Design for a Porcelain Vase with Bronze Mount, 19th century, Graphite, watercolor, gouache, and gold gilt, sheet: 17 1/16 x 11 7/16 in. (43.4 x 29 cm), Drawings, Anonymous, French, 19th century

Perspective of 'Studio D' Solozione', 1954, Black ink and colored pencil, over graphite, Drawings, Guglielmo Ulrich (Italian, 1904–1977)

Seven drawings,including four decorative motifs and two scenes of interiors, 1830–97, graphite, pen and ink, and gouache on various papers; mounted on cardboard, Overall: 14 1/16 x 6 5/8 in. (35.7…

Plate 4: a deer hunt, two horsemen galloping towards the rightbehind three dogs and a deer, a group of trees to left, from 'Various Figures' (Agréable diversité de figures), after 1642,…

The Lamentation, from The Passion, 1507, Engraving, Sheet: 4 13/16 × 3 1/16 in. (12.2 × 7.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for Festival Architecture for an Entry into Paris for the King of Sweden, Frederick I of Hesse, 18th century, Pen and gray ink, brush and brown wash over graphite, 8 3/4 x 7 1/2 in. (22.2…

Landscape with Mountains, n.d., Red chalk, highlighted with white chalk, on pink prepared paper, sheet: 9 5/16 x 12 11/16 in. (23.6 x 32.2 cm), Drawings, Antonio d'Enrico Tanzio (Tanzio da…

Youth Kneeling before a Prelate (recto); Another Study of a Youth Kneeling before a Prelate (verso), ca. 1620, Pen and brown ink, brush and light brown wash (recto and verso), sheet: 9 3/8 x 7…

Joshua, with the Sun at Upper Left, 19th century, Oil over pen and brown ink on thin paper, laid down on board, 13 7/16 x 5 5/8 in. (34.2 x 14.3cm), Drawings,

Alexander and Bucephalus, 17th century, Pen and brown ink, Chinese white, brush and black wash on yellow paper., 5 3/4 x 11 1/8 in. (14.6 x 28.3 cm), Drawings, Anonymous, French, 17th century

Emma, Elsie and Gene, 1921, Lithograph, image: 11 1/2 x 11 3/8 in. (29.2 x 28.9 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York)

The story of Jason and Medea at the left she carries off her son, in the middle she is shown in her madness, Jason stands at the right, 1531–76, Engraving, sheet: 8 11/16 x 12 5/8 in. (22 x…

Design for Pink, Green and White Curtains with Gold and Red Fringes, and Gold Pediments, ca. 1820, Ink, watercolor and wash, sheet: 10 7/8 x 15 1/16 in. (27.6 x 38.3 cm), Anonymous, British,…

Caricature of Henri Mürger, 1849–61, Pen and watercolor, 12 3/8 x 9 in. (31.4 x 22.9 cm), Drawings, Nadar (French, Paris 1820–1910 Paris)

Biblical Subject, 18th century, Etching and Engraving, sheet: 12 x 17 11/16 in. (30.5 x 45 cm), Prints, Anonymous, Italian, 18th century, After Giovanni Benedetto Castiglione (Il Grechetto)…

Design for painted decoration of wall or ceiling panels, including the word 'Frascati', second half 19th century, pen and ink, watercolor, and gold paint, sheet: 8 3/4 x 4 1/8 in. (22.2 x 10.5…

Charles de Valois, duc d'Angouleme, Etching, image: 11 13/16 x 9 7/16 in. (30 x 24 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 7 3/8 x 1 5/8 in. (18.8 x 4.2 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

The Spanish Singer (Le Guitarrero), 1861–62, etching, final state (V) on blue laid paper, plate: 11 5/8 x 9 9/16in. (29.5 x 24.3cm), Prints, Édouard Manet (French, Paris 1832–1883 Paris)

Design for wallpaper featuring rinceaux and carouches framing figures, 1830–97, gouache on wove paper, Overall: 12 3/8 x 9 7/16 in. (31.4 x 23.9 cm), Drawings, Jules-Edmond-Charles Lachaise…

Entrance to the Faubourg Saint-Marceau, Paris, 1850, Etching on wove paper; second state of two, plate: 5 3/8 x 9 1/2 in. (13.6 x 24.2 cm), Prints, Charles Meryon (French, 1821–1868), After…

The Cumaean Sibyl before Tarquin the Proud, 16th century, Pen and brown ink, brush and brown wash, highlighted with white gouache, on traces of lead point or black chalk, on light brown paper,…

Very Haughty and Very Mighty Legitimist Brats, February 1834, Lithograph on chine collé, sheet: 12 13/16 x 2 3/16 in. (32.6 x 5.6 cm), Prints, Honoré Daumier (French, Marseilles 1808–1879…

Two Seated Women and a Boy on Clouds, 1696–1770, Pen and brown ink, brush with pale (yellow) and dark brown wash, over black chalk, 8-5/16 x 9-1/2 in. (21.1 x 24.2 cm), Drawings, Giovanni…

Virgin and Child Seated by the Wall (reverse copy), n.d., Engraving, Sheet: 5 11/16 × 3 7/8 in. (14.4 × 9.8 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Crucifixion used in Missale Traiectense (Utrecht Missal), Leiden, 1514, ca. 1512, Woodcut printed on vellum with letterpress type printed in black and red on verso, sheet: 10 x 6 1/2 in. (25.4…

Justice, ca. 1499, Engraving, Sheet: 4 1/4 × 3 1/8 in. (10.8 × 7.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Stage Set at the Opéra, Paris, 1830–90, Brush and black and gray wash, over graphite, sheet: 8 11/16 x 5 1/4 in. (22.1 x 13.4 cm), Drawings, Eugène Cicéri (French, Paris…

Tiburtine Sibyl, from the series of Sibyls, ca. 1530, Woodcut, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Plate 47 from 'The Disasters of War' (Los Desastres de la Guerra): 'This is how it happened'(Así sucedió.), 1810 (published 1863), Etching,burnished lavis, drypoint, burin and burnisher, Plate:…

Songs of Innocence and of Experience: Little Black Boy (second plate), ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in.…

Woman in Half-Length, Profile View Facing Left and Reading a Piece of Paper Signed 'Catarina', 1702–88, Graphite or black chalk, 8 15/16 x 6 7/8in. (22.7 x 17.4cm), Drawings, attributed to…

Adam and Eve, ca. 1639, Etching, Sheet (Trimmed): 7 3/4 × 6 11/16 in. (19.7 × 17 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona)

Designs for Three Candelabras and an Urn, 19th century, Pen and brown ink, image: 10 13/16 x 15 15/16 in. (27.5 x 40.5 cm), Drawings, Anonymous, French, 19th century

Troops Encamped on the Champs Elysées, 1870, 19th century, Pen and gray ink, brush and black and gray wash, sheet: 10 3/4 x 14 13/16 in. (27.3 x 37.7 cm), Drawings, Anonymous, French, 19th century

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 11 15/16 x 8 3/8 in. (30.3 x 21.3 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

The Four Horsemen, from The Apocalypse, 1498, Woodcut, Sheet: 15 1/4 x 11 7/16 in. (38.8 x 29.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), The third and most…

Seated Woman Working on a Tapestry, 1620–76, Etching, Sheet (trimmed): 8 1/4 × 5 11/16 in. (21 × 14.4 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Feeding the Hungry, 1635, Etching with engraving; first state of two, Sheet (trimmed): 10 in. × 12 11/16 in. (25.4 × 32.2 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Saint John Devouring the Book, from The Apocalypse, n.d., Woodcut, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Virgin and Child Seated by a Tree, 1513, Engraving, sheet: 4 5/8 x 3 in. (11.7 x 7.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Arch of Constantine, Rome, 1500–1571, Pen and ink, brush and brown wash, 11 15/16 x 10 1/16in. (30.3 x 25.5cm), Drawings, attributed to Bartolomeo Neroni (Il Riccio) (Italian, Siena…

Fan Design with Flower Motifs, 19th century, Watercolor over graphite, sheet: 8 1/2 x 18 1/4 in. (21.6 x 46.4 cm), Drawings, Anonymous, French, 19th century

Mercury and Argus, 1662, Etching; third state of three (Mannocci), sheet: 9 13/16 x 13 1/2 in. (25 x 34.3 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome)

Apollo and the Niobids, 18th century, Pen and brown ink, on brown paper., 5 x 3 3/8 in. (12.7 x 8.6 cm), Drawings, Anonymous, French, 18th century

Ceiling Design of a Nereid Mounted on a Hippocamp with Putto, 18th century, Graphite, pen and black ink, brush and brown and gray wash. Framing lines in graphite., 7 x 7 3/16 in. (17.8 x 18.3…

An Oriental Horseman, 1727–1804, Pen and dark brown ink, brush and brown wash, over traces of black chalk or graphite, sheet: 7 9/16 x 10 13/16 in. (19.2 x 27.4 cm), Drawings, Giovanni…

Villa of Pratolino: The Appenino, ca. 1653, Etching; second state, Plate: 9 15/16 × 15 3/16 in. (25.2 × 38.5 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence)

The Colonist René de Laudonnière Sablais, after van de Passe, 1861, Etching, drypoint and engraving, plate: 6 x 4 1/4 in. (15.2 x 10.8 cm), Prints, Charles Meryon (French, 1821–1868), after…

Portrait of a Young Woman (Miss Seaton) (Dorothy Seaton), 1897, only printed posthumously, Transfer lithograph with stumping, drawn on thin, transparent transfer paper; only state (Chicago);…

Design for Stage Set, 1698–1765, Pen and brown ink, brush and gray wash, sheet: 6 x 4 in. (15.3 x 10.1 cm), Drawings, Attributed to Giovanni Battista Natali III (Italian, Pontremoli, Tuscany…

Head of a Bearded Man., 1620–30, Black chalk, highlighted with white chalk, on blue-gray paper partly faded light brown, 13-3/8 x 9-9/16 in. (34.0 x 24.3 cm), Drawings, Domenichino (Domenico…

Cleric with Raised Arms (lower register?; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Black chalk, heightened with white chalk, on gray paper,…

One Font and Plan (recto); Two Romanesque Style Fonts (verso), mid-19th century, Graphite, ink and wash on pale blue paper (recto); graphite (verso), Anonymous, British, 19th century

Plate IV, from Rules for Drawing Caricaturas, February 26, 1788, Etching, sheet: 5 1/8 x 8 7/16 in. (13 x 21.4 cm), Prints

Fashion Study: Woman in a Green Dress, 19th century, Pen and brown ink, brush and gray wash, watercolor, heightened with white, sheet: 9 15/16 x 7 3/8 in. (25.2 x 18.7 cm), Drawings,…

Triton Sounding a Conch Shell, ca. 1597–1602, Charcoal or soft black chalk on blue-gray paper; traces of framing outlines in pen and black ink and black chalk, Sheet: 15 1/4 x 9 9/16 in. (38.8…

Attention (Le Brun Travested, or Caricatures of the Passions), January 21, 1800, Etching, printed in brown ink, sheet: 11 1/8 x 8 11/16 in. (28.3 x 22.1 cm), Prints, After George Moutard…

The Virgin and Child, God the father upper right, angels at left, ca. 1647–50, Etching, sheet: 7 15/16 x 15 3/4 in. (20.2 x 40 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto)…

Design for Three Vases, ca. 1770–85, Pen and brown ink, and black chalk, 14 15/16 x 9 3/16 in. (37.9 x 23.4 cm), Drawings, Anonymous, French, 18th century

Saint Florian, ca. 1460, Woodcut, hand-colored, 10 x 6-9/16 in.; 11-1/4 x 7-9/16 in., Prints, Casper (Upper German, Regensburg, ca. 1460), This sheet, pasted into the inside of a book cover, is one…

Picture Seller, 1738, Etching with some engraving, image: 9 x 7 1/16 in. (22.9 x 17.9 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After…

Horseman in a Landscape, ca. 1550-60, Etching, Sheet: 13 1/8 × 17 3/4 in. (33.3 × 45.1 cm), Prints, Attributed to Battista Franco (Italian, Venice ca. 1510–1561 Venice)

Sheet of Sketches, 1753, Etching, image: 5 9/16 x 8 1/8 in. (14.2 x 20.7 cm), Prints, François Boucher (French, Paris 1703–1770 Paris), After Abraham Bloemaert (Netherlandish, Gorinchem…

Three Peasants in Conversation (reverse copy), n.d., Engraving, Sheet: 4 1/2 × 3 1/4 in. (11.5 × 8.2 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), Luigi Guidotti

A Sort of Umbrella, 1746, Etching with some engraving, Sheet: 9 1/4 x 6 13/16 in. (23.5 x 17.3 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris),…

The Head of a Woman in Profile Facing Left, 1490–1500, Metalpoint, highlighted with white gouache, on pale blue-gray prepared paper, Overall: 5 3/16 x 4 in. (13.2 x 10.2 cm), Drawings, Follower…

Mal Lui Veut Mal Lui Tourne Dit Le Bonne Homme Richard, ca. 1780, Engraving, plate: 8 13/16 x 10 5/8 in. (22.4 x 27 cm), Prints, Anonymous, French, 18th century

Gabled Roofs, Vitré, 1893, Transfer lithograph with stumping, drawn on fine-grained transfer paper; only state (Chicago); printed in black ink on medium weight ivory laid paper, Image: 8 1/16 ×…

The Presentation of the Virgin in the Temple (recto); Another Design for the Same Composition (verso), 1612–50, Pen and brown ink, brush and brown wash, on beige paper (recto); pen and brown…

Twenty-two designs for the painted decoration of interiors, 1830–97, graphite, pen and ink, and wash on various papers; mounted on cardboard, Overall: 12 3/8 x 18 13/16 in. (31.4 x 47.8 cm),…

Surprised Ducks, 1885–89, Etching with burin, plate: 14 3/4 x 10 5/8 in. (37.5 x 27 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)

Male Nude Torso with Raised Arms, ca. 1522–24, Red chalk, 4 1/8 x 2 3/16in. (10.4 x 5.5cm), Drawings, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540…

The Straw Hat, ca. 1899, Drypoint; only state, plate: 9 1/4 x 6 1/4 in. (23.5 x 15.9 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)

Amsterdam, from the Tolhuis, 1863, Etching and drypoint; third state of eight (Glasgow); printed in black ink on ivory, plate: 5 1/8 x 8 3/16 in. (13 x 20.8 cm), Prints, James McNeill Whistler…

Design for a Stage Set: The Gallery of a Magnificent Palace Decorated with Mirrors., 1696–1756, Pen and brown ink, brush and gray wash over traces of black chalk (recto and verso), sheet: 7 13/16…

Project for a Tomb, ca. 1590–1600, Pen and brown ink, brush and brown and gray wash., 8 1/2 x 5 3/4 in. (21.6 x 14.6 cm) - top cut to arch shape in middle., Drawings, Anonymous, French, 16th century

Agony in the Garden, 1515, Etching, Sheet: 8 11/16 × 6 1/16 in. (22 × 15.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Designs for Ornamental Military Trophies (recto and verso), ca. 1540–70, Pen and brown ink (recto and verso)

A Nymph Holding a Large Dog by its Collar, ca. 1654, Etching, late state unrecorded by De Vesme, Sheet (trimmed to plate): 7 3/8 × 5 3/4 in. (18.8 × 14.6 cm), Prints, Stefano della Bella…

Design for a decorative panel in the Baroque style for the Chateau de Vaux-Praslin, second half 19th century, pen and ink and wash on wove paper, Overall: 19 5/8 x 13 1/4 in. (49.8 x 33.6 cm),…

Salome with the Head of John the Baptist, 1514, Woodcut, sheet: 16 x 11 3/8 in. (40.6 x 28.9 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

The Wounded Lion, July 16, 1805, Hand-colored etching, sheet: 10 9/16 x 14 7/16 in. (26.8 x 36.7 cm), Prints, James Gillray (British, Chelsea 1756–1815 London)

Study of Drapery over the Knees of a Seated Figure., 1472–1517, Black chalk, highlighted with white. Squared in black chalk, 4-7/8 x 6-7/16 in. (12.4 x 16.3 cm), Drawings, Fra Bartolomeo…

Female Mask Surrounded by Tendrils, 1652–1725, Pen and brown ink, over preliminary drawing in black chalk, sheet: 6 1/4 x 10 in. (15.9 x 25.4 cm), Giovanni Battista Foggini (Italian,…

Design for a Pair of Doors Joined by an Ornamental Panel, second half 19th century, Graphite, pen and black ink, and watercolor, 8 5/8 x 10 1/4 in. (21.9 x 26.0 cm), Drawings,…

Standing Male Nude, 1754, Black chalk, sheet: 23 5/8 x 10 1/16 in. (60 x 25.5 cm), Drawings, Franz August Myldorfer (Austrian, active ca. 1750)

Holy Family with Saint Elizabeth and Saint John the Baptist, copy in reverse after Cantarini, ca9 or after, Etching, Sheet (Trimmed): 5 1/16 × 7 5/16 in. (12.8 × 18.5 cm), Prints, After…

Design for a Sofa on Casters, ca. 1820, Ink and gouache, sheet: 5 1/16 x 6 7/16 in. (12.9 x 16.4 cm), Attributed to Gillows (British, 19th century)

The Harsen Homestead, Corner of 10th Avenue and 70th Street (from Scenes of Old New York), 1876, Etching, plate: 4 11/16 x 6 3/16 in. (11.9 x 15.7 cm), Prints, Henry Farrer (American, London…

Design for Decorated 'Sultan' Plaque for Stable Wall, Hôtel Candamo, ca. 1873, Pen and black ink, watercolor, 9 1/4 x 14 1/4 in. (23.5 x 36.2 cm), Drawings, Jules-Edmond-Charles Lachaise…

Venus, 1859, Etching and drypoint; first state of two (Glasgow); printed in black ink on medium weight off-white fibrous wove paper, Plate: 5 7/8 × 8 7/8 in. (15 × 22.6 cm), Prints, James…

Design for a Sofa with Two Loose Cushions, early 19th century, Ink and wash, sheet: 9 1/16 x 11 15/16 in. (23 x 30.3 cm), Anonymous, British, 19th century

Sack of a City, 1499–1543, Pen and brown ink, brushed and washed with brown and gray, over charcoal, 11 x 8 in. (27.6 x 20.4 cm), Drawings, School of Polidoro da Caravaggio (Italian, Caravaggio…

Illustration for 'The Relief Fund in Lancashire' (for Once a Week), 1862, Wood engraving; proof, sheet: 5 x 4 3/8 in. (12.7 x 11.1 cm), Prints, James McNeill Whistler (American, Lowell,…

Plate 4: bear, from 'Various animals' (Diversi animali), 1641, Etching; second state of three (De Vesme), Plate: 3 1/8 × 4 1/8 in. (8 × 10.5 cm), Prints, Stefano della Bella (Italian,…

The Instruments of Human Sustenance (Humani Victus Instrumenta): Cooking, after 1569, Engraving, sheet: 14 15/16 x 10 7/8 in. (37.9 x 27.7 cm), Prints, In the manner of the circle of Giuseppe…

Illustration for a Book: Queen of Port City Receiving Envoys, 1696–1770, Black chalk, reworked with traces of red chalk. Horizontal and vertical centering lines ruled in faint black chalk, 3-1/8…

Saint Jude (or Saint Matthias), 1595–1616, Etching, Sheet (trimmed): 11 7/8 × 6 3/4 in. (30.1 × 17.1 cm), Prints, Jacques Bellange (French, Bassigny (?) ca. 1575–1616 Nancy)

Horror, January 21, 1800, Hand-colored etching, printed in brown ink, Sheet (trimmed): 11 5/16 × 8 7/8 in. (28.8 × 22.5 cm), Prints, After George Moutard Woodward (British, ca. 1760–1809 London)