Librifly Art Gallery 2.589.713 / 2.589.715 Entries < previous page Page 3275 / 25898 next page > Integrity Retiring from Office, published February 24, 1801, James Gillray (English, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Hand-colored etching and aquatint… Mary Hamilton, 1894, published before 1925, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph on cream wove paper, 266 × 111 mm (image), 378 × 281 mm (sheet) Statuette of the God Harpocrates, Late Period–Ptolemaic Period (664–30 BC), Egyptian, Egypt, Bronze, 9.1 × 4.6 × 2.3 cm (3 5/8 × 1 3/4 × 7/8 in.) (without base) Text Leaf from a Book of Hours, c. 1430, French (possibly Loire Valley), France, Manuscript cutting with decorations in tempera and gold leaf, and gothica textualis inscriptions in Latin in black… Paperweight, c. 1845–60, Baccarat, France, founded 1764, Baccarat, Glass, Diam. 6.4 cm (2 1/2 in.) Cascade of Tivoli, plate thirty-nine from the Ruins of Rome, published February 1, 1798, M. Dubourg, (English, active 1786-1838), published by J. Merigot (Italian, Unknown), England,… Dark Peak, 1887, Odilon Redon, French, 1840-1916, France, Lithograph in black on ivory Japanese paper, 167 × 90 mm (image), 271 × 185 mm (sheet) The Farrier’s Shop, 1865, Charles Émile Jacque, French, 1813-1894, France, Etching, engraving and roulette on ivory laid paper, 128 × 194 mm (image), 178 × 247 mm (plate), 321 × 453 mm (sheet) A View from the Palatine Hill, Rome, the Alban Hills in the Distance, c. 1775, Carlo Labruzzi, Italian, 1748-1818, Italy, Watercolor, over graphite, on ivory laid paper, laid down on white laid… Desk Box, 1730/60, American, 18th century, United States, Mahogany, 14.6 × 46.3 × 36.8 cm (5 3/4 × 18 1/4 × 13 1/2 in.) Bottle vase, 12th/13th century, Korean, Korea, Glazed stoneware with inlaid decoration, H: 34.0 x diam. 18.5 cm Ôhi (Stole), late Edo period (1789–1868), 1801/25, Japan, 163 x 30 cm (64 1/8 x 11 3/4 in.) Ulysses and Nausicaa, n.d., Giovanni Battista Cipriani, Italian, 1727-1785, Italy, Pen and black ink with brush and gray wash, on cream laid paper, 259 x 425 mm Parting at the Eastern Capital, Ming dynasty (1369–1644), 15th century, Yao Shou, Chinese, 1423-1495, China, Handscroll, ink and color on paper Coffin and Mummy of Paankhenamun, Third Intermediate Period, Dynasty 22 (about 945–715 BC), Egyptian, Thebes, Cartonnage, gold leaf, pigment, and human remains, 170.2 × 43.2 × 31.7 cm (67 × 17… River and Park Landscape, 1885/90, Henri Rousseau, style of, French, 1844-1910, France, Pen and black inks and lead white gouache, with graphite on tan wove paper, perimeter mounted on cream card,… Misaka Pass in Kai Province (Kai Misakagoe), from the series Thirty-six Views of Mount Fuji (Fuji sanjurokkei), 1858, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color… Tripod Incense Burner (Censer) with Peony-Leaf Scrolls, Netlike Petals, and Masklike Legs, Northern Song (960–1127) or Jin dynasty (1115–1234), c. 12th century, China, Yaozhou ware, stoneware… Third Performance: A Bas le progrès!, Mademoiselle Julie, Le Ménage Brésile, for Le Théatre Libre, 1892–93, Henri-Gabriel Ibels (French, 1867-1936), printed by Imprimerie Eugène Verneau… Le bézigue, 1895, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph with hand-coloring, on tan wove paper, 330 × 268 mm (image), 390 × 283 mm (sheet) Arius thalassinus, Print, 1700-1880 Amulet of the Goddess Tawaret (Toeris), Third Intermediate Period, Dynasty 21–25 (1070–656 BC), Egyptian, Egypt, Faience, 7 × 2.2 × 2.2 cm (2 3/4 × 7/8 × 7/8 in.) Sarcophagus with Judgement of Paris, n.d., Attributed to Pierre Brebiette, French, 1598-c. 1650, France, Red chalk on tan tinted laid paper, laid down on ivory wove paper, 105 × 282 mm Jan van der Does, Baron of Nortwijk, plate three from Quatuor Personae, 1649, Cornelis Visscher, the Elder, Netherlandish, c. 1520-1586, Holland, Engraving on ivory laid paper Saint Quiriaco from Heiligenleben (Lives of the Saints), Plate 8 from Woodcuts from Books of the 15th Century, 1489, portfolio assembled 1929, Unknown Artist (Augsburg, 15th century), printed… Fragment, A.D. 1476/1532, Chuquibamba, Probably south coast, Peru, Peru, Brocaded interlocking tapestry (old card) Soriko, from an untitled series of No plays, 1823, Takashima Chiharu, Japanese, 1777-1859, Japan, Color woodblock print, shikishiban, surimono, 22.6 x 19.9 cm Fragment, 1650/1700, Italy, Linen and wool, plain weave with supplementary weft, 19.9 x 7.9 cm (7 13/16 x 3 1/8 in.) Medium Covered Compote in Log Cabin Pattern on Pedestal, 1875/96, Central Glass Company (1867–1896), Wheeling, West Virginia, United States, Pressed glass Paperweight, c. 1845–60, Saint-Louis, France, founded 1767, France, Glass, 9.5 × 4.8 cm (3 3/4 × 1 7/8 in.) St. Roch, c. 1532, Master of the Die (Italian, active c. 1530-1560), after Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving in black on paper, 205 x 140 mm (sheet) Ananchytes striata, Print Paperweight, 19th century, Clichy, France, 1837-1885, Clichy, Glass, 1 3/4 in. Alecturus tricolor, Print, 1700-1880 Alexander N. Fullerton, 1865, James Forbes, Scottish, 1800-after 1870, Scotland, Oil on canvas, 52 3/4 × 39 1/2 in. Scarab: Wish Formula (?), New Kingdom–Late Period, Dynasties 19–26 (about 1295–525 BC), Egyptian, Egypt, Steatite, 1.3 × 1 × 0.6 cm (1/2 × 3/8 × 1/4 in.) Orpheus on the River Styx, n.d., Antoine Coypel, French, 1661-1722, France, Red and black chalks, heightened with white chalk, on tan laid paper, laid down on cream laid card, 173 × 240 mm Hida Province: Basket Ferry (Hida, Kagowatashi), from the series Famous Places in the Sixty-odd Provinces (Rokujuyoshu meisho zue), 1853, Utagawa Hiroshige 歌川 広重, Japanese, 1797–1858,… Battle of the Naked Men, 1470/75, Antonio Pollaiuolo, Italian, 1433-1498, Italy, Engraving in black on ivory laid paper, 404 x 589 mm Dagger with Sheath, dated 1624, Scottish, Scotland, Iron, brass, ebony, and leather (sheath), L. 32.5 cm (12 3/4 in.) Fragment, 17th century, Italy, cisele voided cloth velvet Two-Shot, Superimposed-Charge, Double Wheel-Lock Rifle and Spring Gun, 1594, Southern German, Southern Germany, Steel, iron, copper, wood, and ivory, L. 99.1 cm (39 in.) Valance, Ming dynasty(1368–1644), 1600/44, China, Gold Ko'ssu strip., 21.8 × 86.6 cm (8 5/8 × 34 1/8 in.) Agama orbicularis, Print, 1700-1880 The Compleat Angler, 1880s, Peter Henry Emerson, English, born Cuba, 1856–1936, England, Photogravure, plate XII from the album "The Compleat Angler or the Contemplative Man's Recreation, Volume… Amulet of the Goddess Tawaret (Thoeris), New Kingdom, Dynasty 18 (about 1550–1295 BC), Egyptian, Egypt, Faience, 2.5 × 1.6 × 0.3 cm (1 × 5/8 × 1/8 in.) Handkerchief, 1782, England, Linen, plain weave, copperplate printed, 69.2 × 73.7 cm (27 1/4 × 29 in.) Plate from Illustrations to Popular Songs, 1822, Henry Alken (English, 1785-1851), published by Thomas McLean (English, active 1790-1860), England, Soft ground etching with hand-coloring and… The Actor Matusmto Koshiro IV as Ise no Saburo Disguised as Mizoro no Sabu in the Play Mure Takamatsu Yuki no Shirahata, Performed at the Ichimura Theater in the Eleventh Month, 1780, c. 1780,… Architectural Fitting (Gong), Western Zhou dynasty, c.1050–770 B.C., China, Qishan county, Shaanxi province, China, Bronze Desiderius Erasmus, 1630/33, Anthony van Dyck (Flemish, 1599-1641), after Hans Holbein, the Younger (German, 1497-1543), Flanders, Etching in black on ivory laid paper, 243 × 152 mm… Amulet of a Heart, Late Period, Dynasty 26–31 (664–332 BC), Egyptian, Egypt, Stone, 2 × 1.25 × .75 cm (2 × 1/2 × 1/4 in.) Sutra Cover, Ming dynasty (1368–1644), c. 1590’s, China, Silk and gold-leaf-over-lacquered-paper strips, gauze weave with supplementary patterning wefts, label: silk, plain weave, painted,… Prague, 1833, Samuel Prout (English, 1783-1852), probably printed by Charles Joseph Hullmandel (English, 1789-1850), probably published by Rudolph Ackermann (English, 1764-1834), England,… The Garden Porch, 1894, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black on cream laid Japanese vellum, 215 x 162 mm (image), 330 x 240 mm (sheet) Strasbourg Cathedral, 1645, Wenceslaus Hollar, Czech, 1607-1677, Bohemia, Etching on ivory laid paper, 222 × 182 mm (plate), 227 × 186 mm (sheet) Amulet of the God Bes, Third Intermediate Period (about 1069–664 BC), Egyptian, Egypt, Faience, 1.9 × 1 × 0.5 cm (3/4 × 3/8 × 3/16 in.) Milk Jug, c. 1725/40, Staffordshire, England, Staffordshire, Lead-glazed earthenware (redware), 15.2 x 10.8 x 8.9 cm (6 x 4 1/4 x 3 1/2 in.) Handkerchief, c. 1876, Manufactured by A. & C. Cramer (German, active about 1876), Germany, Düsseldorf, Düsseldorf, Cotton, plain weave, roller and engraved roller printed, 67.3 × 66.7 cm (26… Third Future, plate six from Eve and the Future, 1880, Max Klinger, German, 1857-1920, Germany, Etching on light gray wove paper, laid down on ivory wove card, 290 x 201 mm (plate), 373 x 269… Susaki, from the series New Perspective Pictures (Shin uki-e), c. 1810s, Shotei Hokuju, Japanese, active c. 1789-1818, Japan, Color woodblock print, 22.9 x 34.9 cm (9 x 13 3/4 in.) Fragment, Roman period (30 B.C.– 641 A.D.), 5th/6th century, Coptic, Egypt, Egypt, Linen and wool, slit tapestry weave, 9.5 × 9.5 cm (3 3/4 × 3 3/4 in.) Sir Henry Guildeford, December 1, 1792, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 383 x 293… The Four Magistrates of Besançon, 1825, Jean–Auguste–Dominique Ingres (French, 1780–1867), printed by Gottfried Engelmann (French, 1788-1839), France, Lithograph in black on ivory wove… Panel, 1875/1900, Russia, Fancy compound satin (research card), 236.3 x 54 cm (93 x 21 1/4 in.) On the River Bure, 1886, Peter Henry Emerson, English, born Cuba, 1856–1936, England, Platinum print, frontispiece from the album "Life and Landscape on the Norfolk Broads" (1886), edition of… Amulet of the God Khnum, Ptolemaic Period (332–30 BC), Egyptian, Egypt, Faience, 3 × .75 × 1 cm (1 1/8 × 1/4 × 3/8 in.) Copernicus, 1867, James Nasmyth, Scottish, 1808-1890, United Kingdom, Black and white chalk, graphite, touches of blue pencil, with scale in pen and brown ink, on gray wove paper with blue… Arca scapha, Print Arch of Trajan in Ancona, plate 28 from Some Views of Triumphal Arches and other monuments, 1748, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on ivory laid paper, 135 x 268… The Actor Otani Hiroemon III as Hige no Ikyu in the scene Sukeroku in the play Hitokidori Harutsuge Soga (The Soga Play: Announcement of the Spring Season by the Bush Warbler), c. 1764,… View of Douai, 1667–70, Adam Frans van der Meulen, Flemish, 1632-1690, Flanders, Graphite, with watercolor, on ivory laid paper, 303 × 414 mm Brush Back, Mid 18th century, Netherlands, Delft, Delft, Tin-glazed earthenware (Delftware) and wood, 13.7 × 7.8 cm (5 3/8 × 3 1/16 in.) Roman Landscape, 1630, Possibly the school of Claude Lorrain, French, 1600-1682, France, Pen and brown ink, with brush and brown wash, over red chalk, on cream laid paper, 162 × 213 mm Bead Stringers, 1880, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint with foul biting in black ink on ivory laid paper, 226 x 151 mm (image, trimmed within… English officer and soldiers, 1861, Utagawa Yoshikazu, Japanese, active c. 1850–70, Japan, Color woodblock print, oban Box (Needlework), c. 1670s, England, Silk, warp-float faced 7:1 satin weave, embroidered with silk and gilt-metal strips in couching, beaded with glass beads, edged with silk and… Portrait of the Artist at Age Seventeen, 1892, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on light gray chine, 156 × 126 mm (image), 359 × 270 mm (sheet) Henriette de Lorraine, n.d., Cornelis Galle II (Flemish, 1615-1678), after Anthony van Dyck (Flemish, 1599-1641), printed by Ioannes Meyfens (probably Flemish, 17th century), Flanders, Engraving… The Morning Bath, 1887/90, Edgar Degas, French, 1834-1917, France, Pastel on off-white laid paper mounted on board, 706 × 433 mm The northern wall of the Grand Cañon of the Colorado, near the foot of To-ro-weap valley. The rounded rocks of the foreground are sand-stone, 1872, William H. Bell (American, 1830–1910),… Medallions Antiques (Antique Medallions) (Furnishing Fabric), c. 1800, Designed by Jean Baptiste Huet (French, 1748–1811) after Rapheal (Italian, 1483-1520), Manufactured by Oberkampf… Goblet with Cover, c. 1750, Germany, Glass, H. 40.6 cm (16 in.) Madonna and Child with Saint Anthony of Padua, n.d., Giovanni Battista Pittoni, the younger, Italian, 1687-1767, Italy, Brush and brown ink and wash, over traces of red and black chalk, on ivory… Returning sails at Takanawa, c. 1820s, Keisai Eisen, Japanese, 1790-1848, Japan, Color woodblock print, shikishiban, surimono, 20.0 x 18.2 cm Vinaigrette, 1836/37, Taylor and Perry, Birmingham, England, Birmingham, Silver and silver gilt, 4.5 × 3.2 cm (1 3/4 × 1 1/4 in.) Veil with Russian Imperial Family Coat of Arms, 1875/1900, Belgium, Belgium, Cotton, needle lace of a type known as "Point de Gaze Yuhi Hill at Meguro in the Eastern Capital (Toto Meguro Yuhigaoka), from the series Thirty-six Views of Mount Fuji (Fuji sanjurokkei), 1858, Utagawa Hiroshige 歌川 広重, Japanese,… Paperweight, c. 1845–60, Clichy, France, 1837-1885, Glass, Diam. 6.4 cm (2 1/2 in.) Old Battersea Bridge, 1879, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint with foul biting in black ink on cream Japanese paper, 204 x 297 mm (plate), 289 x 443… Button, Late 18th century, Wedgwood Manufactory, England, founded 1759, Burslem, Stoneware (jasperware), Diam. 4.5 cm (1 3/4 in.) Mythological Scene: Triumph of Alexander(?) (recto), n.d., Possibly François Chauveau (French, 1613-1676), or possibly Charles Le Brun (French, 1619-1690), or possibly Sébastien Bourdon… The Dance Hall, n.d., Pierre François Basan (French, 1723-1797), after Gabriel de Saint-Aubin (French, 1724-1780), France, Etching and engraving in black on cream laid paper, 283 × 352 mm… Courtyard Interior, 1849, Charles Émile Jacque, French, 1813-1894, France, Etching on cream China paper laid down on ivory wove paper, 159 × 201 mm (image), 168 × 208 mm (chine), 182 × 223… Fragment, Roman period (30 B.C.– 641 A.D.)/Arab period (641–969), 6th/8th century, Coptic, Egypt, Egypt, Linen and wool, tapestry weave, embroidery, 11.4 cm (4 1/2 in.) diameter Anampses caeruleo-punctatus, Print, Anampses is a genus of wrasses native to the Indian and Pacific Oceans., 1817-1841 Les Quatre Parties du Monde (Four Quarters of the Globe) (Furnishing Fabric), c.1794, Designed by Jean Baptiste Huet (French, 1745-1811) Engraved by Johann Elias Ridinger (Germany, 1698-1767),… Saint Luke Painting the Virgin, n.d., Antoine Wiertz (Belgian, 1806-1865), after Quentin Massys (Flemish, 1466-1530), Belgium, Engraving on paper, 222 × 289 mm (plate), 226 × 292 mm (sheet) Antoine and Gémier, in Une Faillite, 1893, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph on cream wove paper, 296 × 369 mm (image), 383 × 552.5 mm (sheet) Gathering Berries, published July 11, 1874, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on buff wove paper, 230 x 346… 2.589.713 / 2.589.715 Entries < previous page Page 3275 / 25898 next page >