Librifly Art Gallery 2.589.713 / 2.589.715 Entries < previous page Page 3304 / 25898 next page > Young Peasant Having Her Coffee, 1881, Camille Pissarro, French, 1830-1903, France, Oil on canvas, 65.3 × 54.8 cm (25 11/16 × 21 9/16 in.) Mars Sending Gorgon to Slay the Arts, n.d., Possibly after Pietro Testa, Italian, 1611/12-1650, Italy, Pen and brown ink, over black chalk, on tan laid paper, 365 × 253 mm Bunting, 1887, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint with foul biting in black ink on ivory laid paper, 175 x 126 mm (image, trimmed within plate mark),… Caesar Defeats the Troops of Pompey from The Story Caesar and Cleopatra, c. 1680, After a design by Justus van Egmont (1601–1674), Woven at the workshop of Gerard Peemans (1637/39–1725),… Fisherman at Saint Ives, 1891, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 260 x 185 mm (image), 276 x 197 mm (plate), 420 x 305 mm (sheet) Plums and Biwa, 1860s, Tanomura Shosai, Japanese, 1847-1909, Japan, Color woodblock print, surimono, 25.6 x 19.2 cm Sugar Bowl, 1775/1800, Wedgwood Manufactory, England, founded 1759, Burslem, Stoneware (jasperware), H. 15.9 cm (6 1/4 in.), diam. 11.1 cm (4 3/8 in.) Upraised Right Hand, with Palm Facing Outward: Study for Saint Peter, 1518/20, Raffaello Sanzio, called Raphael, Italian, 1483-1520, Italy, Black chalk, heightened with white chalk and lead… Paperweight, Late 19th century, New England Glass Company, American, 1818-1888, United States, Glass, Diam. 8.6 cm (3 3/8 in.) Amaroucium, Print Entrance to the public baths at Deligny, plate 3 from Croquis D’été, 1859, Honoré Victorin Daumier, French, 1808-1879, France, Lithograph in black on ivory wove paper, 217 × 267 mm (image),… Paperweight, c. 1848–55, Baccarat, France, founded 1764, Baccarat, Glass, Diam. 7.6 cm (3 in.) Birth Glass, c. 1750, Netherlands, Netherlands, Glass, 24.5 x 11.1 cm (9 5/8 x 4 3/8 in.) Easel, 1870/80, American, 19th century, Philadelphia or New York, New York, Ebonized walnut, light-wood inlay, and gilt decoration, 214.3 × 83.8 × 12.8 cm (95 × 33 × 5 in.) Panel (Dress Fabric), 1701/50, Iran (Isfahan), Iran, 198.8 x 58.5 cm (78 1/4 x 23 in.) Cardtable Cover, 1725/1775, England, 65.4 × 79.4 cm (25 3/4 × 31 1/4 in.) Approaching Storm, 1844, Charles François Daubigny, French, 1817-1878, France, Etching on ivory wove paper, 109 × 168 mm (image), 159 × 206 mm (plate), 194 × 243 mm (sheet) Untitled, May 1864, William Henry Fox Talbot, English, 1800–1877, England, Photoglyphic engraving employing resin ground, 7.7 × 7 cm (image), 22.2 × 12.6 cm (paper) Fortitude, plate 36 from Genii and Virtues, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving in black on cream laid paper, 180 × 100 mm (plate), 186 × 105… Anna Held, from Treize Lithographies, 1898, published before 1906, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph on cream wove paper, 294 × 242 mm (image), 393 × 317 mm (sheet) Small Wide-Mouthed Jar, Northern Song (960–1127) or Jin dynasty (1115–1234), c. 12th century, China, Northern blackware, Cizhou type, stoneware with russet-streaked dark brown glaze, H. 4.9 cm… Coin Portraying Philip the Arab, AD 244/249, Roman, Roman Empire, Bronze, Diam. 2.8 cm, 14.81 g Souvenir of Italy, 1855/60, Jean-Baptiste-Camille Corot, French, 1796-1875, France, Oil on canvas, 82.6 × 66.4 cm (32 1/2 × 26 1/8 in.) Nutmeg Grater, c. 1780/81, Marked GP, London, England, London, Silver and iron, 4.5 x 2.5 cm (1 3/4 x 1 in.) Incendiary Quoit (Throwing Ring), 17th Century, Austrian, Austria, Pitch-covered material, match cord Tripod Cylindrical Jar (Lian or Zun) with Equestrians and Creatures, Bear-Shaped Feet, Eastern Han dynasty (A.D. 25–220), China, Earthenware with lead green glaze, H. with lid: 18.7 cm (7 3/8… Black Lion Wharf, 1859, James McNeill Whistler, American, 1834-1903, United States, Etching with foul biting in black ink on cream Japanese paper, 152 x 227 mm (plate), 265 x 388 mm (sheet) Wisteria in Full Bloom over the Pond at Kameido Shrine (Kameido ike chu fujibana no sakari), from the series Famous Places in the Eastern Capital (Toto meisho), c. 1835/38, Utagawa Hiroshige… Hamlet and Horatio with the Gravediggers, plate 14 from Hamlet, 1843, Eugène Delacroix, French, 1798-1863, France, Lithograph in black on ivory China paper laid down on white wove paper, 284 ×… Stater (Coin) Depicting a Horseman, probably 380/345 BC, Greek, minted in Tarentum, Calabria, Italy, Taranto, Silver, Diam. 2.2 cm, 7.78 g Wineglass Cooler, 1758, Sèvres Porcelain Manufactory, French, founded 1740, Painted by Antoine-Toussaint Cornailles, French, active 1755-1800, Sèvres, Soft-paste porcelain, polychrome enamels,… Jug, c. 1820, England, Staffordshire, Staffordshire, Lead-glazed earthenware with yellow ground, black enamel and silver lustre decoration, H. 20.3 cm (8 in.) A Group of Auriculas, from The Temple of Flora, 1803, Frederick Christian Lewis, the elder (English, 1779-1856), James Hopwood, the elder (English, c. 1752-1819), after Peter Charles Henderson… Landscape after Huang Gongwang, Qing Dynasty (1644–1911), dated 1701, Wang Yuanqi, Chinese, from Taicang, Jiangsu province, 1642-1715, China, Hanging scroll, ink and color on paper, with box Saint Francis Penitent in a Large Landscape, 1575, Cornelis Cort (Netherlandish, 1533/36-1578), Girolamo Muziano (Italian, 1528-1592), Holland, Engraving on paper, 500 x 372 mm (image), 519 x 373… Rispah, plate 46 from Liber Studiorum, published April 23, 1812, Joseph Mallord William Turner (English, 1775-1851), Engraved by R. Dunkarton, England, Etching and engraving in brown on ivory… The Crucifixion, 1627, Francisco de Zurbarán, Spanish, 1598–1664, Spain, Oil on canvas, 290.3 × 165.5 cm (114 5/16 × 65 3/16 in.) Study of Leaves, 1877, Amelia Bergner, American, 1853–1923, United States, Gum bichromate photogram, 28.9 x 22.9 cm (image), 40.7 x 34.3 cm (album page), A Country Scene, July 1848, John La… Aphrodita flava, Print, Aphrodita, or sea mouse, is a genus of marine polychaete worms found in the Mediterranean sea and the eastern and western Atlantic Ocean. Combat Between Giaour and Pasha, 1827, Eugène Delacroix, French, 1798-1863, France, Lithograph in black on ivory wove paper, 358 × 260 mm (image), 475 × 339 mm (sheet) Field Cannon with Carriage, c. 1650, Austrian, Europe, Bronze and wood, Length overall of cannon: 39 3/4 in. (101 cm) Young Couple in a Boat, c. 1770/75, Uchimasa, Japanese, active 1760s-1770s, Japan, Color woodblock print, hashira-e, 28 x 4 5/8 in. Corsette, c. 1600, French or Italian, France, Steel Benjamin Disraeli, 1860–69, William Edward Kilburn, British, 1819-1891, United Kingdom, Albumen print, 8.7 × 5.4 cm (image/paper), 10.8 × 6.5 cm (mount) Evening, Little Waterloo Bridge, 1896, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black with stumping, on cream laid paper, 93 x 194 mm (image), 229 x 283… Study for The Horse Fair, c. 1850, Rosa Bonheur, French, 1822-1899, France, Oil on canvas, 17 × 34 1/2 in. (43.2 × 87 cm) Coin Depicting Pegasus, about 400/310 BC, Greek, Ancient Greece, Bronze, Diam. 1.7 cm, 4.14 g Sheet of Sketches, 1829, Denis Auguste Marie Raffet (French, 1804-1860), published by Chez Gihaut Frères (French, 19th century), France, Lithograph in black on ivory wove paper, 193 × 295 mm… Sampler, 1852, Executed by Maria Beiser (Germany, active c. 1852), Germany, Linen, plain weave, embroidered with wool, 104.6 x 14.3 cm (41 1/4 x 5 5/8 in.) The Plum Blossom Studio in the style of Li Cheng, Qing dynasty (1644–1911), late 17th century, Mei Chong, Chinese, 1623-1697, China, Hanging scroll, ink and light colors on paper, 71 × 18 1/2… Fruits of the Midi, 1881, Pierre-Auguste Renoir, French, 1841–1919, France, Oil on canvas, 51 × 65 cm (20 1/16 × 25 5/8 in.) Fragment, 1600/50, Italy, Silk, satin damask weave, 23.1 x 10.8 cm (9 1/8 x 4 1/4 in.) The Actor Nakamura Riko I as Moshio (?) in the Play Honda Yayoi Meoto Junrei (?), Performed at the Ichimura Theater (?) in the Seventh Month, 1778 (?), c. 1778, Katsukawa Shunko I, Japanese,… Homeric Battle, 1868, Léopold Flameng, French, born Belgium, 1831-1911, France, Etching, with plate, tone on ivory wove paper, 216 × 147 mm (plate), 387.5 × 281 mm (sheet) Highland Targe, early 18th century, Scottish, Scotland, Wood (fir), leather, and brass, Diam. 45.7 cm (18 in.), 44.5 cm (17 1/2 in.) Chevrier’s Cold Bath Establishment, Paris, 1864, Charles Meryon, French, 1821-1868, France, Etching in warm black on ivory laid paper, 130 × 143 mm (image), 130 × 143 mm (plate), 339 × 455… Amphora (Storage Jar), about 340/330 BC, Greek, Campania, Italy, Attributed to the Ixion Painter, Campania, terracotta, decorated in the red-figure technique, 86.4 × 36.1 × 26 cm (34 1/2 × 14… Miniature Straight-sided Bowl with Abstract Aligator Motif, A.D. 1450/1532, Inca, South coast or southern highlands, Peru, Peru, southern, Ceramic and pigment, 5.9 x 19.4 cm (2 5/16 x 7 5/8 in.) English Left Attack, 1855, James Robertson, Scottish, c. 1813–d. after 1881, Scotland, Albumen print, 22.7 x 29.5 cm (image/paper), 32.1 x 40.6 cm (mount/page) The Pedestrian Hobbies, or the Difference of Going Up and Down Hill, published April 8, 1819, Attributed to William Heath (English, 1794-1840), published by Thomas Tegg (English, 1776-1845),… African Aloe, plate 47 from Phtanthoza Iconographia, 1736, Published by Johann Wilhelm Weinmann, German, 1683-1741, Germany, Color mezzotint and engraving on cream laid paper, 324 x 210 mm… Haymaking, 1862, Charles François Daubigny, French, 1817-1878, France, Cliché-verre on ivory photographic paper, 215 × 344 mm (image), 216 × 342 mm (sheet) Apollo, from Livre de Portieres, published 1737, Claude Gillot, French, 1673-1722, France, Etching on cream laid paper, 300 × 251 mm (image/plate) Knights of Labor platter, c. 1870/1900, American, 19th/20th century, United States, Glass, 27.9 × 40.6 cm (11 × 16 in.) Posthumous Bust of Pope Pius V, c. 1650, Alessandro Algardi (Follower of), Italian, 1598—1654, Italy, Terracotta, H. 60.3 cm (23 3/4 in.) L’Artisan Moderne, 1896, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph poster on tan wove paper, laid down on fabric, 901 × 641 mm (image), 928 × 649 mm (sheet) Carpet, 1875/1900, Iran (Persia), Shiraz area, Iran, Wool, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "Ghiordes knots Coffee Pot (part of a Coffee Service), c. 1770, Vienna State Porcelain Manufactory, Austrian, 1744-1864, Vienna, Hard-paste porcelain, monochrome black (Schwartzlot), polychrome enamels, and… Tart Mold Ring, 13th century, French, Gold and garnet, Circumference: 5.7 cm (2 1/4 in.), Diameter: 1.8 cm (11/16 in.) Two Standing Draped Figures (Saint John and the Magdalene?), 1540/60, Attributed to Battista Franco, called Il Semolei (Italian, c. 1510-1561), or after Parmigianino (Italian, 1503-1540), Italy,… Wine Glass, c. 1740, England, Glass, 17.8 cm (7 in.) Entry of M. de Couvonage and M. de Chalabre, from The Combat at the Barrier, 1627, Jacques Callot, French, 1592-1635, France, Etching in black on ivory laid paper, 154 × 243 mm (plate), 174 × 259… Ascension of the Magdalene, n.d., Unknown Italian artist, possibly Style of Cecco Bravo (Italian, 1607-1661), possibly Giovanni Lanfranco (Italian, 1582-1647), Italy, Red chalk, on buff laid… Albert Memorial, 1850–1900, probably English, 19th century, England, Albumen print, from the album "Views of London Panel (Bed Curtain), 18th century, Greece, Cyclades Islands, Naxos, Náxos, Linen, plain weave, embroidered with silk in running stitches (pattern darning), two loom widths joined, 242.6 x 89.1 cm… Untitled, 1857, Gustave Le Gray, French, 1820–1884, France, Albumen print, from the album "Souvenirs du Camp de Châlons The Concert, 1784, François Dequevauviller (French, 1745-1807), after Nicolas Lavreince (Swedish, 1737-1807), France, Etching and engraving on cream laid paper, 404 × 499 mm (plate), 410 × 508… The Actor Otani Hiroji III in a Stage Pose (Mie) before a Shrine Gateway, c. 1769/1770, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Color woodblock print, hosoban, 31.1 x 14.4 cm… Sugawara Michizane crossing to China (Toto Tenjin), c. 1770s, Kitao Shigemasa, Japanese, 1739-1820, Japan, Woodblock print, hosoban, sumizuri-e, 11 7/8 x 5 3/8 in. Shining Lights of the Grand Old Party, 1890, Frederick Opper, American, 1857-1937, United States, Color lithograph on newsprint, 238 x 215 mm St. Sebastian Bound to the Column, c. 1499, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 106 x 75 mm (image), 108 x 75 mm (sheet) Portfolio Cover for Le Café-Concert, 1893, Henri-Gabriel Ibels (French, 1867-1936), printed by Alponse Lemerre (French, 1838-1912), published by L’Estampe originale (French, 1893-1895),… The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Dead Kabyle, n.d., Mariano José María Bernardo Fortuny y Carbó, Spanish, 1838-1874, Spain, Etching on paper, 210 x 400 mm Satyr Family Walking, c. 1657, Stefano della Bella, Italian, 1610-1664, Italy, Etching on ivory laid paper, 221 x 222 mm (plate), 230 x 229 mm (sheet) Dish, c. 1765, Tournai Porcelain Manufactory, Belgian, 1751- c. 1850, Tournai, Soft-paste porcelain and underglaze blue decoration, Diam. 40.6 cm (16 in.) Letter X, 1630, Peter Aubry, German, 1596-1668, Germany, Engraving on paper, 253 x 190 mm Lobed Bowl with Lotus Scrolls, Southern Song dynasty (1127–1279), China, Qingbai ware, porcelain with underglaze carved decoration, H. 8.3 cm (3 5/16 in.), diam. 17.7 cm (7 in.) Folio Eleven from Burchard of Sion’s De locis ac mirabilibus mundi, or an Illuminated Geography, c. 1460, French (Paris), written by Burchard of Mount Sion (German, active 13th century),… The Bridge in Middle Distance, plate 13 from Liber Studiorum, published June 10, 1808, Joseph Mallord William Turner (English, 1775-1851), Engraved by Charles Turner (English, 1773-1857),… Salute Dawn, 1879/80, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint in dark brown on cream laid paper, 126 x 202 mm (primary support), 270 x 330 mm… Kalmouk Archers Hunting Deer, c. 1820, Carle Vernet (French, 1758-1836), printed by Comte Charles Philibert de Lasteyrie (French, 1759-1849), France, Lithograph in black on ivory wove paper, 256… Fragment, 1600/50, Spain, Silk and cotton, plain weave, tied and free double cloth, 26 x 23.8 cm (10 1/4 x 9 3/8 in.) Sestertius (Coin) Portraying Julia Mamaea, AD 235, Roman, minted in Rome, Roman Empire, Bronze, Diam. 3.1 cm, 17.81 g Without a Cent, March 1894, Théophile-Alexandre Steinlen (French, born Switzerland, 1859-1923), printed by Edouard Kleinmann (French, 1844-1927), France, Lithograph in black on ivory wove paper,… Man at a Desk Wearing a Cross and Chain, 1641, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching on laid paper, 129 x 103 mm (image), 146 x 105 mm (sheet) My Life I Dedicate to Thee (Valentine), c. 1840, George Meek, English, 19th century, England, Lithograph with hand-coloring on cut and embossed ivory wove paper (lace), 143 × 94 mm (folded sheet) Thanksgiving in Camp, published November 29, 1862, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 233 x 350… Cover for Le Juré, 1887, Odilon Redon, French, 1840-1916, France, Bi-fold portfolio cover with text lithographed in black on gray wove paper, 432 × 318 mm Cuckoo and pinks, c. 1843/46, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Woodblock print, section of harimaze sheet, 44.8 x 14.6 cm 2.589.713 / 2.589.715 Entries < previous page Page 3304 / 25898 next page >