Biblical Scenes, n.d., Rodolphe Bresdin, French, 1825-1885, France, Pen and brown ink, on cream tracing paper, laid down on ivory wove paper, 228 × 126 mm

Profile Bust of the Prince of Condé, c. 1685, Antoine Coysevox (Follower of), French, 1640-1720, France, Marble, 37 1/2 × 37 1/8 in. (95 × 94 cm) (with frame)

The Urchin, 1868–74, Édouard Manet (French, 1832-1883), printed by Lemercier et Compagnie (French, 19th century), France, Lithograph in black, with scraping, on chine with blue and red fibers,…

Shrine Surround, Qing dynasty(1644–1911), 1750/1800, China, Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapesty weave (kossu) with eccentric wefts, edged with silk,…

The Actor Sanogawa Mangiku I as Sanada, the daughter of the spinner Itoya, in the play Hiragana Yomeiri Izu Nikki, performed at the Nakamura Theater in the eleventh month, 1718, 1718, Torii…

The Abbey of Llan Egnerst or Vale Crucis, and Castle Dinas Bran, 1776, Paul Sandby, English, 1731-1809, England, Etching and aquatint in sanguine on ivory laid paper, 239 × 315 mm (plate), 320 ×…

Colonel Lamont I (Whole length), 1900, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 226 x 150 mm (image/plate), 319 x 200 mm (sheet)

The Riva, 1879/80, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint with foul biting in dark brown ink on ivory laid paper, 202 x 299 mm (image, trimmed within…

Kesa, 18th century, Edo period (1603–1868), Japan, Silk and gilt-paper strip, satin weave with secondary binding warps and supplementary patterning wefts, 120.6 x 216.9 cm (47 1/2 x 85 3/4 in.)

Comb, c.1880, Italy, Gilded metal with filigree and square green jewels

The Actor Ichikawa Danjuro V as Kakogawa Honzo in the Play Kanadehon Chushin Nagori no Kura, Performed at the Nakamura Theater in the Ninth Month, 1780, c. 1780, Katsukawa Shunsho 勝川…

An Actor on Stage, Edo period, 1720–1730, Japanese, Japan, Album sheet mounted as hanging scroll. Ink and colors on paper, 31.6 x 21.7 cm

The Autumn Moon at Tokaiji (Tokaiji no shugetsu), from the series Eight Fashionable Views of the Shinagawa (Furyu Shinagawa hakkei), c. 1773/75, Isoda Koryusai, Japanese, 1735-1790, Japan,…

Flintlock Rifle, c. 1750, Barrel: Gotfried, Austrian, Vienna, Vienna, Walnut, steel, gold, and horn, L. 110.7 cm (43 5/8 in.)

Three Brothers, 4480 ft., Yosemite, 1861/76, Carleton Watkins, American, 1829–1916, United States, Albumen print, stereo, from the series "Watkins' Pacific Coast

Paperweight, c. 1845–60, Clichy, France, 1837-1885, Clichy, Glass, Diam. 8 cm (3 1/8 in.)

Our Country Cousin, 1882, B. W. Kilburn, American, 1827–1909, United States, Albumen silver print, stereo, 7.7 x 7.6 cm (each image), 8.8 x 17.7 cm (card)

Architectural Drawing from Le livre d’ Architecture, plate 68 from Woodcuts from Books of the XVI Century, 1545, assembled into portfolio 1937, Sebastiano Serlio (Italian, 1475-1554), assembled…

The Bust, plate two from Les Soirées de Rome, 1764, Hubert Robert, French, 1733-1808, France, Etching on ivory laid paper, 128 × 88 mm (image), 136 × 95 mm (plate), 164 × 117 mm (sheet)

Madame Roulin Rocking the Cradle (La berceuse), 1889, Vincent van Gogh, Dutch, 1853-1890, Netherlands, Oil on canvas, 92.7 × 73.8 cm (36 1/2 × 29 1/2 in.)

Amulet of the God Thoth, Third Intermediate Period, Dynasty 21–25 (1070–656 BC), Egyptian, Egypt, Faience, 3.8 × 1 × 0.6 cm (1 1/2 × 3/8 × 1/4 in.)

Mummy of a Man, Ptolemaic Period (about 2nd–1st century BC), Egyptian, Egypt, Linen, cartonage, human remains, 38.1 × 175.3 × 49.5 cm (15 × 69 × 19 1/2 in.) (appro×.)

View on the Wensum at King Street, Taken from Foundary Bridge, 1810/18, John Thirtle, English, 1777-1839, England, Watercolor on off-white wove paper, 153 × 316 mm

Knight, 1512/1515, Albrecht Altdorfer, German, c.1480-1538, Germany, Engraving in black on ivory laid paper, 89 x 48 mm (image/plate)

Carpet, 1601/25, Central Iran or Kashan, Iran, Cotton, silk, and gilt-and-silvered-metal-strip-wrapped silk, plain weave variation with supplementary brocading wefts and supplementary wrapping…

Goddess Green Tara Seated with Hand in Gesture of Gift Giving (Varadamudra), 16th century, Nepal, Nepal, Gilt copper alloy, 17.8 x 7.6 x 5.5 cm (7 x 3 x 2 1/8 in.)

Fragment, 1601/35, Italy, Silk, broken reversed twill ground velvet weave, solid, cut and uncut velvet, 22.4 x 24.4 cm (8 7/8 x 9 5/8 in.)

Panel, 1795/1800, England, Cotton, plain weave, block printed, 253.7 × 70.9 cm (99 7/8 × 27 7/8 in.)

Karnac, Grande Allée du Milieu des Ruines, Prise de l’est, 1859/60, Louis De Clercq, French, 1836–1901, France, Albumen print, 28 × 20.9 cm (image/paper), 57.8 × 45.8 cm (mount)

Summer, 1644, Wenceslaus Hollar, Czech, 1607-1677, Bohemia, Etching on ivory laid paper, 177 × 125 mm (sheet, trimmed within plate mark)

Overgrown Courtyard of Ruined Castle, n.d., Jan Asselijn, Dutch, c.1610-1652, Holland, Brush and gray wash, with traces of black chalk, on ivory laid paper, 302 x 336 mm

Obi (Belt), Meiji period (1868–1912), 1875/1900, Japan, Silk, cotton, wild silk and gold-leaf-over-lacquered-paper strips, warp-float faced 2:1 'S' twill weave with supplementary patterning…

Triumph of Caesar, 1599, Andrea Andreani (Italian, 1558/59–1629), after Andrea Mantegna (Italian, 1431–1506), Italy, Chiaroscuro woodcut from four blocks in black and light, medium and…

Glass Cooler, 1809/19, France, Paris, Martin-Guillaume Biennais (French, 1764–1843), Paris, Silver gilt, 12.7 × 22.4 × 33 cm (5 × 8 13/16 × 13 in.)

Portion of a Longer Hanging Border, 17th century, Italy, Dark green woolen material embroidered with colored silk and gold thread, 348 x 47.3 cm (137 x 18 5/8 in.)

Juno Sending Psyche Away, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio, called Raphael…

Sword Pommel, late 16th century, German, Germany, Iron, Overall

Delights of Fishing, 1823, Charles Turner (English, 1773-1857), after Sir Robert Frankland (English, 1784-1849), published by Thomas McLean (English, active c. 1790-1860), England,…

Arca noe, Print

Woman in Bed, Profile, Getting Up, plate eight from Elles, 1896, Henri de Toulouse-Lautrec (French, 1864-1901), published by Gustave Pellet (French, 1859-1919), probably printed by Auguste…

Teapot, c. 1790, Wedgwood Manufactory, England, founded 1759, Burslem, Stoneware (jasperware), 8.3 × 14.3 cm (3 1/4 × 5 5/8 in.)

Isn’t it marvellous to have a son who is a lawyer… what an honour for the family… Adolph, I want you to remain dressed like that all day long!…, plate 21 from Les Bons Bourgeois, 1846,…

Sanno Festival Procession at Kojimachi Itchome (Kojimachi Itchome Sanno Matsuri nerikomi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), 1856, Utagawa Hiroshige 歌川…

Agama spec., Print, 1700-1880

Cope, 1601/75, Italy or Sicily, Italy, Silk, satin weave, underlaid with linen, plain weave, embroidered with silk, gilt-metal-strip-wrapped silk and gilt-metal-strips in crossed back, running,…

The Adoration of the Magi, c. 1495, Attributed to Raffaello Botticini, Italian, 1477–c.1520, Italy, Tempera on panel (poplar), Diameter: 104.2 cm (41 in.)

Isabella Gardener, 1894, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 250 x 201 mm (image/plate), 448 x 337 mm (sheet)

Amulet of the Goddess Bastet, Late Period (?) (664 BC–332 BC), Egyptian, Egypt, Ceramic, 1.3 × 1 × 0.3 cm (1/2 × 3/8 × 1/8 in.)

Sofa, 1849/54, Attributed to Charles A. Baudouine, American, 1808–1895, New York, Mahogany and laminated mahogany, 112.4 × 185.4 × 68.6 cm (44 1/2 × 73 × 27 in.)

Cabinet on Stand, c. 1760, England, London, Attributed to William Vile (English, 1700/05–1767), England, Mahogany, ebony, boxwood, 120.65 × 48.3 × 38 cm (47.5 × 19 × 15 in.)

Bottle, 3rd/4th century AD, Roman, Levant or Syria, Syria, Glass, blown technique, H. 11.1 cm (4 3/8 in.), diam. 2.2 cm (7/8 in.)

Fish Plate, 350/325 BC, Attributed to the Hippocamp Group, Greek, Canosa, Apulia, Italy, Canosa di Puglia, terracotta, decorated in the red-figure technique, 5 × 21.5 × 21.5 cm (2 × 8 1/2 × 8…

Christ as Salvator Mundi with Lamb, n.d., Jacopo Carucci, called Jacopo da Pontormo, Italian, 1494-1557, Italy, Red chalk and black chalk on cream laid paper, 351 x 253 mm, The Blessed Riniero…

March, August 20, 1793, Francesco Bartolozzi (Italian, 1727-1815), after William Hamilton (English, 1751-1801), published by John and Josiah Boydell (English, 18th century), Italy, Color…

Coin Portraying Emperor Constantius II, AD 337/361, Roman, minted in Aquileia, Roman Empire, Bronze, Diam. 2 cm, 1.81 g

Saint Michael and the Devil, 1475/1500, Spanish, Seville, Poplar, formerly polychromed and gilded, 52.4 × 22.9 × 21.3 cm (20 5/8 × 9 × 8 3/4 in.)

Mori Ranmaru Killed in Battle at Honnoji (Honnoji ni Mori Ranmaru uchijini no zu), from the series The Record of Toyotomi’s Achievements (Toyotomi kunkoki), 1886, Utagawa Yoshifuji,…

Nuihaki (Noh Costume), late Edo period (1789–1868), 1801/25, Japan, Silk, warp-float faced 7:1 satin weave, patterned with impressed gold leaf, embroidered with silk and…

At Zaandam, 1877, Maxime Lalanne, French, 1827-1886, France, Etching and drypoint on ivory China paper, laid down on ivory wove paper, 146 × 225 mm (image), 190 × 261 mm (primary support), 200…

The Actors Yamashita Mangiku, Iwai Hanshiro IV, and Iwai Kumesaburo from a pentaptych of eleven actors celebrating the festival of the shrine of the Soga brothers, 1788, Torii Kiyonaga,…

Paperweight, c. 1848–55, Baccarat, France, founded 1764, Lunéville, Glass, Diam. 5.7 cm (2 1/4 in.)

Closed Eyes, 1890, Odilon Redon, French, 1840-1916, France, Lithograph in gray-green on cream China paper laid down on ivory wove paper, 312 × 242 mm (image/chine), 453 × 349 mm (sheet)

Alabastron (Container for Scented Oil), late 6th/5th century BC, Eastern Mediterranean, possibly from Rhodes, Rhodes, Glass, core-formed technique, 14.9 × 4 × 3.2 cm (5 7/8 × 1 5/8 × 1 1/4 in.)

Plate, 1718/35, Ary van Rijsselberg, Dutch, 18th century, Delft, Tin-glazed earthenware (Delftware), Diam. 22.9 cm (8 15/16 in.)

Kintai Bridge in Suo Province (Suo no kuni Kintaibashi), from the series Unusual Views of Famous Bridges in Various Provinces (Shokoku meikyo kiran), c. 1833/34, Katsushika Hokusai 葛飾…

Mustard Pot, 1757, Sèvres Porcelain Manufactory, French, founded 1740, Sèvres, Soft-paste porcelain, underglaze blue ground, polychrome enamels, and gilding, H. 8.6 cm (3 3/8 in.)

Jar, Old Kingdom, Dynasty 3–8 (2707–2219 BC), Egyptian, Egypt, Stone, 7.6 × 4.5 × 4.5 cm (3 × 1 3/4 × 1 3/4 in.)

Moses and the Brazen Serpent, n.d., Unknown Artist, Possibly Italian, n.d., Italy, Pen and brown ink, over graphite, on tan laid paper, tipped onto gray laid paper, 212 x 325 mm

The Net Menders, 1899, Jan Toorop, Dutch, 1858-1928, Holland, Drypoint on cream vellum paper, 157 x 187 mm (plate), 232 x 297 mm (sheet)

Tetradrachm (Coin) Depicting the Goddess Athena, 196/187 BC, Greek, Athens, Silver, Diam. 3.6 cm, 16.08 g

Nude Figure Holding a Fan, n.d., Charles French, Unknown, 1835-1883, Unknown, Graphite on cream wove paper, 147 x 86 mm

Altar Frontal, 17th century, Italy, 289.56 x 74.9 cm (114 x 29 1/2 in.)

Fragment, late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century, Japan, 46.3 x 43.5 cm (18 1/4 x 17 1/8 in.)

Small Coffee Pot, Mid 18th century, Probably Frankfurt, Germany, Frankfurt am Main, Pewter and wood, 17.8 × 8.9 × 15.2 cm (7 × 3 1/2 × 6 in.)

Panel, c. 1790, France, Alsace, France, Cotton, plain weave, block printed, backed and padded with cotton, quilted with linen thread, 208.3 × 133.4 cm (82 × 52 1/2 in.)

Head of Flora, July 3, 1769, Louis-Marin Bonnet (French, 1736-1793), after François Boucher (French, 1703-1770), France, Color pastel-manner engraving and crayon-manner engraving on cream laid…

The Courtesan Somenosuke of the Matsubaya House, from the series Fuji-bumi (Folded Love-letters), c. 1769/70, Ippitsusai Buncho, Japanese, active c. 1755-90, Japan, Color woodblock print,…

Bottle, early 3rd/early 2nd century BC, Eastern Mediterranean or Italian, Eastern Mediterranean Region, Glass, core-formed technique, 10.5 × 5.4 × 4.3 cm (4 1/8 × 2 1/8 × 1 11/16 in.)

Monte Pincio, Rome, 1840/50, Jean-Baptiste-Camille Corot, French, 1796-1875, France, Oil on canvas, 10 5/8 × 16 in. (27 × 40.6 cm)

Landscape with Farm Laborers, 1845, Charles Émile Jacque, French, 1813-1894, France, Etching on cream China paper laid down on ivory wove paper, 111 × 198 mm (image), 116 × 205 mm (chine), 121…

Equity, or a Sailor’s Prayer before Battle, 1805, Charles Williams (English, active 1797-1830), published by Thomas Tegg (English, 1776-1845), England, Hand-colored etching on ivory wove paper,…

A Mirror on a Stand Suggesting the Autumnal Moon (Kyodai no shugetsu), from the series Eight Scenes of the Parlor (Zashiki hakkei), c. 1777, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color…

Saint George and the Dragon, 1434/35, Bernat Martorell, Spanish, about 1400–1452, Spain, Tempera on panel, 155.6 × 98.1 cm (61 1/4 × 38 5/8 in.)

Amphora (Storage Jar), about 5th century BC, Eastern Mediterranean, Egypt, Glass, 7.6 × 4.4 × 4.4 cm (3 × 1 3/4 × 1 3/4 in.)

Wheel-Lock Spanner and Turnscrew, mid–17th century, German, Germany, Iron, blued, fretted and engraved, L. 18.5 cm (7 1/4 in.)

The Waitress Osen of the Kagiya Teahouse Holding a Fan, c. 1768/69, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, hashira-e, 25 5/16 x 4 3/4 in.

Via Mala, c. 1815, Joseph Mallord William Turner, English, 1775-1851, England, Etching in brown on ivory wove paper, laid down on board, 236 × 323 mm (image), 267 × 357 mm (plate), 362 × 514…

Goblet, 18th century, Netherlands, Netherlands, Glass, diamond engraved, 17.2 x 6.4 cm (6 3/4 x 2 1/2 in.)

Valance, 18th century, England, Cotton, twill weave, embroidered, 40.3 × 175.3 cm (15 7/8 × 69 in.)

Kesa, late Edo period (1789–1868), 1804/44, Japan, Silk, plain weave with rows of 1:1 plain gauze crossings (yoko ro), self-patterned by areas of combined twill weave, pieced, embroidered with…

Signature Fragment from the Shepherdess, n.d., Jean François Millet (French, 1814-1875), printed by Jean-Baptiste Millet (French, 1831-1906), France, Woodcut in black on tan wove China paper…

Cavalier, c. 1871, Mariano Fortuny y Marsal, Spanish, 1838-1874, Spain, Oil on wood, 13.7 x 10.2 cm (5 3/8 x 4 in.)

The Fall of the Clyde, plate 18 from Liber Studiorum, published March 29, 1809, Joseph Mallord William Turner (English, 1775-1851), Engraved by Charles Turner (English, 1773-1857), England,…

Madonna with the Monkey, c. 1498, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 190 x 122 mm

Tis Loving Thee Too Well (valentine), c. 1850, Joseph Mansell, English, 19th century, England, Collaged elements on embossed ivory wove paper, 178 × 117 mm (folded sheet)

The Actor Segawa Kikunojo II as Yamabuki, the sister of Hata Rokurozaemon, in the play Shikai Nami Yawaragi Taiheiki, performed at the Ichimura Theater in the eleventh month, 1763, 1763,…

A Master of Ceremonies, n.d., Mariano José María Bernardo Fortuny y Carbó, Spanish, 1838-1874, Spain, Etching on paper, 325 x 235 mm

Aradus, Print, Aradus is a genus of true bugs in the family Aradidae, the flat bugs. It is distributed worldwide, mainly in the Holarctic. There are around 200 or more species in the genus.

Limbo, plate four from In Dreams, 1879, Odilon Redon, French, 1840-1916, France, Lithograph on mounted ivory China paper, 307 × 223 mm

Ten Assassinations for a Penny, November 1897, Théophile-Alexandre Steinlen, French, born Switzerland, 1859-1923, France, Lithograph in black on ivory wove paper, 363 × 289 mm (image), 648 × 506…