Librifly Art Gallery 2.589.713 / 2.589.715 Entries < previous page Page 3301 / 25898 next page > Türkenstraβe No. 15, Wohnhaus des Grafen von Wimpfen, 1860s, Austrian, 19th century, Austria, Albumen print, 27.8 × 33.4 cm (image/paper), 42.6 × 61.2 cm (album page) Half-Length Figure, late 18th century, after Michelangelo Buonarroti, Italian, 1475-1564, Italy, Charcoal on cream laid paper, 461 x 352 mm (max.) Purse-Shaped Vinaigrette, 1817/18, Possibly Matthew Linwood and Son, Birmingham, England, Birmingham, Silver and silver gilt, 2.5 × 2.5 cm (1 × 1 in.) River Stour, Suffolk, 1830, published 1831, David Lucas (English, 1802-1881), after John Constable (English, 1776-1837), England, Mezzotint on paper, 144 × 122 mm (image), 179 × 253 mm (plate),… Foreign Children at Play (Gaikoku kodomo yugi no zu), 1860, Utagawa Yoshikazu, Japanese, active c. 1850-70, Japan, Color woodblock print, oban The Beacon, 1883, reworked c. 1893, Odilon Redon, French, 1840-1916, France, Pastel, with various charcoals and touches of black chalk, stumping and erasing, on pale-pink wove paper with red… Two Devils, late 16th century, After Michelangelo Buonarroti, Italian, 1475-1564, Italy, Red chalk on ivory laid paper, cut to circle, 74 x 74 mm (max.) Oshu of the Yamaguchiya, from the series Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo), c. 1777/78, Isoda Koryusai, Japanese, 1735-1790, Japan, Color… Panel (Furnishing Fabric), 19th century, Europe, Europe, Cotton, plain weave, block printed, 162.6 × 61 cm (64 × 24 in.) Winter, plate four from Le Quatre Saisons, 1735, Charles-Joseph Natoire, French, 1700-1777, France, Etching on buff laid paper, 268 × 268 mm (plate), 284 × 428 mm (sheet) Ceremonial Shawl (Kata), Ming dynasty (1368–1644), 15th/16th century, China, silk, bands of satin weave and bands of satin weave with supplementary patterning wefts bound in satin… Two Dancers, c. 1772, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, hashira-e, 27 5/8 x 4 5/8 in. Allegorical Figure of Meekness or Saint Agnes, 1545/50, Follower of Rosso Fiorentino, Italian, 1494-1540, Italy, Red chalk on oval-shaped ivory laid paper, 240 x 158 mm (max.) Tea Drinking, published September 1, 1794, Henry William Bunbury, English, 1750-1811, England, Lithograph on paper, 347 × 435 mm (image), 410 × 465 mm (sheet) Ear Ornament or Spindle Whorl with Modeled Frog Motifs, A.D. 1450/1521, Aztec (Mexica), Valley of Mexico, Mexico, Valley of Mexico, Ceramic, 1 x 3 cm (3/8 x 1 3/16 in.) Frontispiece from Emile Verhaeren’s Les Debacles, 1889, Odilon Redon, French, 1840-1916, France, Lithograph in black on ivory laid paper, 142 × 97 mm (image), 330 × 248 mm (sheet) The Actor Arashi Ryuzo II as Hachijo, Wet Nurse of Taira no Kiyomori, in Act Three of the Play Gempei Hashira-goyomi (Pillar Calendar of the Genji and Heike Clans), Performed at the Kiri Theater… Study for Dr. Syntax Entertained at College, c. 1828, Thomas Rowlandson, English, 1756-1827, England, Pen and brown ink with brush and watercolor on ivory laid paper, 65 × 106 mm Jug with Masonic Iconography, 1824, Manufacturer: Spode Pottery & Porcelain Factory, English, founded 1776, Stoke on Trent, Earthenware with transfer-printed decoration and gilding, 15.2 x 13.3 cm… Takibi Shrine, Oki Province (Oki Takibi yashiro) from the series One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei), 1861, Utagawa Hiroshige II (Shigenobu), Japanese,… Two Fragments (Border), 1765/75, France, Linen, needle lace of a type known as "Point d'Argentan" with buttonholed mesh ground, a: 9.1 × 59.0 cm (3 1/2 × 23 1/4 in.) Old Hulks, 1887, Peter Henry Emerson, English, born Cuba, 1856–1936, England, Photoetching, pl. IV from the album "Wild Life on a Tidal Water: The Adventures of a House-Boat and Her Crew"… Head of the Virgin Looking Upwards, c. 1615, Jacopo Cavedone, Italian, 1577-1660, Italy, Black chalk, heightened with white chalk, on brown laid paper, 255 x 173 mm Woman under Windblown Wisteria, c. 1780, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, hashira-e, 70.4 x 11.9 cm Medallion, 17th century, Italy, Silk, embroidered with silk and metal thread, 25.1 × 27.9 cm (9 7/8 × 11 in.) Erasmus, 1863, Félix Bracquemond (French, 1833-1914), after Hans Holbein the younger (German, 1497-1543), France, Etching on paper, 249 × 198 mm (image), 320 × 255 mm (sheet) La Rétameuse, 1858, James McNeill Whistler, American, 1834-1903, United States, Etching with foul biting in black ink on off-white China paper laid down on off-white wove paper (chine collé), 112… Amulet of the God Imsety (one of the four Sons of Horus), Late Period, Dynasty 25–30 (780–343 BC), Egyptian, Egypt, Glass, 5 × 1.5 × .75 cm (2 × 9/16 × 1/4 in.) Horsley’s Cottage, 1865, Francis Seymour Haden, English, 1818-1910, England, Etching with traces of graphite on ivory laid paper, 175 × 251 mm (image/plate), 227 × 355 mm (sheet) Pair of Shoes (Formely Belonging to Queen Victoria 1819–1901), c.1850, Designed by Gundry & Sons (English, active c. 1850), England, London, London, Leather and silk, satin weave, 23 x 7 x 3.5 cm… Nagato, section of sheet no. 15 from the series Cutout Pictures of the Provinces (Kunizukushi harimaze zue), 1852, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock… Shipping on the Giudeca (The Docks), 1883, Frank Duveneck, American, 1848-1919, United States, Etching, with drypoint, on ivory laid paper, 245 x 464 mm (image), 394 x 501 mm (sheet) Halberd, 1575, German, Germany, Steel and wood (old oak and modern pine), Blade with socket L. 73 cm (28 3/4 in.) Tail-Peice, The History of the Book, c. 1888, Will Hicock Low, American, 1853-1932, United States, Charcoal, with black ink, heightened with touches of white gouache, on cream wood-pulp laminate… Paperweight, 19th century, Baccarat, France, founded 1764, Baccarat, Glass, 2 1/2 in. Light Expelling Darkness,-Evaporation of Stygian Exhalations,-or-The Sun of the Constitution, Rising Superior to the Clouds of Opposition, published April 30, 1795, James Gillray (English,… Wakana of the Matsubaya, from the series Beauties of the Pleasure Quarters as the Six Floral Immortals (Seiro bijin rokkasen), c. 1794/95, Chobunsai Eishi, Japanese, 1756-1829, Japan, Color… Panel (Furnishing Fabric), Qing dynasty (1644–1911), 1875/1900, China, Silk, tapestry weave, k'o-ssu, 88.2 × 23.6 cm (34 3/4 × 9 1/4 in.) Head of a Child, 1550/59, Unknown Artist, Italian. mid-16th centlury, Italy, Red chalk on ivory laid paper, laid down on brown laid paper, 190 x 137 mm Scaraboid: Squatting Baboon, New Kingdom, Dynasties 18–20 (about 1550–1069 BC), Egyptian, Egypt, Glazed steatite, 1.1 × 2.1 × 1.3 cm (7/16 × 13/16 × 1/2 in.) Mezzotint, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent… Orchard, c. 1864, Charles Émile Jacque, French, 1813-1894, France, Etching and plate tone on ivory laid paper, 105 × 150 mm (image), 130 × 166 mm (plate), 339 × 448 mm (sheet) Venus de la Villette, 1893, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 135 x 96 mm (image), 139 x 101 mm (plate), 329 x 253 mm (sheet) Aureus (Coin) Portraying Emperor Tiberius, AD 14/37, Roman, Roman Empire, Gold, Diam. 2 cm, 7.82 g View of the Road from Cascatelles to Tivoli, 1817, Claude Thiénon (French, 1772-1846), printed by Comte de Charles Philibert Lasteyrie du Saillant (French, 1759-1849), France, Lithograph in black… Inverary Pier, plate 35 from Liber Studiorum, published June 1, 1811, Joseph Mallord William Turner, English, 1775-1851, England, Etching and engraving in brown on ivory wove paper, 180 × 262… Tabula Moderna Indiae, 1513, reprinted 1889, Unknown Artist, English, 19th century, England, Woodcut in black on cream laid paper, 219 × 347 mm Coin Depicting the Goddess Athena, 159/138 BC, Greek, Ancient Greece, Bronze, Diam. 1.6 cm, 2.74 g Ejiri: Distant View of Miho (Ejiri, Miho enbo), from the series Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi), also known as the Hoeido Tokaido, c. 1833/34, Utagawa… Tankard, c. 1720, Germany, Tin-glazed earthenware (faience) and pewter, H. 27.9 cm (11 in.), diam. 15.4 cm (6 6/16 in.) Pair of Sinumbra Lamps, c. 1827/31, Cornelius and Company, American, 1839–1851, Philadelphia, Gilded brass, bronze, and glass, H.: 51.4 cm (20 1/4 in.) La Peri (Mythological Subject), 1865, Gustave Moreau, French, 1826-1898, France, Graphite, with brush and black ink, gray wash, and touches of gold metallic paint, heightened with traces of… Women Viewing Cherry Blossoms, c. 1793, Chobunsai Eishi, Japanese, 1756-1829, Japan, Color woodblock print, center sheet of oban triptych (right sheet: 1925.3087), Approx. 33.0 x 23.2 cm (13 x 9… Insertion, 1550/1600, Italy, Linen, plain weave, cut and drawn work embroidered in double and Italian hem stitches, darned and overcast bars, with insertion of bobbin straight lace, 7.8 x 27.3 cm (3… Panel, 1875/1900, Produced by J. W. & C. Ward, England, Yorkshire, England, Wool and silk three-color complementary weft, weft-float faced 1:6 diamond twill weave, 188 × 162.5 cm (74 × 64 in.) Pasture in Normandy, 1852, Constant Troyon, French, 1810-1865, France, Oil on panel, 38.5 × 55 cm (15 1/8 × 25 5/8 in.) Sestertius (Coin) Portraying Emperor Vitellius, AD 69, Roman, Roman Empire, Bronze, Diam. 3.5 cm, 23.95 g Okitsu: The Okitsu River (Okitsu, Okitsugawa), from the series Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi), also known as the Hoeido Tokaido, c. 1833/34, Utagawa… Coverlet, 1850, United States, New York, New York, Cotton and wool, plain weave double cloth, woven on loom with Jacquard attachment, full loom width, seamless, 228.2 x 240.9 cm (89 3/4 x 94 3/4 in.) The Eagle’s Nest in the Forest of Fontainebleau, 1844, Charles François Daubigny, French, 1817-1878, France, Etching on ivory wove paper, 141 × 213 mm (image), 188 × 244 mm (plate), 243 × 319… The Pyramids of El Geezeh, from the Southwest, 1857, Francis Frith, English, 1822–1898, England, Albumen print, 15.7 × 22.8 cm (image/paper), 31.8 × 43.4 cm (mount) Clouds of Prince Genji, summer 1885, Shibata Zeshin, Japanese, 1807-1891, Japan, Color woodblock print, surimono, 56.5 x 42.0 cm Exterior View of the Italian Gate of the Ramparts of the Town of Dresden, 1750, Bernardo Bellotto, Italian, 1721-1780, Italy, Etching on ivory laid paper, 531 x 838 mm (plate), 522 x 820 mm (sheet) Untitled, 1839/60, 19th century, Unknown Place, Daguerreotype, 8.3 x 7 cm (plate), 9.2 x 8 x 1.4 cm (case) Spoon Tray, c. 1755, Worcester Porcelain Factory, Worcester, England, founded 1751, Worcester, Soft-paste porcelain with underglaze blue decoration, 7.9 x 13.7 cm (3 1/4 x 5 1/3 in.) Plate Four from La Siège de la Rochelle, 1631, Jacques Callot (French, 1592-1635), printed by Chalcographie du Louvre, Paris, France, Etching on paper, 567 × 446 mm (image), 569 × 448 mm… Fragment, 13th/14th century, Spain, Italy, Silk and gilt-animal-substrate-wrapped linen, warp-float face of weft chevron twill weave of two color complementary wefts and inner warps, 15.2 x 12.1 cm… Swallows, pleach blossoms, and full moon, 1830s, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, otanzaku, 37.2 x 16.7 cm (14 3/4 x 6 1/2 in.) Wineglass Cooler, 1789, Sèvres Porcelain Manufactory, French, founded 1740, Sèvres, Soft-paste porcelain, polychrome enamels and gilding, 10.4 x 11.9 cm (4 1/8 x 4 11/16 in.) Fortune, 1541, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 78 x 50 mm (image/plate), 79 x 51.5 mm (sheet) The Pagoda at Zojo Temple and Akabane (Zojoji to, Akabane), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), 1857, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858,… Amadina oryzivora, Print, Amadina is a genus of estrildid finches. Established by William John Swainson in 1827, 1700-1880 The Actor Ichikawa Danjuro V as Kudo Kanaishi (?) in the Play Izu-goyomi Shibai no Ganjitsu (?), Performed at the Morita Theater (?) in the Eleventh Month, 1772 (?), c. 1772, Katsukawa Shunsho… Panel, 18th century, France, silk brocaded, 254 × 46.1 cm (100 1/4 × 18 1/8 in.) Scene at Lutworth, 1870/80, After Joseph Mallord William Turner, English, 1775-1851, England, Watercolor and gouache with scraping, over graphite, on cream wove paper, laid down on board, 393 ×… Emon Hill, from the series The Appearance of Yoshiwara (Yoshiwara no tei), c. 1681/84, Hishikawa Moronobu, Japanese, (?)-1694, Japan, Woodblock print, oban, sumizuri-e, 50.5 x 71.0 cm (10 1/16 x… Aeneas Carrying His Father, Anchises, 1643, Ludolph Büsinck (German, 1599/1602–1669), after Georges Lallemand (French, 1575–1636), Germany, Chiaroscuro woodcut printed from two blocks (black… Denarius (Coin) Depicting the God Mars, 103 BC, Roman, minted in Rome, Italy, Silver, Diam. 2 cm, 3.58 g Paperweight, c. 1845–60, George Bacchus & Sons, English, founded 1840, France, Glass, Diam. 8.9 cm (3 1/2 in.) Two Sages Gazing at a Beauty Treading Cloth (parody of Kume Sennin), c. 1769, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, hashira-e, 26 7/8 x 4 3/4… A Mother with her Three Children, plate 18 from The Beggars, c. 1622, Jacques Callot, French, 1592-1635, France, Etching on paper, 137 × 86 mm (plate), 142 × 91 mm (sheet) Antennarius marmoratus, Print, Antennarius is a genus of 11 species of fish in the family Antennariidae. These fish spend most of their lives on the bottom in relatively shallow water between 20… The actor Ichikawa Danjuro VIII as Mashiba Hisatsugu, 1851, Utagawa Kunisada I (Toyokuni III), Japanese, 1786-1864, Japan, Color woodblock print, left sheet of oban diptych A Document on the Impotence of Love, 1894, Félicien Rops, Belgian, 1833-1898, Belgium, Heliogravure, with soft varnish ("vernis mou") and drypoint, on cream wove paper, 216 × 160 mm (image), 216… Fragment, Edo period (1615–1868), 1775/1800, Japan, Silk, cotton, and gilded paper strip, twill weave with supplementary patterning wefts bound with secondary binding warps in twill… View of the Remains of the Tomb of the Plautii on the Via Tiburtina, near the Ponte Lugano, two miles distant from Tivoli, from Views of Rome, 1760/69, published 1800–07, Giovanni Battista… River Wye, plate 48 from Liber Studiorum, published May 23, 1812, Joseph Mallord William Turner (English, 1775-1851), Engraved by W. Anis, England, Etching and engraving in brown on ivory laid… St. Simon, from Apostles, n.d., Martin Schongauer, German, c. 1450-1491, Germany, Engraving on paper, 90 × 51 mm (plate), 90 × 52 mm (sheet) Tureen and Stand, 1780/90, Leeds Pottery, English, founded 1756, Yorkshire, Lead-glazed earthenware (creamware), 25.1 x 40 x 30.8 cm (9 7/8 x 15 3/4 x 12 1/8 in.) Arc-shaped Pendant, Eastern Zhou dynasty, c. 770–256 B.C., c. 5th century B.C., China, Jade, Diam. 3 in., 1/2 × 3/32 in. On the Seine, c. 1895, Homer Dodge Martin, American, 1836–1897, United States, Oil on canvas, 39.1 × 61.6 cm (15 3/8 × 24 1/4 in.) Tetradrachm (Coin) Depicting the Goddess Athena, before 490 BC, Greek, minted in Athens, Greater Athens, Silver, Diam. 2.2 cm, 16.97 g Arai, section of sheet no. 8 from the series Cutout Pictures of the Tokaido (Tokaido harimaze zue), c. 1848/52, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock… Humphrey, Printseller, No. 27 St. James’s Street, n.d., John Lockington, English, active 18th century, England, Engraving on ivory wove paper, 63 × 52 mm (plate), 67 × 56 mm (sheet) Chocolate Jar with Iron-locked Lid, 1725/75, Talavera poblana, Puebla, Mexico, Puebla, Tin-glazed earthenware, 38.1 × 27.9 cm (15 × 11 in.) [h. 42.6 cm (16 3/4 in.) including key] 33 Exeter, Fore Street, 1860/94, Francis Bedford, English, 1816–1894, England, Albumen print, 12.2 × 19.9 cm (image), 12.9 × 19.9 cm (paper) The Actor Nakamura Nakazo, late 18th century, Katsukawa Shunko I, Japanese, 1743–1812, Japan, Color woodblock print, hosoban, left sheet of diptych (?), 25 x 14.9 cm (9 13/16 x 5 7/8 in.) Young Man Holding Umbrella Beside a Fence, c. 1767/68, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, chuban, 11 1/8 x 8 1/4 in. Table Frontal, 18th century, Qing dynasty (1644–1911), China, Cut velvet, 89.7 × 67 cm (35 3/8 × 26 3/8 in.) Springtime and Love, 1878, Francesco Paolo Michetti, Italian, 1851-1929, Italy, Oil on canvas, 94.6 × 184.3 cm (37 1/2 × 72 3/4 in.) 2.589.713 / 2.589.715 Entries < previous page Page 3301 / 25898 next page >