The Draped Figure Seated, October–December 1893, Transfer lithograph with stumping, drawn on fine-grained transfer paper; only state (Chicago); printed in black ink on heavy weight tan laid…

Lighthouse, 1880, Etching, sheet: 6 15/16 x 4 7/8 in. (17.6 x 12.4 cm), Prints, Henry Farrer (American, London 1844–1903 New York)

The Wise Virgins before Christ, ca. 1635, Etching with engraving, Sheet (trimmed): 9 5/16 × 12 5/8 in. (23.6 × 32.1 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

The Virgin and Child with Saint John the Baptist, Pope Saint Dionysius, Filippo Neri and a Male Saint, ca. 1620, Black chalk, highlighted with blue wash, 9 13/16 x 5 1/4in. (24.9 x 13.4cm),…

Christ at the Marriage of Cana (Schr. 136a), 15th century, Woodcut, hand-colored, sheet: 4 7/16 x 3 5/8 in. (11.3 x 9.2 cm), Prints, Anonymous, German, 15th century

The Production of Palm Oil, 1844, Graphite on brown paper, 9 1/2 x 12 15/16 in. (24.1 x 32.8 cm), Drawings, Anonymous, French, 19th century

Giving Drink to the Thirsty, 1635, Etching; first state of two, Sheet (trimmed): 10 3/16 × 12 15/16 in. (25.9 × 32.8 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Parnassus, frontispiece to Les Oeuvres de Scarron, 1649, Etching, state ii, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence)

The Four Horsemen, from The Apocalypse, Latin Edition, 1511, ca. 1511, Woodcut, sheet: 17 5/16 x 11 15/16 in. (44 x 30.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Plate 43 from 'Los Caprichos': The sleep of reason produces monsters (El sueño de la razon produce monstruos), 1799, Etching, aquatint, drypoint, and burin, Plate: 8 3/8 x 5 15/16 in. (21.2 x…

Entombment of Christ, n.d., Etching, second state, sheet: 7 11/16 x 4 13/16 in. (19.6 x 12.2 cm), trimmed to image, Prints, Claude Gillot (French, Langres 1673–1722 Paris), Engraved by…

Seymour Seated, 1857–58, Etching; third state of three (Glasgow); black ink on fine buff Japan, plate: 5 5/16 x 3 13/16 in. (13.5 x 9.7 cm), Prints, James McNeill Whistler (American, Lowell,…

Virgin nursing the infant Christ on her lap, 1515–20, Engraving, Sheet (Trimmed): 6 9/16 × 4 3/4 in. (16.7 × 12 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome),…

The Resurrection, from The Passion, 1512, Engraving, Sheet: 4 9/16 × 2 15/16 in. (11.6 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Unfinished Sketch of Lady Haden, 1895, Lithograph with scraping; second state of three (Chicago); printed in black ink on cream laid paper, Image: 11 13/16 × 7 7/8 in. (30 × 20 cm), Prints,…

Cupid posed in an Ornamental Cartouche, 18th century, Red chalk and graphite, 7.5 x 5.5 in. (19.1 x 14.0 cm), Drawings, Anonymous, French, 18th century

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 4 5/8 x 4 3/4 in. (11.7 x 12.1 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

The Soul Exploring the Recesses of the Grave, from The Grave, a Poem by Robert Blair, March 1, 1813, Engraving, plate: 9 1/4 x 4 11/16 in. (23.5 x 11.9 cm), Prints, Luigi Schiavonetti…

Eunuchus, from The Comedie of Terence, 19th century reprint, n.d., Woodcut, sheet: 3 1/2 x 5 5/8 in. (8.9 x 14.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Measurement of the Temple, from the Apocalypse, n.d., Engraving, plate: 12 1/16 x 8 3/4 in. (30.7 x 22.3 cm), Prints, Jean Duvet (French, ca. 1485–after 1561)

Plate 17 of the 'Tauromaquia': The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls., 1816, Etching, burnished aquatint, drypoint and…

Gold Fish (Francis M. Drexel), from The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 7 1/8 x 11 in. (18.1 x 28 cm), Prints, Henry Louis…

Standing and Seated Figures in a Landscape with an Obelisk, 1520–83, Pen and brown ink, 8 3/8 x 7 1/4in. (21.3 x 18.4cm), Drawings, Battista Pittoni (Italian, Vicenza ca. 1520–ca. 1583…

The Lake, after Corot, 1833–1914, Etching; first state of two, sheet: 8 1/4 x 11 13/16 in. (21 x 30 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres), After Camille Corot…

Plate 10: head of a soldier, from 'Drawing Basics' (I principii del disegno), after 1641, Etching, Sheet: 3 7/8 × 3 3/4 in. (9.9 × 9.5 cm), Prints, After Stefano della Bella (Italian,…

Head of a Woman in Profile, ca. 1885, Etching, printed in brown ink; only state, plate: 3 15/16 x 2 1/2 in. (10 x 6.4 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942…

Two Women with a Mirror, No. 868, from La Elegancia (San Sebastian?), 19th century, Steel engraving with hand coloring, Sheet: 10 15/16 x 7 11/16 in. (27.8 x 19.6 cm), Prints, Hélöise Leloir…

Design for Ceiling, 18th century, Graphite or leadpoint, 8 7/16 x 13 11/16 in. (21.5 x 34.8 cm), Drawings, Workshop of Leonardo Marini (Italian, Piedmontese documented ca. 1730–after 1797)

Rain (Decoration for a Plate), 1850–1914, Etching, sheet: 12 11/16 x 19 3/16 in. (32.2 x 48.8 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)

Palazzo Salviati in Rome, section (recto) Palazzo Salviati in Rome, details (verso), early to mid-16th century , Pen and dark brown ink, over red chalk and stylus-incised lines (recto and…

Design for a Porcelain Flower Bowl with Bronze Mount, 19th century, Graphite, watercolor, and gouache, sheet: 15 7/8 x 11 5/16 in. (40.3 x 28.8 cm), Drawings, Anonymous, French, 19th century

Design for a Stage Set at the Opéra, Paris, 1840–90, Graphite, Irregular sheet: 11 13/16 x 13 15/16 in. (30 x 35.4 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Juno suspended in the air, set within a frame, from the 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 3/16 x 4 in. (13.1 x 10.2 cm), Prints, Giulio Bonasone (Italian,…

A High-Priest, the Prophetess Anna (?) and a Kneeling Boy around a Table, 1745, Brush and red wash, heightened with white bodycolor, over a sketch in graphite. Framing line in pen and black…

Design for a decorated dome in the Peruviez residence, Belgium, second half 19th century, Gouache over graphite on wove paper, sheet: 13 9/16 x 16 7/8 in. (34.5 x 42.9 cm), Drawings,…

The Reunion of the Soul & the Body, from The Grave, a Poem by Robert Blair, March 1, 1813, Engraving, plate: 9 3/8 x 6 15/16 in. (23.8 x 17.6 cm), Prints, Luigi Schiavonetti (Italian, Bassano…

A Black Man Feeding a Horse, ca. 1662, Etching, Plate: 3 1/4 × 4 5/8 in. (8.3 × 11.8 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence)

St. Margaret (Schr. 2846), 15th century, Pasteprint, sheet: 5 5/8 x 4 1/8 in. (14.3 x 10.5 cm), Prints, Anonymous, German, 15th century

Design for Three Vases, ca. 1770–85, Pen and brown ink, watercolor, 14 7/8 x 9 1/8 in. (37.8 x 23.2 cm), Drawings, Anonymous, French, 18th century

Flying Putto Supporting a Crown, 1652–1726, Red chalk, 10 5/8 x 7 7/16in. (27 x 18.9cm), Drawings, Anton Domenico Gabbiani (Italian, Florence 1652–1726 Florence)

Grande Bretagne, 1644, Etching, state iii, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676)

Ten designs for the painted decoration of an interior; one possibly for 'Harwith', second half 19th century, graphite and pen and ink on various papers glued to carboard, mount: 12 5/16 x 18 7/8…

The Matyrdom of Saint John, from The Apocalypse, Latin Edition, 1511, 1511, Woodcut, sheet: 15 7/16 x 11 in. (39.2 x 27.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Ecce Homo, from The Passion, 1512, Engraving, Sheet: 4 3/4 × 3 1/16 in. (12.1 × 7.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Job and his Daughters, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 7/16 x 6 5/8 in. (21.4 x 16.8 cm), Prints, William Blake (British, London 1757–1827 London)

Flight into Egypt, a round composition, ca. 1662, Etching; first state of two, Sheet: 8 1/16 × 8 1/16 in. (20.5 × 20.5 cm), Prints, Etched by Stefano della Bella (Italian, Florence…

Two Standing Men Gesticulating, 1615–73, Pen and brown ink. Pen scribbles on verso are indistinctly visible on recto, 5-1/4 x 3-1/16 in. (13.3 x 7.7 cm) (irregular), Drawings, Salvator Rosa…

Five Men at a table in German Renaissance costume, playing cards in an inn, 1825, Pen and grey ink, over graphite, sheet: 8 9/16 x 9 5/16 in. (21.7 x 23.7 cm), Drawings, Paul Mila (German,…

Design for a Stage Set at the Opéra, Paris, 1828–90, Watercolor, gouache, over graphite, Irregular sheet: 12 3/16 x 11 5/8 in. (31 x 29.5 cm), Drawings, Eugène Cicéri (French, Paris…

Left Half Design for an Architectural Project, Pen and brown ink, brush and brown wash, Overall: 7 3/4 x 3 7/16 in. (19.7 x 8.7 cm), Drawings, Attributed to Mauro Antonio Tesi (Italian,…

Cartouche with Title: Nouvelles inventions de Cartouches, 1647, Etching; first state, Sheet: 4 13/16 × 3 1/2 in. (12.3 × 8.9 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence)

The Martyrdom of Saint John, from The Apocalypse, 1511, Woodcut, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Billingsgate, 1859, Etching and drypoint; nineth state of nine (Glasgow) ; black ink on medium weight buff laid paper, Plate: 6 × 8 13/16 in. (15.2 × 22.4 cm), Prints, James McNeill Whistler…

The Isle of Cythera, ca. 1750, Etching, Sheet (trimmed): 6 7/8 × 9 5/8 in. (17.4 × 24.4 cm), Prints, Jérôme François Chantereau (French, Paris ca. 1710–1757 Paris)

Lamp, Hellenistic or Early Imperial, 1st century B.C.–1st century A.D., Greek or Roman, Terracotta, H. 1 3/16 in. (3 cm); length 3 5/16 in. (8.4 cm), Terracottas

The Ponte Acquoria, 18th century, Brush and brown and gray wash over black chalk., 11 3/8 x 18 1/8 in. (28.8 x 46.0 cm), Drawings, Joseph Vernet (French, Avignon 1714–1789 Paris)

Ten designs for the decoration of the Opéra Comique, Paris, second half 19th century, Graphite, pen and ink, and watercolor on various papers; laid down on cardboard, sheet: 12 13/16 x 19 5/8…

Landscape with Mercury, 1668, Etching, sheet: 7 7/8 x 10 3/16 in. (20 x 25.8 cm), Prints, After Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome), Etched by Dominique…

James H. Fogarty, Right Fielder, Philadelphia, from World's Champions, Second Series (N43) for Allen & Ginter Cigarettes, 1888, Commercial lithograph, Sheet: 2 15/16 x 3 1/4 in. (7.4 x 8.3 cm),…

Plate 4 from 'Los Caprichos': Nanny's boy (El de la rollona.), 1799, Etching, aquatint, drypoint, Plate: 8 1/16 x 5 7/8 in. (20.4 x 14.9 cm), Prints, Goya (Francisco de Goya y Lucientes)…

Triumphal Entry into a City, 1530s, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on beige paper, 4-3/16 x 7-15/16 in. (10.6 x 20.2 cm), Drawings,…

Paneling and Benches (Verso: sketch of a Desk), ca. 1830, Graphite, sheet: 8 11/16 x 12 3/8 in. (22 x 31.4 cm), Anonymous, British, 19th century

Crucifixion with Four Angels, 15th century, Engraving, 11 1/2 x 7 3/4 in. (29.2 x 19.7 cm), Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach)

Design for a Stage Set, 1828–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Two designs for decorative panels and one design for an ornamental monogram with a crown and the initials: FF, 1830–97, Watercolor and graphite, sheet: 19 1/2 x 13 3/8 in. (49.5 x 33.9 cm),…

Plate 3: two girls walking towards the right, seen from behind, a woman on a horse to right in background, from 'Diversi capricci', ca. 1648, Etching, Sheet: 3 1/16 × 3 15/16 in. (7.8 × 10…

Man Smoking a Pipe (recto); Standing Man and Two Studies of His Head (verso), 1697–1768, Pen and brown ink, over traces of lead or graphite (recto); vertical ruled line in lead or graphite…

Design for a Fountain, 18th century, Pen and black ink, brush and gray wash, sheet: 12 3/16 x 9 3/16 in. (31 x 23.3 cm), Drawings, Anonymous, French, 18th century

Design for a Stage Set at the Opéra, Paris, 1840–90, Graphite, Irregular sheet: 10 1/16 x 2 5/8 in. (25.5 x 6.6 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

College Henri IV (ou Lycée Napoléon), 1863–64, Etching on laid paper; fifth state of eleven, plate: 11 3/4 x 19 in. (29.8 x 48.3 cm), Prints, Charles Meryon (French, 1821–1868)

The Holy Family with Saints and Two Musical Angels, 1511, Woodcut, sheet: 8 5/16 x 8 3/8 in. (21.1 x 21.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Saint Bernard presenting the host to Guillaume X, duc de Guyenne, n.d., Pen and brown ink, brush and gray wash, over red chalk. Framing lines in pen and brown ink., sheet: 2 15/16 x 4 7/16 in. (7.4…

Palazzo Massimo alle Colonne, entablature, elevation (recto); Portico, Doric capital and entablature, elevation and Unknown, Corinthian cornice, elevation (verso), early to mid-16th century ,…

Terrour or Fright (Le Brun Travested, or Caricatures of the Passions), January 21, 1800, Etching, printed in brown ink, sheet: 11 3/16 x 9 in. (28.4 x 22.8 cm), Prints, After George Moutard…

Saint Jerome in His Study, 1514, Engraving, Sheet: 13 9/16 × 7 3/8 in. (34.5 × 18.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Illustration for a Book: Pope Handing a Banner to a Crusader, with Ships in the Background, 1696–1770, Black chalk. Horizontal and vertical centering lines ruled in faint black chalk, 3-1/16 x…

Design for Six Chairs with Scarlet Upholstery (verso: Sketch for Sofa), early 19th century, Ink, watercolor and wash (verso: graphite), sheet: 9 1/2 x 11 7/8 in. (24.2 x 30.1 cm), Anonymous,…

The footbridge temporarily replacing the Pont-au-Change, Paris, after the fire of 1621, after della Bella, 1860, Etching; seventh state of twelve, plate: 4 11/16 x 9 in. (11.9 x 22.9 cm),…

St. Peter's, exterior, tabernacle, elevation and section at base with details of pedestal and railing, (recto), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet:…

Roman Procession, 1499–1543, Pen and brown ink, brush and brown wash, highlighted with white, 4-1/4 x 15-5/8 in. (10.8 x 39.7 cm), Drawings, After Polidoro da Caravaggio (Italian, Caravaggio…

Design for a Carriage, 19th century, Graphite, pen and black ink, brush and black and gray wash, 5 11/16 x 9 in. (14.5 x 22.8 cm), Drawings, Anonymous, French, 19th century

Design for a ceiling of trompe l'oeil sky, second half 19th century, Graphite, pen and black ink, gouache, and watercolor, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

Devise with Anchor, 19th century, Graphite, pen and gray ink, brush and brown wash, 6 7/8 x 5in. (17.5 x 12.7cm) corners trimmed, Drawings, Charles Monblond (French, 19th century)

Two Hat-Shaped Chinoiserie Flowers with Fanciful Leaves, 19th century, Gouache on olive green prepared paper, 8 5/8 x 8 11/16 in. (21.9 x 22.1 cm), Drawings, Anonymous, French, 19th century

Armenie, 1644, Etching, state iii, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676)

Design for an Oil Lamp and Lid, 19th century, Graphite, brush and gray wash, watercolor, gouache, and gold gilt, sheet: 16 3/4 x 11 1/4 in. (42.6 x 28.6 cm), Drawings, Anonymous, French, 19th century

Knitting in the Glow of a Lamp, ca. 1880, Soft-ground; second state of two, plate: 11 9/16 x 9 in. (29.4 x 22.9 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le…

Tapestry Cartoon Fragment: The Top of Woman's Head with Hair Braided over a Cloth Headdress, 1500–1550, Brush, yellow, orange, brown, gray and white gouache over traces of black chalk, 8-7/8…

The Society Man (Monsieur Joseph Prudhomme), 1874, Pen and brown and black ink with watercolor and touches of white on gray-green paper., 8 7/8 x 6 11/16 in. (22.6 x 17 cm), Drawings,…

Cestina Warehouse or Belly Piece Shop, April 16, 1793, Hand-colored etching, sheet: 14 3/8 x 19 3/16 in. (36.5 x 48.7 cm), Prints, Attributed to Isaac Cruikshank (British, Edinburgh, Scotland…

Design of Dead Christ Supported by Two Angels a Saint, 1553–88, Pen and brown ink, brush and brown wash over traces of leadpoint, 7-13/16 x 6-7/16 in. (19.8 x 16.4 cm) irregular borders,…

Departure for the Fields, ca. 1638–41, Etching; third state of four (Mannocci), sheet: 5 1/2 x 7 5/8 in. (14 x 19.3 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682…

Veue et Perspective du Chasteau d'Amboille, Pen and black ink with brush and gray wash, 6 1/2 x 13 1/4 in. (16.5 x 33.6 cm.), Drawings, Nicolas Perelle (French, Paris 1631–1695 Orléans)

Design for Dining Room Ceiling, Château de Cangé, second half 19th century, Pen and black ink, watercolor, gouache, 6 3/8 x 7 3/4 in. (16.2 x 19.7 cm), Drawings, Jules-Edmond-Charles…

Frederick the Wise, Elector of Saxony, 1524, Engraving, Sheet: 7 5/8 in. × 5 in. (19.4 × 12.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Chinese Musicians, 19th century, Watercolor and gouache, sheet: 14 7/16 x 17 3/8 in. (36.7 x 44.2 cm), Drawings, Anonymous, Chinese, 19th century

Cavalry Engagement, 1624–63, Pen and brown ink, 3-1/8 x 5-3/8 in. (7.9 x 13.6 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano (?) 1615/20–after 1679 Gubbio (?))

Sewing on the Grass, ca. 1880, Drypoint and soft-ground; only state, plate: 8 3/4 x 5 1/2 in. (22.2 x 14 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le…

Four Friends, First State, 1921, Lithograph, image: 10 1/8 x 7 1/4 in. (25.7 x 18.4 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York)

The Desperate Man, ca. 1515, Etching, sheet: 7 3/8 x 5 3/8 in. (18.7 x 13.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)