Librifly Art Gallery 2.589.713 / 2.589.715 Entries < previous page Page 3299 / 25898 next page > Los Caprichos, 1797/99, published 1799, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, 80 etchings on ivory laid paper in a hard green binding with "Goya" in red and gold at the… Israelites in the Wilderness, n.d., Unknown Artist (Italian, possibly Neopolitan, 18th century), or possibly Fidele Fischetti (Italian, 1734-1789), Italy, Pen and brown ink, with brush and gray… Greenwich Park, 1859, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint with foul biting in black ink on ivory laid paper, 128 x 205 mm (plate), 198 x 316 mm (sheet) Border, 1875/1900 (based on a 17th century design), France or Germany, France, Linen, bobbin part lace, 11.7 × 123.5 cm (4 5/8 × 48 5/8 in.) Year-end Fair at Kinryuzan Temple in Asakusa (Asakusa Kinryuzan toshi no ichi), from the series Famous Places in the Eastern Capital (Toto meisho), c. 1835/38, Utagawa Hiroshige 歌川 広重,… Saltmarket from London Street, 1885, Thomas Annan, Scottish, 1829–1887, Scotland, Photogravure, plate 50 from the book "The Old Closes & Streets of Glasgow" (1900), 18.5 x 24 cm (image), 28 x… Panel, 1752/55, England, Spitalfields, Spitalfields, Silk and silk chenille, satin weave with supplementary brocading wefts and self-patterned by reversing of faces, 96.7 x 51.3 cm (38 1/8 x 20 1/8… Paperweight, Mid 19th century, Clichy, France, 1837-1885, Clichy, Glass, Diam. 7.6 cm (3 in.) Tent Hanging or Coverlet (Djerbi), Mid–/late 19th century, Possibly Laghouat, Algeria, Algeria, Wool, stripes of weft-faced plain weave and stripes of slit and double interlocking tapestry… Study for King’s Bench Prison, from Microcosm of London, c. 1808, Augustus Charles Pugin (English, born France, 1762-1832), Thomas Rowlandson (English, 1756-1827), England, Graphite on cream… Victorine Meurent in the Costume of an Espada, 1862, Édouard Manet, French, 1832-1883, France, Etching in black and lavis in warm gray on ivory laid paper, 305 × 238 mm (image), 338 × 278… Man with an Ax, 1893/94, Paul Gauguin, French, 1848–1903, France, Pen and black ink, and brush and black wash, with pen and brown ink (originally purple) and touches of graphite, on heavily… Medal commemorating Saint Brendan, Discoverer, c. 1869, John Frederick Mowbray-Clarke, American, 1869–1953, possibly J. K. Davison foundry, American, United States, Bronze, with patina of… Larvae So Bloodless and So Hideous, plate 5 of 6, 1896, Odilon Redon, French, 1840-1916, France, Lithograph in black on ivory China paper laid down on white wove paper, 180 × 171 mm… Pair of Spurs, 15th/16th century, Hungarian, Hungary, Steel and leather, L. 25.4 cm (10 in.), W. 8.3 cm (3 1/4 in.) Florence, c. 1890 (produced c. 1890/1917), Designed by John Henry Dearle (English, 1860–1932), Produced by Morris and Company, 1861–1940, Woven and printed at Merton Abbey Works (English,… Drachm (Coin) Portraying King Varahran II, AD 238/275, Sasanian, Greece, Silver, Diam. 2.6 cm, 3.76 g Sweetly Breaths the Vernal Spring (valentine), c. 1842, Unknown Artist, English, 19th century, England, Lithograph with hand-coloring on ivory wove paper, 233 × 185 mm (folded sheet) It’s a hard step!, plate 14 from The Disasters of War, 1810/11, published 1863, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished lavis, drypoint and burin on… Goblet, 1762/96, Russia, Glass, H. 25.4 cm (10 in.) Paperweight, 19th century, Clichy, France, 1837-1885, Clichy, Glass, 3 in. Denarius (Coin) Depicting the God Apollo, 66 BC, Roman, Roman Empire, Silver, Diam. 1.9 cm, 3.91 g Old Battersea Bridge, 1879/87, James McNeill Whistler, American, 1834-1903, United States, Lithograph, in black ink, with scraping, on tan laid paper, 144 x 332 mm (image), 309 x 450 mm (sheet) Study for the Purification of the Virgin, c. 1577, Giovanni Battista Naldini, Italian, 1537-1591, Italy, Red and black chalk with stumping, and incising, over pen and brown ink, on ivory laid… Waistcoat Design, 1830s/40s, England or France, England, Paper General and Mrs. George Washington, 19th century, American, 19th century, United States, Photocollage (albumen prints with woodcut), 29.5 x 22.8 cm (image/paper), 34.1 x 26.4 cm (mount) Sampler, 1843, The Netherlands, Netherlands, Embroidered in multicolored silks on canvas, 56.5 × 58.4 cm (22 1/4 × 23 in.) Mess Downstream, the Auteuil Quai, 1885, Henri Rousseau, French, 1844–1910, France, Pen and black ink and brush and brown wash, on cream wove paper, toned with a brown wash, 152 × 115 mm Band (from Woman’s Trousers or Robe), 1875/1900, China, 14.5 × 35.9 cm (5 3/4 × 14 1/8 in.) View of the Temple of Hercules at Cori, ten miles distant from Velletri, from Views of Rome, 1769, published 1800–07, Giovanni Battista Piranesi (Italian, 1720-1778), published by Francesco… Ornamental Wall with Landscape, n.d., Unknown Artist, Italian, 17th century, Italy, Pen and brown ink, with brush and blue wash, on ivory laid paper, laid down on ivory laid paper, 215 x 296 mm Untitled, 1850–1900, Arist unknown, possibly by Mathew Brady, American, 19th century, United States, Albumen print, stereo, 8 x 7.7 cm (left image), 8.1 x 7.5 cm (right image), 10.2 x 18.1… The Gleaners, 1855–56, Jean François Millet (French, 1814-1875), printed by Auguste Delâtre (French, 1822-1907), France, Etching and drypoint on ivory chine, laid down on ivory wove paper, 190… Anarta, Print Panel, 1700/25, Italy, Genoa, Italy, Silk, warp-float faced satin weave with supplementary binding wefts and supplementary pile warps forming cut and uncut velvet, 72.8 x 55.9 cm (28 5/8 x 22 in.) A Modern Hercules, published November 17, 1795, Unknown Artist (English, late 18th-19th centuries), published by S. W. Fores (English, active 1785-1825), England, Hand-colored etching on ivory… Study for Satyr Family Walking (recto), Sketches of Five Decorative Vessels (verso), c. 1657, Stefano della Bella, Italian, 1610-1664, Italy, Pen and brown ink and graphite(recto and verso) on… Close Helmet, 1551, possibly 1557, Possibly by the workshop of Wolfgang Grosschede, Southern German, Landshut, active 1551–1562, Landshut, Steel with gilding, H. 21 cm (8 1/4 in.) Pattern, 18th century, Bukhara, Turkestan, Uzbekistan, Uzbekistan, embroidery Hangiri (Noh Costume), 1801/25, late Edo period (1789–1868), Japan, Silk and gold-leaf-over-lacquered-paper strips, warp-float faced 7:1 satin weave with plain interlacings of secondary… Peasants in a Brawl, n.d., Attributed to Cornelis Moninckx (Dutch, c. 1623-1666), or Adriaen Pietersz. van de Venne (Dutch, 1589-1662), Flanders, Graphite with black chalk on ivory laid paper,… The Sumida Embankment in the Eastern Capital (Toto Sumida-zutsumi), from the series Thirty-six Views of Mount Fuji (Fuji sanjurokkei), 1858, Utagawa Hiroshige 歌川 広重, Japanese,… Edge, 19th century, France, 139.7 × 5.1 cm (55 × 2 in.) Aureus (Coin) Portraying Empress Faustina the Younger, AD 161/75, issued by Marcus Aurelius, Roman, minted in Rome, Rome, Gold, Diam. 2 cm, 7.08 g Paperweight, c. 1845–60, Baccarat, France, founded 1764, Baccarat, Glass, Diam. 7.6 cm (3 in.) Boy, 1700/50, Nevers, France, Glass, lampwork (verre de Nevers), metal armature, H. 8.9 cm (3 1/2 in.) Bowl, 1825/30, Enoch Wood & Sons, English, active 1818–1846, Made for the American market, Staffordshire, Burslem, Earthenware Medallion with Classical Figure, Late 18th century, Wedgwood Manufactory, England, founded 1759, Burslem, Stoneware (jasperware), 8.3 × 6.2 × 0.8 cm (3 1/4 × 2 7/16 × 5/16 in.) The Milliner, Renée Vert, 1893, Henri de Toulouse-Lautrec, French, 1864-1901, France, Color lithograph on tan wove paper, 364 × 296 mm (image), 504 × 328 mm (sheet) The Lantern Shop, c. 1765, Attributed to Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)–1770, Japan, Color woodblock print, chuban diptych, 27.0 x 38.8 cm (10 1/2 x 15 in.) A Water-Mill Near Saint-Denis, 1850, Charles Meryon (French, 1821-1868), after Reinier Nooms (Dutch, c. 1623-c. 1664), France, Etching, engraving and roulette on ivory laid paper, 131 × 238… Making the Most of £10,000 per Ann. by Saving Travelling Expences, 1819, J. Lewis Marks, English, 1769-c. 1832, England, Hand-colored etching on ivory wove paper, 236 × 315 mm The Virgin Warms Jesus’ Hands in the Fire, 1759, Jean Baptiste Marie Pierre, French, 1713-1789, France, Etching on cream laid paper, 390 × 358 mm (plate), 395 × 362 mm (sheet) Angels Making Music, c. 1650, Cornelis Schut, I (Flemish, 1597-1655), after Peter Paul Rubens (Flemish, 1577-1640), Flanders, Etching from two plates in black on ivory laid paper, 350 × 510 mm Suggestion, c. 1885 (later reworked), Odilon Redon, French, 1840-1916, France, Various charcoals and black pastel (a later reworking), with touches of black Conté crayon, incising, stumping,… Chained, plate eleven from A Life, 1884, Max Klinger (German, 1857-1920), printed by Otto Felsing (German, 19th century), Germany, Aquatint and etching on ivory China paper, laid down on cream… Kesa, Meiji period (1868–1912), late 19th century, Japan, Japan Mug, about 460 BC, Greek, Athens, Greece, terracotta, decorated in the black-glaze technique, 9.2 × 11.7 × 10.2 cm (3 5/8 × 4 5/8 × 4 in.) Tea Caddy (Cha-ire), 19th century, Japanese, active 19th century, Japan, Glazed stoneware with ivory lid, 8 x 7 cm (2 3/4 in.) Chizuka no Fumi no Bosetsu (The Evening Snow of a Thousand Bundles of Love-Letters), the Lovers Ohatsu and Tokubei, from the series Sugata Hakkei (Eight Views of Lovers), c. 1772, Ippitsusai… Panel, c. 1780, England, Cotton, plain weave, copperplate printed, 205.7 × 65.6 cm (81 × 25 7/8 in.) Fragment, Mid–18th century, France, brocaded silk, 50.8 × 43.8 cm (20 × 17 1/4 in.) The Sixth Month (Kazemachizuki), from the series Fashionable Monthly Visits to Sacred Places in the Four Seasons (Furyu shiki no tsuki mode), c. 1784, Torii Kiyonaga, Japanese, 1752-1815, Japan,… Wine Glass, Mid 18th century, England or Netherlands, England, Glass, 15.1 × 5.9 cm (5 15/16 × 2 5/16 in.) Bob, 1869, Giuseppe de Nittis, Italian, 1845/46-1884, Italy, Watercolor, over graphite, on cream wove paper, 250 x 205 mm Ara macao, Print, The scarlet macaw (Ara macao) is a large red, yellow, and blue Central and South American parrot, a member of a large group of Neotropical parrots called macaws. It is native… The Arrival of the Muses of Art at Architecture, 1890, Jan Toorop, Dutch, 1858–1928, Netherlands, Pen and brown ink and colored crayons on cream wove paper (discolored to buff), pieced, 206 x 248 mm Resting in a Palanquin Beneath Cherry Blossoms, c. 1767/68, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, chuban, 28.0 x 21.2 cm (11 x 8 1/4 in.) Panel, 1625/1675, Italy, probably Florence, Italy, Simple satin damask, 63.5 x 53.4 cm (25 x 21 in.) September – Michaelmas Gander from George Cruikshank’s Steel Etchings to The Comic Almanacks: 1835-1853 (top left), 1838, printed c. 1880, George Cruikshank (English, 1792-1878), published… Old Man and Woman at a Window, c. 1480, Master bxg, German, active ca. 1470–90, Germany, Engraving in black on ivory laid paper, 180 × 159 mm (sheet, trimmed to platemark) Amulet of the God Anubis, Late Period–Ptolemaic Period (664–30 BC), Egyptian, Egypt, Faience, 2.7 × 1 × 1.3 cm (1 1/16 × 3/8 × 1/2 in.) Trouser Band, Qing dynasty (1644–1911), 1875/1900, Han-Chinese, China, Forty-four pairs and eight odd pieces of embroidered sleeve, ankle bands, etc. on gauze., 15.6 × 39.4 cm (6 1/8 × 15 1/2 in.) The Delphic Sibyl, early 1570s, Giorgio Ghisi (Italian, 1520-1582), after Michelangelo (Italian, 1475-1564), Italy, Engraving in black on ivory laid paper, 565.5 x 432 mm (plate), 570 x 439 mm (sheet) Plaque with Portrait of Prince Edward, Duke of Kent, Late 18th century, Wedgwood Manufactory, England, founded 1759, Burslem, Stoneware (jasperware), 4.8 × 4 × 0.6 cm (1 7/8 × 1 9/16 × 1/4 in.) A Dandy & a Dandyzette, published October 25, 1818, George Cruikshank (English, 1792-1878), published by S.W. Fores (English, 1761-1838), England, Hand-colored etching on paper, 225 × 335 mm… Fragment, 1876, United States, Cotton, plain weave, roller printed, 20.2 × 20.2 cm (8 × 8 in.) Reapers at Rest, 1849, Charles Émile Jacque, French, 1813-1894, France, Etching on light gray China paper laid down on ivory wove paper, 99 × 171 mm (image), 105 × 183 mm (chine), 122 × 200… Odawara: The Sakawa River (Odawara, Sakawagawa), from the series Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi), also known as the Hoeido Tokaido, c. 1833/34, Utagawa… The Île de la Cité viewed from the Pont des Arts, 1895, Louis Auguste Lepère, French, 1849-1918, France, Etching in dark brown on cream laid paper, 131 × 190 mm (image/plate), 169 × 226 mm… Denarius (Coin) Depicting the Goddess Roma, 131 BC, Roman, Roman Empire, Silver, Diam. 1.8 cm, 3.83 g Anthropopithecus gorilla, Print, 1861 Cushion Cover, 19th century, Turkey, Turkey, Velvet, cut voided, 110 x 56 cm (43 1/4 x 22 in.) Paperweight, c. 1848–55, Baccarat, France, founded 1764, Lunéville, Glass, Diam. 7.6 cm (3 in.) James McNeill Whistler, 1869, Walter Greaves, English, 1841-1930, England, Oil on canvas, 32 7/8 × 22 7/8 in. Chess Piece: Knight, 1762/96, Höchst Factory, German, founded 1746, Höchst, Hard-paste porcelain, H. 11.4 cm (4 1/2 in.) The Seine at Port-Maurin, 1876, Charles François Daubigny, French, 1817-1878, France, Etching and drypoint on cream laid paper, 128 × 222 mm (image), 198 × 278 mm (plate), 286 × 402 mm (sheet) Ballock Dagger, c. 1500, North European, possibly Flemish, Northern Europe, Ivy root and bone, L. 47 cm (18 1/2 in.) Untitled, 1839/99, 19th century, Unknown Place, Daguerreotype, 8.3 x 7 cm (plate), 9.2 x 8 x 0.9 cm (case) Box, 1670/1700, America, Connecticut, Connecticut, Oak and maple, 16.8 × 33.3 × 24.1 cm (6 5/8 × 13 1/8 × 9 1/2 in.) Sheaf-Binder, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French, 1818-1862), after Jean François Millet (French, 1814-1875), France, Wood engraving in black on gray China paper,… Saint Simon, c. 1500, Master F.V.B., Netherlandish, active 1475-1500, Bruges, Engraving on paper, 183 × 98 mm Panel, 1890s, Possibly England or France, England, Cotton, silk, wild silk and gilt-metal-strip wrapped cotton, double faced weave of two sets of complimentary warp and weft forming detached layers… Paperweight, c. 1846–55, Baccarat (French, founded 1764), Baccarat, Glass, Diam. 7 cm (2 3/4 in.) Statuette of an Orant Figure, Byzantine Period, 5th/6th century AD, Egyptian, Egypt, Earthenware, pigment, 13.8 × 8.9 × 4.5 cm (5 7/16 × 3 1/2 × 1 13/16 in.) Picture Book: Selected Insects (Ehon mushi erabi), 1788, Kitagawa Utamaro 喜多川 歌麿, Japanese, 1753 (?)-1806, Japan, Color woodblock printed books, two volumes The Balcony, 1879/80, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper, 295 x 199… Tetradrachm (Coin) Depicting the Goddess Athena, 490/322 BC, Greek, minted in Athens, Ancient Greece, Silver, Diam. 2.3 cm, 17.09 g Fan, 19th century, India, India, Carved sandalwood, 26.7 cm (10 1/2 in.) Fameux Jury de Peinture. Salon de 1841, 1840, reissued 1841, Clément Pruche (French, active 1831-1870), printed by Imprimerie d’Aubert et Cie, printed and published by chez Bauger et Cie,… 2.589.713 / 2.589.715 Entries < previous page Page 3299 / 25898 next page >