Librifly Art Gallery 2.589.713 / 2.589.715 Entries < previous page Page 3309 / 25898 next page > Beauty Playing with Cat and Kitten, early 18th century, Japanese, early 18th century, Japan, Hand-colored woodblock print, hosoban, tan-e, 31.1 x 15.9 cm (12 1/4 x 6 1/4 in.) Lord Byron, 1825, Rembrandt Peale, American, 1778–1860, United States, Lithograph on cream wove paper, 261 x 226 mm (image), 356 x 300 mm (sheet) Cour de Commerce, Paris, 1900, Donald Shaw MacLaughlan, American, born Canada, 1876-1938, United States, Etching in black on cream wove paper, 212 x 155 mm (image), 216 x 155 mm (sheet) The Turret Ship, 1887, James McNeill Whistler, American, 1834-1903, United States, Etching in black ink on cream laid paper, 126 x 175 mm (image, trimmed within plate mark), 129 x 175 mm (sheet) Siege Helmet, 1610/20, Probably Italian, Italy, Steel, H. 22.9 cm (9 in.) The Triumph of Time, plate four from The Triumphs of Petrarch, c. 1539, Georg Pencz, German, c. 1500-1550, Germany, Engraving in black on ivory laid paper, 151 x 210 mm (image/plate/sheet) The Wardrobe Consultant, 1782, Nicolas Lavrince, Swedish, 1737-1807, Sweden, Watercolor and gouache, with pen and black ink, on cream wove paper, 301 x 220 mm The Heron Maiden, 1770s, Torii Kiyotsune, Japanese, active c. 1757-79, Japan, Color woodblock print, hosoban, benizuri-e, 12 1/4 x 5 1/2 in. Two Beauties in a Boat, c. 1768, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, chuban, 28.1 x 21.3 cm (11 1/4 x 8 1/4 in.) Overview of Lavender Elongated Shell, n.d., Giuseppe Grisoni, Italian, born Flanders, 1699-1769, Flanders, Gouache on ivory laid paper, 215 × 148 mm Annie, Seated, 1858/59, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint with foul biting in dark gray ink on ivory laid paper, 130 x 97 mm (plate), 185 x 149… Woman’s Head (recto), Sketch of Arm and Hand (verso), 1590/96, Follower of Paolo Veronese, Italian, 1528-1588, Italy, Black chalk (recto and verso) on cream laid paper, partially laid down on… The Days of Noah, 1860, James Smetham, English, 1821-1889, England, Etching on ivory wove paper, 138 × 107 mm (plate), 296 × 222 mm (sheet), La Gismonda (Sarah Bernhardt), 1894/95, Alphonse… Bowl with Foxes and Grapes, Ming dynasty (1368–1644), Jiajing reign mark and period (1522–1566), China, Porcelain painted in underglaze iron red and overglaze enamels, H. 3.6 cm (1 7/16… Billingsgate, 1859, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint with foul biting in dark brown ink on off-white Japanese paper, 153 x 227 mm (plate), 274 x 352… Standing Magus (recto), Sketch of Stable and Trees (verso), n.d., Peditrobably Domenico Fiasella (Italian, 1580-1669), or possibly Lodovico Carracci (Italian, 1555-1619), or possibly the circle… Bedcover, 1778, Made for the wedding chest of Eliza Ann Hunnewell, United States, Massachusetts, Newton, United States, Wool, plain weave, glazed (calimanco), quilted with silk thread, 244.2 x… Border, Directoire period, 1790/99, France, Silk, warp-float faced satin weave with plain interlacings of secondary binding warp, supplementary brocading wefts and self-patterning ground wefts,… Tinder Pouch, 19th century, Tibet, Tibet, Silver, leather, turquoise and coral, 5.7 x 7.5 x 2.4 cm Panel, 18th century, France, Cotton, plain weave, resist printed with blocks, 113 × 68.5 cm (44 1/2 × 27 in.) To Victor Hugo, 1889, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on light gray chine, 446 × 304 mm (image), 609 × 442 mm (sheet) Fragment of a Bowl, 13th/14th century, Byzantine, Greece, Serres or Cyprus, Byzantine Empire, Ceramic, 3.2 × 10.5 × 10.5 cm (1 1/4 × 4 1/8 × 4 1/8 in.) Jean Jacques Rousseau, 1764/72, Etienne Ficquet (French, 1719-1794), after Maurice-Quentin de la Tour (French, 1704-1788), France, Engraving on ivory laid paper, 120 × 74 mm (image), platemark… Dish, c. 1725, China, Qing Dynasty (1644-1911), Yongzhen period (1723-1735), Hard-paste porcelain and polychrome enamels, Diam. 34.3 cm (13 1/2 in.) Strolling Musicians, 1648/58, Cornelis Visscher (Dutch, c. 1629-1658), after Adriaen van Ostade (Dutch, 1610-1685), Holland, Etching on ivory laid paper, 258 x 308 mm (image), 379 x 316 mm… Paperweight, c. 1848–55, Saint-Louis, France, founded 1767, Saint-Louis, Glass, Diam. 8.3 cm (3 1/4 in.) Nil Nisi Bonum, 1870/91, Charles Keene, English, 1823-1891, England, Pen and brown ink, with touches of white gouache, over traces of graphite, on ivory wove paper, laid down on ivory wove card,… Flemish Interior, 1856, Rodolphe Bresdin, French, 1825-1885, France, Lithograph (etching transfer) on light gray China paper laid down on off-white wove paper, 159 × 105 mm (image), 189 × 124… Pair of Woman’s Boots with Tying Ribbon, Tang dynasty(618–906)/ Song dynasty(960–1279), 10th/11th century, China, Outer boot: silk, complementary weft twill weave with inner warps, seam… Teacup and Saucer, c. 1760, Worcester Porcelain Factory, Worcester, England, founded 1751, Worcester, Soft-paste porcelain, underglaze blue decoration, Teacup: 4.5 x 7.3 cm (1 3/4 x 2 7/8… Sporting or Target Crossbow, dated 1586, German, Germany, Fruitwood, steel, iron, staghorn, textile, and cord, 11.4 x 62.2 x 57.8 cm (4 1/2 x 24 1/2 x 22 3/4 in.) Coin Portraying Emperor Constantine I, AD 333/335, Roman, minted in Constantinople (now Istanbul, Turkey), Roman Empire, Bronze, Diam. 1.9 cm, 2.24 g Ruined Castle by the Sea, n.d., John Rawson Walker, English, 1796-1873, England, Charcoal with erasing with touches of pen and black ink on ivory wove paper, laid down on ivory board, 234 × 328 mm The Actor Ichikawa Raizo I, 1761, Torii Kiyomitsu I, Japanese, 1735–1785, Japan, Color woodblock print, hosoban, benizuri-e, 12 3/8 x 5 3/4 in. Panel, 1896, Designed by Arthur Silver (English, 1853–1896), France, Mulhouse, London, Cotton, twill weave with supplementary pile wefts forming cut velvet, block printed, 291.9 x 121.1 cm (114… Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Pentecost, 1490/1500, French (Picardy), France, Oil on panel, Panel: 117 × 51.1 cm (46 1/16 × 20 1/8… Goddess Vajravarahi Dancing with Chopper (karttrika) and Skullcup (kapala), 15th century, Tibet, Central Tibet, Central Tibet, Bronze with gold paint and pigment, 11.8 × 6.9 × 3.3 cm (4 5/8 ×… Coin Depicting a Gorgoneion, 120/63 BC, Greek, Ancient Greece, Bronze, Diam. 2.2 cm, 7.09 g Paperweight, Late 19th century, Mount Washington Glass Co., American, 1837-1900, United States, Glass, Diam. 9.2 cm (3 5/8 in.) Paperweight, c. 1848–55, Saint-Louis, France, founded 1767, Saint-Louis, Glass, Diam. 8.3 cm (3 1/4 in.) Terpsichore, Muse of Dance, plate 9 from Parnassus Biceps, 1601, Johann Theodor de Bry (German, 1561-1623), after Jean-Jacques Boissard (French, 1533-1598), Frankfurt an der Oder, Engraving in… The Least Strong is the Most Treacherous, 1828, Denis Auguste Marie Raffet (French, 1804-1860), marketed by Chez M. Chabert (French, 19th century), France, Lithograph in black on ivory wove paper,… Christ, Man of Sorrows, Mocked by a Soldier, frontispiece from The Large Passion, 1511, Albrecht Dürer, German, 1471-1528, Germany, Woodcut in black on ivory laid paper, 286 x 197 mm Bowl, Southern Song dynasty (1127–1279), 13th century, China, Guan ware, glazed stoneware (misfired), H. 4.1 cm (1 5/8 in.), diam. 12.9 cm (5 1/16 in.) Paperweight, c. 1845–60, Saint-Louis, France, founded 1767, France, Glass, Diam. 7 cm (2 3/4 in.) The Ford, 1865, Charles François Daubigny, French, 1817-1878, France, Etching and drypoint on cream wove paper, 252 × 338 mm (image), 305 × 378 mm (plate), 322 × 390 mm (sheet) Poem by Sakanoue no Korenori, from an untitled series of Thirty-Six Immortal Poets, c. 1767/68, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, chuban, 28.5… Rhyton (Drinking Vessel) in Shape of Sheep’s Head, about 320/310 BC, Attributed to the Painter of Leningrad 955, Greek, Tarentum (now Taranto), Apulia, Italy, Southern Italy, terracotta,… Cedars of Lebanon, from The Park and the Forest, 1841, James Duffield Harding (English, 1798-1863), printed by Charles Joseph Hullmandel (English, 1789–1850), published by Thomas McLean… Getting Rid of the Spoils System Deadwood, from Puck, published August 17, 1887, Joseph Keppler, American, 1638-1894, United States, Color lithograph on newsprint, 355 x 270 mm Bell Krater (Mixing Bowl), about 450 BC, Greek, Athens, Manner of the Niobid Painter, Athens, terracotta, decorated in the red-figure technique, H. 38.4 cm (15 1/8 in.), diam. 41.2 cm (16 1/4 in.) Beverly N.J., 1880/89, Thomas Moran, American, born England, 1837-1926, United States, Watercolor on ivory wove paper, 188 x 355 mm Jar, Eastern Han dynasty (A.D. 25–220), China, Earthenware with lead green glaze, H. 16.1 cm (6 5/16 in.), diam. 20.2 cm (7 15/16 in.) Battle Scene, c. 1589, Giovanni Balducci, called il Cosci, Italian, c. 1560-1631, Florence, Pen and brown ink and black chalk, on ivory laid paper, squared in black chalk, laid down on ivory… Bacchus (recto), Architectural Sketches (verso), n.d., after Michelangelo Buonarroti, Italian, 1475-1564, Italy, Black chalk and graphite, heightened with touches of white chalk (recto, and black… View above the Falls of Schuylkill, plate three of the first number of Picturesque Views of American Scenery, 1819/21, John Hill (American, 1770-1850), after Joshua Shaw (American, born England,… Woman’s Ao (Short Robe), Qing dynasty (1644–1911), 1875/1900, Han-Chinese, China, Silk, warp-float faced 7:1 satin weave, embroidered with silk and… The Pigs Possessed, published April 18, 1807, James Gillray (English, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Hand-colored etching on paper, 390 × 290 mm… The Sermon on the Mount, from The New Testament, 1635, Jacques Callot (French, 1592-1635), published by Israël Henriet (French, 1590-1661), France, Etching on paper, 71 × 85 mm (plate), 77 × 88… Landscape, published July 1, 1818, Unknown Artist (probably British, 19th century), after J. Young (British, active 19th century), England, Etching in black on cream wove paper, 123 × 249 mm… Cows Drinking from the River, 1878, Charles Émile Jacque, French, 1813-1894, France, Etching and drypoint on paper, 118 × 279 mm (image), 159 × 313 mm (plate), 330 × 454 mm (sheet) Portrait de Mme. E. D., 1829, Paul Delaroche, French, 1797-1856, France, Black, white, and red chalks, with stumping and erasing on ivory wove paper, perimeter mounted to Japanese paper, 240 × 188 mm Unknown Man, 1868/74, Julia Margaret Cameron, English, 1815–1879, England, Albumen print, 33.6 × 24.7 cm (image/paper), 44.4 × 35.4 cm (mount) Ichimura Kamezo I performing the Sanbaso dance, c. 1756, Torii Kiyohiro, Japanese, active c. 1737-76, Japan, Color woodblock print, o-hosoban, benizuri-e, 15 1/4 x 6 3/4 in. Money Pouch, c. 1839, Engraved by V. S. Aksolsky (Russian, active c. 1839), Russia, Kid leather, copperplate printed, 19.8 x 14.7 cm (7 3/4 x 5 3/4 in.) Plate 30 of 38 from Oeuvres de J. B. Huet, 1796–99, Jean Baptiste Huet, French, 1745-1811, France, Etching on paper, 480 × 350 mm Coin Depicting Bust, about AD 257/60, Roman, Roman Empire, Bronze, Diam. 2.1 cm, 4.35 g Paperweight, 19th century, Saint-Louis, France, founded 1767, Saint-Louis, Glass, Diam. 7.3 cm (2 7/8 in.) Hut in Woodland Setting, 1890, John Joseph Gustave Burghoffer, active in France, died 1907, France, Watercolor on wove paper, laid down on board, 125 × 153 mm Virgin and Sleeping Christ Child with the Infant John the Baptist, 18th century, After Raffaello Sanzio, called Raphael, Italian, 1483-1520, Italy, Pen and brown ink, and brush and gray and… Articles of Glass on Three Shelves, c. 1844, William Henry Fox Talbot, English, 1800–1877, England, Salted paper print, 12.7 × 15.2 cm (image), 18.7 × 23.2 cm (paper) Quai de l’Hotel de Ville, Paris, 1900, Donald Shaw MacLaughlan, American, born Canada, 1876-1938, United States, Etching in black on cream laid paper, 219 x 237 mm (image/plate), 230 x 245 mm… Fishing, from the series A Set of Ten Beauties in Flowerlike Styles (Enshoku hana fuzoku ju awase), c. 1782, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, chuban, 26.2 x 18.9 cm Pair of Men’s Gloves, 1600/50, England, Gloves: leather, Gauntlets: silk, satin weave, embroidered with linen, gilt-metal-coiled wire and strips, and gilt-metal-strip-wrapped silk in couching… L’univers est créé (The Universe Is Being Created), from the Noa Noa Suite, 1893–94, printed and published 1921, Paul Gauguin (French, 1848-1903), printed by Pola Gauguin (Danish, born… Val of Shanganagh, Dún Laoghaire, with Boats, 1843, Elizabeth Murray, English, c. 1815-1882, England, Brush and brown wash over graphite on cream wove paper, 176 mm × 260 mm Wooded Landscape, 1754/97, Joseph Wright of Derby, English, 1734-1797, England, Brush and gray wash, over graphite, on cream laid paper, 265 × 381 mm Bottle, Late 19th century, Bohemia, Czech Republic, Bohemia, Ruby glass, cased in colorless glass, blown, tooled and, gilded, 20.3 × 7.6 × 7.6 cm (8 × 3 × 3 in.) Fragment, Edo period (1615–1868), 1725/75, China, Japan, silk, plain weave with gilt-metal-strip supplementary brocading wefts held in twill interlacings, 41.5 x 10. 2 cm (16 3/8 x 4 in.) The Expulsion from Paradise, from The Fall and Redemption of Man, 1513, Albrecht Altdorfer, German, c.1480-1538, Germany, Woodcut in black on ivory laid paper, 72 x 48 mm (image/block), 73 x 49… In Dove Dale, 1880s, Peter Henry Emerson, English, born Cuba, 1856–1936, England, Photogravure, plate XLII from the album "The Compleat Angler or the Contemplative Man's Recreation, Volume… The Actor Segawa Tomisaburo II as Lady Masago (Masago Gozen) (?) in the Play Genji Saiko Kogane no Tachibana (?), Performed at the Ichimura Theater (?) in the Eleventh Month, 1788 (?), c.… As (Coin) Portraying Emperor Trajan, AD 98/100, Roman, minted in Rome, Roman Empire, Bronze, Diam. 2.7 cm, 9.91 g Fragment, 18th century, Italian, Italy, Beadwork, floral decoration with lyre shapes in green and yellows, 32.1 x 5.7 cm (12 5/8 x 2 1/4 in.) As (Coin) Portraying Emperor Claudius, AD 41/50, Roman, minted in Rome, Roman Empire, Bronze, Diam. 2.9 cm, 10.91 g Wine Glass, January 26, 1795, England or Netherlands, Engraved: Northern Netherlands, England, Glass, cut and stipple engraved, 13.5 × 6.7 cm (5 5/16 × 2 5/8 in.) Marching Beggar Woman with a Basket, 1634/38, Pieter Jansz Quast, Dutch, 1606-1647, The Netherlands, Engraving, with etching, on cream laid paper, 170 x 162 mm (image), 213 x 161 mm (plate), 267 x… Cup-Hilted Rapier, 1670/90, Spanish or south Italian, Italy, Steel, iron, brass, and gilding, Overall L. 114.3 cm (45 in.) Paperweight, c. 1845/60, Clichy, France, 1837-1885, France, Glass, Diam. 6.6 cm (2 5/8 in.) The Obelisk, 1787/88, Hubert Robert, French, 1733-1808, France, Oil on canvas, 255.6 × 223.5 cm (100 7/8 × 88 in.) Sakanoshita: Peak of Fudesute Mountain (Sakanoshita, Fudesute mine), from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi), also known as the Hoeido Tokaido, c.… Alfred Sisley, 1876, Pierre-Auguste Renoir, French, 1841-1919, France, Oil on canvas, 66.2 × 54.8 cm (26 × 21 9/16 in.) The Circle of the Corrupt Officials, the Devils Tormenting Ciampolo. Inferno, canto XXII, 1827, printed c. 1892, William Blake, English, 1757-1827, England, Hand-colored engraving on India paper,… Coverlet, 1820/25, United States, Cotton and wool, plain weave with supplementary patterning wefts ("summer and winter) and main warp fringe, 220.1 x 190.5 cm (86 3/4 x 75 in.) Leaving the Bath, 1879–80, Edgar Degas, French, 1834-1917, France, Drypoint and aquatint in black on tan wove paper, 128 × 128 mm (image/plate), 236 × 181 mm (sheet) Christ on Mount of Olives, page 52 from the Treasury (Schatzbehalter), 1491, Michael Wolgemut and Workshop (German, 1434/37–1519), published by Anton Koberger (German, 1440–1513), Germany,… Antarctia, Print Réjane and Galipaux, in Madame Sans-Gêne, 1893, Henri de Toulouse-Lautrec, French, 1864-1901, France, Color lithograph on cream laid Japanese paper, 320 × 267 mm (image), 468 × 293 mm (sheet) Stater (Coin) Depicting a Horseman, 334/302 BC, Greek, minted in Tarentum, Calabria, Italy, Taranto, Silver, Diam. 2.2 cm, 6.44 g Sutra Cover, Ming dynasty (1368–1644), c. 1590’s, China, Silk and gold-leaf-over-lacquered-paper strips, warp-faced 4:1 satin weave with supplementary patterning wefts bound in weft-float… 2.589.713 / 2.589.715 Entries < previous page Page 3309 / 25898 next page >