Librifly Art Gallery 2.589.713 / 2.589.715 Entries < previous page Page 3288 / 25898 next page > Alurnus, Print Jupiter and Antiope, 1550/59, René Boyvin (French, c. 1525-after 1580), after Luca Penni (Italian, 1500/04-1557), France, Engraving on ivory laid paper, edge-mounted to ivory laid paper, 162 ×… Head of a Sea God, 1730/1740, Charles-Joseph Natoire, French, 1700-1777, France, Pastel on gray-brown laid paper, 262 × 286 mm Untitled (Lawrence, Massachusetts), n.d., Reed Brothers, American, 19th century, United States, Albumen print (carte-de-visite), 9 x 5.5 cm (image), 10.7 x 6.7 cm (card) John Bull and His Dog Faithful, published April 20, 1796, James Gillray (English, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Etching in dark brown, with… Iyo Province: Ichikawa Danjuro VIII as Minamoto no Yoshitune, from the series Modern Scenes of the Provinces in Edo Brocades (Edo nishiki imayo kuni zukushi), 1852, Utagawa Kuniyoshi,… François Van der Meulen, 1687, Pierre Louis van Schuppen (Flemish, 1627-1702), after Nicolas de Largillière (French, 1656-1746), Flanders, Engraving on paper, 507 × 364 mm (sheet, trimmed… Early Morning, 1878, James McNeill Whistler, American, 1834-1903, United States, Lithotint in black ink with scraping, on a prepared half-tint ground, on cream wove paper, 165 x 259 mm (image), 183… Priest Saigyo Contemplating Mount Fuji, c. 1770s, Kitao Shigemasa, Japanese, 1739-1820, Japan, Color woodblock print, hashira-e, 26 1/2 x 4 7/8 in. Figure of Europe, c. 1766, Bow Porcelain Factory, London, England, 1744-1775, Bow, Soft-paste porcelain, polychrome enamels and gilding, 13.3 × 6.4 × 5.3 cm (5 1/4 × 2 1/2 × 2 in.) Tripod Cauldron oF Ran (Ran ding), Late Shang dynasty, 13th–11th century B.C., China, Bronze, Overall: H. 24.4 × diam. 18.9 cm (9 5/8 × 7 7/16 in.), H. 19.1 × diam. 18.9 cm (without handles)… Targe (Shield), 1550/60, South German, probably Augsburg, Augsburg, Steel, brass, and iron, Diam. 53.3 cm (21 in.) The Market Woman, c. 1542, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 40 x 26 mm (image/sheet, trimmed irregularly to plate mark) Fragment, late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century, Japan, Plain compound twill, silk & gilt paper, 3 strips to m.m., 22.2 x 19.1 cm (8 3/4 x 7 1/2 in.) Conical Bowl with Phoenixes and Peonies, Song dynasty (960–1279), China, Qingbai ware, porcelain with underglaze molded decoration, copper rim, H. 4.6 cm (1 13/16 in.), diam. 14.2 cm (5 9/16 in.) Ely Cathedral: Lady Chapel, details, c. 1891, Frederick H. Evans, English, 1853–1943, England, Lantern slide, 8.2 × 8.2 cm The Fringe of the Mere, c. 1883/87, printed 1888, Peter Henry Emerson, English, born Cuba, 1856–1936, England, Photogravure, pl. X from the album "Pictures of East Anglian Life" (1888), 10.1 ×… The Actor Sanogawa Ichimatsu I as Ushiwakamaru, c. 1748, Ishikawa Toyonobu, Japanese, 1711-1785, Japan, Hand-colored woodblock print, hashira-e, urushi-e, 63.8 X 10.6 cm Kesa, 19th century, Edo period (1789–1868)/ Meiji period (1868–1912), Japan, Silk, plain weave self-patterned by rows of gauze crossings, embroidered with silk, 109.6 x 176.8 cm (43 1/8 x 69… Five Borders, 1620/40, Italy, Genoa, Italy, Linen, bobbin straight lace, a: 11.8 x 93.8 cm (4 5/8 x 37 in.) Paperweight, c. 1845–60, Clichy, France, 1837-1885, Clichy, Glass, Diam. 8.6 cm (3 3/8 in.) Panel, 19th century, Iran, Iran, Painted and printed in design of prayer rug, 145.4 x 91.1 cm (57 1/4 x 35 7/8 in.) The Rider Standing by His Horse, from Capricci, 1740/50, Giambattista Tiepolo, Italian, 1696-1770, Italy, Etching on paper, 140 x 184 mm (plate), 216 x 292 mm sheet) Shoe, 16th century, England, Horned toe, one slash, 23 × 8.5 × 5 cm (9 1/16 × 3 5/16 × 2 in.) Wine Glass, c. 1745, England, Newcastle upon Tyne, England, Glass, 18.1 cm (7 1/8 in.) Fragment from Christ Carrying the Cross: Mourning Virgin, 1500/05, Jean Hey, known as the Master of Moulins, Active Lyon and Moulins, c. 1475–c. 1505, Unknown Place, Oil on panel, 10 13/16 × 7… Challow Farm, c. 1877, Francis Seymour Haden, English, 1818-1910, England, Drypoint on copper printed on cream laid paper, 151 × 227 mm (image/plate), 203 × 314 mm (sheet) Bevor with two Gorget Plates, c. 1500, gorget plates possibly later, Spanish, Spain, Steel Anthus spinoletta, Print, The water pipit (Anthus spinoletta) is a small passerine bird which breeds in the mountains of Southern Europe and Southern Asia eastwards to China. It is a… Wine Glass, c. 1745, England, Glass, 17.1 cm (6 3/4 in.) Pentokion (Coin) Depicting the God Zeus, after 210 BC, Greek, Messina, Bronze, DIam. 2.6 cm, 10.17 g Bottle, 1st century AD, Roman, Levant or Syria, Syria, Glass, blown technique, H. 17.8 cm (7 in.), diam. 3.8 cm (1 1/2 in.) Rural Crossroads, with Farm Buildings in Foreground, 1734, Carlo Antonio Tavella, Italian, 1668-1738, Italy, Pen and brown ink, over black chalk, on ivory laid paper, laid down on pale green… Takada Riding Grounds (Takada baba), from the series Thirteen Views of the Environs of Edo, c. 1837/44, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print,… The Martyrdom of Saint John, from The Apocalypse, 1495–99, Albrecht Dürer, German, 1471-1528, Germany, Woodcut in black on ivory laid paper, 386 × 281 mm (image/sheet, block mark not visible) Paul Verlaine II, 1895, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on off-white laid paper, 240 x 160 mm (image/plate), 402 x 313 mm (sheet) Vase, c. 1820, England, Leeds, With Transfer Decoration after Adam Buck, Irish, 1759-1833, Leeds, Earthenware with silver lustre decoration, monochrome brown, and yellow ground, H. 14 cm (5 1/2 in.) Plate with Isaac Blessing Jacob, 1540/1545, Workshop of Guido di Merlino, (Italian, active about 1523-64), Urbino, Tin-glazed earthenware (maiolica), Diameter: 24.5 cm (9 5/8 in.) View of the Park at Arcueil, 1744, Jean-Baptiste Oudry, French, 1686-1755, France, Black chalk with white chalk and charcoal, on gray laid paper with blue fibers, laid down on cream card, 303 ×… At the Concert, 1896, Henri de Toulouse-Lautrec, French, 1864-1901, France, Color zincograph on cream wove paper, 317 × 247 mm (image), 610 × 458 mm (sheet) Fragment, 18th century, France or Italy, France, brocaded silk, 38.1 × 18.4 cm (15 × 7 1/4 in.) Siegfried: Act III, Evocation of Erda, 1886, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black with scraping on stone on cream Japanese tissue, 231 × 148 mm (image), 353 × 287… Poor Children!! May God take pity on their souls!, 1834, Denis Auguste Marie Raffet (French, 1804-1860), printed by Chez Gihaut Frères (French, 19th century), France, Lithograph in black on… Shawl Fragment, c. 1815, India, India, Wool, double interlocking 2:2 'S' twill tapestry weave, warp fringe, 53.4 x 104.1 cm (21 x 41 in.) Portrait of J.J. Guiffrey, 1866, Charles Émile Jacque, French, 1813-1894, France, Etching and drypoint on light gray China paper laid down on ivory wove paper, 89 × 70 mm (image), 94 × 73… Collepardo, 1841, Edward Lear, English, 1812-1888, England, Tint lithograph on ivory wove paper, 243 × 387 mm (stone), 368 × 538 mm (sheet) As (Coin) Depicting a Laureate, AD 74, Roman, minted in Rome, Roman Empire, Bronze, Diam. 2.9 cm, 13.53 g Head of a Woman, n.d., Attributed to François Boucher, French, 1703-1770, France, Red chalk, over traces of graphite, on ivory laid paper, 218 × 168 mm Towel or Napkin, 19th century, Turkey, Turkey, Towel, embroidered in flower and leaf design, 117.2 x 59.7 cm(46 1/8 x 23 1/2 in.) Fragment, 17th century, Netherlands, Netherlands, silk and linen, double cloth Vessel with Lug Handles, Predynastic Period–Old Kingdom (about 4000–2250 BC), Egyptian, Egypt, Stone, 9.8 × 8 × 7 cm (3 7/8 × 3 1/4 × 2 3/4 in.) Border, 1601/50, Switzerland or Germany, Switzerland, Linen, plain weave, embroidered with silk in back, double running, overcast, running, and split stitches, couching and French knots, edged… Amulet of the God Bes, Third Intermediate Period, Dynasty 21–25 (1070–656 BC), Egyptian, Egypt, Faience, 2.1 × 1 × .75 cm ( 3/4 × 3/8 × 1/4 in.) Wine Glass, c. 1730, Bohemia, Czech Republic, Bohemia, Glass, 11.8 × 6.5 cm (4 5/8 × 2 9/16 in.) At the Café (unpublished plate), 1874, Édouard Manet (French, 1832-1883), printed by Lefman et Compagnie (French, 19th century), France, Gillotage in black on ivory China paper, 270 × 339… Amulet of Nephthys, Horus the Child, and Isis, Late Period, Dynasty 26 (664–525 BC), Egyptian, Egypt, Faience, 4.1 × 3 × 1.4 cm (1 5/8 × 1 1/8 × 9/16 in.) St.-Jean-Pied-de-Port, 1866, Odilon Redon, French, 1840-1916, France, Etching on mounted cream China paper, 140 × 221 mm (plate), 112 × 199 mm (sheet) Altar Frontal Depicting Scenes from the Life of Christ, 1575/1600, Spain, Seo de Urgel, Silk, warp-float faced broken warp chevron twill weave with supplementary pile warps forming cut solid… Fragment, 1450/1500, Italy, Silk and cotton, velvet, cut pile-on-pile, voided, additional paired patterning wefts in gold foil (cut strips wound around silk core) tied in twill weave, against… The Virgin with the Pear, 1520, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 112 x 74 mm (image/sheet, trimmed within plate mark) Slave Market, 1893, Frederic Remington, American, 1861–1909, New York, Oil on canvas, 73 × 103.5 cm (28 3/4 × 40 3/4 in.) Smallmouth Beach, 1860/94, Francis Bedford, English, 1816–1894, England, Albumen print, 12.6 × 20 cm (image/paper) Iket (Headcloth), 19th century, Indonesia, Central Java, Java, Cotton, batik dyed, 105 x 106 cm (41 3/8 x 41 3/4 in.) Amulet of a Menat Counterpoise with Lion-headed Goddess, Third Intermediate Period–Late Period, Dynasties 25–26 (about 747–525 BC), Egyptian, Egypt, Faience, 2.7 × 1.3 × 0.3 cm (1 1/16 ×… Borders, 1820s/30s, France, Linen and horsehair, needle lace of a type known as "Point D'Aleçon Inlay (?) in form of a Cartouche, New Kingdom or later, Dynasties 19– (1295 BC–?), Egyptian, Egypt, Ceramic, 1.6 × 1 × 0.3 cm (5/8 × 3/8 × 1/8 in.) Paperweight, c. 1845–60, Baccarat, France, founded 1764, Baccarat, Glass, Diam. 6.4 cm (2 1/2 in.) Cover (Needlework), 1850/1900, Susannah Lewis (American, active c. 1850–1900), United States, Cotton, twill weave, embroidered with wool in a variety of stitches, 241.3 x 185.3 cm (95 x 73 in.) The Tempest, 1630, Claude Lorrain, French, 1600-1682, France, Etching on ivory laid paper, 124 × 170 mm (image), 126 × 176 mm (plate), 148 × 200 mm (sheet) Stole, 15th century, Spain, Silk, velvet, cut, voided, additional brocading wefts in gilt strip (wound around silk fiber core) forming loops where required, gilt galloon trim and crosses, two… Where Can the Police Be? from George Cruikshank’s Steel Etchings to The Comic Almanacks: 1835-1853 (top left), 1847, printed c. 1880, George Cruikshank (English, 1792-1878), published by Pickering… The Actor Segawa Kikunojo III in an Unidentified Role, c. 1786/87, Katsukawa Shunko I, Japanese, 1743-1812, Japan, Color woodblock print, hosoban, 31.7 x 14.8 cm (12 1/2 x 5 13/16 in.) Torso of a Youth, 1st/2nd century AD, Roman, Roman Empire, Marble, 66.2 × 38.7 × 24 cm (25 1/2 × 15 1/4 × 9 1/2 in.) Border, Empire period, 1804/14, France, Silk, warp-float faced 4:1 satin weave with weft-float faced 3:1 twill interlacings of secondary binding warps and supplementary patterning wefts, 137.2 ×… Panel, c. 1830, France, Cotton, plain weave, block printed, 147.4 × 87.9 cm (58 34 5/8 in.) The Actor Sawamura Sojuro III in an Unidentified Role, c. 1781, Katsukawa Shunko I, Japanese, 1743-1812, Japan, Color woodblock print, hosoban, from a multisheet composition (?), 29 x 14.2 cm (11… Coverlet, 1841, James Cunningham (American, born Socttish, c. 1797-after 1865), United States, New York, Oneida County, New Hartford, United States, Cotton and wool, plain weave double cloth, woven… Study for the Vignette of Lucretius’s De la Nature des Choses, Vol. II, Book V, c. 1768, Hubert François Gravelot, French, 1699-1773, France, Pen and black ink, with graphite, on gray laid… Young Lady and Matron, from Girls of Fukagawa, A Triptych (Fukagawa musume sanpukutsui), c. 1750s, Torii Kiyomitsu I, Japanese, 1735–1785, Japan, Color woodblock print, hosoban, benizuri-e, 11 1/8… The Actors Ichikawa Masugoro as Kusunoki Masatsura and Hayakawa Denshiro as Shinzaemon in the play Hachijin Taiheiki, performed at the Nakamura Theater in the eleventh month, 1727, 1727, Torii… Ancillaria canalifera, Print Plate, 1680/1700, Germany, Hanau or Frankfurt, Hanau, Tin-glazed earthenware (faience), H. 7 cm (2 3/4 in.), diam. 34.3 cm (13 1/2 in.) View of Braubach, n.d., Ernst Damitz, American, born Germany, 1805-1883, United States, Watercolor on ivory wove paper (discolored to tan), 338 x 461 mm Anser cinereus, Print, 1700-1880 The Actors Ichikawa Monnosuke as a nobleman and Dekishima Daisuke as a noblewoman, c. 1721, Okumura Toshinobu, Japanese, active c. 1717-50, Japan, Hand-colored woodblock print, hosoban, urushi-e,… Venus Ordering Psyche to Sort a Heap of Grain, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio,… Animal Locomotion, Plate 758, 1887, Eadweard Muybridge, English, active United States, 1830–1904, England, Collotype, from "Animal Locomotion Fish Pendant, Shang or Western Zhou period, 13th/10th century B.C., China, Jade, 3 1/8 × 7/8 × 3/16 in. In a Railway Carriage (After a Night’s Journey), 1851, Adolph Menzel, German, 1815–1905, Germany, Gouache, with touches of pastel and oil paint, on cream wove paper, laid down on Japanese… The First Knot, c. 1507, Albrecht Dürer, German, 1471-1528, Germany, Woodcut in black on ivory laid paper, 275 × 214 mm (image), 291 × 231 mm (sheet) Fruit Stall, 1879/80, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint with foul biting in dark brown ink on ivory laid paper, 226 x 150 mm (image, trimmed within… The Races, 1865/72, Édouard Manet, French, 1832-1883, France, Lithograph in black on gray ivory chine, laid down on ivory wove paper (chine collé), 355 × 513 mm (image), 366 × 511 mm… The actors Ichikawa Danjuro VII as Watanabe no Tsuna and Segawa Kikunojo V as the female demon in the play Modori Bridge (Modoribashi), 1833, Utagawa Kunisada I (Toyokuni III), Japanese,… Courtesan Burning Mosquitoes as Her Guest Arrives, c. 1772/73, Shiba Kokan (Suzuki Harushige), Japanese, 1747–1818, Japan, Color woodblock print, chuban, 27.4 x 20.9 cm (10 3/4 x 8 1/4 in.) Dish, Third Intermediate Period, Dynasty 21–25 (?) (about 1069–664 BC), Egyptian, Egypt, Calcite, 2.5 × 9.8 × 5.1 cm (1 × 3 7/8 × 2 in.) Saint Helena and the True Cross, 1580/90, Italian, Late 16th Century, Italy, Pen and brown ink with brush and brown wash, over black chalk, on lunette-shaped blue-brown laid paper, laid down on… Large Basin with Carp and Waterweeds, Yuan dynasty (1279–1368), late 13th/early 14th century, China, Cizhou ware, stoneware painted in underglaze iron-brown slip, H. 14.7 cm (5 13/16 in.),… A Cossack, n.d., Monogrammist N.D., possibly French, 18th-19th century, France, Lithograph in black on tan wove paper, 141 × 123 mm (image), 310 × 224 mm (sheet) View of the City with the Louvre, etc., taken from Pont Marie, from A Selection of Twenty of the Most Picturesque Views in Paris, 1802, Thomas Girtin, English, 1775-1802, United Kingdom, Soft… Fragment, 1775/1800, Italy, Silk, plain weave with supplementary pile warps forming cut and uncut voided velvet, 17 x 13.4 cm (6 5/8 x 5 1/4 in.) 2.589.713 / 2.589.715 Entries < previous page Page 3288 / 25898 next page >