13 11/16 x 11in. (34.8 x 27.9cm), Drawings, Francesco…

Design for Two Clocks and Three Brackets, early 19th century, Graphite and ink, sheet: 7 7/8 x 12 1/4 in. (20 x 31.1 cm), Anonymous, British, 19th century

The Lamentation, from The Passion, 1507, Engraving, Sheet: 4 11/16 × 2 15/16 in. (11.9 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Drouet (C.L. Drouet, Sculptor), 1859, Etching and drypoint; second state of two (Glasgow); printed in black ink on , plate: 8 7/8 x 6 in. (22.5 x 15.2 cm), Prints, James McNeill Whistler…

The Wise Virgins Conversing, ca. 1635, Etching, Sheet: 10 1/16 x 12 15/16 in. (25.6 x 32.8 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

The Sarcophagus, 1640, Etching; first state of two (Robert-Dumesnil), sheet: 4 15/16 x 5 7/8 in. (12.6 x 15 cm), Prints, Laurent de La Hyre (French, Paris 1606–1656 Paris)

Woman and Child on Stairs, n.d., Pen and brown ink, brush and gray washes over red chalk underdrawing, 9 7/16 x 7 1/2 in. (24 x 19.1 cm.), Drawings, Pierre Lélu (French, Paris 1741–1810 Paris)

Design for a Stage Set at the Opéra, Paris, 1828–90, Graphite, watercolor, and gouache, sheet: 14 13/16 x 15 1/2 in. (37.6 x 39.3 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890…

Neptune calming the Tempest Aeolus raised against the Fleet of Aeneas, 1531–76, Engraving, sheet: 9 x 16 3/4 in. (22.8 x 42.6 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna,…

Design for a Candelabra, 19th century, Pen and brown ink. Framing lines in pen and brown ink., sheet: 13 7/8 x 7 11/16 in. (35.3 x 19.6 cm), Drawings, Anonymous, French, 19th century

The Last Drop, April 5, 1801, Hand-colored etching, Sheet: 11 1/8 × 7 13/16 in. (28.3 × 19.9 cm), Prints, Standing on tiptoe, a short, heavy-bellied 'cit,' or City of London tradesman, struggles…

Jeanne (Spring), 1882, Etching on blue laid paper, only state, from 1905 Strölin edition, Plate: 6 3/16 x 4 1/2 in. (15.7 x 11.4 cm), Prints, Édouard Manet (French, Paris 1832–1883 Paris)

St. Paul's Chapel, New York (from Scenes of Old New York), 1877, Etching, plate: 7 1/4 x 5 in. (18.4 x 12.7 cm), Prints, Henry Farrer (American, London 1844–1903 New York)

Fulham (Chelsea), 20th century, Facsimilie of etching, Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London)

Virgin and Child with the Monkey, ca. 1498, Engraving, Sheet: 7 1/2 × 4 3/4 in. (19.1 × 12.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design of a decorative panel featuring hunting trophies, a shield, and a crown, 19th century, graphite, pen and ink, and watercolor on wove paper pasted to cardboard, Drawings,…

Carrying the Cross, n.d., Etching, image: 7 5/8 x 4 13/16 in. (19.4 x 12.3 cm), trimmed to image, Prints, Claude Gillot (French, Langres 1673–1722 Paris), Engraved by Jacques Gabriel Huquier…

Designs for Two Sconces, 19th century, Pen and brown ink, image: 14 1/2 x 10 1/4 in. (36.9 x 26.1 cm), Drawings, Anonymous, French, 19th century

Virgin and Child Appearing to Saint Paul, 1612–75, Pen and brown ink, 9-3/4 x 7-11/16 in. (24.8 x 19.5 cm), Drawings, Micco Spadaro (Domenico Gargiulo) (Italian, Naples 1609/10–1675 Naples (?))

Rebecca and Eliezer, Etching, sheet: 10 9/16 x 6 11/16 in. (26.9 x 17 cm), Prints, François Chauveau (French, Paris 1613–1676 Paris), After Laurent de La Hyre (French, Paris 1606–1656 Paris)

Design for an Incense Burner (?), 19th century, Pen and ink with wash on laid paper, sheet: 11 13/16 x 7 7/8 in. (30 x 20 cm), Drawings, Anonymous, French, 19th century

An Eagle with Wings Spread, 1696–1770, Charcoal, highlighted with white chalk, on blue paper, 13-11/16 x 9-3/4 in. (34.7 x 24.8 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice…

Laban cherchent ses dieux, 1753, Etching, between second and third states, image: 6 13/16 x 8 9/16 in. (17.3 x 21.8 cm), trimmed to image, Prints, Gabriel de Saint-Aubin (French, Paris…

Design for Two Gothic Desks, early 19th century, Graphite, sheet: 8 9/16 x 12 3/16 in. (21.7 x 31 cm), Anonymous, British, 19th century

Large Ecce Homo (copy), n.d., Sheet: 11 1/4 x 17 1/2 in. (28.6 x 44.5 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Sketches of Grotesques., 1533–1609, Pen and brown ink, Sheet: 8 1/4 x 10 5/8 in. (21 x 27 cm), Giovanni Antonio Dosio (Italian, Florence/S. Gimignano 1533–1609 Rome/Naples)

Corner of the Ambassador's Staircase at Versailles (recto); Sketches of Figures and Dolphins (verso), n.d., Pen and brown ink, brush and brown wash with touches of gray wash over traces of black…

Marché du boeuf gras, 1750, Etching, between second and third states, sheet: 5 11/16 x 7 1/16 in. (14.5 x 18 cm), Prints, Gabriel de Saint-Aubin (French, Paris 1724–1780 Paris)

Two Goats Nibbling Branches, ca. 1653, Etching, Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence)

San Lorenzo, New Sacristy, plan (recto) San Lorenzo, New Sacristy, details, elevation and section (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 17 1/4…

Armed Three-Master on the Open Sea Accompanied by a Galley from The Sailing Vessels, 1561–65, Engraving and etching; second state of three, sheet: 13 1/4 x 10 1/4 in. (33.6 x 26 cm), Prints,…

The Adoration of the Shepherds, 17th century, Red chalk. Framing lines in pen and black ink., 7 1/2 x 10 9/16 in. (19.1 x 26.8 cm), Drawings, Anonymous, French, 17th century

Cover design for 'Klassischer Skulpurenschatz', late 19th century, Lithograph, sheet: 25 13/16 x 17 11/16 in. (65.5 x 44.9 cm), Prints, Otto Greiner (German, Leipzig 1869–1916 Munich)

Plate 10: two horsemen descending a mountain at left, another horseman to right in background, from 'Diversi capricci', ca. 1644–47, Etching; third state of four (De Vesme), Sheet: 3 3/8 in. ×…

Le Duelliste a L'Épée et au Poignard (The Duelist with a Sword and Daggar), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked…

A winged putto and turtle doves, second half 19th century, oil on canvas; mounted on wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French,…

Peace and Plenty or Good News for John Bull!!!, May 25, 1814, Hand-colored etching, sheet: 7 3/8 x 15 7/8 in. (18.8 x 40.4 cm), Prints, George Cruikshank (British, London 1792–1878 London),…

Design for a Mirrored Cabinet and Four Chairs, early 19th century, Ink and watercolor and wash, sheet: 9 13/16 x 17 1/16 in. (24.9 x 43.4 cm), Anonymous, British, 19th century