The French Soldier, 1818/19, Nicolas Toussaint Charlet, French, 1792-1845, France, Lithograph in black on cream wove paper, 458 × 339 mm (image), 544 × 401 mm (sheet)

Caricature of Auguste Vacquerie, c. 1859, Claude Monet (French, 1840–1926), after Nadar (French, 1820–1910), France, Graphite with erasure on tan wove paper, 284 × 176 mm

Illustration to Samuel Richardson’s Clarissa, 1796, Daniel Nikolaus Chodowiecki, German, 1726-1801, Germany, Etching on paper, 119 x 68 mm (image), 166 x 211 mm (plate)

Paperweight, c. 1848–55, Baccarat, France, founded 1764, Lunéville, Glass, Diam. 9.2 cm (3 5/8 in.)

Denarius (Coin) Portraying Emperor Vespasian, AD 80/81, Roman, minted in Rome, Roman Empire, Silver, Diam. 1.9 cm, 3.06 g

The Assumption of the Virgin, from the Life of the Virgin, n.d., Jacques Callot, French, 1592-1635, France, Etching on paper, 62 × 44.5 mm (image), 68.5 × 45 mm (plate), 71.5 × 49 mm (sheet)

Scaraboid: Grasshopper, New Kingdom, Dynasties 18–20, reign of Thutmose III onwards (about 1479–1069 BC), Egyptian, Egypt, Faience, 0.6 × 0.8 × 0.6 cm (1/4 × 5/16 × 1/4 in.)

Anatifa laevis, Print, Pelagic gooseneck barnacle, Lepas anatifera (Anatifa laevis)

Cinquedea, 19th century in early 16th century Italian style, Italian, Italy, Bone and brass, L. 71.1 cm (28 in.)

The Naval Battle, from Various Scenes Designed in Florence, 1618–20, Jacques Callot, French, 1592-1635, France, Etching on paper, 110 × 245 mm (image), Handkerchief, 19th century, France,…

Depend on my Promises, 1789, Augustin de Saint-Aubin, French, 1736–1807, France, Etching and engraving on ivory laid paper, 337 × 247 mm (image), 367 × 264 mm (plate), 406 × 319 mm (sheet)

Portrait of François Viète, 1861, Charles Meryon (French, 1821-1868), after Daniel Rabel (French, c.1578-1637), France, Etching on ivory laid paper, 179 × 89 mm (image), 191 × 110 mm (plate),…

Nursemaids: Les Bonnes du Luxembourg, 1894, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black on cream laid paper, 202 x 158 mm (image), 310 x 203 mm (sheet)

The Morning: Stags and Does, 1858, Karl Bodmer, Swiss, 1809-1893, Switzerland, Tint lithograph on white wove paper, 290 x 461 mm (image), 450 x 630 mm (sheet)

Bowl, 17th century, France, Nevers, Nevers, Glass, 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.)

Bow Support for a Crossbow, Eastern Zhou dynasty, Warring States period (480–221 B.C.), c. 4th century B.C., China, Bronze inlaid with strand silver, 8.4 × 19.3 × 3.0 cm (3 1/4 × 7 1/2 × 1…

Gourd-Shaped Snuff Bottle with a Butterfly, Trailing Tendrils, and Fruit Branches, Qing dynasty (1644–1911), 1750–1800, China, Green jade (nephrite) with carved decoration, H. 6.7 cm (2 5/8…

How the Heart Will Be Perfected by God from Der beschlossen gart des rosenkratz marie, plate twenty from Woodcuts from Books of the XVI Century, 1505, assembled into portfolio 1937, Hans…

Boy Playing Flute, c. 1770, Tournai Porcelain Manufactory, Belgian, c. 1750-1798, Tournai, Soft-paste porcelain, H. 12.4 cm (4 7/8 in.)

Jean Leclerc, n.d., Jan de Bisschop (Dutch, c. 1628-1671), or after Anthony van Dyck (Flemish, 1599-1641), Holland, Pen and brown ink and brush and brown wash, with traces of black chalk, on…

Time Seated on Clouds, Flanked by Two Other Angels, n.d., Giulio Pippi, called Giulio Romano, after, Italian, c. 1499-1546, Italy, Black chalk with brush and black chalk wash and stumping, on…

Kesa, 18th century, Edo period (1615–1868), Japan, 102.6 x 169 cm (40 3/8 x 66 1/2 in.)

Pair of Buddhist Manuscript Covers, c. 17th century, Nepal, Nepal, Pigments and metallic paint on wood, 10.2 x 41.1 x 1.4 cm (4 x 16 3/16 x 9/16 in.)

The Minstrel, 1873, Charles Jean Louis Courtry (French, 1846-1897), after Thomas Couture (French, 1815-1879), France, Etching on paper, 171 × 142 mm (image), 230 × 168 mm (plate), 329 × 235…

Near Newport, 1869, John Frederick Kensett, American, 1816–1872, Newport, Oil on canvas, 29.5 × 62.4 cm (11 5/8 × 24 1/4 in.)

Wall Pocket, c. 1750, Staffordshire, England, Staffordshire, Salt-glazed stoneware, 15.9 x 10.2 x 3.8 cm (6 1/4 x 4 x 1 1/2 in.)

The Calydonian Boar Hunt, from the Houghton Gallery, 1781, Richard Earlom (British, 1743-1822), after Peter Paul Rubens (Flemish, 1577-1640), England, Mezzotint in black on ivory wove paper, 468…

Great Tree, 1809, Domenico Quaglio II, German, 1787-1837, Germany, Etching on cream wove paper, 174 x 111 mm (plate), 182 x 119 mm (sheet)

Amathia rissoana, Print

Apostle Spoon: St. Thomas, 1647/48, London, England, London, Silver, figure gilded, 18.2 x 5.1 cm (7 3/16 x 2 in.)

Head from an Anthropoid Sarcophagus, Late Period/early Ptolemaic (664–220 BC), Egyptian, Egypt, Limestone, 53.3 × 40.6 × 30.5 cm (21 × 16 × 12 in.) (appro×.)

Amulet of a Lion-headed Walking Goddess, possibly Bastet, Third Intermediate Period, Dynasties 21–25 (about 1069–664 BC), Egyptian, Egypt, Faience, 5 × 1.5 × 1.5 cm (2 × 9/16 × 9/16 in.)

The Actor Ichikawa Danjuro V in a Shibaraku Role, Probably as Kato Hyoeisa Shigemitsu, in the Third Scene of the Play Masakado Kammuri no Hatsuyuki (The First Snow on Taira no Masakado’s…

Chelsea Palaces (Black and White Version), 1888–89, Theodore Roussel, French, worked in England, 1847-1926, England, Etching in black on light gray laid paper, printed over and impressed on a…

Benjamin Fillon, homme de lettres, 1862, Charles Meryon, French, 1821-1868, France, Etching, from a tin plate, on ivory laid China paper, 128 × 111 mm (image), 128 × 111 mm (plate), 429 × 322…

Goblet, c. 1730, Germany, Schleswig, Schleswig, Glass, 12.9 x 6 cm (5 1/16 x 2 3/8 in.)

Untitled (II 57), c. 1890, edited by Ferdinando Ongania, Italian, 1842–1911, Italy, Photogravure, No. II 57 from the portfolio "Calli, Canali e Isole della Laguna

Double-Sided Pendant with Jesus and Virgin, Cameo: 1700/1800, mount: 17th century, European, France, Hardstone, gold, and enamel, 6.7 × 4.4 cm (2 5/8 × 1 3/4 in.)

The Actor Sawamura Tamagashira in an Unidentified Role, c. 1790, Katsukawa Shun’ei, Japanese, 1762-1819, Japan, Color woodblock print, hosoban, 31.2 x 14.5 cm (12 5/16 x 5 11/16 in.)

I think on the Laddie that lo’es me so well, 1882, Henry Peach Robinson, English, 1830–1901, England, Albumen print, 28.2 × 37 cm (image/paper), 36.6 × 51.8 cm (mount)

Gallant Conversation, c. 1757, Gabriel-Jacques de Saint-Aubin, French, 1724-1780, France, Etching on ivory laid paper, 100 × 117 mm (image/plate/sheet)

The Smoker, 1882, Jozef Israëls, Dutch, 1824-1911, Holland, Engraving on tan wove paper, 404 x 278 mm (plate), 500 x 320 mm (sheet)

The Canal d’Eu (near Tréport), 1898, Gustave Leheutre, French, 1861-1932, France, Etching, drypoint and plate tone on ivory laid paper, 166 × 244 mm (image/plate), 217 × 282 mm (sheet)

Panel (Furnishing Fabric), Qing dynasty (1644–1911), 1850/1900, Chinese, China, K'o-ssu panel with design of people in dragon boats, on blue ground, 183.5 × 83.3 cm (72 1/4 × 32 3/4 in.)

The Actors Tamazawa Saijiro I as the pageboy Umezaburo and Segawa Kikunojo I as Oroku in the play Sazareishi Suehiro Genji, performed at the Nakamura Theater in the first month, 1744, 1744,…

Coin Portraying Emperor Tetricus II, AD 271/274, Roman, Roman Empire, Silvered bronze, Diam. 1.8 cm, 2.74 g

View of Miyozaki in Yokohama (Miyozaki Yokohama ichiran), 1860, Utagawa Yoshimori, Japanese, 1830–1884, Japan, Color woodblock print, oban diptych

Normandy, 1831, Eugène Isabey (French, 1803-1886), printed by Francois Seraphin Delpech (French, 1778-1825), France, Lithograph in black on ivory China paper laid down on rosy-cream wove paper,…

Untitled Valentine (Three Hearts), c. 1865, Berlin and Jones, American, 19th century, United States, Collaged elements on cut and embossed (designed) ivory wove paper, 93 x 136 mm (folded sheet)

Female Figure, 18th century, Nevers, France, Glass, lampwork (verre de Nevers), metal armature, H. 13 cm (5 1/8 in.)

Coin Depicting the God Zeus, 1st century BC, Greek, Greece, Bronze, Diam. 1.9 cm, 7.80 g

Wheellock Pistol (Pedrenyal) of King Louis XIII of France, c. 1615, Spanish, Ripoll, Ripoll, Steel, iron, and walnut, L. 55.9 cm (22 in.)

The Traghetto, No. 2, 1880, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint in brownish black on cream Japanese paper, 243 x 307 mm (plate), 253 x 315 mm (sheet)

Beach at Low Tide (Mouth of the River), 1869, Edgar Degas, French, 1834–1917, France, Pastel on light brown wove paper, 232 × 307 mm

The Cornfield (Rembrandt Manner), 1764, Christian Wilhelm Ernst Dietrich (German, 1712-1774), after Rembrandt van Rijn (Dutch, 1606-1669), Germany, Mezzotint on paper, 91 x 148 mm (plate), 142 x…

Illustration from Von dem nutz der ding, plate seventeen from Woodcuts from Books of the XVI Century, 1518, assembled into portfolio 1937, Unknown Artist (German, 16th century), assembled by…

View of the Serpentara Between Olivano and Civitella, 1825, Théodore Caruelle d’Aligny, French, 1798-1871, France, Pen and brown ink with traces of graphite on cream laid paper, 257 × 410 mm

Amulet of the God Nefertem, Third Intermediate Period–Late Period (about 1070–332 BC), Egyptian, Egypt, Faience, 3.7 × 1 × 1.3 cm (1 7/16 × 3/8 × 1/2 in.)

Fragment, 18th century, Japan, Fancy compound satin, silk and gilt paper, 2 strips to m.m., 19.1 x 15.8 cm (7 1/2 x 6 1/4 in.)

Bald Headed Man in Profile Right: The Artist’s Father (?), 1630, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching on paper, 59 x 58 mm (image), 70 x 59 mm (plate), 77 x 65 mm (sheet)

Charging an Ox-fence, plate three from Indispensable Accomplishments, published June 24, 1811, Sir Robert Frankland (English, 1784-1849), published by Hannah Humphrey (English, c. 1745-1818),…

Terpsichore, plate thirteen from Apollo and the Muses, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving on paper, 178 x 100 mm (plate), 184 x 105 mm (sheet)

Maiden Fair of High Degree (valentine), 1845/50, Joseph Mansell, English, 19th century, England, Collaged elements with watercolor on cut and embossed ivory wove paper (lace), 193 × 123 mm…

Aurelianus (Coin) Portraying Emperor Tacitus, AD 276 (January/June), issued by Tacitus, Roman, minted in Ticinum, Roman Empire, Billon, Diam. 2.4 cm, 3.12 g

The Income Tax, n.d., J. Lewis Marks, English, 1769–c. 1832, England, Hand-colored etching on cream wove paper, 279 × 376 mm

Hyde Park, n.d., Attributed to Constantin Guys, French, 1802-1892, France, Pen and brown ink, with brush and watercolor, on ivory wove paper, 198 × 191 mm

Vase, 1st century AD, Roman, Italy, Glass, blown technique, 8.6 × 4.8 × 4.8 cm (3 3/8 × 1 7/8 × 1 7/8 in.)

Sculptural Frieze by Cavelier, Minerva Surrounded by the Muses of the Arts, c. 1868, Adolphe Terris, French, 1820–1900, France, Cyanotype, 27.5 × 37.5 cm (image), 27.5 × 38.1 (paper)

Panel (Furnishing Fabric), 1876, United States, Cotton, plain weave, engraved roller printed, 44.6 x 63.6 cm (17 1/2 x 25 in.)

Tea Table, 1740/60, American, 18th century, Newport, Rhode Island, Newport, Mahogany, 66 × 78.4 × 47.6 cm (26 × 30 7/8 × 18 3/4 in.)

Statuette of a Seated Woman, 400/350 BC, Greek, Greece, terracotta, 18.1 × 6.4 × 7.6 cm (7 1/8 × 2 1/2 × 3 in.)

Gozanze Myo-o, 1680, Nakabayashi Gennai, Japanese, active 1650/1700, Japan, Wood with polychromy, 107.5 × 64 × 47 cm (42 3/8 × 26 3/8 × 18 1/2 in.)

Banquet Scene on Terrace, n.d., Unknown Artist, Italian, 17th century, Italy, Pen and brown ink, with brush and brown wash and graphite, on cream laid paper, laid down on cream laid card, 264 x 410 mm

Paperweight, Late 19th century, George Bacchus & Sons, English, founded 1840, England, Glass, Diam. 8.9 cm (3 1/2 in.)

Paperweight, c. 1848–55, Clichy, France, 1837-1885, Clichy, Glass, Diam. 8.3 cm (3 1/4 in.)

Fragment, Roman period (30 B.C.– 641 A.D.)/Arab period (641–969)/Fatimid period (969–1171), 3rd/ 10th century, Egypt, Egypt, 22.5 × 77 cm (8 7/8 × 30 5/16 in.)

The Width and Flatness of [the] Frontal [Bone], plate 6 of 6, 1896, Odilon Redon, French, 1840-1916, France, Lithograph in black on ivory China paper laid down on ivory wove paper, 141 × 95…

Panel, 1701/25, France, Silk, satin damask weave, 102.8 × 51.8 cm (40 1/2 × 20 3/8 in.)

Bacchus Consoling Ariadne, modeled c. 1892 (cast 1903/07), Aimé-Jules Dalou, French, 1838–1902, France, Bronze, H. 17.8 cm (7 in.)

Procession of Figures and Oxen, 1549/53, Attributed to Girolamo Sellari, called Girolamo da Carpi, Italian, 1501-1556, Italy, Pen and brown ink on ivory laid paper, laid down on ivory laid paper,…

Anolis velifer, Print, Anolis is a genus of anoles, iguanian lizards in the family Dactyloidae, native to the Americas. With more than 425 species, it represents the world's most species-rich…

Hebe and the Eagle of Jupiter, modeled c. 1852 (cast c. 1860/80), François Rude, French, 1784-1855, France, Bronze, 78.7 × 52.4 cm (31 × 20 5/8 in.)

The Beggars, 1879/80, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint with foul biting in black ink on off-white laid paper, 304 x 211 mm (image, trimmed within…

A Contemporary Parody of Komachi Prays for Rain (Tosei yatsushi Amagoi Komachi), c. 1792, Utagawa Toyokuni I 初代 歌川 豊国, Japanese, 1769–1825, Japan, Color woodblock print, oban, 37.6…

Landscape, c. 1875, Léon Richet, French, 1847-1907, France, Charcoal on ivory wove paper, 234 × 333 mm

Pastoral Gifts, n.d., Johann Lorenz Rugendas I (German, 1730–1799), after Charles Eisen (French, 1720–1778), Germany, Etching on ivory laid paper, 291 x 192 mm (plate), 397 x 240 mm (sheet)

Supper at Emmaus, 1590/95, Pieter de Witte, Flemish, 1548-1628, Italy, Pen and brown ink and brush and black ink wash, with yellow ocher and opaque white watercolors, on tan laid paper, incised…

Denarius (Coin) Depicting a Laureate, about 100/50 BC, Roman, Rome, Silver, Diam. 2.2 cm, 3.40 g

Harumichi no Tsuraki, from the series A True Mirror of Japanese and Chinese Poems (Shiika shashin kyo), c. 1833/34, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color woodblock…

Paperweight, Mid 19th century, Clichy, France, 1837-1885, Clichy, Glass, Diam. 5.4 cm (2 1/8 in.)

The Actor Ichimura Uzaemon IX as a Monkey in the Play Mitsu Ningyo Yayoi no Hinagata, Performed at the Nakamura Theater in the Second Month, 1785, c. 1785, Katsukawa Shunko I, Japanese,…

Poem by Ariwara no Narihira, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), c. 1835/36, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan,…

Fragment, 1775/1800, Italy, Silk, warp-float faced broken twill weave with supplementary pile warps froming cut and uncut solid velvet, 17.5 x 11.4 cm (6 7/8 x 4 1/2 in.)

Paperweight, 19th century, Clichy, France, 1837-1885, Clichy, Glass, Diam. 7.1 cm (2 3/16 in.)

Panel, 1725/75, France, Silk, damask weave with areas of brocading in silk and gilt strip wound around a silk fiber core, 59.7 × 54.7 cm (23 1/2 × 21 1/2 in.)

Goddess Durga Slaying the Buffalo Demon (Mahishasuramardini), Kushan period, 2nd century, India, Uttar Pradesh, Mathura, Mathura, Molded terracotta, 14.1 x 9.6 x 6 cm (5.6 x 3.8 x 2.4 in.)

Christ Washing the Feet of His Disciples, 1720/30, Nicolas Bertin, French, 1668-1736, France, Oil on panel, 49.5 × 72.1 cm (19 1/2 × 28 3/8 in.)

Beach at Villerville, 1855, Charles François Daubigny, French, 1817-1878, France, Etching on cream Japanese paper, 93 × 200 mm (image), 128 × 217 mm (plate), 260 × 394 mm (sheet)

Corbel with Two Animal Masks from the Monastery Church of Notre-Dame-de-la-Grande-Sauve, 1150/1200, French, Aquitaine, Limestone, 45.7 × 23.9 × 60.3 cm (18 × 9 3/8 × 23 3/4 in.)

The Chair (That shadow that lies floating on the floor…), from The Raven (Le Corbeau), 1875, Édouard Manet (French, 1832-1883), written by Edgar Allan Poe (American, 1809-1849), translated…