Librifly Art Gallery


2.589.713 / 2.589.715 Entries   < previous page Page 3312 / 25898 next page >
Denarius (Coin) Portraying Emperor Vespasian, AD 74, Roman, minted in Rome, Roman Empire, Silver, Diam. 1.9 cm, 3.04 g
The Little Toilette, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1781–1783, Pietro Antonio Martini (Italian, 1738-1797), after Jean Michel Moreau (French,…
Paperweight, c. 1845/60, Saint-Louis, France, founded 1767, France, Glass, Diam. 10.1 cm (4 in.)
Sailboats on the water, c. 1888, Henri Charles Guérard, French, 1846-1897, France, Etching and drypoint with selective wiping on buff laid paper, 213 × 130 mm (plate), 310 × 234 mm (sheet)
Scarf, 1865/85, Belgium, Belgium, Cotton, bobbin straight lace of a type known as "Valenciennes" with a square Valenciennes mesh ground (made in two sections), 138.1 × 14.3 cm (54 3/8 × 5 5/8 in.)
Cooling off at Ryogoku: A Set of Three (Ryogoku suzumi sanpukutsui), c. 1748, Okumura Masanobu, Japanese, 1686-1764, Japan, Woodblock print, uncut hosoban triptych, sumizuri-e, 31.0 x 45.3 cm
Christ in the Garden of Olives, 1615/35, Gerrit van Honthorst, Dutch, 1592–1656, Netherlands, Black chalk, brush and gray wash, and pen and brown ink, heightened with white chalk, with traces…
The Fisher, 1863, Emmanuel Phelippes-Beaulieu, French, 1829-1874, France, Etching, with roulette and drypoint, on white wove paper, 160 × 119 mm (image), 178 × 128 mm (plate), 318 × 244 mm (sheet)
The Arton Trial (first plate), 1896, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph on tan wove paper, laid down on cream Japan tissue, 364 × 472 mm (image), 460 × 622 mm (sheet)
Pendant in the Shape of a Head, 5th century/3rd century BC, Phoenician, probably from the Eastern Mediterranean, or possibly Carthage, Carthage, Glass, rod-formed technique, 1.6 × 0.8 × 0.8 cm…
Statue of Meleager, 1st/2nd century AD, Roman, Roman Empire, Marble, 173 × 73.7 × 55.2 cm (68 5/16 × 29 × 21 3/4 in.)
Halberd, 1620/50, Flemish, Flanders, Steel, iron, and wood, L. 214.6 cm (84 1/2 in.)
A Bishop Carrying a Reliquary with a Skull and Study of Two Hands Holding a Reliquary of a Female Saint, n.d., School of Eustache Le Sueur, French, 1617–1655, France, Black chalk on tan laid…
The Sheep of Boisdeffre, February 1898, Théophile-Alexandre Steinlen, French, born Switzerland, 1859-1923, France, Lithograph in black on ivory wove paper, 368 × 281 mm (image), 548 × 449 mm…
Paperweight, c. 1845/60, Clichy, France, 1837-1885, France, Glass, Diam. 4.5 cm (1 3/4 in.)
Clutha Vase, c. 1895, Designed by Christopher Dresser, English, born Scotland, 1834-1904, Made by James Couper & Sons, Glasgow, 1850-1922, Glasgow, Blown glass, 42.8 × 11.1 cm (16 7/8 × 4 3/8 in.)
Sea Lane Off Kazusa Province (Kazusa no kairo), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), c. 1830/33, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan,…
Evening Snow at Kinryuzan Temple (Kinryuzan no bosetsu), from the series Eight Fashionable Views of Edo (Furyu Edo hakkei), c. 1778, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock…
The Moon over Gojo Bridge (Gojo no tsuki), from the series Heroes for the Snow, Moon, and Flowers (Buyu setsugekka), 1867, Tsukioka Yoshitoshi, Japanese, 1839-1892, Japan, Color woodblock print,…
The Shrimp Girl, from Old English Masters, 1896, printed 1902, Timothy Cole (American, born England, 1852-1931), after William Hogarth (English, 1697-1764), United States, Wood engraving on…
Title Page, from Cahier de six eaux-fortes, vues de Hollande, 1862, Johan Barthold Jongkind, Dutch, 1819-1891, Netherlands, Etching in brownish black on ivory laid paper, 127 x 207 mm (image), 137…
The Medici Collar, 1897, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black on ivory laid paper, 185 x 112 mm (image), 206 x 163 mm (sheet)
The Actor Onoe Kikugoro I as Kyo no Jiro in the play Fujibumi Sakae Soga, performed at the Ichimura Theater in the second month, 1763, 1763, Torii Kiyomitsu I, Japanese, 1735–1785, Japan,…
Seal with Bird, Geometric Period (750–700 BC), Greek, Thessaly, Thessaly, Bronze, 3.9 × 3.5 × 2.4 cm (1 1/2 × 1 3/8 × 1 in.)
Warbler Wood Carvings and Clams of Kameido (Kameido san Uguisu ki shijimi), section of a sheet from the series Cutouts of Famous Places in Edo (Harimaze Koto meisho), 1852, Utagawa Hiroshige…
The Battle of Bunker Hill—Watching the Fight from Copp’s Hill, in Boston, published June 26, 1875, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916),…
The Rape of Europa, 1654/56, David Teniers the Younger (Flemish, 1610–1690), After an unknown Venetian painter (Active about 1500/00), Italy, Oil on panel, 21.5 × 31.3 cm (8 7/16 × 12 5/16 in.)
The Venetian Mast, 1879/80, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint in black ink on ivory laid paper, 344 x 165 mm (plate), 354 x 167 mm (sheet)
Moonrise, 1861, Charles François Daubigny, French, 1817-1878, France, Etching on cream chine laid down on white wove paper, 95 × 166 mm (image), 134 × 193 mm (plate), 191 × 278 mm (sheet)
The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama, Mughal period, c. 1590/95, India, Designed by Basawan, painted by Shankar, India,…
The Day’s Orders (L’Ordre du Jour), May 1859, Camille Léon Louis Silvy, French, 1834–1910, France, Albumen print, 24.9 × 18.6 cm (image/paper), 40.5 × 30.3 cm (mount)
Dish, New Kingdom, Dynasty 18 (about 1550–1069 BC), Egyptian, Egypt, Calcite, 2.9 × 10.2 × 7.3 cm (1 1/8 × 4 × 2 7/8 in.)
Women Washing Clothes, c. 1788, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, oban, triptych, 38.7 x 25.8 cm (right sheet), 39.0 x 25.7 cm (center sheet), 38.1 x 25.4 cm…
Tetradrachm (Coin) Depicting the God Dionysos, after 148 BC, Greek, Thasos, Thásos, Silver, Diam. 3.2 cm, 15.61 g
Paperweight, c. 1845–60, Saint-Louis, France, founded 1767, France, Glass, 6.7 × 4.5 cm (2 5/8 × 1 3/4 in.)
Gaiety Stage Door, 1879, published 1887, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black with scraping, on cream chine, laid down on off-white plate paper,…
Bracelet, 9th/12th century AD, Egyptian, Egypt, Glass, 1 × 6.4 × 6.4 cm (2/5 × 2 1/2 × 2 1/2 in.)
Wheellock Birding Rifle (Tschinke), 1630, Polish, Silesia, Teschen, Teschen, Steel, brass, walnut, horn, and mother-of-pearl, L. 115.5 cm (45 1/2 in.)
The Nativity, 1500/05, Perugino (Pietro di Cristoforo Vannucci), Italian, 1445/46-1523, Italy, Tempera on panel, transferred to canvas, 26.2 x 46.3 cm, 10 5/16 x 18 1/4 in.
Pair of Clogs, Mid–19th century, Algeria, Algeria, Wood inlaid with mother of pearl
The Actor Matsumoto Koshiro IV as the Boatman Minagawa Shin’emon of Reisengasaki in Kamakura, Actually Hata Rokurozaemon Tokiyoshi (Yondai-me Matsumoto Koshiro no Kamakura Reizengasaki no…
Panel, c. 1730, France, Wool and linen, plain weave with supplementary pile warps forming cut solid velvet, stamped, of a type known as "velours de trek
Landscape with Cottages and a Hay Barn: Oblong, 1641, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching on off-white laid paper, 132 x 324 mm (sheet), 130 x 322 mm (plate)
Goddess White Tara with Kneeling Donor at Base, c. 12th century, Tibet, Central Tibet, Central Tibet, Phyllite, 7.3 × 4.8 × 2.3 cm (2 7/8 × 1 7/8 × 7/8 in.)
The Beast with Two Horns like a Lamb, from The Apocalypse, c. 1496–98, published 1511, Albrecht Dürer, German, 1471-1528, Germany, Woodcut in black on tan laid paper, 393 x 282 mm (image), 433…
Yamatoya: Iwai Hanshiro IV as Katanaya Ohana, from the series Portraits of Actors on Stage (Yakusha butai no sugata-e), 1794, Utagawa Toyokuni I 初代 歌川 豊国, Japanese, 1769–1825,…
Hemidrachm (Coin) Depicting the God Zeus Amarios, 222/146 BC, Greek, Ancient Greece, Silver, Diam. 1.6 cm, 2.30 g
Man and Woman Conversing, c. 1671, Adriaen van Ostade, Dutch, 1610-1685, Holland, Etching in black on ivory laid paper, 91 x 78 mm (image), 97 x 80 mm (plate), 102 x 85 mm (sheet)
Snow White and Rose Red, n.d., Richard Doyle, English, 1824-1883, England, Watercolor over graphite on ivory wove paper, laid down on card, 140 × 214 mm
Church of St. Etienne du Mont, Paris, 1852, Charles Meryon, French, 1821-1868, France, Etching on verdâtre (greenish) laid paper, 243 × 130 mm (image), 243 × 130 mm (plate), 278 × 158 mm (sheet)
Standing Attendant (Tomb Figurine), Eastern Zhou dynasty, Warring States period (480–221 B.C.), 4th/3rd century B.C., China, Wood with traces of polychrome pigments, 52.0 × 10.3 × 5.3 cm (20…
The Empress and Death, 1651, Wenceslaus Hollar (Czech, 1607-1677), after Hans Holbein the younger (German, c.1497-1543), Bohemia, Etching on ivory wove paper, 70 × 50 mm (sheet, trimmed within…
I don’t dare take them down yet…it would hurt him too much, c. 1892, Jean Louis Forain, French, 1852-1931, France, Lithograph on ivory vellum paper, 332 × 285 mm (image), 397 × 258 mm (sheet)
Abraham’s Sacrifice of Isaac, from Landscapes with Old and New Testament Scenes and Hunting Scenes, 1584, Adriaen Collaert (Flemish, c. 1560–1618), after Hans Bol (Flemish, 1535–1593),…
Sestertius (Coin) Portraying Germanicus, AD 37/38, Roman, minted in Rome, Roman Empire, Bronze, Diam. 3.4 cm, 25.94 g
Islands: Evening, 1879/80, James McNeill Whistler, American, 1834-1903, United States, Drypoint in black ink on cream laid paper laid down on cream wove paper, 126 x 202 mm (plate), 136 x 203…
Parasol, c.1870, France, Black Chantilly lace over white surah, lined with thin black silk, straight ivory handle carved with design of grapes and leaves. Steel frame, tubing enameled black,…
Mise-en-carte (Point-paper), 1760/90, France, Ink and gouache on hand drawn graph paper, 42 × 32.4 cm (16 1/2 × 12 3/4 in.)
Sunday: Going to Church Near Berchtesgaden, 1823, Ferdinand Olivier, German, 1785-1841, Germany, Lithograph with tint-stone on white wove paper, 195 x 272 mm (image), 371 x 529 mm (sheet)
Sketch of a Woman’s Head, 1895–1900, Theodore Roussel, French, worked in England, 1847-1926, England, Soft ground etching in brown-black on cream Japanese paper, 57 × 48 mm (image), 98 × 65…
Two Studies of a Dancer, Raising Her Skirt in Her Two Hands, 1712/13, Jean Antoine Watteau, French, 1684-1721, France, Red chalk on cream laid paper, 176 × 133 mm
The Advocate and Death, 1651, Wenceslaus Hollar (Czech, 1607-1677), after Hans Holbein the younger (German, c.1497-1543), Bohemia, Etching on ivory wove paper, 72 × 52 mm (sheet, trimmed within…
Chimney Ornament, 1887, England, Staffordshire, Staffordshire, Glazed earthenware with polychrome enamel decoration, 12 x 11 x 8.2 cm (4 3/4 x 4 15/16 x 3/4 in.)
Panel, c. 1749/55, England or France, England, Silk and gilt-metal strips, warp-stripe plain weave with supplementary patterning wefts, supplementary brocading wefts, and supplementary…
Innocence in Danger, c. 1785, Jean Gabriel Caquet (French, 1749-1802), after Nicolas Lavreince (Swedish, 1737-1807), France, Engraving on ivory laid paper, 370 × 251 mm (image), 387 × 269 mm…
Carolling, 1887, printed January 1890, Henry Peach Robinson, English, 1830–1901, England, Photogravure, "Sun Artists, Number 2" (1890), 11.6 × 18.2 cm (image), 28.2 × 37.8 cm (paper)
Dante’s Purgatory, c. 1857, Jules-Élie Delaunay (French, 1828-1891), after Luca Signorelli (Italian, c. 1450-1523), France, Pen and brown ink on tan wove paper, 190 × 167 mm
Bottle, Early 18th century, Bohemia, Czech Republic, Bohemia, Glass, H. 14.6 cm (5 3/4 in.)
Amulet of the God Osiris, Third Intermediate–Late Period (about 1070–332 BC), Egyptian, Egypt, Silver, 3.2 × 1.1 × 1 cm (1 1/4 × 7/16 × 3/8 in.)
Antilope saltatrix, Print, Blackbuck, The blackbuck (Antilope cervicapra), also known as the Indian antelope, is an antelope found in India, Nepal, and Pakistan. The blackbuck is the sole…
Panel (Furnishing Fabric), 1860/80, Produced by Mathevon et Bouvard, 1810–1895, France, Lyon, Lyon, Silk, satin weave with twill interlacings of secondary binding warps and patterning and…
Tetradrachm (Coin) Portraying King Ptolemy II Philadelphos and Queen Arsinoe II, After 270 BC, issued by King Ptolemy II, reign of Ptolemy II and Arsinoe II, 285–247 BC, Greek, Egypt, Gold,…
The Cap, 1893, printed posthumously, James McNeill Whistler, American, 1834-1903, United States, Lithograph, in black ink, on cream laid paper, 207 x 130 mm (image), 230 x 186 mm (sheet)
Saint Ildefonso Receiving a Chasuble from the Virgin, n.d., Attributed to Marco Tullio Merolle, Italian, born 1730, Italy, Pen and brown ink on tan laid paper, 218 x 122 mm
Satyrs Dancing, from Bacchanales, or Satyrs’ Games, 1763, Jean Honoré Fragonard, French, 1732-1806, France, Etching on ivory laid paper, 137 × 203 mm (image), 146 × 212 mm (plate), 172 × 233…
Fukusa (Gift Cover), late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century, Japan, Pattern side: silk, gold-leaf-over-lacquered-paper-strip-wrapped cotton, slit and single…
Christ Kneeling, n.d., After Carlo Dolci, Italian, 1616-1686, Italy, Red and black chalk on ivory laid paper, 337 x 246 mm
Rocky Landscape, n.d., Anthoni Waterlo, Dutch, 1609-1690, Holland, Etching on paper, 114 x 166 mm (image), 114 x 166 mm (sheet)
Portrait of a Woman Facing Right, 1798, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 387 x 276…
Amulet in the Shape of Two Mirror-Imaged Birds, Byzantine Period (4th–7th century AD), Egyptian, Egypt, Shell, 2.9 × 1.3 × 0.2 cm (1 1/8 × 1/2 × 1/16 in.)
Courtesan Plying Shojo with Sake, no. 4 from a series of 12 prints, c. 1708, Okumura Masanobu, Japanese, 1686-1764, Japan, Woodblock print, oban, sumizuri-e, 26.6 x 36.9 cm
The Broad Bridge, 1878, James McNeill Whistler, American, 1834-1903, United States, Lithotint, in brown ink, with scraping, on tan laid paper, 187 x 281 mm (image), 195 x 291 mm (sheet)
Fragment, 1775/1800, France, Silk, warp-float 5:1 faced satin weave with supplementary pile warps forming cut and uncut voided velvet, 23.2 × 10.4 cm (9 1/8 × 4 1/16 in.)
Nathanael Dilgerus, 1683, Gérard Edelinck, French, born Flanders, 1640-1707, France, Engraving on paper, 301 × 218 mm (sheet, trimmed within platemark)
Egrets in the Snow, c. 1768, Attributed to Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, chuban, 27.6 x 20.6 cm (10 7/8 x 8 1/8 in.)
Pity the Sorrows of a Poor Old Man!… plate 2 from Various Subjects Drawn from Life on Stone, 1821, Jean Louis André Théodore Géricault (French, 1791-1824), printed by Charles Joseph…
Nocturne: Furnace, 1879/80, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper, 166…
Guanyin (Avalokiteshvara), Dali kingdom (c. 937–1253), 12th century, China, Gilt copper, 34 × 6.4 × 5.6 cm (13 3/8 × 2 1/2 × 2 1/4 in.)
Marcus Curtius Leaping into the Abyss, 1555/63, Francesco de’Rossi, called Salviati, Italian, 1510-1563, Italy, Pen and brown ink with brush and brown wash, heightened with white gouache,…
Figure of Shou Lao, c. 1750, England, Staffordshire, Staffordshire, Lead-glazed earthenware with polychrome decoration, H. 17.8 cm (7 in.)
Palais du Prince, Liège, 1833, Samuel Prout (English, 1783-1852), probably printed by Charles Joseph Hullmandel (English, 1789-1850), probably published by Rudolph Ackermann (English,…
Achilles and Agamemnon. Achilles:, And what do I care about your Troy!, plate one from Physionomies Tragiques, 1851, Honoré Victorin Daumier, French, 1808-1879, France, Lithograph in black, with…
Remains of the temple of the god Canopus at Hadrian’s Villa, Tivoli, from Views of Rome, 1768, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on heavy ivory laid paper, 447 x 579…
Evening Snow on Mt. Hira (Hira no bosetsu), No. 6 from the series Eight Views of Omi, c. 1716/36, Nishimura Shigenaga, Japanese, 1697 (?)-1756, Japan, Hand-colored woodblock print, hosoban,…
Goten Hill at Shinagawa (Shinagawa Gotenyama), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)v, 1856, Utagawa Hiroshige 歌川 広重, Japanese, 1797–1858, Japan, Color…
New England Country Seat, 1800/20, American, 18th/19th century, New England, Oil on yellow poplar panel, 58.6 × 91.8 cm (23 × 36 1/8 in.)
Sabines Crossing the River Tiber to Attend the Roman Games, n.d., After Polidoro Caldara, called Polidoro da Caravaggio, Italian, c. 1499-c. 1543, Italy, Pen and brown ink with brush and brown…
Wine Glass, Early 18th century, Bohemia, Czech Republic, Bohemia, Glass with engraved gold leaf decoration, 17.2 × 6.7 cm (6 3/4 × 2 5/8 in.)
Anolis bimaculatus, Print, Anolis bimaculatus, the panther anole, also known as the St. Eustatius anole, is a species of anole lizard that is endemic to the Caribbean Lesser Antilles. It is found…
Fragment, Edo period (1615–1868), 1701/25, Japan, 17.8 x 19.1 cm (7 x 7 1/2 in) (per old card)

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