Librifly Art Gallery 2.589.713 / 2.589.715 Entries < previous page Page 3314 / 25898 next page > Leaf from Cursus Beate Marie Virginis (The Journey of the Blessed Virgin Mary), Plate 31 from Woodcuts from Books of the 15th Century, c. 1497, portfolio assembled 1929, Unknown Artist… Border, 1875/1900, Europe, Europe, Linen, needle lace with woven tape, 10 × 121.9 cm (4 × 48 in.) Coverlet, 1830/40, United States, Cotton and wool, plain weave double cloth, two loom widths joined, fringed, 225.5 x 188 cm (87 1/2 x 74 in.) Jupiter, plate two from Der VII Planeten, n.d., Conrad Meyer, Swiss, 1618-1689, Switzerland, Etching in black on ivory laid paper, 69 x 49 mm (sheet) Coin Depicting a Sphinx, AD 138/217 (?), Roman, Roman Empire, Bronze, Diam. 2 cm, 4.64 g Sleeping Peasant, c. 1865, Jean François Millet, French, 1814-1875, France, Charcoal, on ivory laid paper, 118 × 215 mm The Outskirts of Koshigaya in Musashi Province (Musashi Koshigaya zai), from the series Thirty-six Views of Mount Fuji (Fuji sanjurokkei), 1858, Utagawa Hiroshige 歌川 広重, Japanese,… Return to Port, plate two from Six Marines, 1833, Eugène Isabey (French, 1803-1886), printed by Charles Étienne Pierre Motte (French, 1785-1836), France, Lithograph in black on ivory China… Untitled (Caricature), n.d., possibly by Salvator Rosa (Italian, 1615-1673), possibly by Jusepe de Ribera (Spanish, 1591-1652), Spain, Red chalk on ivory laid paper, 171 x 171 mm Border, 17th century, Italy, 35.6 x 203.1 cm (14 x 80 in.) Shelf Clock, c. 1820/40, Benjamin Torrey, American, active c.1817–1843, United States, Mahogany, white pine, iron, brass, painted glass, H.: 36 in. Wimple in the County of Cambridge, plate 32 from Britannia Illustrata, published 1707, Jan Kip (Dutch, c. 1653-1722), after Leonard Knyff (Dutch, 1650-1721), published by David Mortier… Trafalgar Square, 1850–1900, probably English, 19th century, England, Albumen print, from the album "Views of London Sarape, 1750/1800, Mexico, possibly Saltillo, México, Cotton and wool, tapestry weave, slit, single dovetail, attached knotted fringe, 253 x 131.5 cm (99 5/8 x 51 3/4 in.) Fragment, Early 17th century, Italy or Spain, Italy, brocaded silk Antennarius histrio, Print, Antennarius is a genus of 11 species of fish in the family Antennariidae. These fish spend most of their lives on the bottom in relatively shallow water between 20 and… The First Horseback Ride of the New Year (Uma norizome), from the illustrated book Colors of the Triple Dawn (Saishiki mitsu no asa), c. 1787, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color… Female Figure, 500/400 B.C., Tlatilco, Tlatilco, Valley of Mexico, Mexico, Valley of Mexico, Ceramic and pigment, H. 59.7 cm (23 1/2 in.) Shinobazu Pond in Falling Snow (Shinobazu ike setchu no zu), section of a sheet from the series Famous Views in the Eastern Capital (Toto meisho), 1840s, Utagawa Hiroshige 歌川 広重,… Study for ‘The Dream of Saint Joseph’, 1635/37, Pietro Testa, Italian, 1611/12-1650, Italy, Pen and brown ink, with black chalk and traces of incising, on tan laid paper, laid down on cream… Ringed Patten (Overshoe), 1660s, England, Leather upper, stitched with wool and cotton in running stitches, lined with cotton and wool felt, wooden clog mounted on iron ring, 16.6 × 8.1 × 5.6 cm… Argyreiosus vomer, Print, 1700-1880 Amadina ferruginosa, Print, Amadina is a genus of estrildid finches. Established by William John Swainson in 1827, 1700-1880 Covered Sugar Bowl, 1820/30, New England Glass Company, American, 1818–1888, Cambridge, Massachusetts, East Cambridge, Pressed glass, 13 × 12.4 × 9.8 cm (5 1/8 × 4 7/8 × 3 7/8 in.) Virgin and Child, c. 1591, Circle of (or after) Francesco Vanni, Italian, 1563-1610, Italy, Pen and iron gall ink with brush and brown wash, on ivory laid paper, squared in graphite, 140 x 100 mm Temperance, 1521/56, Attributed to Girolamo Sellari, called Girolamo da Carpi, Italian, 1501-1556, Italy, Black chalk on ivory laid paper, 237 x 157 mm (max.) The Five Pines on the Onagi River (Onagigawa Gohonmatsu), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), 1856, Utagawa Hiroshige 歌川 広重, Japanese, 1797–1858,… Bowl, Song dynasty (960–1279), China, Marbled earthenware with clear glaze, H. 6.5 cm (2 9/16 in.), diam. 12.6 cm (5 in.) John James Audubon discovering his drawings eaten by a rat, 1870s, Japanese, Japan, Color woodblock print, oban Coverlet, 1820s/30s, United States, Cotton and wool, plain weave with supplementary patterning wefts (overshot) and extended supplementary patterning weft fringe, bottom edged with wool, plain… Orpheus Charming the Animals, 1490/1510, Peregrino da Cesena, Italian, active c. 1490-1520, Italy, Engraving in black, from a niello plate, on ivory laid paper, 53 × 31 mm (plate), 55 × 34 mm… The Large Italian Landscape, 1841, Johann Wilhelm Schirmer, German, 1807-1863, Germany, Etching on ivory chine, laid down on buff wove paper, 318 x 432 mm (image), 415 x 510 mm (chine),427 x 520… Alcyone pusilla, Print, 1700-1880 Panel, 1675/1700, England, Cotton and linen, weft float-faced 2:1 twill weave, embroidered with wool and silk in back, bullion, buttonhole, chain, detached chain, coral, satin, single satin, and… Lamentation over the Dead Christ, 1635, Pietro da Cortona, Italian, 1596-1669, Italy, Pen and brown ink, with brush and brown wash, heightened with lead white gouache and traces of black chalk,… Topographic, Geographic and Music Engraving, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), music engraved by Madame de Lusse (French, active 1760-1770), published by… Wine Glass, c. 1780, England, Glass, 17.8 cm (7 in.) Elshie, the Black Dwarf, n.d., Charles Émile Jacque, French, 1813-1894, France, Etching, engraving, and roulette on off-white wove paper laid down on ivory wove card, 82 × 121 mm (image), 104 ×… Glass Cooler, c. 1740/50, Olérys-Laugier Manufactory, France, founded in 17th century, Moustiers-Sainte Marie, Tin-glazed earthenware (faience), 10.2 × 13 cm (4 × 5 1/8 in.) Amulet of the God Seth, New Kingdom, Dynasty 19–20 (about 1295–1069 BC), Egyptian, Egypt, Faience, 4.5 × 1 × 0.5 cm (1 3/4 × 3/8 × 3/16 in.) Fragment, 18th century, Edo period (1615–1868), Japan, Plain compound satin, silk and gilt paper, 3 strips to m.m., 33.6 x 37.8 cm (13 1/4 x 14 7/8 in.) Truly Thine (valentine), c. 1860, John Windsor, English, 19th century, England, Collaged elements and silver paint on cut and embossed (designed) ivory wove paper with blue wove paper insert, 93 ×… Fragment, late Edo period (1789–1868)/ Meiji period (1868–1912), 1850/1900, Japan, 34.9 x 23.9 cm (13 4/4 x 9 3/8 in) (per card) Clear Weather at Susaki (Susaki seiran), from the series Eight Views of Kanazawa (Kanazawa hakkei), c. 1835/36, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock… Yacht Tavern, Erith, 1865, Francis Seymour Haden, English, 1818-1910, England, Etching from a zinc plate on ivory China paper, 238 × 277 mm (image/plate), 260 × 388 mm (sheet) Portrait of Henry IV, 1817, Baron François Pascal Simon Gérard (French, 1770-1837), printed by Comte de Charles Philibert Lasteyrie du Saillant (French, 1759-1849), authored by Louis Bacler… The Face of Christ, 1849, Charles Meryon (French, 1821-1868), after a minature by Elise Brurère (French, 19th century), after a painting by Philippe de Champaigne (French, 1602-1674), France,… Yo-semite Valley, from the South Dome, c. 1868, Thomas Houseworth & Co., American, 1828–1915, United States, Albumen print, stereo, No. 1614 from the series "Yosemite Valley Durham Mustard Too Powerfull for Italian Capers, 1807, Isaac Cruikshank (English, 1764-1811), published by Thomas Tegg (English, 1776-1846), England, Hand-colored etching on paper, 220 × 335… Mise-en-carte (Point-paper), 1760/90, France, Lyon, France, Ink and gouache on hand drawn graph paper, 55.3 × 43.8 cm (21 3/4 × 17 1/4 in.) Tobacco Box, 1810, Possibly Birmingham, England, Cast pewter (base) and Britannia (top), 13.3 × 12.7 × 9.5 cm (5 1/4 × 5 × 3 3/4 in.) Lady Tamamushi, 1765, Japanese, Japan, Color woodblock print, chuban, 27.4 x 19.6 cm Plate Seven from Evenings in Rome, 1763/64, Hubert Robert, French, 1733–1808, France, Etching in black on off-white laid paper, tipped onto tan laid paper, 128 × 85 mm (image), 137 × 92 mm… Panel (Furnishing Fabric), 1769, Manufactured by Robert Jones & Co., England, Old Ford, Middlesex, Middlesex, Linen and cotton, plain weave, copperplate and block printed, 214 x 100.7 cm (84 1/4 x… The Actor Ichikawa Ebizo (Danjuro V) as the Lady-in-Waiting Iwafuji in the Play Gozen-gakari Sumo Soga, Performed at the Kawarazaki Theater in the First Month, 1793 (?), c. 1793, Katsukawa… Lender and Lavallière, in Le Fils de L’Arétin, 1895, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph on tan wove paper, laid down on white laid Japanese paper, 467 × 363… Untitled (Half Drunk), n.d., Paul Gavarni, French, 1804-1866, France, Lithograph in black on ivory wove paper, 142 × 110 mm (image), 326 × 239 mm (sheet) Beardless Man in a Fur Cloak and Cap: Bust, 1631, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching on paper, 70 x 58 mm (sheet, trimmed within plate mark) A White Bird Telling Venus of Cupid’s Illness, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio,… Arca auriculata, Print Nocturne, 1878, James McNeill Whistler, American, 1834-1903, United States, Lithotint with scraping, on a prepared half-tint ground, in black on ivory Japanese paper, 173 x 265 mm (image), 198 x… Tilbury, 1887, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint with foul biting in black ink on cream wove paper, 82 x 178 mm (image, trimmed within plate mark), 85… The Moors make a different play in the ring calling the bull with their burnous, plate six from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish,… Ceres, 1752, Jan Wandelaar, Dutch, 1690-1759, Holland, Red chalk on cream laid paper, 305 x 247 mm Foliate Bowl with Fish and Waves, Northern Song dynasty (960–1127), 12th century, China, Qingbai ware, porcelain with underglaze incised decoration, H. 5.5 cm (2 3/16 in.), diam. 19.6 cm (7 3/4 in.) The Entrance of the Academy of Architecture at the Louvre, 1779, Gabriel Jacques de Saint-Aubin, French, 1724-1780, France, Brush and black ink and gray and colored wash, with black chalk and… The Milkmaid on the Path, n.d., Sebastian Habenschaden, German, 1813-1868, Germany, Etching on ivory wove paper, 175 x 242 mm (plate), 235 x 321 mm (sheet) The Actor Otani Hiroji III as the Monk Izayoibo in the Play Keisei Katabira ga Tsuji, Performed at the Ichimura Theater in the Seventh Month, 1783, c. 1783, Katsukawa Shunsho 勝川 春章,… Study for King David, with Harp and Psalm Book, after 1621, after Guido Reni, Italian, 1575-1642, Italy, Red chalk, with stumping, on cream laid paper, 440 x 342 mm Jousting Lance, 1500/1600, German, Germany, Iron, wood (pine), gesso, and paint, L. 274.3 cm (108 in.) Amulet of the Goddess Bastet as a Seated Cat, Late Period–Ptolemaic Period (664–30 BC), Egyptian, Egypt, Faience, 1.6 × 0.6 × 1 cm (5/8 × 1/4 × 3/8 in.) Game of Cupids, 1533, Master of the Die (Italian, active c. 1530-1560), after Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving, printed in black, on paper, 186 x 286 mm Ely Cathedral, c. 1891, Frederick H. Evans, English, 1853–1943, England, Lantern slide, 8.2 × 8.2 cm Covered Food Container, Western Zhou dynasty ( 1046–771 BC ), mid–9th century B.C., China, Probably from Qishan, Shaanxi province, China, Bronze, 19.9 × 21.3 cm (7 3/4 × 8 3/8 in.) Monk at Prayer, c. 1843, Charles Émile Jacque, French, 1813-1894, France, Drypoint and roulette on ivory wove paper, 91 × 109 mm (plate), 111 × 135 mm (sheet) Oki Province: Takuhi Shrine (Oki, Takuhi no yashiro), from the series Famous Places in the Sixty-odd Provinces (Rokujuyoshu meisho zue), 1853, Utagawa Hiroshige 歌川 広重, Japanese,… Everything is Paid for? And We Didn’t Insult Anyone… Bye, plate 31 from Types Parisiens, 1839, Honoré Victorin Daumier, French, 1808-1879, France, Lithograph in black on white wove paper, 173… Faith, plate 40 from Genii and Virtues, 1470/80, Master of the S-Series Tarocchi, Italian, active c. 1470, Italy, Engraving in black on buff laid paper, 172 x 92 mm (image/plate), 173 x 94 (sheet) Fragment, 1650/1700, Italy, Cisele voided satin velvet, 14 cm × 17.3 cm (5 1/2 × 6 13/16 in.) Houses on the Fox River, Illinois, 1881/90, American, 19th/20th century, United States, Oil on panel, 53.7 × 69.9 cm (21 1/8 × 27 1/2 in.) Wine Glass, c. 1770, England or Netherlands, England, Glass, blown and stipple engraved, 17.5 × 6.7 cm (6 7/8 × 2 5/8 in.) Paperweight, 1848, Saint-Louis, France, founded 1767, France, Glass, Diam. 7.6 cm (3 in.) At the Moulin Rouge, 1892/95, Henri de Toulouse-Lautrec, French, 1864-1901, France, Oil on canvas, 123 × 141 cm (48 7/16 × 55 1/2 in.) Pitcher, 6th/3rd century BC, Eastern Mediterranean, Egypt, Glass, 17 × 9.5 × 9.5 cm (6 3/4 × 3 3/4 × 3 3/4 in.) Bowl with Six Goats, Qing dynasty (1644–1911), Daoquang reign mark and period (1821–1850), China, Porcelain painted in underglaze blue and overglaze enamels, H. 6.4 cm (2 1/2 in.), diam. 15.3… Scene of Brigands, 1633, Claude Lorrain, French, 1600-1682, France, Etching in black on ivory laid paper, 130 × 197 mm (image/sheet, cut within platemark) Saint Anthony: Beneath her long hair, which covered her face, I thought I recognized Ammonaria, plate 1 of 6, 1889, Odilon Redon, French, 1840-1916, France, Lithograph in black on ivory China… The Sentinel House, 1870, John P. Soule, American, 1828–1904, United States, Albumen print, stereo, No. 1134 from the series "California -- Yo-Semite Valley Frontispiece, from The Military Exercises, published 1635, Jacques Callot (French, 1592-1635), published by Israël Henriet (French, 1590-1661), France, Etching on paper, 61 × 83 mm Bouzeo Passage, 1839, Denis Auguste Marie Raffet (French, 1804-1860), printed by Auguste Bry (French, 19th century), published by Chez Gihaut Frères (French, 19th century), France, Lithograph… Wine Glass, c. 1740, Germany, Hirschberg Valley, Schleswig, Glass, engraved and gilt decoration, 21 x 8.7 cm (8 1/4 x 3 7/16 in.) Trias (Coin) Depicting the God Gelas, late 5th century BC, Greek, minted in Gela, Sicily, Gela, Bronze, Diam. 2 cm, 4.40 g Group of Blessed Souls: Study for the Last Judgment, 1576/79, Federico Zuccaro, Italian, 1540/41-1609, Italy, Pen and brown ink with brush and brown wash, with traces of black chalk and pale… Cap, 19th century, Russia, Red velvet embroidered with gold Siren Coming out of the Waves, Dressed in Flames, plate 4 of 8 from Les Origines, 1883, Odilon Redon, French, 1840-1916, France, Lithograph in black on light gray China paper collé, laid down… Cuff, 1880s/90s, Belgium, Belgium, Cotton, mixed lace: bobbin part lace of a type known as "Duchesse" and of needle lace of a type known as "Point de Gaze Angerona, Print Early Morning, Richmond Park, 1859, Francis Seymour Haden, English, 1818-1910, England, Etching and drypoint on cream Japanese paper, 113 × 275 mm (image/plate), 144 × 298 mm (sheet) Candlestick with Madonna and Child, c. 1835/40, Bohemia, Czech Republic, Harrachov Glassworks (founded 1831), Bohemia, Glass with gilt bronze mounts, H. 23.9 cm (9 3/8 in.) Panel (Furnishing Fabric), Qing dynasty(1644–1911), 1763, Manchu, China, Silk, slit and dovetailed tapestry weave with interlaced outlining wefts, painted details, 83.1 × 46.4 cm (32 3/4 × 18… 2.589.713 / 2.589.715 Entries < previous page Page 3314 / 25898 next page >