Librifly Art Gallery 2.589.713 / 2.589.715 Entries < previous page Page 3294 / 25898 next page > The Ship’s Boy Fishing (Fishing with a Line), 1861, Charles François Daubigny, French, 1817-1878, France, Etching on ivory laid paper, 95 × 156 mm (image), 140 × 186 mm (plate), 226 × 310… Snuff Box, 1800/1900, Probably England, England, Amethyst, gold, rose diamond, ruby, and emerald, 4.5 × 7 × 5.9 cm (1 3/4 × 2 3/4 × 2 5/16 in.) Panel (From woman’s trousers), 1801/50, Iran (Persia), Iran, Linen, plain weave, embroidered in silk, 85.4 x 63.8 cm (33 3/8 x 25 1/8 in.) Cicero’s villa, from Old English Masters, 1898, printed 1902, Timothy Cole (American, born England, 1852-1931), after Richard Wilson (English, 1714-1782), United States, Wood engraving on… A Full Team on the Sierras, From the Central Pacific Railroad, 1867, Thomas Houseworth & Co., American, 1828–1915, United States, Albumen print, stereo, No. 1286 from the series "Central… Wine Cooler, 18th century, Southern Germany, Germany, southern, Pewter, 31.1 x 48.3 x 36.2 cm (12 1/4 x 19 x 14 1/4 in.) Pair of Flintlock Pistols, 18th century, Barrel: Lazzarino Cominazzo, Lock: Giovanni Botti, Italian, Brescia, Brescia, Wood and steel Study for Vignette-Frontispiece in Charles-Simon Favart’s L’Amitié à L’Epreuve, c. 1771, Hubert François Gravelot, French, 1699-1773, France, Graphite and black chalk, on gray laid… Seated Youth Wearing a Monk’s Habit: Study for Saint Benedict, 1590, Bartolomeo Cesi, Italian, 1556-1629, Italy, Red chalk, heightened with touches of white chalk, on blue laid paper, squared… Kalatt-El-Athlit, Côté de la Terre, c. 1860, Louis De Clercq, French, 1836–1901, France, Albumen print, 20.8 × 55.4 cm (image/paper), 45.2 × 60.9 cm (mount) Wheellock Pistol, 1567, I. (possibly Hans) Gender (German,1567—1568?), Nuremberg, Nuremberg, Steel, iron, fruitwood, and staghorn, L. 63.8 cm (25 1/8 in.) Two Old Men beside a Sled Bearing the Coats of Arms of Amsterdam and Utrecht, 1620/33, Hendric Avercamp, Netherlandish, 1585-c.1633, Netherlands, Opaque and translucent watercolors, with pen and… Whirlwind, 1896, Jonathan Scott Hartley, American, 1845–1912, Cast by A.T. Lorme, New York, United States, Bronze, 77.5 × 22.2 cm (30 1/2 × 8 3/4 in.) The Veil, c. 1887, Fernand Khnopff, Belgian, 1858-1921, Belgium, Charcoal and graphite with stumping on ivory wove paper, laid down on wood pulp board, 400 × 210 mm Bottle in the Shape of a Date, 2nd century AD, Roman, Levant or Syria, Syria, Glass, mold-blown technique, H. 8 cm (3 1/8 in.), diam. 3.8 cm (1 3/8 in.) Plum Garden in Full Bloom (Ume yashiki manka no zu), from the series Famous Views of the Eastern Capital (Toto meisho), c. 1835/38, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan,… Jérusalem, Auberge d’Allemagne, 1854, Auguste Salzmann, French, 1824–1872, France, Salted paper print, 33.4 × 23.5 cm (image), 60.3 × 43.8 cm (paper) Coffer, 1700/20, Attributed to André-Charles Boulle (French, 1642–1732), France, Paris, France, Oak, tortoiseshell, brass, pewter, ebony, and gilt-bronze mounts, 44.5 × 73 × 48.3 cm (17 1/2 ×… The Capture of Samson, 1609/10, Peter Paul Rubens, Flemish, 1577-1640, Flanders, Oil on panel, 19 3/4 × 26 1/8 in. (50.4 × 66.4 cm) Skaters on Pond Outside Town, n.d., Attributed to Allart van Everdingen, Dutch, 1621-1675, Holland, Brush and gray wash over traces of black chalk on ivory laid paper, tipped onto laid paper, 49 x… Child’s Tunic, Roman period (30 B.C.– 641 A.D.)/Arab period (641–969), 7th century, Coptic, Egypt, Egypt, Linen and wool, tapestry weave, 50.8 × 45.7 cm (20 × 18 in.) Two Lovers Giving Thanks to the Statue of Health, n.d., Ange Laurent de La Live de Jully (French, 1725-1779), after François Boucher (French, 1703-1770), France, Etching in black on ivory laid… The Isle of the Dead, 1890, Max Klinger (German, 1857-1920), after ArnoldBöcklin (Swiss, 1827-1901), Germany, Etching and aquatint in black ink on ivory wove paper, laid down on ivory wove… Bust of an Old Man, 1635–44, Jan Lievens, Dutch, 1607-1674, Holland, Etching on paper, 160 x 143 mm (image/sheet, trimmed within plate mark) Antilope grantii, Print, Blackbuck, The blackbuck (Antilope cervicapra), also known as the Indian antelope, is an antelope found in India, Nepal, and Pakistan. The blackbuck is the sole extant… Tetradrachm (Coin) Depicting the God Zeus, 359/336 BC, Greek, Greece, Silver, Diam. 2.6 cm, 14.16 g Fragment (Border), 17th century, Iran (Persia, Yazd), Iran, Brocaded, twill weave, 7 x 20.8 cm (2 3/4 x 8 1/4 in.) The Hand-Drum Player, from an untitled series of five musicians, 1780s, Attributed to Kitao Shigemasa, Japanese, 1739-1820, Japan, Color woodblock print, oban, 12 7/8 x 9 1/8 in. Susanna and the Elders, n.d., Cornelis Visscher, the Elder, Netherlandish, c. 1520-1586, Holland, Engraving on paper Panel (From a Settee), 1745/55, Probably England, England, Linen, plain weave, embroidered with silk and wool in tent stitches, 76 × 191.3 cm (29 7/8 × 75 3/8 in.) Mount Fuji Seen from the Senju Pleasure Quarter (Senju kagai yori chobo no Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), c. 1830/33, Katsushika Hokusai 葛飾… Psyche Telling Her Misfortune to Her Sisters, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio,… The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen print with watercolor (in album), 29.2 × 41.9 cm Amulet of a Heart, Third Intermediate Period, Dynasty 21–25 (1070–656 BC), Egyptian, Egypt, Lapis Lazuli, 1.3 × 1 × 0.3 cm (1/2 × 3/8 × 1/8 in.) Legs and Feet of Male Nude, 1812/50, Possibly after Michelangelo Buonarroti, Italian, 1475-1564, Italy, Pen and brown ink, on cream wove paper prepared with a pale brown wash, 431 x 256 mm The Funeral Procession of Broad-Bottom, published April 6, 1807, James Gillray (English, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Hand-colored etching on paper,… Vinaigrette, c. 1805/20, Probably Matthew Linwood, Probably Birmingham, England, Birmingham, Silver gilt, 3.8 × 2.3 cm (1 1/2 × 7/8 in.) Mount for The Thames, Evening, 1897–99, Theodore Roussel, French, worked in England, 1847-1926, England, Aquatint in yellow metallic ink on ivory laid paper, 297 × 270 mm (image/plate), 338 ×… Reverend Jonathan Edwards, 1808, Abner Reed, American, 1771–1866, United States, Engraving on cream wove paper, 176 x 120 mm (plate), 216 x 139 mm (sheet) In Midair 3000 feet from anywhere, Yosemite, Cal., 1894, B. W. Kilburn, American, 1827–1909, United States, Albumen silver print, stereo, 7.7 x 7.6 cm (each image), 8.8 x 17.8 cm (card) Dressing Table, 1729/60, American, 18th century, Philadelphia, United States, Walnut and white pine, 96.5 × 54 × 47 cm (38 × 21 1/4 × 18 1/2 in.) A bearded old man seated on a rock and making a hortatory gesture toward three men opposite him, from Figurine series, n.d., Salvator Rosa, Italian, 1615-1673, Italy, Etching on ivory laid paper,… Plate Two, from A New Book of Ornaments, 1704, Simon Gribelin II, French, 1661-1733, France, Engraving on paper, 195 × 160 mm (image/plate), 295 × 232 mm (sheet) Fragment, 1325/75, Italy, Silk, plain weave with plain interlacings of secondary binding warps and supplementary patterning wefts, 38.4 x 35.9 cm (15 1/8 x 14 1/8 in.) Self-Portrait Preparing an Etching, c. 1890, Henri Charles Guérard, French, 1846-1897, France, Line etching with roulette and mezzotint on cream laid paper, 182 × 247 mm (image), 284 × 370… Okazaki: Yahagi River (Okazaki, Yahagigawa)—No. 39, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi), also known as the Reisho Tokaido, c. 1847/52, Utagawa… Tsukudajima in Musashi Province (Buyo Tsukudajima), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), c. 1830/33, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan,… Memorial Portrait of the Actor Ichikawa Danjuro VIII, 1854, Utagawa School, Japanese, 19th century, Japan, Color woodblock print, oban Charlatan’s show, plate 75 from The Disasters of War, 1815/20, published 1863, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, aquatint or lavis, burin and burnishing… Coverlet, 1820, Woven by Rebexy Hamilton (?), United States, Pennsylvania, Green County, Waynesburg, Pennsylvania, Cotton and wool, plain weave double cloth, woven on loom with Jacquard… Two Classical Female Figures, n.d., Unknown Artist, French, 19th century, France, Pen and brown ink, with brush and gray wash, on brown tinted laid paper, 145 × 115 mm The Miracle of the Ticino River, 1610/1619, Camillo Procaccini, Italian, 1555-1629, Italy, Red chalk on beige laid paper, 162 x 126 mm The Planer, n.d., Louis Pierre Henriquel-Dupont, French, 1797-1892, France, Charcoal, on pink wove paper with red fibers, 257 × 376 mm The Foot of the Vernal Fall, Yosemite, 1861/76, Carleton Watkins, American, 1829–1916, United States, Albumen print, stereo, from the series "Watkins' Pacific Coast Hunting Plug Bayonet with Eating Utensils, 1800/1900, German, Saxony, Germany, Horn, silver, gold, and sharkskin (sheath), L. 30.2 cm (11 7/8 in.) Zischägge, c. 1620/30, Flemish, Flanders, Steel with gilding, brass, and leather, H. 30.5 cm (12 in.) Anolis velifer, Print, Anolis is a genus of anoles, iguanian lizards in the family Dactyloidae, native to the Americas. With more than 425 species, it represents the world's most species-rich… Sword Pommel, mid–17th century, Italian, Italy, Iron, Overall Bastard Letters of the Alphabet, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779),… Burgonet, c. 1560, Southern German, probably Nurembeerg, Southern Germany, Steel, H. 23.9 cm (9 3/8 in.) French (Furansu), 1861, Utagawa Yoshikazu, Japanese, active c. 1850-70, Japan, Color woodblock print, oban Hamamatsu—No. 30, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi), also known as the Reisho Tokaido, c. 1847/52, Utagawa Hiroshige 歌川 広重, Japanese,… Archonias, Print, Archonias is a monotypic genus of butterflies in the family Pieridae. Archonias brassolis, the cattleheart white, is its sole species. It is found from Central America, south… In the Omnibus, 1890–91, Mary Cassatt (American, 1844-1926), printed with Leroy (French, active 1876-1900), United States, Color aquatint with drypoint from three plates, partially printed à… The Duc d’Orléans, and His Son, 1759, Louis de Carmontelle, French, 1717-1806, France, Etching in black on ivory laid paper, 267 × 177 mm (image), 293 × 192 mm (plate), 304 × 204 mm (sheet) Antilope bubalis, Print, Blackbuck, The blackbuck (Antilope cervicapra), also known as the Indian antelope, is an antelope found in India, Nepal, and Pakistan. The blackbuck is the sole extant… Illustration of a Chinese poem, from the series Picture Book of Chinese Poems (Toshi gafu no uchi), c. 1830/44, Totoya Hokkei, Japanese, 1780–1850, Japan, Color woodblock print, chuban Camp of the 4th Light Dragoons, Officer’s Quarters, 1855, Roger Fenton, English, 1819–1869, England, Salted paper print, from the album "Photographic Pictures of the Seat of War in the… Owake! what ho! Brabantio! thieves! thieves!, plate one from Othello, 1844, Théodore Chassériau, French, 1819-1856, France, Etching, engraving, and roulette on paper, 325 × 237 mm (image), 372… Porringer, c. 1755, Worcester Porcelain Factory, Worcester, England, founded 1751, Worcester, Soft-paste porcelain, underglaze blue, H. 6 cm (2 1/2 in.), diam. 18.3 cm (7 3/16 in.) William Penn’s Treaty with the Indians (Furnishing Fabric), c. 1785, After engraving by John Hall (English, 1739–1797) after painting by Benjamin West (American, 1738–1826), England,… Apogonia, Print, Apogonia is a genus of scarab beetles. Some are pests of durian trees. Love, Truth, Constancy, Fidelity (Valentine), c. 1850, Unknown Artist, English, 19th century, England, Lithograph in gold ink, with collage and watercolor on cut and embossed ivory wove paper… Coin Depicting Laureate Head, 400/350 BC, Greek, Ancient Greece, Bronze, Diam. 1 cm, 0.75 g Chair Table, 17th century, American, 17th century, New York area, New York, Maple and oak, 70.5 × 133.7 cm (27 3/8 × 44 3/8 in.) Anthus campestris, Print, The tawny pipit (Anthus campestris) is a medium-large passerine bird which breeds in much of temperate Europe and Asia, and north-western Africa. It is a migrant moving… Covered Sugar Bowl, 1876, Worcester Royal Porcelain Company, Worcester, England, founded 1751, Worcester, Soft-paste porcelain, polychrome enamels and gilding, H. 8.1 cm (3 3/16 in.), diam. cover:… Panel, Qing dynasty (1644–1911), 1875/1900, Han-Chinese, China, Forty-four pairs and eight odd pieces of embroidered sleeve, ankle bands, etc. on gauze. View of Sebastopol taken from the Malakoff, 1855, James Robertson, Scottish, c. 1813–d. after 1881, Scotland, Albumen print, 24.5 x 30.3 cm (image/paper), 32 x 40.5 cm (mount/page) The Fairy of the Alps, first plate, 1873, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on light gray China paper laid down on white wove paper, 320 × 428 mm (image), 478 ×… Hexas (Coin) Depicting the God Apollo, late 3rd/2nd century BC, Greek, Greece, Bronze, Diam. 1.7 cm, 2.96 g Flagellation, from Passion of Christ, 1575/1600, Jan Sadeler, the Elder (Flemish, 1550-1600), after Marcus Gheeraerts, the Elder (Flemish, c. 1520-c. 1590), Flanders, Engraving in black on ivory… Of what do you have to complain?, 1836, Denis Auguste Marie Raffet, French, 1804-1860, France, Lithograph in black on ivory wove paper, 167 × 237 mm (image), 282 × 397 mm (sheet) Apogon frenatus, Print, Apogon is a large genus of fish in the family Apogonidae, the cardinalfishes. They are among the most common fish on coral reefs.Over 200 species have been classified in… Jupiter, plate 2 from Parnassus Biceps, 1601, Robert Boissard (French, c. 1570–after 1597), after Jean-Jacques Boissard (French, 1533-1598), Frankfurt an der Oder, Engraving in black on ivory… Loss of the Kent, East Indiaman, n.d., Published by Kronheim & Company, English, 19th century, London, Intaglio with color woodblocks (Baxter process), on paper Portrait of Jean Besly, Historian, 1861, Charles Meryon (French, 1821-1868), after Jaspar de Isaac (Dutch, died 1654), France, Etching on grayish ivory laid chine, 112 × 89 mm (image), 145 × 121… Fragment, Roman period (30 B.C.– 641 A.D.)/Arab period (641–969)/Fatimid period (969–1171), 3rd/ 10th century, Egypt, Egypt, 64 × 36.5 cm (25 3/16 × 14 3/8 in.) Amulet of a Situla (Jar), Third Intermediate Period, Dynasties 21–25 (about 1069–656 BC), Egyptian, Egypt, Faience, H. 1.9 cm (3/4 in.), diam. 1 cm (3/8 in.) Women and Children Mourning a Dead Man, 1778, Jean-Baptiste Greuze, French, 1725-1805, France, Pen and brown ink, and brush and gray and brown wash, with graphite, on cream laid paper, laid down… Little Mill at Montmartre, 1842, Charles Émile Jacque, French, 1813-1894, France, Etching on ivory wove paper, 63 × 46 mm (image), 67 × 49 mm (sheet) The Actors Segawa Kikunojo II as the Wet Nurse Reizei, Ichikawa Komazo I as Suruga no Hachiro in the Guise of the Shamisen Player Kichiroku (right), and Ichikawa Yaozo II as Tada no Kurando in… Geese Descending on the Sumida River (Sumidagawa no rakugan), from the series Eight Fashionable Views of Edo (Furyu Edo hakkei), c. 1768/69, Suzuki Harunobu 鈴木 春信, Japanese, 1725… Flounce, 1701/50, Italy, Linen, bobbin part lace (made in large sections), 57 x 327.3 cm (22 1/2 x 128 3/4 in.) Landscape with a Round Tower, 1616, Jan van de Velde II, Dutch, c. 1593-1641, Holland, Etching on cream laid paper, 120 x 1890 mm (image/plate), 170 x 280 mm (sheet) The Actor Segawa Kikunojo III, Possibly as the Courtesan Kojoro of Hakata, in the Play Chiyo no Hajime Ondo no Seto (Beginnings of Eternity: The Ondo Straits in the Seto Inland Sea) (?), Performed… The Large Ecce Homo, 1510, Lucas van Leyden, Netherlandish, c. 1494-1533, Netherlands, Engraving in black on ivory laid paper, 283 x 446 mm (image/sheet trimmed within plate mark) The Men’s Bath, 1496/97, Albrecht Dürer, German, 1471-1528, Germany, Woodcut in black on buff laid paper, 383 x 278 mm (image/sheet, trimmed within block) Towel, 1700/1725, Turkey, Turkey, Embroidered, 125.8 x 52 cm (49 1/2 x 20 1/2 in.) The Sleep of Reason Produces Monsters, plate 43 from Los Caprichos, 1797/99, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching and aquatint on ivory laid paper, 180 x 120… 2.589.713 / 2.589.715 Entries < previous page Page 3294 / 25898 next page >