Portrait Study: Miss Charlotte R. Williams, 1892, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black on cream laid paper, 159 x 55 mm (image), 225 x 181 mm…

Portrait of Degas, 1891, Pierre-Georges Jeanniot, French, 1848-1934, France, Drypoint and soft ground etching on ivory laid paper, 195 × 150 mm (image/plate), 318 × 224 mm (sheet)

Urn with Flowers, 18th century, Nevers, France, Glass, lampwork (verre de Nevers), metal armature, H. 7.6 cm (3 in.)

Vinaigrette, 1835/36, Taylor and Perry, Birmingham, England, Birmingham, Silver and silver gilt, 4.1 × 3.8 cm (1 5/8 × 1 1/2 in.)

An Ambush, n.d., Charles Émile Jacque, French, 1813-1894, France, Etching, engraving, drypoint and roulette on cream China paper laid down on ivory wove paper, 95 × 141 mm (image), 134 × 181…

Fears, plate seven from A Glove, 1881, Max Klinger, German, 1857-1920, Germany, Etching on ivory chine collé on off-white wove paper, 109 x 238 mm (image), 144 x 269 mm (plate), 452 x 633 mm (sheet)

Poleaxe, 1500, Swiss, Switzerland, Steel, iron, wood (pine), brass, and velvet, L. 224.8 cm (88 1/2 in.)

Our Trip to the Mines, Ouray, Col, U.S.A., 1890, B. W. Kilburn, American, 1827–1909, United States, Albumen silver print, stereo, 7.7 x 7.6 cm (each image), 8.8 x 17.7 cm (card)

Putto Poised on Right Leg (recto), Sketch of a Draped Arm (verso), 1575/1600, Domenico Cresti, called Passignano, Italian, 1559-1638, Italy, Red chalk on cream laid paper (recto), partially laid…

School for Street-Sweepers, 1822, Nicolas Toussaint Charlet (French, 1792-1845), published by Fères Chez Gihaut (French, 19th century), printed by François le Villain (French, active early…

Breastplate with Fauld, c. 1500, Spanish, Inscription: Armorer’s mark near right gusset, Flanders, Steel and leather, Without Fauld: 39.4 × 35.6 cm (15 1/2 × 14 in.)

Vinaigrette with View of Eley Cathedral, 1839/40, Taylor and Perry, Birmingham, England, Birmingham, Silver and silver gilt, 4.5 × 3.2 cm (1 3/4 × 1 1/4 in.)

The Bath, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1774, Antoine Louis Romanet (French, 1742-c. 1810), after Sigmund Freudeberg (Swiss, 1745-1801) and Jean…

Sacrifice of Isaac (recto), Jacob’s Dream (verso), 1613/20, Giovanni Francesco Barbieri, called Guercino, Italian, 1591-1666, Italy, Pen and brown ink on ivory laid paper, 173 x 255 mm

At Trouville, published August 28, 1892, Théophile-Alexandre Steinlen, French, born Switzerland, 1859-1923, France, Photorelief print in red and black with letterpress music/lyrics on ivory…

The Actors Segawa Kikunojo III as Yasukata (right), and Iwai Hanshiro IV as Utou (left) in the Play Godai Genji Mitsugi no Furisode, Performed at the Nakamura Theater in the Eleventh Month, 1782,…

Mirror View, Yosemite Valley, Mariposa County, Cal., 1861/76, Carleton Watkins, American, 1829–1916, United States, Albumen print, stereo, 7.9 x 7.9 cm (each image), 8.7 x 17.6 cm (card)

Little Sister, 1854, Jean-Baptiste-Camille Corot, French, 1796-1875, France, Cliché-verre on ivory photographic paper, 151 × 188 mm (image), 167 × 204 (plate), 170 × 215 mm (sheet)

Coin Depicting the Amazon Cyme, 250/190 BC, Greek, Ancient Greece, Bronze, Diam. 2.3 cm, 8.15 g

Skirmish between a Prussian Reconnaissance unit and Advance Troops from Faidherbe’s Army (Amiens, 21 January 1871) (Escarmouche entre une Reconnaissance prussienne et une Avant-Garde de l’Armee…

Combats and Triumphs, 1550/1572, Etienne Delaune, French, c. 1519-1583, France, Engraving on paper, 65 × 220 mm

Kesa, Meiji period (1868–1912), late 19th century, Japan, Silk and gold-leaf-over-lacquered-paper strips, warp-float faced 2:1 'Z' twill weave with 1:2 twill interlacings of secondary binding…

Thesis-Sheet showing Saint Ignatius of Loyola, November 15, 1696, Christoph Elias Heiss (German, 1660-1731), after Johann Andreas Wolf (German, 1652-1715), Germany, Mezzotint, with burnishing…

Le Petit Jour, c. 1770, Nicolas Delaunay (French, 1739-1792), after S. Freudeberg (Swiss, 1745-1801), France, Etching on paper, 289 × 217 mm (image), 372 × 272 mm (sheet)

Diplomat, n.d., Mariano José María Bernardo Fortuny y Carbó, Spanish, 1838-1874, Spain, Etching on paper, 152 x 250 mm

Medallion with Cupid Lighting His Wick, Late 18th century, Wedgwood Manufactory, England, founded 1759, Burslem, Stoneware (jasperware), 7.3 × 5.4 × 1.3 cm (2 7/8 × 2 1/8 × 1/2 in.)

Anser indicus, Print, The bar-headed goose (Anser indicus) is a goose that breeds in Central Asia in colonies of thousands near mountain lakes and winters in South Asia, as far south as…

Campaign Sketches: The Letter for Home, 1863, Winslow Homer, American, 1836–1910, United States, Tint lithograph on heavy ivory wove paper, 357 x 275 mm

Amulet of a Hawk, Third Intermediate Period, Dynasty 21–25 (1070–656 BC), Egyptian, Egypt, Faience, 1.9 × 1.9 × 0.6 cm (3/4 × 3/4 × 1/4 in.)

Pedestrian Hobby Horse, n.d., J. Lewis Marks, English, 1769-c. 1832, England, Hand-colored etching on cream wove paper, 194 × 242 mm

Scarabs with Plain Base, First Intermediate Period, Dynasties 9–11 (about 2160–2055 BC), Egyptian, Egypt, Faience, Smallest: 0.5 × 1.1 × 0.8 cm (3/16 × 7/16 × 5/16 in.), Largest: 0.5 × 1.6…

Self-Portrait with Two Young Ladies, c. 1816–17, Dominique-Vivant Denon, French, 1747-1825, France, Lithograph in black on tan wove paper, 166 × 186 mm (image), 299 × 227 mm (sheet)

Episodes from White Chapel Life, c. 1850, Attributed to John Leech, English, 1817-1864, England, Graphite on blue wove paper, 77 × 89 mm

Plate Three, from Marriage à la Mode, 1746, Bernard Baron (French, 1696-1762), after William Hogarth (English, 1697-1764), France, Etching and engraving in black on ivory laid paper, 354 × 443…

Cinerary Urn, Late 1st/early 2nd century AD, Roman, Roman Empire, Marble, a (urn): 23.1 × 53.9 × 27.6 cm (9 1/8 × 21 ¼ × 10 7/8 in), The Artist’s Mother Seated at a Table, Looking Right:…

Assumption of the Virgin, n.d., School of Carlo Maratti, Italian, 1612-1666, Italy, Pen and brown ink, with brush and brown wash and black chalk, on ivory laid paper, laid down on ivory laid…

Mrs. Runeberg, 1900, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory wove paper, 194 x 138 mm (image/plate), 337 x 225 mm (sheet)

Kesa, Meiji period (1868–1912), late 19th century, Japan, Paris, Place de Châtelet, 1854/55, printed 1982, Charles Nègre, French, 1820–1880, France, Photogravure, from the portfolio…

Limehouse, 1878, James McNeill Whistler, American, 1834-1903, United States, Lithotint in black ink with scraping and incising, on a prepared half-tint ground, on cream Japanese paper, 172 x 264…

Entertainers, c. 1764, Torii Kiyomitsu I, Japanese, 1735-1785, Japan, Color woodblock print, oban, benizuri-e, 32.4 x 45.7 cm (12 3/4 x 18 in.)

Brother Angel, 1855, Gustave Doré, French, 1832-1883, France, Lithograph in black on off-white China paper, laid down on white wove paper, 198 × 299 mm (image), 315 × 445 mm (sheet)

Two Young Women Looking out at Young Man Dressed as Komuso, c. 1774, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, hashira-e, 26 x 4 5/8 in.

Tankard, c. 1705, Jeremiah Dummer, American, 1645–1718, Boston, Boston, Silver, 15 × 10.2 × 17.8 cm (6 × 4 5/8 × 7 1/4 in.), 687.6 g

Ghent, 1833, Samuel Prout (English, 1783-1852), probably printed by Charles Joseph Hullmandel (English, 1789-1850), probably published by Rudolph Ackermann (English, 1764-1834), England, Lithograph…

Poem by Minamoto no Muneyuki Ason, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), c. 1835/36, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849,…

Weighing the Baby, 1892, B. W. Kilburn, American, 1827–1909, United States, Albumen silver print, stereo, 7.7 x 7.6 cm (each image), 8.8 x 17.7 cm (card)

Seal of Hyksos King, Khian, Second Intermediate Period, Dynasty 13 (1784–1720 BC), Egyptian, Egypt, Steatite, 9.5 × 2.9 × 1.3 cm (3 3/4 × 1 1/8 × 1/2 in.)

The Virgin and Child with Saint Anne at the Cradle, 1515/20, Albrecht Altdorfer, German, c.1480-1538, Germany, Engraving in black on ivory laid paper, 63 × 55 mm (image/plate)

Student Notebook Containing Notes, Diagrams and Swatches (Velours Coupé), 19th century, France, Handwritten book, in French, of woven swatches and painted patterns for weaving, total of swatches:…

Coin Depicting Senate, AD 230/235, Roman, Roman Empire, Bronze, Diam. 2.4 cm, 7.45 g

The Steamboats (Steamy Harbor), 1861, Charles François Daubigny, French, 1817-1878, France, Etching on ivory laid paper, 110 × 154 mm (image), 139 × 175 mm (plate), 225 × 307 mm (sheet)

Amphiprion percula, Print, The orange clownfish (Amphiprion percula) also known as percula clownfish and clown anemonefish, is widely known as a popular aquarium fish. Like other clownfishes…

Madonna and Child, 1490/1500, Workshop of Neroccio de’ Landi, Italian, 1447-1500, Siena, tempera and gold on stucco, 57.8 × 38.1 × 3.8 cm (22 3/4 × 15 × 1 1/2 in.)

Young Man on a Horse, c. 1760s, Ishikawa Toyonobu, Japanese, 1711-1785, Japan, Color woodblock print, oban, 31.2 x 46.4 cm (12 1/4 x 18 3/8 in.)

Amulet of a Heart, Late Period, Dynasty 26–31 (664–332 BC), Egyptian, Egypt, Stone, 2 × 1.25 × .75 cm (3/4 × 1/2 × 1/4 in.)

Ancient Sarcophagus Relief with the Labors of Hercules, n.d., Attributed to Girolamo Sellari, called Girolamo da Carpi, Italian, 1501-1556, Italy, Pen and brown ink with brush and brown wash,…

Everything is topsy-turvy, plate 42 from The Disasters of War, 1815/20, published 1863, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burin and burnishing on ivory…

After the Bath, Mary Cassatt (American, 1844-1926), printed by Leroy (French, active 1876-1900), United States, Color aquatint and drypoint from two plates on ivory laid paper, 346 x 288 mm…

Erycius Puteanus, 17th century, Peeter de Jode, the younger, Dutch, 1606-1674, Holland, Engraving on paper, 226 x 171 mm (plate), 276 x 208 mm (sheet)

Maori Woman in the Forest, 1894/95, Paul Gauguin, French, 1848-1903, France, Wood-block print in black ink manipulated with brush and solvent, on ivory Japanese paper, laid down on cream…

Untitled (Lebanon, N.H.), n.d., Billings & Hough, American, 19th century, United States, Albumen print (carte-de-visite), 5.4 x 9.2 cm (image), 6.2 x 10 cm (card)

A large mortar with a short range, plate 488, 1834, Honoré Victorin Daumier, French, 1808-1879, France, Lithograph in black on ivory wove paper, 224 × 246 mm (image), 352 × 273 mm (sheet)

Jug, 1810/20, Spode Pottery & Porcelain Factory, English, founded 1767, Stoke on Trent, Lead-glazed earthenware with lustre decoration, 16 x 17.8 cm (6 5/16 x 7 in.)

Ponte Vecchio, destroyed plate, 1880, Otto Henry Bacher, American, 1856-1909, United States, Etching on ivory chine mounted on ivory wove paper, 157 x 225 mm (image), 160 x 226 mm (plate), 313 x…

Tailors’ Guild Cup, 1632, Northern Germany, Northern Germany, Pewter and brass, 55.9 x 15.9 cm (22 x 6 1/4 in.)

Denarius (Coin) Depicting a Bearded Man, about 90 BC, Roman, Roman Empire, Silver, Diam. 1.9 cm, 3.85 g

Actual View of Matsu Island, Oshu Province (Oshu Matsushima shinkei) from the series One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei), 1859, Utagawa Hiroshige II…

Water, plate three from The Four Elements, 1622, Jan van de Velde II (Dutch, c.1593-1641), after Willem Buytewech (Dutch, 1591/92-1624), Holland, Etching and engraving on ivory laid paper, 173 ×…

Paperweight, c. 1845–60, Saint-Louis, France, founded 1767, France, Glass, Diam. 8 cm (3 1/8 in.)

Coin Depicting a Galloping Griffin, 4th/1st century BC, Greek, Roman Empire, Bronze, Diam. 1.7 cm, 4.71 g

Covered Tankard, First half 19th century, Possibly Nuremberg, Southern Germany, Nuremberg, Pewter, 21.6 x 12.1 x 17.2 cm (8 1/2 x 4 3/4 x 6 3/4 in.)

Anthias oculatus, Print, Anthiadinae, Anthias are members of the family Serranidae and make up the subfamily Anthiadinae.

Sonnet: When I have fears that I may cease to be, 1887, Will Hicock Low, American, 1853-1932, United States, Oil on canvas, 609 x 456 mm

Wine Glass, c. 1730, Germany, Glass, H. 16.2 cm (6 3/8 in.)

I Have Sometimes Seen in the Sky What Seemed Like Forms of Spirits, plate 21 of 24, 1896, Odilon Redon, French, 1840-1916, France, Lithograph in black on light gray loose chine, 270 × 205 mm…

Panel (Furnishing Fabric), Qing dynasty (1644–1911), 1800/1900, China, 111.7 × 26.8 cm (44 × 10 1/2 in.)

Antilopa redunca, Print, 1700-1880

Plaque with Portrait of William Eden, Lord Auckland, c. 1789, Wedgwood Manufactory, England, founded 1759, Burslem, Stoneware (jasperware), 17.5 × 14.9 × 4.6 cm (6 7/8 × 5 7/8 × 1 11/16 in.)

Fujikawa, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi), c. 1806, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color woodblock print, chuban, Approx.…

Sparrowhawk (Konori taka), c. 1716, Torii Kiyomasu I, Japanese, active c. 1704–18 (?), Japan, Hand-colored woodblock print, vertical o-oban, tan-e, 55.2 x 28.6 cm

Ono no Komachi Visiting Kiyomizu Temple, from the series The Fashionable Seven Komachi (Furyu nana Komachi), Edo period (1615–1868), about 1788, Chobunsai Eishi, Japanese, 1756-1829, Japan,…

Grave! Grave! Très-Grave!, 1862, Charles Émile Jacque (French, 1813-1894), after Gustave Doré (French, 1832-1883), France, Etching, engraving, drypoint and roulette on light gray China paper…

Bound for the North Sea, 1887, Peter Henry Emerson, English, born Cuba, 1856–1936, England, Photoetching, pl. VIII from the album "Wild Life on a Tidal Water: The Adventures of a House-Boat and…

Paperweight, c. 1845/60, Clichy, France, 1837-1885, France, Glass, Diam. 8.2 cm (3 1/4 in.)

Fragment (Sleeve Band), Qing dynasty (1644–1911), 1850/75, China, Figures in landscape embroidered in multi-color silk on tan ground. Bands sewn together, with yellow and green border, 116.2 ×…

Statuette of the God Horus, Third Intermediate Period, Dynasties 22–25 (?) (about 945–656 BC), Egyptian, Egypt, Electrum, 7.9 × 2.2 × 1.6 cm (3 1/8 × 7/8 × 5/8 in.)

Parsifal, 1892, Odilon Redon, French, 1840-1916, France, Lithograph in black on ivory China paper laid down on ivory wove paper, 321 × 243 mm (image/chine), sheet: 348 × 264 mm (sheet), 451 ×…

Kesa, 18th century, Edo period (1615–1868), Japan, Silk and gilt-paper strip, twill weave with secondary binding warps and supplementary patterning wefts, with couched plied silk, 116.5 × 216.5…

Old man on a swing, 1825/27, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching and burnished aquatint and/or lavis on ivory paper, 163 x 105 mm (image), 188 x 122 mm (plate),…

Covered Goblet, c. 1740, Germany, Riesengebirge, Riesengebirge, Blown and molded glass with engraved decoration, 27.3 × 10.4 cm (10 3/4 × 4 1/16 in.)

Eavesdropping, c. 1780, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, hashira-e, 27 1/8 x 4 3/8 in.

Fragment, 1625/75, Italy, Silk and gilt-metal-strip-wrapped silk, plain weave with supplementary facing wefts and supplementary brocading wefts, 44.8 x 19.7 cm (17 5/8 x 7 3/4 in.)

The Three Magi: Caspar, King of Tarsus, n.d., Jacques Bellange, French, c. 1575-1616, France, Etching on ivory laid paper, 278 × 162 mm (sheet, clipped)

Procession in a Spanish Church, c. 1861, Alphonse Legros, French, 1837-1911, France, Etching on cream wove paper, 415 × 679 mm (image), 422 × 687 mm (plate), 478 × 742 mm (sheet)

Armed Arab Leaning Against a Wall, n.d., Charles Bargue, French, 1826-1883, France, Graphite on buff wove paper, laid down on ivory wove paper, 222 × 118 mm

Ruins of Frauenstein, 1810, Christian August Günter, German, 1759-1824, Germany, Etching on paper, 219 x 278 mm

Restless Nights, from Puck, n.d., Joseph Keppler, American, 1838-1894, United States, Color lithograph on newsprint, 300 x 487 mm

Toraya: Arashi Ryuzo II as the monk Tojibo in the play Hatsu Akebono Kaomise Soga, from the series Portraits of Actors on Stage (Yakusha butai no sugata-e), 1794, Utagawa Toyokuni I 初代…

Kesa, 17th century, Edo period (1615–1868), Japan, Silk and gilt-paper strip, twill and satin weaves with secondary binding warps and supplementary patterning wefts, 99.2 x 165.1 cm (39 x 65 in.)

The Actor Nakamura Noshio I in an Unidentified Role, c. 1772, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Color woodblock print, hosoban, 29.5 x 13.8 cm (11 5/8 x 5 7/16 in.)