Librifly Art Gallery 2.589.713 / 2.589.715 Entries < previous page Page 3267 / 25898 next page > Ôhi (Stole), late Edo period (1789–1868), 1800/68, Japan, Heri, jô: silk and gold-leaf-on-lacquered-paper-strip, plain weave with plain interlacings of secondary binding warps and… Medal, 18th century, European, Europe, Silver, Diam. 6.5 cm (2 9/16 in.) Sitting Model, 1892, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 130 x 91 mm (image), 138 x 98 mm (plate), 358 x 273 mm (sheet) I’m Thine, Only Thine (valentine), c. 1850, Unknown Artist, English, 19th century, England, Watercolor with collage on embossed ivory laid paper, 181 × 117 mm (folded sheet) Kiritsubo, from the series Fifty-four Chapters of the Tale of Genji (Genji monogatari gojuyonjo), 1852, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, oban, 25… Man in Black, 1820/40, American, 19th century, United States, Oil on canvas, 67.3 × 57.5 cm (26 1/2 × 22 5/8 in.) Dish, c. 1770, Worcester Porcelain Factory, Worcester, England, founded 1751, Worcester, Soft-paste porcelain, polychrome enamels and gilding, 23.9 x 31.6 cm (9 7/16 x 12 7/16) Fragment, A.D. 1476/1532, Probably Chuquibamba, Probably south coast, Peru, Peru, Plain compound cloth (old card) Miniature Buddhist Water Sprinkler (Kundika) with Lotus-leaf Spout, late Song (960–1279) or Yuan dynasty (1271–1368), c. 13th century, China, Glazed stoneware, H. 8.9 cm (3 9/16 in.), diam. 4.9… Landscape, 1870/75, Maxime Lalanne, French, 1827-1886, France, Charcoal, with stumping and erasing, on ivory laid paper, 282 × 372 mm Standing Pavise, c. 1480/90, German, Klausen, Tirol, Wood, iron, and boarskin, 117.5 x 58.5 cm (46 1/4 x 23 in.) Furisode, 18th century, late Edo period (1789–1868), Japan, Silk and gold-leaf-over-lacquered-paper strips, plain weave with supplementary patterning wefts bound on reverse face by secondary… Paperweight, c. 1845–60, Clichy, France, 1837-1885, Clichy, Glass, Diam. 7.6 cm (3 in.) Pole Screen, 18th century, England, 111.8 × 68.6 cm (44 × 27 in.) Fragment (From an Orphrey Band), 15th century, Italy, Silk, gold gilt strip wound around silk fiber core, integrated compound-weave of warp-float faced satin weave and twill weave with… Lady Montegle, December 1, 1796, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 330 x 192 mm (image),… The Assault of the Shoe, 1888, Henri Charles Guérard, French, 1846-1897, France, Etching, with open bite, in black on cream wove paper, 167 × 254 mm (image/plate), 355 × 490 mm (sheet) Fragment, c. 1700, Italy, Italy Woman Haymaker at Éragny, 1897, Camille Pissarro, French, 1830-1903, France, Etching in black on cream wove paper (discolored to brown), 205 × 150 mm (image/plate), 224 × 172 mm (sheet) Mise-en-carte (Point-paper), 1760/90, France, Lyon, France, Ink and gouache on hand drawn graph paper, 45.45 × 55.6 cm (17 7/8 × 21 7/8 in.) Bath House from Hyperotomachie ou discours du son gede Poliphile, plate 69 from Woodcuts from Books of the XVI Century, 1554, assembled into portfolio 1937, Jean Goujon (French,… Venus Ordering Psyche to Seek Water From a Fountain Guarded by Dragons, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired… Ancyluris, Print, Ancyluris is a butterfly genus in the family Riodinidae. They are resident in the Neotropics. San Francisco Bay, c. 1860/69, Carleton Watkins, American, 1829–1916, United States, Albumen print, 18.2 x 22.3 cm (image/paper) The Actor Nakamura Sukegoro II in the role of a chivalrous commoner (otokodate), c. 1768/70, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Color woodblock print, hosoban, 32.3 x 14.5… The Actor Onoe Tamizo I as Kewaizaka no Shosho Disguised as a Komuso in the Play Furisode Kisaragi Soga, Performed at the Ichimura Theater in the Second Month, 1772, c. 1772, Katsukawa Shunsho… Plate three, from A Harlot’s Progress, 1732, William Hogarth, English, 1697-1764, England, Engraving in black on ivory laid paper, 300 × 375 mm (image), 323 × 393 mm (plate), 437 × 536 mm (sheet) Landscape with a Square Tower, 1650, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching and drypoint in black on off-white laid paper, 88 x 156 mm (plate), 90 x 157 mm (sheet) Jar with Sawtooth and Encircling Bands, Eastern Han dynasty (A.D. 25–220), China, Earthenware with lead green glaze and underglaze carved decoration, H. 10 1/2 in. Sheet of Studies for the Blinding of Elymas, Sacrifice at Lystra, and a Holy Family, c. 1558, Taddeo Zuccaro, Italian, 1529-1566, Italy, Pen and brown ink, and brush and red chalk and brown wash,… Olivier de Serres, 1858, Jean François Millet (French, 1814-1875), after Daniel de Serres (French, 1539-1619), printed by Lemercier et Compagnie, France, Lithograph on gray China paper laid down… Couple Embracing, plate six from The Large Wedding-Dancers, 1538, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 118 x 79 mm (image/plate/sheet) Under Old Battersea Bridge, 1876/78, James McNeill Whistler, American, 1834-1903, United States, Etching, drypoint and open bite, with foul biting, with drypoint cancellation, in black ink on… Fragment, 1601/35, Italy, Silk, plain weave with gilt-metal strips supplementary facing wefts and supplementary pile warps forming cut and uncut voided velvet, 15.1 x 12.8 cm (6 x 5 in.) Leaf from a Copy of the Ashtasahasrika Prajnaparamitasutra (Perfection of Wisdom in Eight Thousand Verses), Pala period, 1160/1180, India/Bangladesh, India, Opaque watercolor on palm leaf, 6.4 x… Armida Encounters the Sleeping Rinaldo, 1742/45, Giovanni Battista Tiepolo, Italian, 1696–1770, Italy, Oil on canvas, 187.5 × 216.8 cm (73 13/16 × 85 3/8 in.) Horse and Rider, 1630, Hans Ludwig Kienle (German, 1591–1653), Germany, Ulm, Ulm, Silver and silver gilt, H. 31.5 cm (12 3/8 in.) Mounted Huntsman Sounding a Horn, c. 1818, Carle Vernet (French, 1758-1836), printed by Comte de Charles Philibert Lasteyrie du Saillant (French, 1759-1849), France, Lithograph in black on ivory… The Marriage of Ferdinand de’ Medici and the Duchess Christine de Lorraine, plate 1 from The Life of Ferdinand de Medici, 1616/20, Jacques Callot, French, 1592-1635, France, Engraving on ivory… Memorial Portrait of the Actor Ichikawa Danjuro VIII, 1854, Utagawa Kunisada I (Toyokuni III), Japanese, 1786-1864, Japan, Color woodblock print, oban Study for Vignette in Fontanelle’s (attr.) Les Amours de Mirtil, Canto I, c. 1761, Hubert François Gravelot, French, 1699-1773, France, Pen and black ink over black chalk, on gray laid paper,… Plate One, from A Rake’s Progress, June 1735, William Hogarth, English, 1697-1764, England, Etching and engraving in black on ivory laid paper, 319 × 387 mm (image), 360 × 410 mm (plate), 490… Lion Hunt, 1860/61, Eugène Delacroix, French, 1798-1863, France, Oil on canvas, 30 × 38 1/2 in. (76.5 × 98.5 cm) The Great Gate, n.d., Anthoni Waterlo, Dutch, 1609-1690, Holland, Etching on paper, 153 x 206 mm (image), 155 x 207 mm (sheet) Hawk on Plum Branch Looking Down at Fleeing Bird, c. 1775, Attributed to Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, hashira-e, 28 x 5 in. Chous (Toy Pitcher), 430/410 BC, Greek, Athens, Athens, terracotta, decorated in the red-figure technique, 9.2 × 6.8 × 6.8 cm (3.66 × 2.69 × 2.70 in.) The Broad Bridge, 1878, James McNeill Whistler, American, 1834-1903, United States, Lithotint, in brown ink, with scraping, on ivory plate paper, 187 x 281 mm (image), 247 x 357 mm (sheet) There isn’t Time Now, plate 19 from The Disasters of War, 1810/12, published 1863, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, lavis, drypoint, burin and burnishing… Le Mariage (Furnishing Fabric), c. 1810, Engraved by Alexis Nicolas Nöel (French, 1792–1871) after a design by Jean Baptiste Mallett (French, 1759–1835), France, Bolbec, Bolbec, Cotton,… Apus cancriformis, Print Ammonites pustulatus franconicus, Print, Ammonoidea, Ammonoids are a group of extinct marine mollusc animals in the subclass Ammonoidea of the class Cephalopoda. These molluscs, commonly referred… Marine Scene, n.d., possibly or an imitator of Anthony Vandyke Copley Fielding, English, 1787-1855, England, Watercolor and gouache, with scraping, heightened with varnish, over traces of graphite,… Plate Twenty of 38 from Oeuvres de J. B. Huet, 1796–99, Jean Baptiste Huet, French, 1745-1811, France, Etching on paper, 480 × 350 mm Kanaya: Kanaya Slope and Oi River (Kanaya, Kanaya saka, Oigawa)—No. 25, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi), also known as the Reisho Tokaido, c.… Fragment, 1775/1800, France, brocaded silk, 15.9 × 27.9 cm (6 1/4 × 11 in.) Sunday in Paris, 1887, Paul Signac, French, 1863-1935, France, Lithograph in black, with scraping on stone, on cream wove paper, 174 × 120 mm Two Candelabra, c. 1835, France, Glass with gilt metal, 1979.1005: 74.6 × 49.2 × 15.8 cm (29 7/16 × 19 7/16 × 6 1/4 in.), 1979.1006: 74.9 × 48.6 × 15.5 cm (29 9/16 × 19 3/8 × 6 1/8 in.) Portrait of Jacques Bénigne Bossuet, Bishop of Meaux, 1723, Pierre-Imbert Drevet (French, 1697-1739), after Hyacinthe Rigaud (French, 1659-1743), France, Engraving on cream laid paper, 501 ×… The actors Ichikawa Danjuro VII as Takamoto no kitsune and Segawa Kikunojo V as Izumi no Chieda-gitsune, 1818, Utagawa Kunisada I (Toyokuni III), Japanese, 1786-1864, Japan, Color woodblock… Paperweight, c. 1846–55, Baccarat (French, founded 1764), France, Glass, Diam. 6.4 cm (2 1/2 in.) Beaker, c. 1850, Bohemia, Czech Republic, Bohemia, Glass, colorless, blown, cut, overlaid with opaque white glass, enameled and gilded, 12.4 × 8.1 cm (4 7/8 × 3 3/16 in.) Amulet of the Osirian Triad (Nephthys, Horus, and Isis), Late Period, Dynasty 26 (664–332 BC), Egyptian, Egypt, Faience, 3.8 × 2.9 × 1.7 cm (1 1/2 × 1 1/8 × 5/16 in.) Two Young Women in Conversation, n.d., Guercino, school of, Italian, 1591-1666, Italy, Pen and iron gall ink on buff laid paper, laid down on cream laid paper, 222 x 204 mm Christ Before Pilate: Large Plate, 1635, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching on paper, 543 x 449 mm (image);552 x 449 mm (plate);556 x 455 mm (sheet) Head of a Male Deity (Deva), Haripunjaya period, 11th/12th century, Thailand, Lamphun Province, Thailand, Stucco, 27.4 x 22.6 x 17.9 cm (10 3/4 x 8 7/8 x 6 15/16 in.) The Actor Nakamura Nakazo I as Ippei (?) in the Play Koi Nyobo Somewake Tazuna (?), Performed at the Ichimura Theater (?) in the Eighth Month, 1778 (?), c. 1778, Katsukawa Shunko I, Japanese,… Double Pendant in the Form of a Mythical Saurian with Tusks, A.D. 800/1200, Coclé, Coclé province, Panama, Panama, Gold with plaster restoration of boar tusks, 6 × 7 × 2.32 cm (2 3/8 × 2 3/4… Panel (Furnishing Fabric), 18th century, Qing dynasty (1644–1911), China, Silk, satin weave with supplementary pile warps forming cut and uncut solid velvet, 171.5 × 63.85 cm (67 1/2 × 25 1/8 in.) Untitled (99), c. 1890, edited by Ferdinando Ongania, Italian, 1842–1911, Italy, Photogravure, No. 99 from the portfolio "Calli, Canali e Isole della Laguna Apostle Spoon: The Master, 1628/29, London, England, London, Silver, figure gilded, 18.3 x 5.2 cm (7 3/16 x 2 1/16 in.) Assumption of the Virgin (recto), Sketches of Architectural Details (verso), n.d., Unknown Artist, Italian, 16th/17th century, Italy, Black chalk with pen and brown ink and brush and pale purple… The Entry into Jerusalem, from The Fall and Redemption of Man, 1513, Albrecht Altdorfer, German, c.1480-1538, Germany, Woodcut in black on ivory laid paper, 172 x 148 mm (image/plate), 174 x 149… America Presenting at the Altar of Liberty Medallions of Her Illustrious Sons (Furnishing Fabric), c. 1785, After etchings by Pierre Eugène du Simitière (Swiss, died 1784), England, Linen… Ornamental Design for Knife Handle with Earth, from The Four Elements, c. 1590, After Johann Theodor de Bry, German, 1561-1623, Flanders, Engraving in black on ivory laid paper, 90 × 22 mm… Figures from a Massacre of the Innocents, n.d., Andrea Boscoli, Italian, c. 1560-1608, Italy, Black and red chalk on cream laid paper, laid down on cream wove card, 282 x 186 mm The Angel and the Eighth Sphere, plate 48 from Planets and Spheres, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving in black on tan laid paper, 167 x 97 mm… Panel, 1775/1800, France, Silk, warp-float faced 7:1 satin weave self-patterned by areas of 1:7 'Z' twill weave, 315 × 59 cm (124 × 23 1/4 in.) Rape of Deianira, after c. 1575, After Luca Cambiaso, Italian, 1527-1585, Italy, Pen and brown and reddish brown ink with brush and reddish brown wash, on ivory laid paper, laid down on ivory… Two Sheep, n.d., Adriaen van de Velde, Dutch, 1636-1672, Holland, Etching on ivory paper, 72 x 97 mm Paperweight, c. 1845–60, Clichy, France, 1837-1885, Clichy, Glass, Diam. 7.6 cm (3 in.) Study for Lucain’s La Pharsale, Canto V, c. 1766, Hubert François Gravelot, French, 1699-1773, France, Pen and black ink, with graphite, on gray laid paper, incised for transfer, and… Headdress (Jagún Jagún), Mid–/late 19th century, Yoruba, Ekiti region, Nigeria, Coastal West Africa, Nigeria, Wood, iron, nails, fiber, and sacrificial materials, H. 111.8 cm (44 in.) Stater (Coin) Depicting a Tripod, about 500/480 BC, Greek, Crotone, Italy, Crotone, Silver, Diam. 2.2 cm, 7.78 g Mount for Anemonies, 1897–99, Theodore Roussel, French, worked in England, 1847-1926, England, Softground etching, aquatint, lavis and drypoint in black and yellow metallic on ivory Japanese… At the Concert, 1896, Henri de Toulouse-Lautrec, French, 1864-1901, France, Color zincograph on cream wove paper, 318 × 251 mm (image), 610 × 458 mm (sheet) Coquelin the Elder, from Treize Lithographies, 1898, published before 1906, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph on ivory laid paper, 287 × 229 mm (image), 391 × 316… Study, 1710/20, Attributed to Giuseppe Bartolomeo Chiari (Italian, 1654-1727), possibly Pietro Dandini (Italian, 1646-1712), Italy, Red chalk, on ivory laid paper, laid down on ivory laid paper,… Juvenile Tricks, plate 22 from Liber Studiorum, published January 1, 1811, Joseph Mallord William Turner (English, 1775-1851), Engraved by William Say (English, 1768-1834), England, Etching… His Grace the Duke of Rutland, 1804, Charles Turner (English, 1773-1857), after John Hoppner (English, 1758-1810), England, Mezzotint on paper, 606 × 377 mm (image), 645 × 382 mm (plate), 735 ×… Tetradrachm (Coin) Portraying Alexander the Great, 361/281 BC, issued by King Lysimachus of Thrace, Greek, Roman Empire, Silver, Diam. 2.7 cm, 15.48 g Fragment, Roman period (30 B.C.–641 A.D.), 5th/6th century, Egypt, Bahnasa, Egypt, Linen and wool, tapestry weave, 15.2 × 15.2 cm (6 × 6 in.) Noa Noa (Fragrant), from the Noa Noa Suite, 1893/94, Paul Gauguin, French, 1848-1903, France, Wood-block print in black, with a transferred twill impression, on tan wove paper, 354 × 201 mm… Amulet of a Female Sphinx, Middle Kingdom, Dynasties 11–13 (about 2055–1650 BC), Egyptian, Egypt, Amethyst, 2.1 × 1.6 × 0.6 cm (13/16 × 5/8 × 1/4 in.) Allegorical Figure Representing Asia, 1746, Meissen Porcelain Factory, Germany, founded 1710, Modeled by Johann Joachim Kändler, German, 1706-1775, Meissen, Hard-paste porcelain, polychrome… La Vie de Jeanne d’Arc (The Life of Joan of Arc) (Furnishing Fabric), c. 1815, Designed by Charles Abraham Chasselat (French, 1782–1843), Possibly Manufactured by Hartmann et Fils (French,… Arenicola piscatorum, Print Alabastron (Container for Scented Oil), 200/150 BC, Eastern Mediterranean, possibly the Syro-Palestinian region, Mediterranean Region, Glass, core-formed technique, 13.1 × 3.4 × 3.4 cm (5 1/8 ×… Cameo of Venus and Cupid, Probably a Hat Badge Mounted as a Pendant, 1575-1600, Italian, Northern Italy, Gold, chalcedony, enamel, pearls, and glass, 10.8 × 4.9 cm (4 1/4 × 1 15/16 in.) Amulet of a Leg and Foot, Late Old Kingdom–First Intermediate Period, Dynasties 5–11 (about 2494–2055 BC), Egyptian, Egypt, Carnelian, 2 × 1 × .25 cm ( 3/4 × 3/8 × 1/8 in.) Interior view of the Basilica of St. Peter’s in the Vatican, near the Tribune, from Views of Rome, 1773, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on heavy ivory laid paper,… 2.589.713 / 2.589.715 Entries < previous page Page 3267 / 25898 next page >