Bird’s Nest and Ferns, 1863, Fidelia Bridges, American, 1834–1923, United States, Oil on panel, 20 × 16.8 cm (7 7/8 × 6 5/8 in.)

Beaker (Humpen), 1650/1700, Germany, Blown glass with polychrome enamel decoration, H. 20.3 cm (8 in.)

Portrait of Raphael, n.d., Paul Pontius, Flemish, 1603-1658, Flanders, Engraving on paper, 221 × 172 mm (image), 253 × 181 mm (plate), 262 × 191 mm (sheet)

Lake Tahoe, from the Warm Springs, 1878/82, Carleton Watkins, American, 1829–1916, United States, Albumen print, stereo, No. 4026 from the series "Watkins' New Series

Amulet of a Necklace Counter Weight, Third Intermediate Period, Dynasty 21–25 (1070–656 BC), Egyptian, Egypt, Faience, 6 × 2.25 × .5 cm (2 3/8 × 7/8 × 3/16 in.)

The Bourgeois and His Tailor, plate 5 from Les Bons Bourgeois, 1847, Honoré Victorin Daumier, French, 1808-1879, France, Lithograph in black on cream wove paper, 255 × 205 mm (image), 359 × 277…

Fragment, 1501/25, Italy, Silk, satin weave with supplementary pile warps forming cut solid pile-on-pile velvet, 30.2 x 37.8 cm (11 7/8 x 14 7/8 in.)

Ecce Homo, n.d., Jacques Callot, French, 1592-1635, France, Etching on paper, 109 × 213 mm (plate)

Panel, 1775/1800, Possibly made by, but sold by Harvey Nichols & Co. Limited, founded in 1831, England, Cotton, balanced plain weave, block printed, picotage, glazed, 239.5 × 64.5 cm (94 1/4 ×…

Nude Model, Back View, 1891, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in brownish-gray (keystone), green, blue-green, rose, orange-red, ochre, pale ochre,…

Sir Richard Southwell, April 1, 1795, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 372 x 270 mm…

Provins 1814, 1833, Denis Auguste Marie Raffet (French, 1804-1860), printed by Chez Gihaut Frères (French, 19th century), France, Lithograph in black on ivory wove paper, 177 × 266 mm…

Figure of a Woman, c. 1776, George Romney, English, 1734-1802, England, Brush and brown ink on cream laid paper, 432 × 238 mm

Kettle, 1783/84, Sèvres Porcelain Manufactory (French, founded 1740), Painting attributed to Charles-Eloi Asselin (French, active 1712–1803), Mounts attributed to Jean-Nicolas Bastin (French,…

Hunt-ing the Bull!!, published February 8, 1817, George Cruikshank (English, 1792-1878), published by J. Sidebotham (English, active 1802-1820), England, Hand-colored etching on paper, 212 × 335…

A Portrait of a Man, 1650, Jan de Bray, Dutch, c. 1627-1697, Netherlands, Black and red chalk on ivory laid paper, 165 x 127 mm

Lady Hobby, March 1, 1793, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on ivory wove paper, 289 x 197 mm (image), 343 x…

Don José Moñino y Redondo, Conde de Floridablanca, c. 1776, Pompeo Girolamo Batoni, Italian, 1708-1787, Italy, Oil on canvas, 39 1/4 × 29 5/8 in. (99.7 × 75 cm)

Takashima Ohisa, from the series A Fashionable Set of Three (Furyu sanpuku tsui), c. 1794, Utagawa Toyokuni I 初代 歌川 豊国, Japanese, 1769–1825, Japan, Color woodblock print, oban, 14 1/8…

Decorated Initial G in Pink with Curling Leaves from a Manuscript, 14th century or modern, c. 1920, European, Europe, Manuscript cutting in tempera and gold leaf on vellum, 54 × 62 mm

The Prospect Before Us, 1791, Thomas Rowlandson (English, 1756-1827), published by S.W Fores (English, 1761-1838), England, Hand-colored etching on paper, 303 × 463 mm (image), 345 × 507 mm (sheet)

Green River, Wyoming Territory, 1886, Thomas Moran, American, born England, 1837-1926, United States, Etching on tan wove paper, 134 x 204 mm (plate), 178 x 246 mm (sheet)

Inigo Jones (recto), Sketch of Female Head (verso), c. 1790 (recto, n.d. (verso), After Anthony van Dyck, Flemish, 1599-1641, Flanders, Black chalk, with brush and pale brown wash (recto), and…

Head of the Swooning Virgin: Study for the Deposition (recot) Base of Column (verso), 1568/69, Federico Barocci, Italian, c. 1535-1612, Italy, Black chalk and charcoal, with stumping and traces…

What a fuss this sour-face from the fifth floor is making! Wearing a hat just to buy two cups of milk for one sou!, Oh, Madame Capitaine, aren’t we fancy today…, plate 36 Types Parisiens,…

Combination Hunting Dagger and Double-Barrel Percussion Pistol, Sheath, and Belt of Emperor Maximilian of Mexico, 1864/67, Joseph-Celestin Dumouthier (French), France, Paris, active…

Fan, c. 1780/90, France, Plain wood sticks and guards, bordered with ivory paper mount, printed, metal rivet, 29 cm (11 in.)

Jonah Cast Up by the Whale, 17th century, After Jacopo Robusti, called Tintoretto, Italian, 1519-1594, Italy, Pen and black ink, and brush and black and gray wash, heightened with white gouache,…

Design: Academic Figure, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), after Jean Honoré Fragonard (French, 1732-1806), published by André le Breton (French,…

Study for the Omen of the Future Greatness of Augustus: Left Portion, n.d., after Giulio Pippi, called Giulio Romano, Italian, c. 1499-1546, Italy, Pen and brown ink with brush and brown wash,…

Bedcover (Ocean Wave Quilt), c. 1883, Made by Frances Brooks Wyld, American, died 1958, United States, Illinois, Chicago, United States, Cotton, plain weaves, printed, cotton, twill weaves,…

Covered Cup, 1764/75, Myer Myers, American, 1723–1795, New York, New York City, Silver, 35.6 × 29.2 × 17.8 cm (14 × 11 1/2 × 7 in.)

Four Illustrations to I Kings (recto) and Illustration to I Kings (verso) from Biblia Latina, plate 78 from Woodcuts from Books of the XVI Century, 1569, assembled into portfolio 1937, Bernard…

Mer de Glace, plate 50 from Liber Studiorum, published May 12, 1812, Joseph Mallord William Turner, English, 1775-1851, England, Etching and mezzotint in brown on ivory wove paper, 180 × 255…

Anthropopithecus gorilla, Print, 1864

Standing Courtesan, 1710s, Okumura Masanobu, Japanese, 1686-1764, Japan, Hand-colored woodblock print, o-oban, sumizuri-e, 54.0 x 29.3 cm

Haarlem Boats in Amsterdam, 1850, Charles Meryon (French, 1821-1868), after Reinier Nooms (Dutch, c. 1623-c. 1664), France, Etching, engraving and roulette on ivory chine, laid down on ivory…

Pastoral Contentment, n.d., Johann Lorenz Rugendas I (German, 1730-1799), after Charles Eisen (French, 1720-1778), Germany, Etching on ivory laid paper, 291 x 191 mm (plate), 386 x 242 mm (sheet)

Tiger Resting in the Desert, 1846, Eugène Delacroix, French, 1798-1863, France, Etching on white China paper laid down on white wove paper, 75 × 125 mm (image), 100 × 134 mm (plate), 260 × 336…

Kan, a waitress of the Izutsuya, and the geisha Fuseya of the Ogiya, c. 1794, Eishosai Choki, Japanese, active c. 1790s-early 1800s, Japan, Color woodblock print, oban, 38.7 x 26.9 cm (15 1/4 x…

Coin Portraying Philip the Arab, AD 244/249, Roman, Roman Empire, Bronze, Diam. 2.9 cm, 15.71 g

Coverlet, 1837, United States, New York, Allegheny County, Cuba, New York, Cotton and wool, plain weave double cloth, woven on loom with Jacquard attachment, two loom widths joined, 199.4 x 166.4…

Untitled, c. 1850, Charles Marville, French, 1813–1879, France, Albumen print, from the series "Bois de Boulogne

Leaf from De humani corporis fabrica (skull), plate 100 from Woodcuts from Books of the XVI Century, 1543, assembled into portfolio 1937, Attributed to Jan Stephan van Calcar (Netherlandish,…

Couple Standing on a Pier Embracing on a Moonlit Night, c. 1774, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, hashira-e, 27 x 4 5/8 in.

Flower Holder, 1825/50, England, Staffordshire, Staffordshire, Glazed earthenware with polychrome enamel decoration, 28.3 x 35.6 x 20.6 cm (11 1/8 x 14 x 8 1/8 in.)

Titania’s Awakening, 1803, Thomas Ryder I (English, 1746-1810), after Henry Fuseli (Swiss, active in England, 1741-1825), published by John Boydell (English, 1719-1804), authored by William…

John Thomlinson and His Family, 1745, Arthur Devis, English, 1712–1787, England, Oil on canvas, 24 × 40 1/8 in. (60.9 × 101.9 cm)

View from the Interior of the Glacier at Grindelwald, Suisse, 1850/96, William England, English, 1816–1896, England, Albumen print, stereo, No. 304 from the series "Views of Switzerland

Prostitution, plate ten from Woman, c. 1886, Albert Besnard, French, 1849-1934, France, Etching on cream Japanese paper, 315 × 245 mm (plate), 390 × 310 mm (sheet)

Joshua and Caleb, 1520/25, Albrecht Altdorfer, German, c.1480-1538, Germany, Woodcut in black on ivory laid paper, 122 x 95 mm (image/block/sheet)

Paperweight, c. 1848–55, Saint-Louis, France, founded 1767, Saint-Louis, Glass, Diam. 7 cm (2 3/4 in.)

Three People, a Mask, a Fox, and a Bird, headpiece for Le sourire, 1899, Paul Gauguin, French, 1848-1903, France, Wood-block print in black ink on thin ivory laid Japanese paper, 90 × 185 mm…

Panel, Qing dynasty (1644–1911), 1701/25, Made in China for the European/American market, China, Silk, stripes of weft rib plain weave, painted with pigment, alternating with stripes of…

Pendant in the Shape of a Poppy, New Kingdom (about 1550–1069 BC), Egyptian, Egypt, Carnelian, 1.11 × .48 × .48 cm (7/16 × 3/16 × 3/16 in.)

Portrait of a Man in a Red Cap, c. 1480, South German, possibly Ulm, Southern Germany, Oil on panel, Panel: 29.5 × 21.6 cm (11 5/8 × 8 in.), Painted surface of obverse: 28.9 × 19.1 cm (11 3/8 ×…

An Unpleasant Encounter, plate sixteen from Les Canotiers Parisiens, 1843, Honoré-Victorin Daumier, French, 1808-1879, France, Lithograph in black, with additions in pen and dark brown ink…

Four Panels, c. 1850/70, England, Wool serge, block printed, 167.7 × 43.2 cm (66 × 17 in.), Miss Vandeveer, 1717, American, 18th century, Formerly attributed to John Watson, United States, Oil…

Mocking of Christ, 1562, Follower of or after Luca Cambiaso, Italian, 1527-1585, Italy, Pen and brown ink with brush and brown wash, on tan laid paper, squared in red and black chalk, laid down…

Profile Sketch, n.d., William Michael Harnett, American, born Ireland, 1848-1892, United States, Graphite on ivory wove card, 68 x 44 mm

Madame Eugène Carrière, 1893, Eugène Carrière, French, 1849-1906, France, Lithograph in black on light gray Japanese paper, 182 × 125 mm (image), 261 × 184 mm (sheet)

The Actor Matsumoto Koshiro IV as the Plant Seller Awashima no Yonosuke in the Play Mukashi Otoko Yuki no Hinagata, Performed at the Ichimura Theater in the Eleventh Month, 1781, c. 1781,…

Fragment (Bonnet Trim), 1840/50, Probably Europe, Europe, Straw and silk, simple gauze weave with ground wefts turning after each gauze crossing, edged with straw in pairs of joined braids of…

Plate from l’Assommoir (man leaning on bar), 1878, Gaston La Touche, French, 1854-1913, France, Drypoint on ivory laid paper, 177 × 144 mm (image), 240 × 161 mm (plate)

Penitence of Saint Jerome, c. 1480, Unknown artist, German, active c. 1480, Germany, Metalcut with hand-coloring on paper, 120 x 82 mm (plate), 140 x 104 mm (sheet)

Seesaw—Gloucester, Massachusetts, published September 12, 1874, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on buff…

The Deification of Aeneas by Nymphs and Cupids, c. 1645, Daniel van den Dyck, Flemish, 1614-1662, Flanders, Etching in black on ivory laid paper, 316 × 412 mm (image), 318 × 416 mm (sheet,…

Memorial Portrait of the Actor Onoe Kikugoro IV and His Wife, 1860, Utagawa School, Japanese, 19th century, Japan, Color woodblock print, oban

Plate, c. 1770, Rouen Potteries, French, 1526-1847, Rouen, Tin-glazed earthenware (faience), 2.9 × 24 cm (1 1/8 × 9 7/16 in.)

Memorial portrait of the actor Ichimura Takenojo V, 1851, Utagawa Kuniyoshi, Japanese, 1797-1861, Japan, Color woodblock print, oban, 36 x 23.8 cm (14 3/16 x 9 5/16 in.)

The Actor Sakata Hangoro III as the Groom Abumizuri no Iwazo in Koriyama, Actually Kurisaka Taro Tomonori (SAndai-me Sakata Hangoro no Koriyama no Umakata Abumizuri no Iwazo, jitsuwa Kurisaka…

Bottle, 1st century AD, Ancient Mediterranean, Mediterranean Region, Glass, blown technique, H. 11.4 cm (4 1/2 in.), diam. 4.4 cm (1 3/4 in.)

Coin Depicting the God Apollo, 2nd/1st century BC, Greek, minted in Smyrna, Ionia, Ancient Greece, Bronze, Diam. 1.2 cm, 2.02 g

Act Nine: Yuranosuke’s House in Yamashina from the play Chushingura (Treasury of the Forty-seven Loyal Retainers), early 1790s, Katsukawa Shun’ei, Japanese, 1762-1819, Japan, Woodblock…

Child’s Shoe, 16th century, England, Leather, remnants of a strap with buckle, 15.5 × 7 × 2 cm (6 1/8 × 2 3/4 × 2/3 in. )

The Courier Kantan dreaming of Himself as a Daimyo (Hikyaku Kantan: yume no daimyo), no. 8 from a series of 12 prints depicting parodies of plays, c. 1716/35, Okumura Masanobu, Japanese,…

Man Holding a Ball, 1750/99, Nevers, France, Glass, lampwork (verre de Nevers), metal armature, H. 12.4 cm (4 7/8 in.)

Plate six, from A Harlot’s Progress, 1732, William Hogarth, English, 1697-1764, England, Engraving in black on ivory laid paper, 302 × 379 mm (image), 319 × 388 mm (plate), 437 × 535 mm (sheet)

Isolated Subject from the Story of Psyche, c. 1532, Master of the Die (Italian, active c. 1530-1560), after Raphael (Italian, 1483-1520), Italy, Engraving, printed in black, on paper, 165 x 223.5 mm

Arctictis binturong, Print, The binturong (Arctictis binturong), also known as bearcat, is a viverrid native to South and Southeast Asia. It is uncommon in much of its range, and has been assessed…

Pedro Romero killing the halted bull, plate 30 from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, aquatint, drypoint…

Posting in Scotland, published May 25, 1805, James Gillray (English, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Hand-colored etching and aquatint on paper, 308 ×…

Amulet of a Ram’s Head, New Kingdom–Third Intermediate Period (about 1550–664 BC), Egyptian, Egypt, Steatite, 1.6 × 1.3 × 0.6 cm (5/8 × 1/2 × 1/4 in.)

Amulet of the God Anubis, Late Period, Dynasties 26–31 (664–332 BC), Egyptian, Egypt, Faience, 3.75 × 1 × 1.5 cm (1 1/2 × 3/8 × 9/16 in.)

Female Figure, 500/200 B.C., Chupícuaro, Guanajuato or Michoacán, Mexico, México, Ceramic and pigment, H. 7.9 cm (3 1/8 in.)

Fragment of a Temple Doorway Lintel, Chandella period, c. 11th century, India, Uttar Pradesh, Red sandstone, 35.9 x 84.1 x 10.0 cm (14 1/8 x 33 1/8 x 3 15/16 in.)

Amulet of the God Thoth, Late Period, Dynasties 26–31 (664–332 BC), Egyptian, Egypt, Faience, 4 × 1 × 1.5 cm (1 9/16 × 3/8 × 9/16 in.)

Study for Share Certificates in a Fraudulent Franco-Californian Company, No. 1, 1855, Charles Meryon, French, 1821-1868, France, Gillotage in black on ivory wove paper, 166 × 140 mm (image), 166…

The Lonely Tower, 1880, Samuel Palmer, English, 1805-1881, England, Etching on paper, 167 × 235 mm (image), 189 × 253 mm (plate), 288 × 412 mm (sheet)

Mount Langya, Qing dynasty (1644–1911), 18th century, Dong Bangda, Chinese, 1699-1769, China, Folding fan mounted as an album leaf, ink on gold-flecked paper, 18.0 × 52.5 cm

Accept this Trifle (valentine), n.d., Unknown Artist, English, 19th century, England, Collaged elements with pen and black ink on embossed cream wove paper, 142 × 100 mm (folded sheet)

September – Michaelmas Day from George Cruikshank’s Steel Etchings to The Comic Almanacks: 1835-1853 (top left), 1836, printed c. 1880, George Cruikshank (English, 1792-1878), published by…

Fragment, 19th century, Spain, silk, 23.5 x 12.7 cm (9 1/4 x 5 in.)

Nicolas Christin, n.d., Jean Morin (French, c. 1590-1650), after Anthony van Dyck (Flemish, 1599-1641), France, Engraving and etching in black on paper, 302 × 238 mm (sheet, trimmed within platemark)

Going to the Theater, c. 1770/71, Attributed to Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, chuban, 11 x 8 1/2 in.

Frans Francken, 1630/33, Anthony van Dyck, Flemish, 1599-1641, Flanders, Etching and engraving in black on ivory laid paper, 247 × 159 mm (image/plate), 253 × 168 mm (sheet)

Architecture, n.d., Etienne Delaune, French, c. 1519-1583, France, Engraving on paper, 72 × 54 mm (image/sheet, cut within platemark)

Wall Fragment from a Tomb Depicting Offering Bearers, Old Kingdom, Dynasty 5 (about 2494–2345 BC), Egyptian, Saqqara, tomb of Akhethotep (?), Egypt, Limestone, 33 × 55 × 7cm (13 × 21 11/16 ×…

Hour of the Monkey [4pm] (Saru no koku), from the series The Twelve Hours in Yoshiwara (Seiro juni toki tsuzuki), c. 1794, Kitagawa Utamaro 喜多川 歌麿, Japanese, 1753 (?)-1806, Japan,…

Yumoto, from the series Seven Famous Hot Springs of Hakone (Hakone shichito meisho), c. 1780, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, chuban, 26.9 x 18.8 cm