Librifly Art Gallery 2.589.713 / 2.589.715 Entries < previous page Page 3300 / 25898 next page > The Actors Nakajima Mihoemon II as Aramaki Mimishiro (right), Matsumoto Koshiro II as Otomo no Yamanushi (center), and Ichikawa Danzo III as Hannya no Goro (left), in the Play Kuni no Hana Ono… Miss Kitty Dressing, 1781, Thomas Watson (English, 1743-1781), after Joseph Wright of Derby (English, 1734-1797), United Kingdom, Mezzotint, with traces of engraving, in dark brown on ivory… Port of Clwyd and South Brent, Devon, from Picturesque Selections, 1860, James Duffield Harding, (English, 1798-1863), Published by W. Kent and Co., England, Lithograph on paper, 382 × 280 mm… The Kabuki Actor Ichikawa Danjûrô II (1689-1758), 1788 (inscription 1829), Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Hanging scroll, Ink and colors on silk, 81.5 × 31.0 cm… Paperweight, Late 19th century, American, United States, Glass, Diam. 8.9 cm (3 1/2 in.) Red Maple Trees at the Tsuten Bridge (Tsutenkyo no momiji), from the series Famous Places in Kyoto (Kyoto meisho no uchi), c. 1834, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan,… Civil War Regalia of Major Levi Gheen McCauley, 1887, George Cope, American, 1855–1929, United States, Oil on canvas, 127 × 92.7 cm (50 × 36 1/2 in.) Cup, 1724, Staffordshire, England, Staffordshire, Earthenware with slipware decoration, 21.8 × 12.9 cm (8 9/16 × 5 1/16 in.) Coverlet, c. 1850, United States, Cotton and wool, plain weave double cloth with main warp fringe, probably woven on loom with Jacquard attachment, two selvages present, 251.8 x 184 cm (99 1/8 x… Dish, c. 1760, Worcester Porcelain Factory, Worcester, England, founded 1751, Worcester, Soft-paste porcelain, polychrome enamels and gilding, 34.9 cm (13 3/4 in.) Nothing. The Event Will Tell, plate 69 from The Disasters of War, 1812/20, published 1863, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished aquatint, lavis,… Lindsey Row, Chelsea, 1888, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black on grayish ivory chine laid down on off-white plate paper, 124 x 202 mm… Covered Vase, Mid 19th century, Bohemia, Czech Republic, Bohemia, Glass, decorated with ruby flashing and painted gold scroll work, 57.2 × 20.3 cm (22 1/2 × 8 in.) After the Antique: Statue of Paris, n.d., Attributed to Giulio Clovio, Croatian, active Italy, 1498–1578, Italy, Red chalk on ivory laid paper, laid down on off-white laid card, 200 x 98 mm (max.) Paperweight, Mid 19th century, English, England, Glass, Diam. 9.2 cm (3 5/8 in.) Cranes by the Shore, illustration for The Leg Shell (Ashigai), from the series A Matching Game with Genroku-period Poem Shells (Genroku kasen kai awase), 1821, Katsushika Hokusai 葛飾… The Holy Family with Saint John and Saint Elizabeth, 1620, Lucas Emil Vorsterman (Flemish, 1595-1675), after Peter Paul Rubens (Flemish, 1577-1640), Flanders, Etching and engraving in black on… Fan, 19th century, France, Mother of pearl (?), ribs, slips, and guardsticks, painted, silk, plain weave, painted, appliquéd with gilt- and silvered-metal spangles, gold leaf, 19.4 × 35.2 cm (7… Pitcher, 1810/20, England, Staffordshire, Staffordshire, Lead-glazed earthenware with lustre decoration, H. 14.6 cm (5 3/4 in.) Billiards, 1898, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 178 x 128 mm (image/plate), 400 x 298 mm (sheet) Eleven-Headed and Six-Armed Guanyin (Avalokiteshvara) Standing on a Lotus, Tang dynasty (618–907), c. 9th century, China, Gilt copper alloy, 9.3 × 3.5 × 2.5 cm (3 3/4 × 1 3/8 × 1 in.) Teapot, c. 1750, Staffordshire, England, Staffordshire, Salt-glazed stoneware, polychrome enamels, 11.1 x 18.4 x 10.8 cm (4 3/8 x 7 1/4 x 4 1/4 in.) Denarius (Coin) Portraying Emperor Hadrian, AD 134/138, Roman, minted in Rome, Roman Empire, Silver, Diam. 1.8 cm, 3.12 g Stela of Amenemhat and Yatu, Middle Kingdom, late Dynasty 12–early Dynasty 13 (about 1870–1770 BC), Egyptian, Egypt, Limestone and pigment, 59 × 42.5 × 11 cm (23 1/4 × 16 3/4 × 4 1/4 in.) Paperweight, c. 1845–55, Saint-Louis, France, founded 1767, Saint-Louis, Glass, Diam. 5.4 cm (2 1/8 in.) Altarpiece with the Beautiful Virgin of Regensburg and Saints Christopher, Mary Magdalen, Florian and Catherine Standing in Niches, with God the Father Above, 1519/38, Albrecht Altdorfer,… Poleaxe, 19th century in the late medieval style, European, Europe, Steel and wood Sugar Bowl and Stand, c. 1753, Vincennes Porcelain Manufactory, French, founded 1740 (known as Sèvres from 1756), Vincennes, Soft-paste porcelain, underglaze blue ground, and gilding, 13 x 20.5 x… Arca, Print No. 8: Ushiwakamaru Defeats Tankai of Shirakawa at the Gojo Shrine (Hachikai, Gojo no yashiro ni Ushiwakamaru Shirakawa no Tankai o uchitori), from the series The Life of Yoshitsune… Two Ships, 1875, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint with foul biting in black ink on ivory Japanese paper, 207 x 133 mm (plate), 338 x 234 mm (sheet) Pandy Mill, from Picturesque Selections, c. 1859–60, James Duffield Harding, (English, 1798-1863), Published by W. Kent and Co., England, Lithograph on paper, 430 × 560 mm (secondary support) Parallelism, n.d., Félicien Rops, Belgian, 1833-1898, Belgium, Heliogravure on cream wove paper, 306 × 190 mm (image), 335 × 212 mm (plate), 454 × 344 mm (sheet, folded) Sword, early 15th century, European, Europe, Iron, steel, wood, and cord, Overall L. 97.8 cm (38 1/2 in.) The Cowherd, 1636, Claude Lorrain, French, 1600-1682, France, Etching on ivory laid paper, 125 × 194 mm (image), 130 × 120 mm (plate), 139 × 209 mm (sheet) Paternal Curse, 1777–78, Jean Michel Moreau (French, 1741-1814), after Jean-Baptiste Greuze (French, 1725-1805), France, Etching with engraving on paper, 100 × 110 mm (image), 370 × 270 mm (sheet) Saint in a Niche, n.d., Possibly Francesco Maffei, Italian, c.1605-1660, Italy, Pen and brown ink, with brush and blue wash, on ivory laid paper, 75 x 34 mm Three Figures, April 21, 1855, Edward Matthew Ward, English, 1816-1879, England, Pen and brown ink on blue wove paper, 200 × 162 mm Amulet of the God Min or Amun-Min, Third Intermediate–Late Period (about 1070–332 BC), Egyptian, Egypt, Faience, 2.1 × 0.8 × 0.6 cm (13/16 × 5/16 × 1/4 in.) Amulet of an Unidentified Goddess, Ptolemaic Period (?) (332–30 BC), Egyptian, Egypt, Faience, 1.6 × 0.6 × 0.6 cm (5/8 × 1/4 × 1/4 in.) Low Tide at Shibaura (Shibaura shiohi no zu), from the series Famous Views of the Eastern Capitol (Toto meisho), c. 1831, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color… Plate Three, from Five Wise and Five Foolish Virgins, 1606, Jan Saenredam, Netherlandish, 1565-1607, Netherlands, Engraving on paper, 268 x 371 mm (sheet, trimmed to platemark) Sketch of Man on Horseback, with Separate Sketch of his Right Foot, n.d., Pierre Lenfant, French, 1704-1787, France, Black crayon, with red chalk and touches of black chalk, heightened with… Drill with Raised Pike, plate six from The Military Exercises, published 1635, Jacques Callot (French, 1592-1635), published by Israël Henriet (French, 1590-1661), France, Etching on paper, 60 ×… Saint Luke, 1763/64, Jean Honoré Fragonard (French, 1732-1806), after Giovanni Lanfranco (Italian, 1582-1647), France, Etching on ivory laid paper, 109 × 79 mm (image), 123 × 92 mm (plate), 198… Returning Sails at Yabase (Yabase no kihan), No. 3 from the series Eight Views of Omi, c. 1716/36, Nishimura Shigenaga, Japanese, 1697 (?)-1756, Japan, Hand-colored woodblock print, hosoban,… Three Female Bathers, Two in the Water, the Third Getting in by Herself, 1742/89, Johann Heinrich Tischbein, I, German, 1722-1789, Germany, Etching on ivory laid paper, 171 x 132 mm (image), 190 x… Nihonbashi Bridge in Edo (Edo Nihonbashi), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), c. 1830/33, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color… The Young Draughtsman, 1743, Jacques Fabien Gautier D’Agoty (French, 1710-1781), after Jean Baptiste Siméon Chardin (French, 1699-1779), France, Mezzotint printed in color from four plates on… Herdsmen, c. 1885, Giovanni Fattori, Italian, 1825-1908, Italy, Etching with drypoint on buff wove paper, 180 x 154 mm (image), 240 x 170 mm (plate), 276 x 180 mm (sheet) Matsuchi Hill after Snowfall, c. 1785, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, right sheet of oban diptych (left sheet: 1925.2655), 38.6 x 26.2 cm March, A Day With the Surrey Hounds from George Cruikshank’s Steel Etchings to The Comic Almanacks: 1835-1853, 1840, printed c. 1880, George Cruikshank (English, 1792-1878), published by Pickering… The Carbuncle, plate two from Zehn Blätter zu Hebels Alemannischen Gedichten, 1820, Sophie Reinhard (German, 1777-1843), published by Mohr und Winter, Germany, Etching on cream wove paper, 317 x… Cover (Dress Fabric), 19th century, Iran (Persia), Iran, Silk, geometric design with wide border Coverlet, 1841, United States, New York, Genessee or Ontario County, United States, Cotton and wool, plain weave double cloth, woven on loom with Jacquard attachment, two loom widths joined, 223.7… Old Battersea Bridge, 1879, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint, with foul biting, in brown on cream laid paper, 202 x 293 mm (plate), 206 x 293 mm… Descending Geese at Mimeguri (Mimeguri no rakugan), from the series Eight Fashionable Views of Edo (Furyu Edo hakkei), c. 1778, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print,… Architectural Fitting (Gong), Eastern Zhou dynasty, Spring and Autumn period (770–481 B.C.), 7th century B.C., China, Qishan county, Shaanxi province, China, Bronze Pendant with a Cameo of Orpheus Charming the Animals, Cameo: 1550/1600, mount: 19th/20th century, Italian, Europe, Chalcedony, gold, and enamel, 12.4 × 6.6 cm (4 7/8 × 2 5/8 in.) Portfolio Cover for Songes (Dreams), 1891, Odilon Redon, French, 1840-1916, France, Bi-fold lithographed portfolio cover printed in black on gray-green wove paper, 455 × 327 mm Self-Portrait, 1630/33, Anthony van Dyck, Flemish, 1599-1641, Flanders, Etching in black on ivory laid paper, 246 × 157 mm (image/plate), 257 × 169 mm (sheet) Bishop Saint Blessing a Mother and Child, 1575/1600, Attributed to Alessandro Casolani, Italian, 1552/53-1607, Italy, Red chalk, with traces of graphite, on ivory laid paper, laid down on ivory… Pitcher, 1st/5th century AD, Roman, Levant or Syria, Syria, Glass, blown technique, 33.7 × 10.8 × 10.8 cm (13 1/4 × 4 1/4 × 4 1/4 in.) Cemetery on Cathcart’s Hill, 1855, James Robertson, Scottish, c. 1813–d. after 1881, Scotland, Albumen print, 25.1 x 28.4 cm (image/paper), 32.1 x 40.5 cm (mount/page) Belt (Yeemy Mambolmashet), 19th century, Kuba, Kasai region, Democratic Republic of the Congo, Central Africa, Democratic Republic of the Congo, Jute, raffia, cowrie shells, and beads, 223.5 ×… Wine Cooler, c. 1821, Mack, Williams, and Gibton, Irish, 1811-1829, after a design by Francis Johnston, Irish, 1760-1829, Dublin, Ireland, Ireland, Mahogany, lead lining and brass hardware, 106.7… Wahington’s Headquarters (Newburgh, N.Y.), n.d., Remillard, American, 19th century, United States, Albumen print, 5.6 x 8.9 cm (image), 6.2 x 10.4 cm (card) Decorated Initial Q in Blue with Four Oak Leaves from a Manuscript, 14th century or modern, c. 1920, European, Europe, Manuscript cutting in tempera and gold leaf on vellum, 78 × 62 mm Massacre of the Innocents (recto), Figure Sketches (verso), n.d., School of Nicolas Poussin, French, 1594-1665, France, Pen and brown ink, with brush and brown wash, (recto), and graphite and pen… Mme Simon II, 1891, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 231 x 155 mm (image), 235 x 159 mm (plate), 355 x 277 mm (sheet) The Actor Yamashita Kinsaku II as Moshio in the Play Izu-goyomi Shibai no Ganjitsu, Performed at the Morita Theater in the Eleventh Month, 1772, c. 1772, Katsukawa Shunsho 勝川 春章,… The Captive Slave, 1827, John Philip Simpson, English, 1782–1847, Oil on canvas, 127 × 101.5 cm (50 × 40 in.) Foliate Bowl with Peony Scrolls, Song dynasty (960–1279), 12th/13th century, China, Jiangxi province, China, Qingbai ware, porcelain with underglaze incised and stippled decoration, H. 7.3 cm (2… The Actor Onoe Matsusuke I, c. 1763, Torii Kiyomitsu I, Japanese, 1735–1785, Japan, Color woodblock print, hosoban, benizuri-e, 12 x 5 3/8 in. Border, 19th century, England or United States, Cotton, plain weave, glazed, roller printed, 186.4 × 6.3 cm (73 3/8 × 2 1/2 in.) Man of Sorrows before the Column, 1517, Hans Baldung Grien, German, c. 1480-1545, Germany, Woodcut in black on cream laid paper, 218 × 153 mm (block/sheet) Memorial Portrait of the Actor Suketakaya Takasuke III (Sawamura Sojuro V), 1853, Japanese, 19th century, Japan, Color woodblock print, oban The Actor Nakamura Kumetaro II Greeting the Audience on His Arrival from Osaka at the Nakamura Theater in the Eleventh Month, 1790, c. 1790, Katsukawa Shun’ei, Japanese, 1762-1819, Japan,… Autumn Mountains, Ming dynasty (1368–1644), early 16th century, Wen Zhengming, Chinese, 1470-1559, China, Handscroll, ink on gold-flecked paper, 31.8 × 120.8 cm Panel (Intended for a Kimono), late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century, Japan, Silk, plain weave, painted, 1726.2 x 71.4 cm (679 1/2 x 28 1/8 in.) Vinaigrette with Whistle in the Form of a Hunting Horn, c. 1840, Possibly Scotland, Scotland, Silver, silver gilt, cairngorm, H. 5.1 cm (2 in.) Ely Cathedral: Nave, Arches at West End, 1891, Frederick H. Evans, English, 1853–1943, England, Lantern slide, 8.2 × 8.2 cm Lady Charles Spencer, 1776, William Dickinson (English, 1746-1823), after Sir Joshua Reynolds (English, 1723-1792), United Kingdom, Mezzotint on ivory laid paper, 425 x 356 mm (image), 505 x 355… The Naval Battle and Capture of Haiyang Island (Kaiyoto senryo kaisen no zu), 1894, Ogata Gekko, Japanese, 1859-1920, Japan, Color woodblock print, three sheets of oban tetraptych Plate, c. 1790, English for the American market, Leeds, England, Creamware, Diam. 24.3 cm (9 9/16 in.) Landscape with a Millstone, n.d., Allart van Everdingen, Dutch, 1621-1675, Holland, Etching in black on ivory laid paper, 123 x 104 mm (plate), 127 x 110 mm (sheet) Kinokuniya Tosshi (The actor Sawamura Sojuro III as Kujaku Saburo Narihira), 1794, Toshusai Sharaku 東洲斎 写楽, Japanese, active 1794-95, Japan, Color woodblock print, aiban, 32.2 x 23.1 cm Panel (Showing Symbols of the Four Seasons), 17th century, France, Silk, satin weave self-patterned by reversing of faces, embroidered with silk floss, gold and silver gilt strips wound around… February, First Rout from George Cruikshank’s Steel Etchings to The Comic Almanacks: 1835-1853, 1840, printed c. 1880, George Cruikshank (English, 1792-1878), published by Pickering & Chatto… The Confirmation, n.d., Pierre Charles Trémolières, French, 1703-1739, France, Etching in black on cream laid paper, 262 × 425 mm (image), 288 × 440 mm (sheet, trimmed within plate mark) Mother and Her Family in the Country, 1806/07, Henry Fuseli, Swiss, active in England, 1741-1825, Switzerland, Pen and black ink, and brush and black and gray wash, with watercolor and traces of… Flintlock Magazine Pistol (Lorenzoni System), c. 1680, August Wetschgin, German, active 18th century, Germany, Walnut, steel, and brass, Overall L.: 48.3 cm (19 in.) Beaker, c. 1720, Germany, Glass, H. 9.8 cm (3 7/8 in.) Tabula Moderna Prime Partis Aphricae, 1513, reprinted 1889, Unknown Artist, English, 19th century, England, Woodcut in black on cream laid paper, 270 × 349 mm The Triumph of Scipio, c. 1530, Master of the Die, Italian, active c. 1530–1560, Italy, Engraving, printed in black, on paper, 201 x 246 mm Paperweight, 19th century, Clichy, France, 1837-1885, Clichy, Glass, Diam. 8.2 cm (3 1/4 in.) Eguchi and Love’s Fishing Boat (Koi no tsuribune Eguchi), no. 4 from a series of 12 prints depicting parodies of plays, c. 1716/35, Okumura Masanobu, Japanese, 1686-1764, Japan, Woodblock… Jaina Tirthankara Chandraprabha Standing in Meditation (Kayotsarga), 12th century, India, Karnataka, Karnataka, Schist, 68.9 x 36.7 x 22.6 cm (27 1/8 x 14 1/2 x 8 7/8 in.) Plates, c. 1892, Jules-Paul Brateau, French, 1844-1923, Paris, France, Pewter, 24.8 × 2 cm (9 3/4 × 3/4 in.) Paperweight, c. 1846–55, England, Glass, Diam. 5.7 cm (2 1/4 in.) 2.589.713 / 2.589.715 Entries < previous page Page 3300 / 25898 next page >