Librifly Art Gallery 2.589.713 / 2.589.715 Entries < previous page Page 3321 / 25898 next page > Anodonta sinuosa, Print, Anodonta is a genus of freshwater mussels in the family Unionidae, the river mussels. Coverlet, 1834, Attributed to David D. Haring (American, 1800–1889), United States, New Jersey, Bergen County, West Norwood or New York, Rockland County, Tappan, New York, Linen and wool,… View of the Flavian Amphitheater, called the Colosseum, from Views of Rome, 1750/59, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on heavy ivory laid paper, 414 x 697 mm (image),… Bird, c. 1765, Staffordshire, England, Staffordshire, Lead-glazed earthenware (creamware), 22.7 x 14 x 9.5 cm (8 15/16 x 5 1/2 x 3 3/4 in.) Nissaka: Sayo Mountain Pass (Nissaka, Sayo no nakayama), from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi), also known as the Hoeido Tokaido, c. 1833/34,… Hand Pavise for Foot Combat, 1470/1500, painted late 18th century, German, Nuremberg, Nuremberg, Wood, canvas, iron, and paint, 62.8 x 40.6 cm (24 3/4 x 16 in.) Panel, 1700/25, Italy, Silk and gilt-metal-strip-wrapped silk, satin weave with brocading wefts and self-patterned by areas of twill weave, 140.3 x 53.4 cm (55 1/4 x 21 in.) The Enchanted House, 1871, Rodolphe Bresdin, French, 1825-1885, France, Lithograph (etching transfer) on cream China paper laid down on white wove paper, 172 × 243 mm (image/chine), 443 × 298… Revising for the Second Edition, from Boswell’s Tour of the Hebrides, 1786, Thomas Rowlandson, English, 1756-1827, England, Etching on paper, 275 × 380 mm (sheet) Entrance Court of the Lions, Alhambra, c. 1960, Charles Clifford, English, 1819–1863, England, Albumen print, 39.2 × 29.9 cm (image), 62.4 × 47.8 cm (mount) The Amazon, modeled 1897 (cast after 1907), Franz von Stuck, German, 1863-1928, Germany, Bronze, 64.4 x 34 cm (22 3/8 x 13 3/8 in.) Paperweight, c. 1845–60, Baccarat, France, founded 1764, Baccarat, Glass, Diam. 7.6 cm (3 in.) The Song of the Lark, 1884, Jules Adolphe Breton, French, 1827-1906, France, Oil on canvas, 43 1/2 × 33 3/4 in. (110.6 × 85.8 cm) Carpet, 18th century, Spain, Wool and linen, plain weave with supplementary warps forming cut pile, ten strips joined, 346.3 x 200.5 cm (136 1/4 x 79 in.) Donkey, 1833, Alexandre Gabriel Decamps, French, 1803-1860, France, Watercolor and touches of gouache, heightened with gum varnish, over traces of graphite, on tan wove paper, 220 × 293 mm Dish, Mid 19th century, England, Staffordshire, Staffordshire, Earthenware with blue transfer-printed decoration, 24.1 x 24.1 cm (9 1/2 x 9 1/2 in.) Chestnut Basket, c. 1790, Leeds Pottery, English, founded 1756, Yorkshire, Lead-glazed earthenware (creamware), H. 12.7 cm (5 in.) Fragment (Border), 1725/50, France, Linen, needle lace of a type known as "Point d'Argentan" with a buttonholed mesh ground, 7.4 × 23.2 cm (3 × 9 1/8 in.) Head of a Young Girl (Compiler’s Title), c. 1886, Odilon Redon, French, 1840-1916, France, Etching on white wove paper, 158 × 107 mm (image), 185 × 121 mm (plate), 285 × 228 mm (sheet) Cushion Pine Tree at Aoyama (Aoyama Enza no matsu), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), c. 1830/33, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849,… Job, 1618/30, Spanish (Seville?), Spain, Oil on canvas, 47 3/8 × 37 3/8 in. (120.3 × 95 cm) Architectural Fitting (Gong), Eastern Zhou dynasty, Spring and Autumn period (770–481 B.C.), 7th century B.C., China, Qishan county, Shaanxi province, China, Bronze Deposition (after Antonio Canova), 1800, Bernardino Nocchi, Italian, 1741–1812, Italy, Oil on canvas, 88 × 65.5 cm (34 3/4 × 25 3/4 in.) Mucius Scevola, 1608, Andrea Andreani (Italian, c. 1558-1629), after Baldessare Peruzzi (Italian, 1481-1536), Italy, Chiaroscuro woodcut in greenish gray and black on cream laid paper, 265 x 209 mm Italianate Landscape with Church on Cliff, n.d., Attributed to Gaspard Dughet, French, 1615-1675, France, Black chalk, heightened with traces of white chalk, on blue laid paper, laid down on… A Stag, A Study, 1890–98, Theodore Roussel, French, worked in England, 1847-1926, England, Soft ground etching in black on cream laid paper, 61 × 91 mm (image/plate), 67 × 91 mm (sheet) Ruins of a Castle, 1825/27, Carl Blechen, German, 1798-1840, Germany, Lithograph with olive-green tint stone, heightened with white gouache, on ivory wove paper, 154 x 218 mm (image), 257 x 350… Paperweight, c. 1845–60, Saint-Louis, France, founded 1767, France, Glass, 12.1 × 5.4 cm (4 3/4 × 2 1/8 in.) No. 29: Wada, from the series Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi), c. 1835/38, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock… Closed Burgonet, 1600/10, South German, Nuremberg, Nuremberg, Steel and leather, H. 24.6 cm (9 3/4 in.) Launcetown Cornwall, c. 1789, Thomas Rowlandson, English, 1756-1827, England, Pen and brown ink with brush and watercolor, over graphite, on cream wove paper, laid down on card, 170 × 260 mm Cows at the Watering Place, 1850, Charles Émile Jacque, French, 1813-1894, France, Etching, drypoint and roulette on cream China paper collè laid down on ivory wove paper, 207 × 277 mm (image),… Triumph of Caesar, 1599, Andrea Andreani (Italian, 1558/59–1629), after Andrea Mantegna (Italian, 1431–1506), Italy, Chiaroscuro woodcut from four blocks in black and light, medium and… Fringe, 18th century, Italy, 26.7 x 5.1 cm (10 1/2 x 2 in.) Denarius (Coin) Portraying Emperor Hadrian, AD 134/138, Roman, minted in Rome, Roman Empire, Silver, Diam. 1.7 cm, 2.89 g The Actors Arashi Otohachi I as Fukakusa no Shosho, Ichimura Uzaemon IX as Ariwara no Yukihira, and Nakamura Matsue I as Murasame in the play Kisoe Uta Sakae Komachi, performed at the Ichimura… Whistle, c. A.D. 800, Classic Veracruz, Veracruz, Mexico, Veracruz state, Ceramic and pigment, H. 4.5 cm (1 3/4 in.) Vessel with Lug Handles, Predynastic Period–Old Kingdom (about 4000–2250 BC), Egyptian, Egypt, Stone, 8.8 × 5.2 × 4.8 cm (3 1/2 × 2 1/16 × 1 7/8 in.) Vase, c. 1900, Fritz Heckert Glass Refinery and Glassworks, Petersdorf, Silesia (now Poland), 1866-1923, Possibly designed by Otto Thamm, German, 1860-c. 1905, Possibly decorated by Adolph… Chrismatory, c. 1760, Paris, France, Paris, Pewter, 10.2 x 5.4 x 6.4 cm (4 x 2 1/8 x 2 1/2 in.) Whitby, c. 1855, Benjamin Brecknell Turner, English, 1815-1894, England, Albumen print, 28.4 × 39 cm (image), 43.4 × 59 cm (mount) Chrysanthemums, c. 1840, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, chutanzaku, 37.8 x 13 cm (5 1/16 x 14 7/8 in.) On the Ice, 1898, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 128 x 178 mm (image/plate), 298 x 401 mm (sheet) The Love Letter, 1765, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, chuban, surimono, 26.1 x 20.4 cm (10 1/4 x 7 7/8 in.) Crypt of Kirkstall Abbey, plate 39 from Liber Studiorum, published February 11, 1812, Joseph Mallord William Turner, English, 1775-1851, England, Etching and engraving in brown on ivory paper, 180… Devotional passages with ornamental borders from Andächtig Zeitglöcklein des Leben und Leidens Christi, Plate 17 from Woodcuts from Books of the 15th Century, 1493, portfolio assembled 1929,… The Actor Sawamura Sojuro III (right), in His Dressing Room in Conversation with the Actor Segawa Kikunojo III (left), c. 1780/83, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan,… Ernest Renan, 1892, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on cream wove paper, 230 x 335 mm (image), 236 x 340 mm (plate), 369 x 550 mm (sheet, folded) Antoninianus (Coin) Portraying Emperor Probus, AD 276/281, Roman, minted in Siscia, Roman Empire, Billon, Diam. 2.2 cm, 4.22 g Fugaku hyakkei (100 Views of Mt. Fuji), v. 1–3 of 3 published, 1834–5 (v. 1–2), c. 1849 (v. 3), Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, book, woodblock printed, 22.5 x… An Enquiry Concerning the Clock Tax, 1797, Charles Ansell (English, active 1784-1796), after George Moutard Woodward (English, c. 1760-1809), published by S.W. Fores (English, 1761-1838),… Fragments, 16th century, Spain or Italy, Spain, silk, cut, voided velvet against plain weave foundation, 53.5 x 27 cm (21 x 10 5/8 in.) La Halle, Bruges, 1833, Samuel Prout (English, 1783-1852), probably printed by Charles Joseph Hullmandel (English, 1789-1850), probably published by Rudolph Ackermann (English, 1764-1834),… Girl Reading, 1883, Robert Frederick Blum, American, 1857-1903, United States, Etching on cream wove paper, 49 x 62 mm (image/plate), 331 x 240 mm (sheet) Head of Guanyin, late Northern Qi/Sui dynasty, late 6th century, China, Marble with traces of metal fittings at crown, 68.6 × 43.2 × 45.7 cm (27 1/16 × 17 1/16 × 18 in.) Jan Lievens, 1630/45, Lucas Emil Vorsterman (Flemish, 1595-1675), after Anthony van Dyck (Flemish, 1599-1641), Flanders, Etching in black on cream laid paper, 246 × 168 mm (sheet) Correct Survey of Dublin, As It Stood in the Year 1610, published July 1792, James Malton, English, 1761-1803, England, Aquatint in black on ivory wove paper, 275 × 475 mm (plate), 420 × 555… Ara manilata, Print, The red-bellied macaw (Orthopsittaca manilatus), also known as Guacamaya Manilata, is a medium-sized, mostly green South American parrot, a member of a group of large… Paperweight, c. 1845–55, Clichy, France, 1837-1885, Clichy, Glass, Diam. 8.9 cm (3 1/2 in.) Full Moon and Autumn Flowers by the Stream, c. 1895, Ogata Gekko, Japanese, 1859-1920, Japan, Color woodblock print, uchiwa-e, 23.5 x 24.8 cm Pitcher, 17th century, Italy, Glass, H. 6.5 cm (2 9/16 in.) Letter A, 1630, Peter Aubry, German, 1596-1668, Germany, Engraving on paper, 263 x 214 mm Border, c. 1620/30, Italy, Linen, needle lace worked on a laid and plaited thread grid, Reticello pattern, 11.3 x 87.2 cm (4 1/2 x 34 3/8 in.) Chiryu: The Old Story of the Irises at Yatsuhashi Bridge (Yatsuhashi no kakitsubata no koji), section of sheet no. 12 from the series Pictures of the Fifty-three Stations of the Tokaido Road… Ornamental Design for Knife Handle with Water, from The Four Elements, c. 1590, After Johann Theodor de Bry, German, 1561-1623, Flanders, Engraving in black on ivory laid paper, 90 × 22 mm… Untitled (North Parade, Deal), 1850–1900, English, 19th century, England, Albumen print, 18.6 × 28.1 cm (image/paper) Sun God Surya on His Chariot, Pala period, 10th/12th century, Bangladesh or Eastern India, Bangladesh, Bronze inlaid with silver, 19.5 × 10.7 × 6.7 cm (7 11/16 × 4 3/16 × 2 5/8 in.) Breaking Up of the Agamemnon, No. 1, 1870, Francis Seymour Haden, English, 1818-1910, England, Etching on ivory laid paper, 195 × 415 mm (image/plate), 229 × 446 mm (sheet) The Actor Yamashita Kinsaku II as Naoe in the Play Tsuma Mukae Koshiji no Fumizuki, Performed at the Nakamura Theater in the Eighth Month, 1780, c. 1780, Katsukawa Shunsho 勝川 春章,… Panel (Dress Fabric), Qing dynasty (1644–1911), 1875/1900, Han-Chinese, China, embroidered on gauze, 20.3 × 45.5 cm (8 × 17 7/8 in.) Dwarf, Tang dynasty (618–906), China, Earthenware Husbands Always Make Me Laugh: Come, Mme. Rabat-joie, shut up, 1853, Paul Gavarni, French, 1804-1866, France, Lithograph in black on cream wove paper, 191 × 160 mm (image), 352 × 260 mm (sheet) Fukusa (Gift Cover), late Edo period (1789–1868), early 19th century, Japan, Mon side: wool, plain weave, fulled (gorfukuren), embroidered with silk and… Newly Published Perspective Picture of Mount Fuji in Spring from Tagonoura (Shinpan uki-e Tagonoura haru no Fuji), c. 1772/89, Utagawa Toyoharu, Japanese, 1735-1814, Japan, Color woodblock… Pan, n.d., Possibly a follower of Giovanni Benedetto Castiglione, Italian, 1609-1664, Italy, Pen and iron gall ink, with brush and gray and brown wash, over black chalk, on ivory laid paper… Orpheus Charming the Animals, first half 17th century, England, Linen plain weave embroidered in silk floss, silk chenille and gilt-metal-strip-wrapped silk, glass beads, applied braid, 21 × 31 cm… The Pater Familias, 1648, Adriaen van Ostade, Dutch, 1610-1685, Holland, Etching in black on cream laid paper, 118 x 91 mm (sheet, trimmed within plate mark) Takeda Mechanical Device (Takeda karakuri): Haku Rakuten (Chinese: Bai Juyi) and the fisherman, c. early 19th century, Kubo Shunman, Japanese, 1757–1820, Japan, Color woodblock print,… Alessandro de’ Medici, 1534/35, Jacopo da Pontormo (Jacopo Carrucci), Italian, 1494-1557, Italy, Oil on panel, 35.3 × 25.8 cm, (13 7/8 × 10 1/8 in.) Amphisbaena fuliginosa, Print, Amphisbaena fuliginosa, also known as the black-and-white worm lizard, speckled worm lizard or spotted worm lizard, is a species of amphisbaenian in the genus… The Actor Ichimura Uzaemon IX as Fuwa Banzaemon in the Play Keisei Nagoya Obi, Performed at the Ichimura Theater in the Eighth Month, 1771, c. 1771, Katsukawa Shunsho 勝川 春章, Japanese,… Cuff of a Gauntlet, c. 1550/60, Italian or Flemish, Italy, Steel, brass, and textile, 16.5 x 15.2 x 11.4 cm (6 1/2 x 6 x 4 1/2 in.) Plate, 1760/70, England, Staffordshire, Staffordshire, Lead-glazed earthenware (creamware), Diam. 23.3 cm (9 3/16 in.) Pendant in the Shape of a Lotus Blossom, New Kingdom–Late Period (about 1550–664 BC), Egyptian, Egypt, Faience, 1.3 × 1.3 × 1.3 cm (5/8 × 1/2 × 1/2 in.) Buckler (Targa), 1550/75, Italian, Italy, Wood, parchment, and iron, 36.8 x 33.9 cm (14 1/2 x 13 1/4 in.) Sarah Bernhardt, from Treize Lithographies, 1898, published before 1906, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph on ivory laid paper, 282 × 238 mm (image), 391 × 316… Fumette’s Bent Head, 1859, James McNeill Whistler, American, 1834-1903, United States, Drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper, 225 x 153 mm… Louis XVI Restaurateur de la Liberté (Louis XVI Restorer of Liberty) (Furnishing Fabric), c. 1789/ 91, Designed by Jean Baptiste Huet (French, 1745–1811) after others, Manufactured by… Paiar of Jars, Western Zhou dynasty (c. 1046–771 BC ), late 9th/8th BC, China, Bronze, 50.5 × 36.4 cm (20 1/16 × 14 5/16 in.) The Actor Segawa Kikunojo III as Kojoro-gitsune Disguised as the Florist Okiku in the Play Mure Takamatsu Yuki no Shirahata, Performed at the Ichimura Theater in the Eleventh Month, 1780, c.… The Virgin and Child Seated on a Grassy Bank, 1553, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 107 x 68 mm (image/plate/sheet) Christ Stripped of His Garments, n.d., Lorenzo Garbieri, Italian, 1580-1654, Italy, Pen and brown ink, with brush and brown wash, with black chalk, heightened with lead white (partly discolored),… The Sacrifice of Polyxena, c. 1650, Giulio Carpioni, Italian, 1613–1678, Venice, Oil on canvas, 55.7 x 71 cm (21 15/16 x 27 15/16 in.) Conical Bowl, Northern Song dynasty (960–1127), early 12th century, China, Cizhou type ware, stoneware with brownish-black glaze, H. 5.6 cm (2 3/16 in.), diam. 18.0 cm (7 1/16 in.) Sampler, 1651, England, Linen, plain weave, embroidered with silk and linen, 19.7 × 85.1 cm (7 3/4 × 33 1/2 in.) Nose Ring (Nath), 19th century, India, Rajasthan, India, Gold, pearls, diamonds, and rubies, Ring: 8 x 7.2 x 0.7 cm (3 1/8 x 2 7/8 x 1/4 in.), length with chain: 21.9 cm (8 9/16 in.) The Circle of the Traitors, Dante’s Foot Striking Bocca degli Abbate. Inferno, canto XXXII, 1827, printed c. 1892, William Blake, English, 1757-1827, England, Hand-colored engraving on India… Sampler, 1713, Margreta Bem (German, active 1713), Germany, Linen, plain weave, with twenty nine squares filled with different needlework patterns in a variety of stitches, 37.3 x 39.4 cm (14 5/8 x… A Wet Day on the Boulevard, Paris, 1894, printed 1918/32, Alfred Stieglitz, American, 1864–1946, United States, Gelatin silver print, 5.6 x 10.4 cm (image/paper/first mount), 33.5 x 26.3 cm… Sestertius (Coin) Portraying Emperor Gordianus, AD 238/244, Roman, Roman Empire, Bronze, Diam. 3.1 cm, 18.33 g 2.589.713 / 2.589.715 Entries < previous page Page 3321 / 25898 next page >