Coin Portraying Emperor Constantine I, AD 321, Roman, minted in Rome, Roman Empire, Bronze, Diam. 1.9 cm, 2.68 g

Amblyopus hermannianus, Print, 1700-1880

Draped Figure, Standing, 1891, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black on cream Japanese gampi paper hinged at top margin to cream laid Japanese…

Man Mounting Plank to Boat, 1660/69, after Leonard Bramer, Dutch, 1596-1674, Netherlands, Pen and ink and watercolor on tan wove paper, laid down on card, 270 x 327 mm (image), 413 x 469 mm (sheet)

Hotel Metropole, 1850–1900, probably English, 19th century, England, Albumen print, from the album "Views of London

Poliphilus Meeting the Venerable Matron (recto) and Poliphilus in a Rocky Place (verso) from Hypnerotomachia Poliphili (The Strife of Love in a Dream) Plate 54 from Woodcuts from Books of the…

Fragment, 1601/25, Spain, silk

Woman’s Trouser Band, Qing dynasty (1644–1911), 1875/1900, Han-Chinese, China, Floral design, black and white border embroidered on gauze., 13.3 × 38.7 cm (5 1/4 × 15 1/4 in.)

The Jewel River of Plovers (Chidori no Tamagawa), from the series Six Jewel Rivers in Popular Customs (Fuzoku Mu Tamagawa), c. 1769/70, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770,…

The Vision of the Seven Candlesticks, from The Apocalypse, c. 1496–98, published 1511, Albrecht Dürer, German, 1471-1528, Germany, Woodcut in black on tan laid paper, 395 × 283 mm (image), 445…

The Actors Nakamura Denkuro II as Seno-o Taro, Ichikawa Komazo II as Yorimasa, Nakamura Nakazo I as Taira no Kiyomori, and Ichikawa Danjuro V as Kiou Takiguchi (right to left), in the Play Nue no…

Pitcher, 1820/30, England, Staffordshire, Staffordshire, Lead-glazed earthenware with lustre decoration, H. 10.2 cm (4 in.)

Statuette of Wesir-nakht, Late Period, Dynasty 31 (about 342–332 BC), Egyptian, Egypt, Stone, 16.5 × 6.6 × 8.5 cm (6 1/4 × 2 5/8 × 3 3/8 in.)

Tetradrachm (Coin) Depicting the Goddess Athena, 490/322 BC, Greek, minted in Athens, Athens, Billon, Diam. 2.4 cm, 17.09 g

Amulet of the Goddess Tawaret (Toeris), Third Intermediate Period, Dynasty 21–25 (1070–656 BC), Egyptian, Egypt, Faience, 6.5 × 2 × 2 cm (2 1/2 × 3/4 × 3/4 in.)

Tankard, 1807, George Gotthelff Noster, German, 1739-1811, Oschatz, Saxony, Germany, Saxony, Pewter, 24.8 x 12.1 x 15.3 cm (9 3/4 x 4 3/4 x 6 1/8 in.)

Male Bust with Rolling Curls, Gupta period, 4th/5th century, India, Uttar Pradesh, possibly Ahichhattra, Uttar Pradesh, Terracotta, 23.1 x 23 x 13.3 cm (8 3/8 x 9 1/16 x 5 1/4 in.)

Fragment, 1601/25, Italy, Florence, Florence, Silk, cut, uncut, and voided velvet against satin weave foundation, 20.2 × 19.4 cm (7 7/8 × 7 5/8 in.)

Gray’s Inn Place, 1887, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint with foul biting in brown ink on ivory laid paper, 127 x 176 mm (image, trimmed within…

Landscape, c. 1875, Léon Richet, French, 1847-1907, France, Graphite on paper, 234 × 334 mm

Westminster Palace, 1884, Félix Hilaire Buhot, French, 1847-1898, France, Etching and drypoint on ivory Japanese paper, 294 × 400 mm (plate), 366 × 554 mm (sheet)

Mrs. Potter Palmer, 1896, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 238 x 160 mm (image/plate), 325 x 254 mm (sheet)

Freeing a captured bird, c. 1769/70, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, chuban, 28.5 x 21.1 cm (11 1/8 x 8 1/2 in.)

Saint Gertrude of Nivelles and an Augustinian Canoness, 1525/50, North Netherlandish, Northern Netherlands, Oil on panel, 65.3 x 22.7 cm (25 11/16 x 8 15/16 in.)

The Crucifixion, n.d., Attributed to Jan Philipsz. van Bouckhorst (Dutch, 1588-1631), or Anthonie van Dyck (Flemish, 1599-1641) or his school, Netherlands, Pen and brown ink on cream laid paper,…

Mise-en-carte (Point-paper), 1760/90, Designed by Germain Frères, France, Lyon, France, Ink and gouache on hand drawn graph paper, 44.8 × 55.6 cm (17 5/8 × 21 7/8 in.)

Panel, 1775/1800, France, Silk, satin weave with pattern inserted in weft floats

Central Gorge and Jacob’s Ladder, 1860/99, G. F. Gates, American, active 1860s–1890s, United States, Albumen print, stereo, No. 157 from the series "Havana Glen Scenery

Finger Ring with the Throne Name of King Horemheb, New Kingdom, Dynasty 18, reign of Horemheb (about 1323–1295 BC), Egyptian, Egypt, Faience, 0.8 × 2.1 × 1.9 cm (5/16 × 13/16 × 3/4 in.)

The Litany of Mary Magdalen, 1891, Attributed to Aubrey Vincent Beardsley, English, 1872-1898, England, Graphite on ivory wove paper, 227 × 169 mm

Two Taper Sticks, 18th century, England, Glass, H. 15.9 cm (6 1/4 in.)

Amulet of Nehebkau, Late Period, Dynasty 26–30 (664–332 BC), Egyptian, Egypt, Gold, 2 × 1 × 0.75 cm (3/4 × 3/8 × 5/16 in.)

Street Life in London, c. 1875, John Thomson (Scottish, 1837–1921) and, Adolphe Smith (English, 1846–1925), Scotland, Woodburytypes, 11.2 x 8.8 cm or 8.7 x 11.5 cm (each image, approx.), 28.1…

The Dirty Monk, Alfred Tennyson, 1865, Julia Margaret Cameron, English, 1815–1879, England, Albumen print, 25 × 21.2 cm (arched)

Beaker, c. 1820, Bohemia, Czech Republic, Bohemia, Glass, 11.4 × 7.9 cm (4 1/2 × 3 1/8 in.)

Ichigaya Hachiman Shrine (Ichigaya Hachiman), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), 1858, Utagawa Hiroshige 歌川 広重, Japanese, 1797–1858, Japan, Color…

Allegorical or Mythological Scene, n.d., Attributed to Eugène Delacroix, French, 1798-1863, France, Graphite, on ivory laid paper, laid down on ivory wove paper, 309 × 203 mm

Cope with Orphrey and Hood, 16th century, Italy, Red velvet with allover design in couched gold thread, 142.2 x 304.8 cm (56 x 120 in.)

Elements of a Half Armor for Foot Tournament at the Barriers, c. 1590, South German, Augsburg, Augsburg, Steel, brass, and leather, H. 142.2 cm (56 in.)

Cover, c. 1620/30, France, Linen, twenty-four squares of square netting (filet) embroidered in cloth, darning, and twined double running stitches, alternating with twenty-four squares of linen,…

The Actor Ichikawa Danjuro Vl as Soga no Goro Tokimune (Rokudai-me Ichikawa Danjuro no Soga no Goro Tokimune), 1795, (Kansei 7), Toshusai Sharaku 東洲斎 写楽, Japanese, active 1794-95,…

Goblet, c. 1735, Germany, Saxony, Saxony, Glass, 28.3 x 14.5 cm (11 1/8 x 5 11/16 in.)

Wine Glass, c. 1760/80, England or Netherlands, Engraved: Northern Netherlands, England, Glass, cut and stipple engraved, 17.3 × 7.9 cm (6 13/16 × 3 1/8 in.)

The Maid, c. 1875, François Bonvin, French, 1817-1887, France, Oil on canvas, 44.5 × 30.8 cm (17 1/2 × 12 1/8 in.)

The Tomb of Itimad-ud-Dawlah, c. 1858/62, Dr. John Murray, Scottish, 1809–1898, Scotland, Waxed paper negative, 36 x 46 cm (image/paper, sight), 56 x 71.1 cm (mount)

The Jewel River at Chofu (Chofu no Tamagawa), from an untitled series of Six Jewel Rivers, c. 1767, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, chuban, 28.2…

As (Coin) Portraying Emperor Drusus, AD 22/23, Roman, minted in Rome, Roman Empire, Bronze, Diam. 3.2 cm, 11.40 g

Yo-Semite Fall, (2634 feet high) from near Sentinel House, P. T. Barnum and Party, 1870, John P. Soule, American, 1828–1904, United States, Albumen print, stereo, No. 1220 from the series…

Beaker, c. 1730, Bohemia, Czech Republic, Bohemia, Glass, 8.9 × 7.5 cm (3 1/2 × 2 15/16 in.)

Seated Hound Beside Trees, n.d., Style of Jean-Baptiste Oudry, French, 1686-1755, France, Black chalk, heightened with white chalk, on blue laid paper, tipped on cream wove paper, 304 × 235 mm

And There Fell a Great Star From Heaven, Burning as it Were a Lamp, plate 5 of 12, 1899, Odilon Redon, French, 1840-1916, France, Lithograph in black on ivory China paper laid down on ivory…

Panel (Furnishing Fabric), Kangxi Period, Qing dynasty (1644–1911), 1800/50, China, One of four panels. Of dark green satin embroidered in colored silks. Has two panels of figures and one of…

Christ Returning from the Temple with His Parents, 1654, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching and drypoint on ivory laid paper, 94 x 144 mm (image/plate), 96 x 146 mm (sheet)

St. Barbara, n.d., Martin Schongauer, German, c. 1450-1491, Germany, Engraving on paper, 101 × 63 mm (sheet)

The Confirmation, c. 1730, Pierre Charles Trémolières, French, 1703-1739, France, Etching in brown on tan laid paper, 270 × 421 mm

The Third Knot, c. 1507, Albrecht Dürer, German, 1471-1528, Germany, Woodcut in black on ivory laid paper, 273 × 212 mm (image), 288 × 227 mm (sheet)

Cup, c. 1760, Silesia, Silesia, Glass, 12.7 cm (5 in.)

Amulet of a Djed Pillar, Late Period, Dynasties 26–31 (664–332 BC), Egyptian, Egypt, Faience, 2 × .5 × .5 cm (3/4 × 3/16 × 3/16 in.)

Calm, plate 44 from Liber Studiorum, published April 23, 1812, Joseph Mallord William Turner, English, 1775-1851, England, Etching and engraving in brown on ivory laid paper, 178 × 268 mm…

Bridle Cutter Pike, 18th century, European, possibly Austrian, Salzburg, Salzburg, Steel and wood (ash), L. 238.8 cm (94 in.)

Panel, c. 1740, France, Silk, plain weave with supplementary patterning wefts tied by supplementary binding in plain interlacings, 122.1 × 57.6 cm (48 × 22 5/8 in.)

Two Horses by a Plough, 1657, Karel Dujardin, Dutch, c. 1622-1678, Holland, Etching on paper, 155 x 184 mm

Locket, 1839/99, American, 19th century, United States, Daguerreotype, 5.2 x 4.3 cm

Fishing Craft near the Cliffs at Collioure, 1878, Adolphe Appian, French, 1818-1898, France, Etching on China paper colle laid down on white wove paper, 186 × 272 mm (image), 240 × 351 mm (sheet)

Pole-Screen, c. 1851, Arthur James Jones and Son, Irish, active mid-19th century, Ireland, Dublin, Irish bog yew and mirror glass, brass mount, 222.3 × 45.7 cm (widest point) (87 1/2 × 18 in.)

Male Indigo Bird, 1829, Robert Havell (English, 1793-1878), after John James Laforest Audobon (American, 1775-1851), England, Hand-colored engraving, with aquatint, on cream wove paper, 460 × 296…

The Sheep and the Flies, 1849, Charles Meryon (French, 1821-1868), after Karel Dujardin (Dutch, c.1622-1678), France, Etching on grayish tan laid China paper, laid down on ivory wove card, 66 × 98…

Oriental Family, c. 1496, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 108 x 77 mm (image), 112 x 80 mm (sheet)

Fan Leaf, 1725/50, Italy, Linen and gilt-metal-strip-wrapped silk, bobbin part lace with some needle lace fillings, 24.2 x 47 cm (9 1/2 x 18 1/2 in.)

Anguis maculata, Print, The Ceylonese cylinder snake (Cylindrophis maculatus) is a species of snake in the family Cylindrophiidae endemic to Sri Lanka. It is known from plains up to 1000m,…

Sideboard, 1876/80, Herter Brothers, American, 1864–1906, New York City, Oak with white pine, 230 × 213.4 × 73.7 cm (91 1/2 × 84 × 29 in.)

Misayama of the Chojiya, from the series Beauties of the Licensed Quarter (Kakuchu bijin kurabe), c. 1795, Chokosai Eisho, Japanese, active 1780-1800, Japan, Color woodblock print, oban, 38.0 x…

Pont-au-Change, Paris, 1854, Charles Meryon, French, 1821-1868, France, Etching on verdâtre (greenish-ivory) laid chine, 154 × 330 mm (image), 154 × 330 mm (plate), 207 × 384 mm (sheet)

Fables of La Fontaine (Furnishing Fabric), c. 1830, Designed by Alexandre Buquet (French, 1802–1865) after Jean Michel Moreau, the Younger (French, 1741–1814), Manufactured by Bapaume et…

Pontefract Castle, 1774, J. Marsden, English, 19th century, United Kingdom, Pen and black ink on vellum, tipped onto cream wove paper, 187 × 232 mm

Sallet (Barbute), 1460/70, Antonio Missaglia (Italian, 1416/17-1495/96), Milan, Milan, Steel, 27.9 x 17.8 x 24.1 cm (11 x 7 x 9 1/2 in.)

Man Carrying the Base of a Column, 1515/30, Agostino dei Musi (Italian, c. 1490-after 1536), after Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving in black on ivory laid…

Square Tile, Late 19th century, Morocco, Morocco, Poychrome pigment applied over opaque white glaze, 11.7 × 11.7 × 2.2 cm (4 9/16 × 4 9/16 × 15/16 in.)

Olympus, 1743/1744, Lorenzo de’ Ferrari, Italian, 1680-1744, France, Brush and brown ink and brown wash, heightened with white gouache, over graphite, on tan laid paper, 900 × 690 mm

Stater (Coin) Depicting a Satyr and Nymph, 500/463 BC, Greek, minted in Thasos, Thrace, Thásos, Silver, Diam. 2.1 cm, 9.23 g

Corbel with Animal Mask with Protruding Tongue from the Monastery Church of Notre-Dame-de-la-Grande-Sauve, 1150/1200, French, Aquitaine, Limestone, 46.7 × 28.6 × 57.8 cm (18 3/8 × 11 1/4 × 22…

The Discovery of the Tomb of Punchinello, from Scherzi, 1735–40, Giambattista Tiepolo, Italian, 1696-1770, Italy, Etching printed in black on paper, 229 x 180 mm (plate), 230 x 181 mm (sheet)

From the Ballast Pond, 1822, Unknown Artist, English, 19th century, England, Lithograph in black on cream wove paper, 172 × 230 mm

The Rapids, Hudson River, Adirondacks, 1894, Winslow Homer, American, 1836-1910, United States, Transparent watercolor, with traces of opaque watercolor, blotting, and scraping, over graphite,…

True View of the Foreign Buildings along the Waterfront Seen from the Yokohama Wharves (Yokohama hatoba yori kaigandori ijinkan no shinzu), c. 1875, Utagawa Hiroshige III, Japanese, 1842-1894,…

Masks and faces: Mme. Beauminet, 1857–58, Paul Gavarni, French, 1804-1866, France, Lithograph in black on light gray China paper laid down on ivory wove paper, 201 × 160 mm (image), 228 × 183…

View in England, 1836, Jules Dupré, French, 1811-1889, France, Lithograph on paper, 130 × 208 mm (image), 271 × 362 mm (sheet)

View on the Grounds of a Villa near Florence, 1826, Richard Parkes Bonington, British, 1802-1828, England, Oil on millboard mounted on canvas, 43.1 × 58.4 cm (17 × 23 in.)

Memorial Portrait of the Actor Segawa Roko IV, 1812, Utagawa Toyokuni I 初代 歌川 豊国, Japanese, 1769–1825, Japan, Color woodblock print, oban, 39.4 x 26.3 cm (15 1/2 x 10 5/16 in.)

Coin Depicting a Horse, about 320/250 BC, Greek, Ancient Greece, Bronze, Diam. 1.8 cm, 4.13 g

Sauceboat, 1760/70, Derby Porcelain Manufactory, England, 1750-1848, Derby, Soft-paste porcelain, polychrome enamels and gilding, 11.1 × 20.3 × 9.4 cm (4 3/8 × 8 × 3 11/16 in.)

Study for St. Mark (recto), Sketch of Half-length Male Figure, Looking Upwards to Right (verso), 1602/05, Jacopo Negretti, called Palma il Giovane, Italian, c. 1548-1628, Italy, Pen and brown…

Sestertius (Coin) Portraying Empress Herennia Etruscilla, AD 249/251, Roman, Roman Empire, Bronze, Diam. 3 cm, 18.64 g

Square Tile, Late 19th century, Morocco, Morocco, Polychrome pigment applied over opaque white glaze, 11.8 cm × 11.6 cm × 2.2 cm (4 5/8 in. × 4 9/16 in. × 7/8 in.)

Ernest Renan, 1892, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 228 x 330 mm (image), 235 x 335 mm (plate), 355 x 460 mm (sheet)

Spring Attachment for Rapier, 1650/1700, Italian or Spanish, Italy, Iron, Overall

Shabti of Osiris, Late Period, Dynasty 26–30 (664 BC–343 BC), Egyptian, Egypt, Ceramic, 15.6 × 4.4 × 3.54 cm (6 1/8 × 1 3/4 × 1 3/8 in.)

Untitled (II 8), c. 1890, edited by Ferdinando Ongania, Italian, 1842–1911, Italy, Photogravure, No. II 8 from the portfolio "Calli, Canali e Isole della Laguna

Funerary Urn (Hunping), Western Jin dynasty (A.D. 265–316), late 3rd century, China, Stoneware with olive-green glaze and molded and applied decoration, H. 48.7 cm (19 3/16 in.), diam. 27.5 cm…

Woman Beggar Holding Alms, plate 20 from The Beggars, c. 1622, Jacques Callot, French, 1592-1635, France, Etching on paper, 137 × 87 mm (plate), 141 × 92 mm (sheet)