Librifly Art Gallery 2.589.713 / 2.589.715 Entries < previous page Page 3293 / 25898 next page > Cup and Saucer, 1810/15, Pierre Louis Dagoty, French, 1771-1840, Paris, Paris, Hard-paste porcelain, red enamel and gilding, Cup: 5.7 × 9.8 cm (2 1/4 × 3 7/8 in.), saucer: D. 3.2 cm (1 1/4… A Bivouac Fire on the Potomac, published December 21, 1861, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 351 x… Fortified Buildings on Water’s Edge, n.d., Attributed to Simon de Vlieger (Dutch, c. 1600-1653), or Jan van Goyen (Dutch, 1596-1656), Holland, Black chalk with brush and blue-gray wash on ivory… Saint John the Baptist, c. 1748, Ercole Graziani, the younger, Italian, 1688-1765, Italy, Pen and black ink and brush and blue-gray wash, on gray laid paper, laid down on cream laid paper, 276 x… Saint John’s Cemetery with a View of the City of Nuremberg, from Collection of Memorable Medieval Buildings in Germany, 1819, Domenico Quaglio II, German, 1787-1837, Germany, Lithograph in… Panel, 15th century, Italy, Silk, cut, and voided velvet against satin weave foundation, 68.5 x 42 cm (27 x 16 1/2 in.) The Hammerman, 1884, Constantin Emile Meunier, Belgian, 1831-1905, Belgium, Bronze, H 194.3 cm (76 1/2 in.), base: 10.2 × 83.8 × 71.1 cm (4 × 33 × 28 in.) The Actors Ichimura Uzaemon VIII, Ichimura Kamezo I as Wankyu, and Nakamura Kiyosaburo I as Matsuyama in the play Mitsugimono Irifune Nagoya, performed at the Ichimura Theater in the seventh… Resting Bacchante, c. 1790, Johann August Nahl, II, German, 1752-1825, Germany, Etching in black on cream laid paper, 185 x 218 mm (sheet, max.), 117 x 210 mm (plate, max.) Borders, 1875/1900 (based on French lace of 1760s), Italy, Burano, Burano School of Lace, Italy, Cotton, needle lace, 14.4 × 217.1 cm (5 5/8 × 85 1/2 in.) The Actor Otani Hiroji III in an Unidentified Role, c. 1770, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Color woodblock print, hosoban, 31.1 x 14.4 cm (12 1/4 x 5 5/8 in.) Takigawa and Katarai of the Ogiya, from the series Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana hatsu moyo), c. 1776, Isoda Koryusai, Japanese, 1735-1790, Japan,… Powder Flask, 1570/80, Italian, Italy, Steel, iron, silver, wood, and leather, H. 17.8 cm (7 in.) River Scene with Rowers, 1878, Henri-Emile Lessore, French, 1830-1895, France, Drypoint on cream laid paper, 118 × 158 mm (image/plate), 126 × 168 mm (sheet) Paperweight, 19th century, Unknown, France, Glass, Diam. 8.4 cm (3 5/16 in.) Tankard, 1760/70, Staffordshire, England, Staffordshire, Lead-glazed earthenware (creamware), 18.7 x 14.9 x 12.1 cm (7 3/8 x 5 7/8 x 4 3/4 in.) The Actor Kirishima Gizaemon as Murasaki Daijin in the play Hatsu Akinai Omise Soga, performed at the Nakamura Theater in the first month, 1767, 1767, Torii Kiyomitsu I, Japanese, 1735–1785,… Sunrise, 1850, Charles François Daubigny, French, 1817-1878, France, Etching on ivory wove paper, 134 × 230 mm (image), 178 × 262 mm (plate) The Parson’s Daughter, from Old English Masters, 1898, printed 1902, Timothy Cole (American, born England, 1852-1931), after George Romney (English, 1734-1802), United States, Wood engraving… Court Ladies on a Balcony Watching a Woman and a Girl Chasing a Man in the Yard under Blossoming Cherry Trees, late 1790s, Katsukawa Shun’ei, Japanese, 1762-1819, Japan, Color woodblock print,… Border, 1875/1900, France, Linen, needle lace of a type known as "Point d'Argentan" with a whipped mesh ground, 8.5 × 122.4 cm (3 3/8 × 48 1/8 in.) Bead Stringers, 1880, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper, 226 x 150… Panel, 17th century, France, Linen, plain weave, embroidered with wool Coin Depicting the Goddess Artemis, after 190 BC, Greek, Ancient Greece, Bronze, Diam. 1.6 cm, 4.01 g Panel, 1801/25, Russia, Linen, twill weave, embroidered, 64.9 x 88.9 cm (25 1/2 x 35 in.) The Bowman, frontispiece from The Epic of Kings, Stories Retold from Firdusi, 1882, Sir Lawrence Alma-Tadema (English, born the Netherlands, 1836-1912), written by Helen Zimmern (1846-1934),… Tetradrachm (Coin) Depicting the God Zeus, 359/336 BC, issued by King Philip II of Macedonia, Greek, minted in Pella, Macedonia, Pella, Silver, Diam. 2.8 cm, 13.92 g Fork from a Traveling Set, 1761/63, Augsburg, Germany, Augsburg, Silver, H. 21.6 cm (8 1/2 in.) Panel (For a Screen), Qing dynasty (1644–1911), 1875/1900, China, Panels: Silk, gold-leaf-over-lacquered-paper-wrapped silk, slit tapestry weave with extended weft and interlaced outlining… Bacchus and Two Fawns, c. 1775, Wedgwood Manufactory, England, founded 1759, Etruria, Staffordshire, England, Burslem, Stoneware (jasperware), 19.8 × 15. 9 cm (7 13/16 × 6 1/4 in.) Algerian Landscape, 1873, Albert-Charles Lebourg, French, 1849-1928, France, Black chalk and charcoal, with stumping and erasing, on paper, 295 × 445 mm Lamp, 2nd/3rd century AD, Roman, Italy, terracotta, 3.8 × 8 × 12.5 cm (1 7/16 × 3 1/8 × 4 15/16 in.) Paperweight, c. 1848–55, Baccarat, France, founded 1764, Baccarat, Glass, Diam. 7.6 cm (3 in.) Elias (fragment) from The Transfiguration of Christ, 1460/70, Franco-Flemish, Flanders, Wool and silk, slit, single and double dovetailed tapestry weave, 127.5 × 228.7 cm (50 3/16 × 90 1/16 in.) Henry Somm, 1898, printed and published 1911, Henri de Toulouse-Lautrec, French, 1864-1901, France, Drypoint from a zinc plate in black on cream wove Japanese paper, 171 × 109 mm (image/plate),… Altar Frontal, 18th century, Italy, Linen, plain weave, embroidered with linen in back, cross, long-armed cross and double running stitches, edged with linen, bobbin straight lace, cotton, plain… Amulet of a Crocodile, New Kingdom–Third Intermediate Period (?) (about 1550–664 BC), Egyptian, Egypt, Faience, 1.9 × 0.6 × 0.5 cm (3/4 × 1/4 × 3/16 in.) L’Inspiration, c. 1893, Gustave Moreau, French, 1826-1898, France, Watercolor and gouache, with pen and blue ink, over traces of graphite, on ivory wove paper, wrapped and adhered on verso to… La Toilette, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1774, Nicolas Joseph Voyez (French, 1742-1806), after Sigmund Freudeberg (Swiss, 1745-1801), published… Amulet of a Heart, Late Period, Dynasty 26–31 (664–332 BC), Egyptian, Egypt, Stone, 1.5 × 1 × .5 cm (5/8 × 3/8 × 3/16 in.) Band (for Woman’s Trousers), 1875/1900, China, 12.8 × 30.4 cm (5 × 12 in.) Follis (Coin) Portraying Emperor Constantine II as Caesar, AD 333/335, Roman, Ancient Mediterranean, Bronze, Diam. 1.8 cm, 2.52 g The Tooth Puller, plate nine from Selection of Pictures from Venetian Collections, 1765, Jacopo Leonardis (Italian, 1723-1797), after Giovanni Domenico Tiepolo (Italian, 1727-1804), Italy, Etching… Thatched Hut among Trees and Rocks, n.d., Allart van Everdingen, Dutch, 1621-1675, Holland, Engraving on paper, 129 x 111 mm (plate), 134 x 117 mm (sheet) Quarter Day from George Cruikshank’s Steel Etchings to The Comic Almanacks: 1835-1853 (top left), 1844, printed c. 1880, George Cruikshank (English, 1792-1878), published by Pickering &… Slop Bowl, c. 1770, Worcester Porcelain Factory, Worcester, England, founded 1751, Worcester, Soft-paste porcelain with polychrome enamels, H. 5.7 cm (2 1/6 in.), diam. 11.9 cm (4 1/3 in.) The Poetess Ono no Komachi, from the series Six Immortal Poets (Rokkasen), c. 1810, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color woodblock print, oban, 38.8 x 26.4 cm,… Shepherdess, 1864–66, Charles Émile Jacque, French, 1813-1894, France, Etching and roulette on paper, 110 × 165 mm (image), 136 × 197 mm (plate), 325 × 453 mm (sheet) Biconical Bead, Geometric Period (800–600 BC), Greek, Thessaly, Greece, Bronze, 3.5 × 6.0 × 3.5 cm (1 3/8 × 2 3/8 × 1 3/8 in.) Three Half-Length Figures, 1622/72, Pieter Jansz., Dutch, 1602-1672, Netherlands, Pen and black iron gall ink on ivory laid paper, 103 x 121 mm Towel, 19th century, Turkey, Turkey, embroidered, 124.5 x 57.8 cm (49 x 22 3/4 in.) The Courtesan Mitsuhana of the Ohishiya (Ohishiya uchi Mitsuhana), from the series Evergreen Brocades of the Pleasure Quarters (Seiro tokiwa nishiki), c. 1776/81, Isoda Koryusai, Japanese,… The Comedy of Death, 1854, Rodolphe Bresdin, French, 1825-1885, France, Lithograph in black on ivory China paper laid down on white wove paper, 219 × 150 mm (image), 221 × 173 mm (chine), 473 ×… Isleworth, plate 63 from Liber Studiorum, published January 1, 1819, Joseph Mallord William Turner (English, 1775-1851), Engraved by H. Dawe, England, Etching and engraving in brown on ivory… Tetradrachm (Coin) Portraying King Gotarzes, AD 40/51, Parthian, Iran, Silver, Diam. 2.6 cm, 10.43 g The Church of Overschie, 1866, Johan Barthold Jongkind, Dutch, 1819-1891, Holland, Oil on canvas, 30.5 x 50.8 cm (12 x 20 in.) Two Komuso, c. 1768/69, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, hashira-e, 68.8 x 12.0 cm (27 1/8 x 4 5/8 in.) Draped Figure, Standing, 1891, James McNeill Whistler, American, 1834-1903, United States, Lithograph, from thin, transparent paper, from four stones, red-orange and brown (keystone), orange,… Fragment, Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century, Egypt, Egypt, cloth weave, 29.9 × 15.2 cm (11 3/4 × 6 in.) Architectural Sketches, c. 1720, Canaletto, Italian, 1697-1768, Italy, Black chalk and pen and brown ink, on ivory laid paper, perimeter mounted on cream card, 141 x 193 mm Joseph Telling His Dreams, 1638, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching on white wove paper, 110 x 82 mm (image/sheet trimmed within plate mark) Suzani (large embroidered hanging or cover), 19th century, Uzbekistan, possibly Shakhrisabz or Shafirkhan, Uzbekistan, Cotton, plain weave, embroidered with silk, 231.4 x 150.2 cm (91 1/8 x 59 1/8… Follis (Coin) Portraying Emperor Licinius, AD 312, Roman, minted in Alexandria, Roman Empire, Bronze, Diam. 2.1 cm, 3.45 g Je te vas descendre, n.d., Horace Vernet (French, 1789-1863), printed by Francois Seraphin Delpech (French, 1778-1825), France, Lithograph in black on ivory wove paper, 154 × 211 mm (image), 244… Mestre, from Vedute, 1735/44, Canaletto, Italian, 1697-1768, Italy, Etching in black on ivory laid paper, 293 x 430 mm (image), 302 x 435 mm (plate), 434 x 586 mm (sheet) Kesa, 1650/1700, Edo period (1615–1868), Japan, Silk and gilt-paper strip, twill weave with secondary binding warp and supplementary patterning wefts, 119.4 x 210.5 cm (47 x 82 7/8 in.) Wall Fragment from a Tomb Depicting Offering Bearers, Old Kingdom, Dynasty 6 (about 2400–2250 BC), Egyptian, Egypt, Limestone, 50.8 × 50.2 × 10.2 cm (20 × 19 3/4 × 4 in.) A Norfolk Boat-Yard, 1886, Peter Henry Emerson, English, born Cuba, 1856–1936, England, Platinum print, pl. XIII from the album "Life and Landscape on the Norfolk Broads" (1886), edition of… The First Oriental Head, 1635, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching on paper, 150 x 125 mm (image/plate), 158 x 130 mm (sheet) Panel from a Skirt, c. 1753/55, England, Spitalfields, Spitalfields, Silk, gilt-and-silvered-metal strip, and gilt-metal-strip-wrapped silk, plain weave with patterning and brocading wefts, 100.2 x… Bitter to be Present, plate 13 from The Disasters of War, 1810/11, published 1863, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, lavis, drypoint, burin, and burnishing… Two Trial Sketches: A. Grande Rue, Dieppe, B. An Interior, probably 1891, printed posthumously, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black on cream… Gerda Grönberg III, 1892, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory wove paper, 190 x 132 mm (image), 197 x 138 mm (plate), 369 x 280 mm (sheet) Fragment, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912), Japan, Plain compound satin, silk and silvered paper, 2 strips to m.m., 20.9 x 36.6 cm (8 1/4 x 14 3/8 in) (per… Ôhi (Stole), Meiji period (1868–1912), 1875/1900, Japan, Silk, gold-leaf-over-lacquered-paper strip, warp-float faced 2:1 'Z' twill weave with weft-float faced 1:2 'Z' twill interlacings of… Fragment (From an Orphrey Band), 15th century, Italy, Silk, warp-float faced 4:1 satin weave with weft-float faced 1:3 'Z' twill interlacings of secondary binding warps and supplementary… Panel, 15th century, Italy, Florence, Florence, Silk and gilt-animal-substrate-wrapped silk, twill weave with supplementary patterning wefts and supplementary pile warps forming cut voided… Parts of a Belts, 16th century, England, Leather, a: 8 × 4 × 3 cm Two Fragments, c. 1730/40, France, Silk, plain compound cloth, a: 53.4 × 182.9 cm (21 × 72 in.) Ring, New Kingdom, Dynasties 18–20 (about 1350–1069 BC), Egyptian, Egypt, Faience, W. 0.3 cm (1/8 in.), diam. 1.9 cm (3/4 in.) Paperweight, Late 19th century, New England Glass Company, American, 1818-1888, United States, Glass, Diam. 7.3 cm (2 7/8 in.) Virgin and Child Seated on Clouds, n.d., Attributed to Count Antonio Maria Zanetti the Elder (Italian, 1679/80–1767), or after Francesco Mazzola, called Il Parmigianino (Italian, 1503-1540),… Pair of doors, Marinid Dynasty, 14th century, Morocco, Morocco, Wood with iron bolts and rings, 373.3 × 104.2 × 7.6 cm (149.32 × 41 × 3 in.) The Virtues of Christ and the Wickedness of His Enemies Symbolized by Diverse Birds and Beasts (verso), The Last Supper (recto), pages 66 and 65 from the Treasury (Schatzbehalter), 1491,… Agony in the Garden, from The Engraved Passion, 1508, published 1513, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 117 x 72 mm (image/plate), 119 x 74 mm… The Actor Ichikawa Ebizo III as Matsuo-maru in the Play Sugawara Denju Tenarai Kagami, Performed at the Ichimura Theater in the Seventh Month, 1776, c. 1776, Katsukawa Shunsho 勝川 春章,… Bust of Seneca, 1500/1600, Italian, 16th century replica after Greek original of the 4th century B.C., Italian, Marble and porphyry, H. 96.5 cm (38 in.) Emperor Decius from Icones Imperatorum Romanorum, plate 60 from Woodcuts from Books of the XVI Century, 1557, assembled into portfolio 1937, Hubrecht Goltzius (German, 1526-1583) and Josse van… Hand Mirror, 470/450 BC, Etruscan, probably Vulci, Vulci, Bronze, 16.8 × 15.1 × 0.7 cm (6 5/8 × 6 × 5/16 in.) (with tang) Bust of Louis, Dauphin of France, 1766, Sèvres Porcelain Manufactory, French, founded 1740, Designer: Jean-Baptiste Lemoyne, II (probably), Modeler: Florent-Nicolas Perrotin or Leclerc,… Swallows, kingfisher, and hibiscus, c. 1830s, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, chuban, 24.9 x 17.7 cm Seascape, 1879, Pierre-Auguste Renoir, French, 1841-1919, France, Oil on canvas, 72.6 × 91.6 cm (28 1/2 × 36 in.) Dead Mother, plate ten from On Death, Part II, 1889, Max Klinger, German, 1857-1920, Germany, Etching in black ink on lightweight cream wove paper, laid down on cream wove paper (chine collé), 386… The Actor Osagawa Tsuneyo II as Oiso no Tora in the Play Gohiiki no Hana Aikyo Soga, Performed at the Kawarazaki Theater in the First Month, 1794, c. 1794, Katsukawa Shun’ei, Japanese,… Two Riders Passing a Flock, plate five from The Six Large Views of Rome and the Campagna, 1654, Stefano della Bella, Italian, 1610-1664, Italy, Etching on ivory laid paper, 289 x 260 mm (image), 290… Catching Fireflies, About 1767, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, chūban, 27.2 x 20.3 cm Christ Entering Jerusalem, 1595/99, Andrea Boscoli, Italian, 1560-1608, Italy, Pen and brown ink, with brush and gray wash, over traces of black chalk, on ivory laid paper, laid down on ivory… Ely Cathedral: Prior’s Door, with Bedesman, 1891, Frederick H. Evans, English, 1853–1943, England, Lantern slide, 8.2 × 8.2 cm Fumette, 1858, James McNeill Whistler, American, 1834-1903, United States, Etching with foul biting in black ink on tan China paper, laid down on ivory wove paper (chine collé), 163 x 109 mm… Male Nude with Left Foot on a Pedestal, 1879, Gustav Klimt, Austrian, 1862-1918, Austria, Graphite and white heightening on brown wove paper, 408 × 267 mm 2.589.713 / 2.589.715 Entries < previous page Page 3293 / 25898 next page >