Librifly Art Gallery 2.589.713 / 2.589.715 Entries < previous page Page 3331 / 25898 next page > Caernarvon Castle, 1845, Elizabeth Murray, English, c. 1815-1882, England, Watercolor over graphite on cream wove paper, 260 mm × 364 mm Painful (Itaso), from the series Thirty-two Aspects of Women (Fuzoku sanjuniso), 1888, Tsukioka Yoshitoshi, Japanese, 1839-1892, Japan, Color woodblock print, oban, 37.4 x 25.3 cm (14 3/4 x 9 15/16) Untitled, c. 1870, Constant Famin, French, active late 19th century, France, Albumen print, 26.7 × 20.7 cm (image/paper) Tetradrachm (Coin) Portraying King Ptolemy I, Ptolemaic Period (53–52 BC), issued by King Ptolemy XII Auletes, Reign of Ptolemy XII Auletes (80–51 BC), Greco-Egyptian, Egypt, Silver, Diam. 2.6… Fragment, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912), Japan, Brocade, 25.7 x 24.2 cm (10 1/8 x 9 1/2 in) (per old card) Coverlet, 1839, John B. Welty (America, 1792-1841), United States, Maryland, Washington County, Boonsboro, Maryland, Cotton and wool, plain weave with plain interlacings of secondary binding warps… Kneeling Woman with Straw Hat, n.d., Henry Stacy Marks, English, 1829-1898, England, Black pastel, heightened with white pastel, on blue laid paper, 456 × 307 mm, The Brook, n.d., Edward… General Andrew Jackson, 1819, William Rush, American, 1756–1833, Philadelphia, Terracotta, 50.5 × 47.9 × 22.2 cm (19 7/8 × 18 7/8 × 8 3/4 in.) The Home of the Heron, 1893, George Inness, American, 1825–1894, Florida, Oil on canvas, 76.2 × 115.2 cm (30 × 45 in.) The Arch of the Bridge, 1874, Édouard Manet (French, 1832-1883), printed by Auguste Delâtre (French, 1822-1907), written by Charles Cros (French, 1842-1888), France, Etching and aquatint in black… Sauceboat, c. 1755, Worcester Porcelain Factory, Worcester, England, founded 1751, Worcester, Soft-paste porcelain with polychrome enamels, 11.4 x 23.2 cm (4 1/2 x 9 1/8 in.) Head of Venus de Medici, n.d., Vincenzo Dandini, Italian, 1607-1675, Italy, Red chalk, with stumping, on cream laid paper, laid down on ivory wove card, 275 x 205 mm Panel, c. 1840, England, 202 × 64 cm (79 × 25 1/4 in.) Meeting of Day and Night, Lake George, 1896, Alfred Stieglitz, American, 1864–1946, United States, Lantern slide, 6.7 x 2.3 cm (masked image), 7 x 7.4 cm (image), 8 x 8.2 cm (silde) Untitled, c. 1850, American, 19th century, United States, Daguerreotype, 14 x 10.8 cm (plate), 15.1 x 12 x 1.4 cm (case) The Eclipse, 1869, Felix Bracquemond, French, 1833–1914, France, Etching in brown on cream wove paper, 193 × 128 mm (plate), 386 × 276 mm (sheet) Coronation of the Virgin, with the Martyrdom of Saint Lawrence, c. 1570, Federico Zuccaro, Italian, c.1542-1609, Italy, Pen and brown ink with brush and brown wash, heightened with lead-white… Vase, 1850/75, Wedgwood Manufactory, England, founded 1759, Burslem, Stoneware (basaltware) with encaustic decoration, 62.6 × 40.6 cm (24 5/8 × 16 in.) Alactaga jaculus, Print, 1700-1880 The Deposition of Christ, from The Large Passion, c. 1496–97, Albrecht Dürer, German, 1471-1528, Germany, Woodcut in black on ivory laid paper, 388 x 278 mm Trompettes, Pages, Esclaves, et Vases que l’on portait pour présent à Mahomet, from Caravanne du Sultan à la Mecque, 1748, Joseph Marie Vien, French, 1716-1809, France, Etching on ivory… Portion of a Loom Length, 1850/75, Bukhara, Uzbekistan, Uzbekistan, Silk, twill weave with supplementary warp forming cut velvet, pile warp-resist-dyed (ikat), 128 × 46 cm (48 1/2 × 13 5/8 in.) Assumption of the Virgin: Lower Half, 1600/10, Attributed to Marcantonio Bassetti, Italian, 1586-1630, Italy, Brush and brown wash with black chalk, on ivory laid paper, 90 x 108 mm (max.) Bodhisattva Manjushri Holding a Blue Lotus (Utpala), 9th/10th century, Indonesia, Central Java, Central Java, Andesite, 74.6 × 35.4 × 22.9 cm (29 3/8 × 14 × 9 in.) Two Sketches: Standing Woman, Woman Dancing with Child, n.d., Giovanni Battista Cipriani, Italian, 1727-1785, Italy, Black chalk, on ivory laid paper, 204 x 190 mm Courtyard, Chelsea Hospital, 1888, James McNeill Whistler, American, 1834-1903, United States, Lithograph, in black ink, with stumping, on cream wove paper, 215 x 162 mm (image), 316 x 196 mm (sheet) Au Cirque: Écuyère, 1888, Henri de Toulouse-Lautrec, French, 1864-1901, France, Tambourine with oil on vellum painting, Diameter: 10 1/2 in. (26.7 cm) Design for Decorative Frieze with Joseph Interpreting His Dream to His Brothers, n.d., Circle of Giovanni Battista Castello, called Il Bergamasco, Italian, c. 1509-1569, Italy, Pen and brown ink… Main Street, Gorbals, Looking North, 1868, Thomas Annan, Scottish, 1829–1887, Scotland, Photogravure, plate 37 from the book "The Old Closes & Streets of Glasgow" (1900), 16.9 x 23.6 cm… Savoie 41, Tunnel de la Tête Noire, 1855/67, Auguste-Rosalie Bisson, French, 1826–1900, France, Albumen print, 38.6 × 24.9 cm (image/paper), 69.6 × 52.7 cm (mount) The Actors Ichikawa Monnosuke II as Miyukinosuke, Segawa Kikunojo III as Hatsune-hime, and Ichikawa Danjuro V as Ninnaji no Saibei, in the joruri Shitenno Oe no Yamairi, performed at the Kiri… Destruction of a Convent, plate six from The Miseries of War, 1633, Jacques Callot (French, 1592-1635), published by Israël Henriet (French, 1590-1661), France, Etching on paper, 81.5 × 186… Letter L, 1630, Peter Aubry, German, 1596-1668, Germany, Engraving on paper, 223 x 174 mm Ichikawa Yaozo lll in the Role of Fuwa no Banzaemon Shigekatsu, 1794, Toshusai Sharaku 東洲斎 写楽, Japanese, active 1794-95, Japan, Color woodblock print, hosoban, 31.6 x 14.7 cm Fan, 1825/75, Italy, Painted paper mount with color lithograph of figures, sticks and guards pierced and carved mother-of-pearl, 26.4 cm (10 3/8 in.) Halberd, 1575, German, Germany, Steel, iron, and wood (oak), L. 213.4 cm (84 in.) The Actor Ichikawa Komazo II, c. 1768, Torii Kiyomitsu I, Japanese, 1735–1785, Japan, Color woodblock print, hosoban, 12 x 5 1/8 in. An outing at Hagidera, from the series A Brocade of Eastern Manners (Fuzoku Azuma no nishiki), c. 1783/84, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, oban diptych, 37.8 x… Otsu: Hashirii Teahouse (Otsu, Hashirii chaya), from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi), also known as the Hoeido Tokaido, c. 1833/34, Utagawa… The Great American Tin Swindle, published October 19, 1892, William Allen Rogers, American, 1854-1931, United States, Color lithograph on newsprint, 235 x 218 mm Harness Ring with Quadruped, Geometric Period (800–600 BC), Greek, Thessaly, Thessaly, Bronze, 6.3 × 4.0 × 0.6 cm (2 1/2 × 1 5/8 × 1/4 in.) La Foire du Caire (The Cairo Fair) (Furnishing Fabric), c. 1800, Possibly designed by Boudry (French, active c. 1785–1800) or Courvoisier (French, active c. 1785–1800), Manufactured by… Decorated Initial G in Red with Conventional Flower from a Manuscript, 14th century or modern, c. 1920, European, Europe, Manuscript cutting in tempera and gold leaf on vellum, 56 × 66 mm Antoninianus (Coin) Portraying Emperor Tetricus, AD 271/274, Roman, minted in Gaul, Roman Empire, Billon, DIam. 2 cm, 3.71 g The Swallows, c. 1881, Félix Henri Bracquemond, French, 1833–1914, France, Pen and brush and black ink, with black chalk and graphite and touches of black Conté crayon, on tan wove paper, 277… It’s Papa Can’t Bear it Out of His Sight, 1872, Randolph Caldecott, English, 1846-1886, England, Gouache and watercolor with graphite, on cream wove paper (discolored to tan), laid down on… Cruel tale of woe!, plate 48 from The Disasters of War, 1812/15, published 1863, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished lavis and burin on ivory wove… The Actor Sawamura Sojuro I as Soga no Juro, c. 1732, Torii Kiyoshige, Japanese, active c. 1728-1763, Japan, Hand-colored woodblock print, hosoban, urushi-e, 12 x 6 in. Border, 17th century, Italy, linen and silk, embroidered, 22.5 x 7.94 cm (8 7/8 x 3 1/8 in.) Fable V, plate five from Lehrreiche Fabeln aus dem Reiche der Theire, 1743, Johann Elias Ridinger, German, 1698-1767, Germany, Etching on ivory laid paper, 368 x 299 mm (image), 424 x 318 mm… Queen Christine of Sweden, n.d., Adriaen Pietersz van de Venne, Dutch, 1589-1662, Holland, Engraving in black on ivory wove paper Untitled Valentine (Pink and Yellow Flowers), c. 1830, Unknown Artist, American or English, 19th century, United States, Etching with hand-coloring on cream wove paper, 55 x 75 mm Paperweight, c. 1845–60, Saint-Louis, France, founded 1767, France, Glass, Diam. 7 cm (2 3/4 in.) Native Barns and Huts at Akaroa, Banks’ Peninsula, 1845, 1865, Charles Meryon, French, 1821-1868, France, Etching with drypoint on ivory laid paper, 127 × 239 mm (image), 135 × 242 mm (plate),… Incense Burner, c. 1830, England, Staffordshire, Staffordshire, Glazed earthenware with polychrome enamel decoration, H. 12.1 cm (4 3/4 in.) Husbands Always Make Me Laugh: How badly you lie, my dear, 1853, Paul Gavarni, French, 1804-1866, France, Lithograph in black on cream wove paper, 191 × 161 mm (image), 354 × 261 mm (sheet) Vessel, New Kingdom, Dynasty 18 (about 1550–1295 BC), Egyptian, Egypt, Ceramic, H. 22.2 cm (8 3/4 in.), diam. 11.7 cm (4 5/8 in.) The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen print with watercolor (in album), 29.2 × 41.9 cm Umeyashiki, from the series Collection of Famous Places in Edo (Edo meisho shu), c. 1782, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, chuban, 26.3 x 19.3 cm Raising of Lazarus, n.d., Attributed to Marco Benefial, Italian, 1684-1764, Italy, Brush and gray wash, squared in black chalk, on cream laid paper, 221 x 309 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen print with watercolor (in album), 29.2 × 41.9 cm Hanging, 1893, Iran, Iran, Linen, plain weave, painted, printed, 301 x 148 cm (118 1/2 x 58 1/4 in.), Church Interior, Venice, plate sixteen from the North Italian Set, 1896, David Young… Bust of an Old Man with a Fur Cap and Flowing Beard, Nearly Full Face, c. 1631, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching on paper, 53 x 53 mm (image), 62 x 53 mm (plate), 67 x 57… English (Igirisujin), from the series A Collection of Various Countries (Bankoku zukushi), 1860, Utagawa Yoshitora, Japanese, active c. 1836-87, Japan, Color woodblock print, oban The Tall Bridge, 1878, James McNeill Whistler, American, 1834-1903, United States, Lithotint, in brown ink, with scraping, on cream wove proofing paper, 278 x 191 mm (image), 379 x 255 mm (sheet) Panel from a Skirt, 1741/42, Possibly designed by Anna Maria Garthwaite (English, 1720–1756), England, Spitalfields, England, Silk, plain weave with weft-float faced 2:1 twill interlacings… Teapot, 1760/70, Staffordshire, England, Staffordshire, Lead-glazed earthenware (creamware), 7.6 x 13.7 x 7.6 cm (3 x 5 3/8 x 3 in. ) Punch Bowl with the arms of Smith impaling Horne, c. 1740, China, Jingdezhen, Hard-paste porcelain with polychrome enamels and gilding, H. 10.6 cm (4 3/16in.), diam. 3 15/16 cm (10 in.) Virgin and Child, 1485/91, Andrea Mantegna, Italian, 1431-1506, Italy, Engraving in black on buff laid paper, 228 x 235 mm (image before remargining), 265 x 250 mm (sheet) Wheellock Rifle of Emperor Leopold I, 1664, Stock: Johann Georg Maucher, German, Schwäbisch Gmünd, active 1650-1700, Lock and barrel: Michael Has, Gmünd, Steel, brass, cherrywood, horn,… Eve after the Fall, Modeled 1883, carved about 1886, Auguste Rodin, French, 1840–1917, France, Marble, 76.2 × 27.4 × 21 cm (30 × 11 × 8 1/4 in.) Portrait of Edouard Manet, c. 1867, Felix Bracquemond, French, 1833–1914, France, Etching on ivory laid paper, 155 × 118 mm (plate), 240 × 1186 mm (sheet) In the Style of a Page (Kosho fu), Center Sheet of Triptych (Sanpukutsui chu), c. 1730, Nishimura Shigenaga, Japanese, 1697 (?)-1756, Japan, Hand-colored woodblock print, hosoban, urushi-e, 6 3/8 x… Armchair, 1856/65, Attributed to Leon Marcotte, American, born France, 1824–1887, New York, New York City, Ebonized cherry and ormolu, 101 × 64.8 cm (39 3/4 × 25 1/2 in.) The Cliff, Bay of St. Malo, 1889–90, Félix Hilaire Buhot, French, 1847-1898, France, Etching, drypoint, and aquatint on ivory laid paper, with false margins on heavy white wove paper, 226 × 292… Fragment, 19th century, Greece, Thebes, Thebes, Cotton, plain weave, embroidered with silk in Cretan, split, and trammed stem stitches, 25.6 x 12.6 cm (10 x 5 in.) True Drawing of a Newly Arrived Camel (Shinto rakuda shashin), 1863, Utagawa Yoshitoyo, Japanese, 1830–1866, Japan, Color woodblock print, oban Rhaidr-y Wennel near Llanrwst in the Country of Denbigh, 1776, Paul Sandby, English, 1731-1809, England, Aquatint on cream laid paper, 237 × 314 mm (plate), 320 × 463 mm (sheet) Denarius (Coin) Depicting the God Apollo, 90 BC, Roman, minted in Rome, Italy, Silver, Diam. 2 cm, 3.93 g Fragment, 1625/75, Italy, Silk and silvered-metal strip, plain weave with supplementary patterning warps, supplementary patterning wefts, and facing, 26.7 x 22.5 cm (10 1/2 x 8 7/8 in.) Piccadilly, 1850–1900, probably English, 19th century, England, Albumen print, from the album "Views of London Denarius (Coin) Portraying Julia Mamaea, AD 222/235, Roman, minted in Antioch, Roman Empire, Silver, Diam. 2 cm, 2.95 g Stater Coin Depicting Pegasus Flying, 400/330 BC, Greek, Levkás, Silver, Diam. 2.1 cm, 8.41 g Saucepot, Southern Song (1127–1279) or Yuan dynasty (1279–1368), 13th/14th century, China, Qingbai ware, glazed porcelain, H. 7.3 cm (2 7/8 in.), diam. 8.7 cm (3 7/16 in.) View of the Temple of Cybele in the Piazza of the Bocca della Verità, from Views of Rome, 1750/59, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on heavy ivory laid paper, 367 x… The Shulamite, 1897, Odilon Redon, French, 1840-1916, France, Lithograph printed in blue, yellow, and violet on buff Japanese paper, 241 × 212 mm (image), 311 × 219 mm (sheet) The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Vase d’Arezzo, 1884/85, Sèvres Porcelain Manufactory, Sèvres, France, founded 1740, Designed by Albert-Ernest Carrier-Belleuse (French, 1824-1887), Decorated by Henri Lucien Lambert… Backplate, c. 1560/70, Italian, Italy, Steel Kantharos (Drinking Cup), about 300 BC, Attributed to the Kantharos Group, Greek, Apulia, Italy, Greece, terracotta, decorated in the red-figure technique, 16.8 × 14.6 × 9.8 cm (6 5/8 × 5 3/4 ×… Trouser Band, Qing dynasty (1644–1911), 1875/1900, Han-Chinese, China, Forty-four pairs and eight odd pieces of embroidered sleeve, ankle bands, etc. on gauze., 13.6 × 34.3 cm (5 3/8 × 13 1/2 in.) War Hammer, early 17th century, German, possibly French, France, Iron and silver, L. 62.2 cm (24 1/2 in.) Untitled, 1852, printed 1976, Édouard Baldus (French, born Germany, 1813–1889), printed by Chicago Albumen Works, France, Portfolio of salted paper prints (6), 56 × 71 cm (each) Lord Wentworth, July 1, 1793, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on ivory laid paper, 322 x 280 mm (image), 393… Paperweight, c. 1845/60, Clichy, France, 1837-1885, France, Glass, Diam. 6.7 cm (2 5/8 in.) Stirrup Vessel with Textured Surface, c. 800 B.C., Chavín, North coast, Peru, North Coast, Ceramic and pigment, 21.6 × 12.7 × 12.7 cm (8 1/2 × 5 × 5 in.) Statue of Augustus Caesar (recto and verso), n.d. (recto), Late 16th c. (verso), Italian, Roman, Late 16th century, Italy, Pen and brown ink over traces of black chalk (recto) and pen and blue… Ring with Ankh (Symbol for Life), Middle Kingdom (1991 BC–1784 BC), Egyptian, Egypt, Carnelian, W. 0.5 cm (3/16 in.), diam. 1.5 cm (5/8 in.) Women Visiting the Bird and Flower Teahouse (Kachojaya), c. 1792/93, Utagawa Toyokuni I 初代 歌川 豊国, Japanese, 1769–1825, Japan, Color woodblock print, center sheet of oban triptych, 15… Towel, 15th century, Italy, Perugia, Perúgia, Linen, bands of weft-float faced diamond twill weave, weft-faced, warp-ribbed plain weave with supplementary patterning wefts, 231.6 x 58.15 cm (91… 2.589.713 / 2.589.715 Entries < previous page Page 3331 / 25898 next page >