The Resurrection, c. 1635, Bartholomeus Breenbergh, Dutch, 1598-1657, Holland, Oil on panel, 14 x 8 1/8 in. (35.5 x 20.7 cm)

Military Official with Long Sword, Northern Wei dynasty (386–535), c. 500/525, China, Earthenware with traces of polychromy, 28.8 × 9.2 × 8.4 cm (11 5/16 × 3 5/8 × 3 5/16 in.)

Panel (possibly from Woman’s Garment), 1875/1900, China, 41.1 × 14.1 cm (16 1/8 × 5 1/2 in.)

Upper Floor of the Gankiro in Yokohama (Yokohama Gankiro age), 1860, Utagawa Hiroshige II (Shigenobu), Japanese, 1826–1869, Japan, Color woodblock print, left sheet of oban triptych

Allegory of Winter, n.d., Jacob de Wit, Dutch, 1695-1754, Holland, Pen and brown ink with brush and brown wash, heightened with lead white (partly discolored), on buff wove paper, laid down on…

Portrait of a Woman with a Black Fichu, c. 1878, Édouard Manet, French, 1832-1883, Paris, Oil on canvas, 62.2 × 51.2 cm (24 1/2 × 20 1/8 in.)

The Cottage by the Roadside, Stormy Sky, c. 1860, Jules Dupré, French, 1811-1889, France, Oil on canvas, 27.6 × 35.7 cm (10 7/8 × 14 1/8 in.)

Te atua (The God) from the Noa Noa Suite, 1893/94, Paul Gauguin, French, 1848-1903, France, Wood-block print, printed twice in yellow ocher and black inks, over yellow ink tone block, and…

The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints and watercolor (in album), 29.2 × 41.9 cm

Sketch for a Funeral Monument, n.d., John Bacon, the elder, English, 1740-1799, England, Pen and brown ink, over graphite, on ivory laid paper, 166 × 146 mm

Untitled Valentine (Church and Putti), c. 1850, Thomas Wood, English, 19th century, England, Cut and embossed (designed) ivory wove paper with blue and pink wove paper inserts, 50 × 71 mm…

Landscape with Windmills, 1848, Charles Émile Jacque, French, 1813-1894, France, Drypoint and roulette on cream wove paper, 112 × 133 mm (plate), 242 × 320 mm (sheet)

Youth Playing Pipes of Pan, 1800, Carl Wilhelm Kolbe, the elder, German, 1759-1835, Germany, Etching on paper, 101 x 131 mm

Vessel, Archaic Period/Old Kingdom, Dynasty 1–3 (3050–2630 BC), Egyptian, Egypt, Alabaster, 5.5 × 9.9 × 9.9 cm (2 3/16 × 3 7/8 × 3 7/8 in.)

Denarius (Coin) Portraying Emperor Augustus, 19/18 BC, issued by Augustus, Roman, minted in Spain, possibly Colonia Caesaraugusta (Zaragoza) or Colonia Patricia (Cordoba), Spain, Silver, Diam. 2…

Combe Bottom, 1860, Francis Seymour Haden, English, 1818-1910, England, Etching and drypoint on ivory laid paper, 114 × 152 mm (image/plate), 142 × 181 mm (sheet), Cupid and Psyche (L’Amour…

Standing Peasant Woman, 1845, Charles Émile Jacque, French, 1813-1894, France, Etching and roulette on cream chine, 87 × 71 mm (image), 91 × 73 mm (sheet)

Venus and Mars with Cupid and the Three Graces in a Landscape, 1590/95, Domenico Tintoretto, Italian, 1560-1635, Tintoretto, Italian, 1518-1594, Workshop of Tintoretto, Italian, 1518-1594, Italy,…

Marble-slab Table, 1750/90, American, 18th century, New York, United States, Mahogany, white pine, and marble, 74.3 × 124.5 × 54.6 cm (29 1/4 × 49 × 21 1/2 in.)

Fragment, Roman period (30 B.C.– 641 A.D.)/Arab period (641–969)/Fatimid period (969–1171), 3rd/ 10th century, Egypt, Egypt, 53 × 46 cm

Count Robert de Montesquiou, No. 2, 1894, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black with scraping, on grayish ivory China paper, 227 x 96 mm (image),…

Tetradrachm (Coin) Portraying King Ptolemy, 367/284 BC, Greek, Ancient Greece, Silver, Diam. 2.5 cm, 13.34 g

Burgonet, c. 1580/90, Northern German, Northern Germany, Steel, H. 33 cm (13 in.)

Fragment of a Ceremonial Ballgame Yoke, A.D. 700/800, Totonac, El Tajín and vicinity, northern Veracruz, Mexico, El Tajín, Stone, 11.43 × 38.6 cm (4 1/2 × 15 1/5 in.)

Shakespeare and Garrick (Furnishing Fabric), c. 1790, Louis Francois Roubillac (France, c. 1702-1762), England, Cotton, plain weave, copperplate printed, 86.4 × 68.6 cm (34 × 27 in.)

Collar, 1860s/80s, Belgium, Belgium, Cotton, needle lace of a type known as "Point de Gaze

Mise-en-carte (Point-paper), 1760/90, France, Ink and gouache on hand drawn graph paper, 42 × 32.75 cm (16 1/2 × 12 7/8 in.)

Fragment, 1725/75, Poland, Poland, Made in form of a cope frontal, gold brocaded, silver ornamented with narrow bands of black and brown flowers;, 140 x 33.6 cm (55 1/8 x 13 1/4 in.)

Foundation Deposit: Bound Ox, New Kingdom, Dynasties 18–19 (about 1550–1069 BC), Egyptian, Egypt, Faience, 2.9 × 1.9 × 0.3 cm (1 1/8 × 3/4 × 1/8 in.)

The Straw Yard, plate 7 from Liber Studiorum, published February 20, 1808, Joseph Mallord William Turner (English, 1775-1851), Engraved by Charles Turner (English, 1773-1857), England, Etching…

Tramp with a Sling, 1634/38, Pieter Jansz Quast, Dutch, 1606-1647, The Netherlands, Engraving, with etching, on cream laid paper, 170 x 160 mm (image), 210 x 162 mm (plate), 268 x 175 mm (sheet)

Dancer Resting with a Fan, 1890/95, Edgar Degas, French, 1834-1917, France, Charcoal with stumping, on tan wove tracing paper, laid down on cream wood-pulp laminate board, 505 × 448 mm

Mars, 1529, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 81 x 57 mm (image/plate/plate)

Old Sarum, 1832, David Lucas (English, 1802-1881), after John Constable (English, 1776-1837), England, Mezzotint in black ink on heavy ivory wove paper, 179 × 256 mm (plate), 305 × 465 mm (sheet)

Fragment from an Orphrey Band Depicting the Resurrection, 15th century, Italy, Silk and gold gilt strip wound around linen fiber core, integrated compound-weave of warp-float faced satin weave…

Descending Geese at Haneda (Haneda no rakugan), from the series Eight Views in the Environs of Edo (Edo kinko hakkei no uchi), c. 1837/38, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858,…

Shawl, 1875/1900, Belgium, Belgium, Cotton, mixed lace: bobbin lace of a type known as "Point de Gaze

Lusmouth, Mars Hill, 1860/94, Francis Bedford, English, 1816–1894, England, Albumen print, 19.8 × 12.6 cm (image/paper)

Vase with Loop Handles, Peony Scrolls, Eight Buddhist Emblems, and Waves, Qing dynasty (1644–1911), Qianlong reign mark and period (1736–1795), China, Porcelain painted in underglaze blue, H.…

Seated Woman with Spindle, n.d., Circle of Francesco de’Rossi, called Salviati, Italian, 1510-1563, Italy, Pen and brown ink with brush and brown wash, heightened with lead white (oxidized),…

Thames Police, 1859, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint with foul biting in black ink on ivory laid paper, 151 x 226 mm (plate), 211 x 332 mm (sheet)

Amadina maja, Print, Amadina is a genus of estrildid finches. Established by William John Swainson in 1827, 1700-1880

Daruma and a young woman in the rain, 1765, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, chuban, surimono, 26.1 x 19.2 cm (10 1/4 x 7 1/2 in.)

At the Concert, 1896, Henri de Toulouse-Lautrec, French, 1864-1901, France, Zinc lithographic plate with corners removed and beveled edges, laid down on mauve board and taped to mat, 321 × 252 mm

Purple Plums, 1895, Cadurcis Plantagenet Ream, American, 1838–1917, United States, Oil on canvas, 40.6 × 55.9 cm (16 × 22 in.)

Lake at Hakone (Hakone no kosui), from the series Thirty-six Views of Mount Fuji (Fuji sanjurokkei), 1858, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, oban

Les Invalides du Sentiment: A été jeune premier, 1853, Paul Gavarni, French, 1804-1866, France, Lithograph in black on cream wove paper, 218 × 185 mm (image), 365 × 268 mm (sheet)

Festival Hall From a Theatrical Scene, c. 1719, Attributed to Giuseppe Galli-Bibiena, Italian, 1696-1757, Italy, Pen and brown ink, with brush and brown, gray, yellow, and pale green wash and…

Finette, 1859, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint in black on ivory Japanese paper, 290 x 201 mm (image/plate), 386 x 264 mm (sheet)

Paperweight, 19th century, Clichy, France, 1837-1885, Clichy, Glass, 2 7/8 in.

Seated Woman, n.d., Pierre-Jacques Volaire, French, 1729-1799, France, Black and white chalk, on gray prepared ground, on ivory laid paper, 390 × 264 mm

I Have Sometimes Seen in the Sky What Seemed to Be Like Forms of Spirits, plate 21 of 24, 1896, Odilon Redon, French, 1840-1916, France, Lithograph in black on ivory China paper laid down on…

The Box, Faust, 1896, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph in violet black on cream wove paper, 372 × 265 mm (image), 550 × 383 mm (sheet)

Plum Garden at Kameido (Kameido Umeyashiki), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), 1857, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color…

A Moor Caught by the Bull in the Ring, plate 8 from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished aquatint…

Cameo, Late 18th century, Wedgwood Manufactory, England, founded 1759, Burslem, Stoneware (jasperware), 3.6 × 2.2 × 0.6 cm (1 7/16 × 7/8 × 1/4 in.)

Mme Armand Dayot, 1890, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 210 x 144 mm (image), 237 x 157 mm (plate), 288 x 219 mm (sheet)

Fukusa (Gift Cover), late Edo period (1789–1868)/Meiji period (1868–1912), 1850/75, Japan, Kinran, fancy compound satin, silk, and gilt paper, lined with red silk crepe, 64.8 x 64.8 cm (25 1/2…

Untitled, 1857, Gustave Le Gray, French, 1820–1884, France, Albumen print, from the album "Souvenirs du Camp de Châlons

Fish, 1842, Shepard Alonzo Mount, American, 1804–1868, United States, Oil on panel, 17.2 × 27.3 cm (6 3/4 × 10 3/4 in.)

Almanac, 1828, France, 12.4 × 4.4 cm (4 7/8 × 1 3/4 in.)

View of the Spot Where General Ross Fell, Near Baltimore, plate six of the first number of Picturesque Views of American Scenery, 1819/21, John Hill (American, 1770-1850), after Joshua Shaw…

As (Coin) Portraying Emperor Trajan, AD 98/99, Roman, minted in Rome, Roman Empire, Bronze, Diam. 2.9 cm, 10.80 g

Caricature of Eugène Marcel, 1855/56, Claude Monet, French, 1840-1926, France, Graphite, heightened with white chalk, on gray wove paper, 239 × 136 mm

Buildings in Sebastopol, View Taken from the Redan, 1855, James Robertson, Scottish, c. 1813–d. after 1881, Scotland, Albumen print, 22.2 x 29.8 cm (image/paper), 32 x 40.5 cm (mount/page)

The Actor Maximilian Korn in a Landscape, 1828, Ferdinand Georg Waldmüller, Austrian, 1793-1865, Austria, Oil on panel, 31.5 × 26 cm (12 3/8 × 10 1/4 in.)

Bust of Young Man Resting Chin on Hand, c. 1720, Bernard Picart (French, 1673-1733), or possibly after Annibale Carracci (Italian, 1560-1609) or the Carracci family (Italian, flourished…

Hercules, plate 16 from Parnassus Biceps, 1601, Robert Boissard (French, c. 1570–after 1597), after Jean-Jacques Boissard (French, 1533-1598), Frankfurt an der Oder, Engraving in black on ivory…

Fragment, 1876, United States, Cotton, plain weave, roller printed, 19 × 26.5 cm (7 1/2 × 10 1/2 in.)

Approval of the Rules of the Franciscan Order by Pope Innocent III in 1209, n.d., Livio Agresti, Italian, 1508–1579, Italy, Pen and brown ink, with brush and brown wash, heightened with lead…

The Garden of Palazzo Contarini dal Zaffo, late 1770s, Francesco Guardi, Italian, 1712–1793, Italy, Oil on canvas, 48 × 78 cm (19 × 30 5/8 in.)

Christ’s Entry into Jerusalem, from The New Testament, 1635, Jacques Callot (French, 1592-1635), published by Israël Henriet (French, 1590-1661), France, Etching on paper, 68 × 86 mm (plate),…

Agraulis, Print

Heinrichsgaβe No. 1, Zinshaus des Herrn A. M. Ruβo, 1860s, Austrian, 19th century, Austria, Albumen print, 27.1 × 32.6 cm (image/paper), 42.8 × 61.2 cm (labum page)

Sample (Dress Trimming), 1815/1835, England or France, France, Cotton, plain weave, appliquéd with cotton, plain weave, edged with cording covered with cotton, plain weave, 38.1 × 39.05 cm (15 ×…

Coin Depicting the Hero Herakles, about 300/200 BC, Greek, Ancient Greece, Bronze, Diam. 1.5 cm, 3.54 g

Antilope goral, Print, Blackbuck, The blackbuck (Antilope cervicapra), also known as the Indian antelope, is an antelope found in India, Nepal, and Pakistan. The blackbuck is the sole extant member…

Cupid Overcoming Pan, n.d., Orazio Samacchini, Italian, 1532-1577, Italy, Pen and brown ink, with brush and brown wash, squared in black chalk, on ivory laid paper, laid down on ivory laid card, 158…

Village on Sunny Hillside, 1650–51, Jan van Goyen, Dutch, 1596-1656, Netherlands, Black chalk, with brush and gray wash, on ivory laid paper, 98 x 157 mm

The Dragon Devouring the Companions of Cadmus, 1588, Hendrick Goltzius (Dutch, 1558-1617), after Cornelis Cornelisz. van Haarlem (Dutch, 1562-1638), Netherlands, Engraving of black in on Ivory…

Cabinet, 1878/80, Herter Brothers, American, 1864–1906, New York, New York City, Rosewood with ebonized cherry, maple, walnut, satinwood, marquetry of various woods, brass, gilding, and paint,…

Women Walking by a Moat, 1780s, Katsukawa Shuncho, Japanese, active c. 1780-1801, Japan, Color woodblock print, two sheets from oban triptych, 36.2 x 49.5 cm

Flower Holder, c. 1830, England, Staffordshire, Staffordshire, Glazed earthenware with polychrome enamel decoration, H. 26 cm (10 1/4 in.)

Amulet of the God Osiris, Third Intermediate Period, Dynasty 21–25 (1070–656 BC), Egyptian, Egypt, Bronze, 4 × 1.27 × 1 cm (1 9/16 × 1/2 × 3/8 in.)

Cardinal Richelieu, 1657, Robert Nanteuil (French, 1623-1678), after Philippe de Champaigne (French, 1602-1674), France, Engraving on paper, 348 × 271 mm (plate), 377 × 295 mm (sheet)

Garuda Finial, Angkor period, 12th/13th century, Cambodia, Cambodia, Bronze, 20.6 × 11 × 16 cm (8 1/8 × 4 3/8 × 6 1/4 in.)

Oracle and Worshippers before the Statue of Artemis of Ephesus, n.d., Follower of Battista Franco, called Il Semolei, Italian, c. 1510-1561, Italy, Pen and brown ink with brush and gray wash, on…

Dead Christ with Angels, 1866/67, Édouard Manet, French, 1832-1883, France, Copperplate, etched and aquatinted, 403 × 332 mm

Tahitians, Flowers, and Leaves, headpiece for Le sourire, 1899/1900, Paul Gauguin, French, 1848-1903, France, Wood-block print in black ink on cream wove paper, 104 × 183 mm (image), 132 × 240…

Panel, c. 1830/40, England, 83.2 × 193.1 cm (32 3/4 × 76 in.)

Side Chair, 1730/60, American, 18th century, Newport, Rhode Island, Newport, White pine, 106.4 × 52.7 × 40.6 cm (41 7/8 × 20 3/4 × 16 in.)

Man of Sorrows by the Column, frontispiece from The Engraved Passion, 1509, published 1513, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 119 x 74 mm…

Amulet of the God Anubis, Late Period, Dynasties 26–31 (664–332 BC), Egyptian, Egypt, Faience, 3 × 1.25 × 1 cm (1 3/16 × 1/2 × 3/8 in.)

The Artist in the Country, published June 19, 1869, Winslow Homer (American, 1836-1910), published by Appletons’ Journal (American, 1869-1881), United States, Wood engraving on paper, 159 x 168…

The Knife-Grinder, 1850, Charles Émile Jacque, French, 1813-1894, France, Etching on cream China paper laid down on ivory wove paper, 112 × 88 mm (image), 120 × 92 mm (chine), 125 × 95 mm…

Paperweight, c. 1845–60, Baccarat, France, founded 1764, Baccarat, Glass, Diam. 7.6 cm (3 in.)

Quadrans (Coin) Depicting the Hero Hercules, 225/217 BC, Roman, Italy, Bronze, Diam. 4.5 cm, 77.39 g

Male Figure with Left Arm Raised Seen from the Back, and Fragment of Old Man, 1770/75, Henry Fuseli, Swiss, active in England, 1741-1825, England, Brush and brown wash, heightened with white…

Panel Emblematical of the Arts, 1600/1700, French, French, Wood, 23 1/2 × 38 in. (60 × 96.5 cm)

An Irish Girl or Annie, 1894, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 276 x 198 mm (image/plate), 396 x 299 mm (sheet)