Librifly Art Gallery


2.589.713 / 2.589.715 Entries   < previous page Page 3333 / 25898 next page >
Fragment, 1625/75, Italy, Silk, silver gilt strips, and gold gilt strips wound around silk fiber core, plain weave with supplementary patterning and supplementary brocading wefts, 28.5 x 30.3 cm…
Coin Depicting the God Apollo, 2nd/1st century BC, Greek, Izmir, Bronze, Diam. 2.2 cm, 8.12 g
Sir, you can count on us as on the Old Guard, 1831, Denis Auguste Marie Raffet (French, 1804-1860), printed by Chez Gihaut Frères (French, 19th century), France, Lithograph in black on tan wove…
Illuminated Initial G from a Prayerbook, 15th century, Dutch, Netherlands, Manuscript cutting in tempera and gold leaf, with Dutch inscriptions in black and red inks, ruled in black, on parchment,…
Ambassis nalua, Print, Ambassis nalua, the scalloped glassfish or scalloped perchlet, is a species of fish in the genus Ambassis. It is native to the Indo-Pacific region, form India to Australia…
Studies for the Crowning with Thorns, 1592/1600, Jacopo Negretti, called Palma il Giovane, Italian, c. 1548-1628, Italy, Pen and brown ink with brush and brown wash, on ivory laid paper, laid down…
Mlle. Noblet, 1829/30, Pierre Louis Henri Grévedon, French, 1776-1860, France, Lithograph in black on cream China paper laid, down on cream wove paper, 340 × 268 mm (image), 392 × 298 mm…
Bowl, c. 1750, England, London, London, Tin-glazed earthenware, 11.6 x 26.7 cm (4 9/16 x 10 1/2 in.)
Thenot Remonstrates with Colinet, from The Pastorals of Virgil, 1821, William Blake, English, 1757-1827, England, Wood engraving on off-white wove paper, 37 × 74 mm (image/block), 40 × 77 mm (sheet)
Secret Town Trestle, near Gold Run, 1859/62, Charles Roscoe Savage, American, born England, 1832–1909, United States, Albumen print, stereo, from the series "Central Pacific Railroad
Ôhi (Stole), late Edo period (1789–1868)/ Meiji period (1868–1912), 1850/90, Japan, Heri, yô, and jô: silk, cotton and gold-leaf-over-lacquered paper strip, twill weave with twill…
Amulet of Pataikos, Third Intermediate Period–Late Period, Dynasties 21–31 (about 1069–332 BC), Egyptian, Egypt, Faience, 4.5 × 2 × 1.5 cm (1 1/4 × 3/4 × 9/16 in.)
Fragment (Border), possibly A.D. 500/600, Nazca, Peru, south coast, Possibly Nazca Valley, Peru
Fireworks at Ryōgoku(Ryōgokuhanabi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), 1858, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock…
Memorial Portrait of the Actor Onoe Kikugoro IV, 1860, Utagawa School, Japanese, 19th century, Japan, Color woodblock print, oban
Fukusa (Gift Cover), late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century, Japan, Mon side: silk, warp-faced, weft ribbed plain weave (shioze), dye extracted through…
The Grand Smoker, 1843, Jean Louis Ernest Meissonier, French, 1815-1891, France, Etching and drypoint on ivory China paper, laid down on ivory wove paper, laid down on ivory card, 79 × 65 mm…
What madness!, plate 68 from The Disasters of War, 1815/20, published 1863, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, lavis and burin on ivory wove paper with…
The actors Ichikawa Sadanji I as Imagawa Yoshimoto and Onoe Kikugoro V as Mori Shinsuke, 1884, Toyohara Kunichika, Japanese, 1835-1900, Japan, Color woodblock print, oban triptych, 73.2 x 37.0 cm
François de Vendôme, Duc de Beaufort, c. 1648, Robert Nanteuil (French, 1623-1678), after Jean Nocroit (French, 1615-1672), France, Engraving on paper, 309 × 250 mm (image), 434 × 340 mm…
Cliffs on the Sea Coast: Small Beach, Sunrise (Falaise au bord de la mer, vu Petite Plage, soleil levant), 1865, Gustave Courbet, French, 1819-1877, France, Oil on canvas, 35.9 × 60 cm (14 1/8 ×…
Mouth of the Naka River (Nakagawa guchi no zu), from an untitled series of famous views of the Edo suburbs, c. 1839/40, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color…
Offering Colza at the Kameido Tenjin Shrine (Kameido Tenjin natane no jinji), section of a sheet from the series Cutout Pictures of Famous Places in Edo (Edo meisho harimaze zue), 1857,…
Plate, c. 1750, England, Bristol, Bristol, Tin-glazed earthenware, Diam. 22.4 cm (8 13/16 in.)
Untitled, 1857, Gustave Le Gray, French, 1820–1884, France, Albumen print, from the album "Souvenirs du Camp de Châlons
Caster, c. 1735, Andrew Tyler, American, c. 1692/93–1741, Boston, Boston, Silver, 16.2 × 5.7 × 5.7 cm (6 3/8 × 2 1/4 × 2 1/4 in.), 183.3 g
Ancillaria, Print
Basket, 1750/65, Staffordshire, England, Staffordshire, Salt-glazed stoneware, polychrome enamels, 8.6 x 7 x 7 cm (3 3/8 x 2 3/4 x 2 3/4 in.)
The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen print with graphite and watercolor (in album), 29.2 × 41.9 cm
Nakamura Nakazō I as Ono Sadakurō in Kanadehon Chūshingura (Model for Kana Calligraphy: Treasury of the Forty-Seven Loyal Retainers), About 1776, Katsukawa Shunsho 勝川 春章, Japanese,…
God Vishnu Riding His Mount, Garuda, 19th century, Indonesia, Bali, Bali, Painted wood, 55 × 74.7 × 31.8 cm (21 5/8 × 29 3/8 × 12 1/2 in.)
Valance, c. 1760, Hannah Hinman Twitchell Pierce (American, 1721/22–1770), United States, Connecticut, Southbury, Connecticut, Linen, plain weave, embroidered in Romanian, satin, and stem…
Hodogaya: Shinmachi Bridge (Hodogaya, Shinmachibashi), from the series Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi), also known as the Hoeido Tokaido, c. 1833/34,…
Actors as Genroku, Otsuma, and Shokuro, from an untitled series of half-block images of kabuki scenes, c. 1851/52, Utagawa Kunisada I (Toyokuni III), Japanese, 1786-1864, Japan, Color woodblock…
A Woman’s Charity, plate 49 from The Disasters of War, 1812/15, published 1863, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, lavis, burin and burnishing on ivory…
A Horse and Birds, headpiece for Le sourire, 1899, Paul Gauguin, French, 1848-1903, France, Wood-block print in black ink on mottled gray-blue wove paper, laid down on buff wove paper, 142 × 221…
Paperweight, c. 1845/60, Baccarat, France, founded 1764, France, Glass, Diam. 7.9 cm (3 1/8 in.)
Two Women Taking a Stroll, c. 1781/89, Kitao Masanobu (Santo Kyoden), Japanese, 1761–1816, Japan, Color woodblock print, hashira-e, 27 1/2 x 4 5/8 in.
The Potato Harvest, July 1, 1877, Charles Keene, English, 1823-1891, England, Pen and brown ink, with brush and gray wash and touches of white gouache, over traces of graphite, on tan wove paper,…
Niagara In Winter, 1860/61, Anthony & Company, American, active 1848–1901, United States, Albumen print, stereo, from the series "Niagara in Winter
Reclining Draped Figure, 1893, James McNeill Whistler, American, 1834-1903, United States, Lithographic crayon, with traces of scraping and stumping, on fine-grained transfer paper laid down on…
Falcon on ivy-covered pine branch, 1830s, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, aitazaku, 34.8 x 12 cm
Acis and Galatea, n.d., Attributed to Crispin van den Broeck, Netherlandish, c. 1524-1590, Netherlands, Pen and black ink, with brush and brown wash, on ivory laid paper, laid down on ivory…
Street Incidents, 1881, John Thomson (Scottish, 1837–1921) and, Adolphe Smith (English, 1846–1925), Scotland, Book with text and mounted woodburytypes (21), 28.3 x 21.9 cm (covers)
Pitcher, 1810/20, England, Staffordshire, Staffordshire, Lead-glazed earthenware with lustre decoration, H. 29.2 cm (11 1/2 in.)
Apis, Print
The Old Beggar Leaning on his Crutch, plate seventeen from The Beggars, c. 1622, Jacques Callot, French, 1592-1635, France, Etching on ivory laid paper, 137 × 86 mm (plate), 140 × 88 mm (sheet)
Blouse, 19th century, Philippines, Philippines, Drawnwork on pineapple cloth, embroidered
The Beach with the Large Tower, 1734/52, Claude Joseph Vernet, French, 1714-1789, France, Etching in black on ivory laid paper, 201 × 290 mm (image), 219 × 304 mm (plate), 222 × 310 mm (sheet)
Bowl with Butterflies and Rocks, Ming dynasty (1368–1644), Jiajing reign mark and period (1522–1566), China, Porcelain painted in underglaze iron red and overglaze enamels, H. 3.7 cm (1 7/16…
She Nothing Said, But Pale and Meek, Arose and Knelt Before Him, 1885, Will Hicock Low, American, 1853-1932, United States, Black, gray and white gouache on cream wood-pulp laminate board, 169 x…
The Actor Onoe Kikugoro I as Soga no Goro, c. 1744, Okumura Masanobu, Japanese, 1686-1764, Japan, Hand-colored woodblock print, habahiro hashira-e, urushi-e, 65.5 X 22.2 cm (24 3/4 x 9 5/8 in.)
War Shirt, 1830/40, Upper Missouri River Tribe, Missouri, United States, Missouri, Deer hide, ermine tails, glass pony beads, hair, porcupine quills, and trade cloth, Appro×. 101.6 × 50.8 cm (40…
Fragment, Late 16th century, Italy, cisele voided twill velvet, 15.7 x 17.5 cm (6 3/16 x 6 7/8 in.)
Jousting Helm (Stechhelm), 1480/1490, Christian Spor (Austrian, 1464-1495), Innsbruck, Innsbruck, Steel, brass, and paint, 44.5 × 31.8 × 40.6 cm (17 1/2 × 12 1/2 × 16 in.)
Evening, Little Waterloo Bridge, 1896, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black with stumping, on cream laid paper, 93 x 194 mm (image), 202 x 314…
The Thames, or The Triumph of Navigation, 1791, published 1792, James Barry, Irish, 1741-1806, Ireland, Etching with engraving on cream laid paper, 147 x 505 mm
Celestial Beauty (Apsara), 8th century, India, Rajasthan, possibly Osian, Rajasthan, Sandstone, 83.8 × 28.9 × 15.3 cm (33 × 11 3/8 × 6 in.)
The rabble hamstring the bull with lances, sickles, banderillas and other arms, plate twelve from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes,…
Adoration of the Magi, 1425–50, Unknown Artist, German, 15th century, Germany, Metalcut on paper (dotted manner), 237 x 178 mm (sheet)
October, Notice to Quit from George Cruikshank’s Steel Etchings to The Comic Almanacks: 1835-1853, 1840, printed c. 1880, George Cruikshank (English, 1792-1878), published by Pickering &…
Boy Blowing Soap Bubbles, late 1868/early 1869, Édouard Manet, French, 1832-1883, France, Etching in warm black on ivory wove paper, 196 × 163 mm (image), 252 × 213 mm (plate), 260 × 220 mm…
Loop Suspension Bell (Niuzhong), Eastern Zhou dynasty, Spring and Autumn period (770–481 B.C.), 8th/6th century B.C., China, Bronze, 34.8 × 19.9 cm (13 3/4 × 7 13/16 in.)
Small Bottle Vase, Yuan dynasty (1271–1368), first half of the 14th century, China, Qingbai ware, glazed porcelain in iron spots, H. 10.8 cm (4 1/4 in.), diam. 5.1 cm (2 in.)
Bag, 17th century, Italy, 15.2 x 8.85 cm (6 x 3 1/2 in.)
Hemidrachm (Coin) Depicting the God Zeus Amarios, 280/146 BC, Greek, Ancient Greece, Silver, Diam. 1.5 cm, 2.44 g
Painted Banner (paubha) of Goddess Ushnishavijaya Within a Funerary Mound (chaitya) and Surrounded by Chaityas, 1513, Nepal, Kathmandu Valley, Nepal, Opaque watercolor with gold on cotton, 58.2…
Raam Gate, from The Eight City Gates of Amsterdam, c. 1654/64, Reinier Nooms, called Zeeman, Dutch, c.1623-1664, Holland, Etching on ivory laid paper, 165 x 302 mm (plate), 172 x 312 mm (sheet)
Kesa, late Edo period (1789–1868), 1801/40, Japan, Silk, warp-float faced 4:1 'Z’, twill weave with supplementary patterning wefts, embroidered with silk in satin stitches, laidwork and…
Old Man with a Boy Reading, 1770, Jean Jacques de Boissieu, French, 1736-1810, France, Etching on paper, 180 × 120 mm (image), 186 × 126 mm (plate), 213 × 148 mm (sheet)
Idler, 1816, Pierre Guérin, French, 1774-1833, France, Lithograph in black on pinkish-cream wove paper, 269 × 196 mm (image), 365 × 267 mm (sheet)
Kameyama: Weather Clearing after Snow (Kameyama, yukibare), from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi), also known as the Hoeido Tokaido, c. 1833/34,…
Nude Male Figures Bearing the Bodies of their Dead Companions, c. 1779, James Jefferys, English, 1751-1784, England, Pen and black ink and brush and reddish-brown wash on cream laid paper, 355 ×…
My Model and my Boat, 1894, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 238 x 158 mm (image/plate), 444 x 342 mm (sheet, folded)
Giving a Light by the Garyubai Plum Tree, c. 1767/68, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, chuban, 11 x 8 in.
Stage Frieze and Cornice, c. 1870, Louis-Emile Durandelle, French, 1839–1917, France, Albumen print, from "Le nouvel Opéra de Paris, Sculpture ornementale" (1875), 37.9 × 28.2 cm (image/paper),…
The Actor Onoe Kikugoro I, right sheet of Flower Vendor Triptych (Hanauri sanpukutsui), c. 1743, Torii Kiyomasu II, Japanese, 1706 (?)–1763 (?), Japan, Color woodblock print, hosoban, benizuri-e,…
Imaginary View of S. Giacomo di Rialto, from Vedute, 1735/44, Canaletto, Italian, 1697-1768, Italy, Etching in black on ivory laid paper, 138 x 213 mm (image), 145 x 215 mm (plate), 435 x 583…
Plaque: Psalm No. 150, 18th century, Netherlands, Delft, Delft, Tin-glazed earthenware (Delft), 30.6 × 22.8 cm (12 1/16 × 9 in.)
Winter, 1641, Wenceslaus Hollar, Czech, 1607-1677, Bohemia, Etching on off white laid paper, 253 × 182 mm (plate), 255 × 186 mm (sheet)
Bow Fibula, Geometric Period (800–600 BC), Greek, Thessaly, Greece, Bronze, 5.0 × 8.8 × 0.7 cm (2 × 3 1/2 × 1/4 in.)
Saddle, late 18th century, possibly 19th century(?), Turkish(?), Spain, Wood, velvet, canvas, silver thread, gilt brass, leather
Globular Jar, Northern Song (960–1127) or Jin dynasty (1115–1234), 12th century, China, Northern Blackware, Cizhou type, glazed stoneware, H. 9.1 cm (3 9/16 in.), diam. 11.5 cm (4 1/2 in.)
Illuminated Manuscript Leaf, c. 1450, Italian, Italy, Manuscript cutting with roman small letter inscriptions in black and dark brown inks, tempera and gold leaf illuminated letters, and…
Panel, 1601/25, Italy or Spain, Italy, Silk and silver gilt strips, plain weave with supplementary patterning wefts, 120.8 x 51.9 cm (47 5/8 x 20 3/8 in.)
Circle Dance, 1635/68, David Teniers the Younger, Flemish, 1610-1690, Flanders, Etching in black on cream laid paper, 104 × 133 mm
Voltaire at a Satanic Revel, c. 1770, Unknown artist, French, 18th century, France, Etching on cream laid paper, 154 × 189 mm (plate), 183 × 230 mm (sheet)
View of Ochanomizu (Ochanomizu no zu), from the series Famous Places in the Eastern Capital (Toto meisho), c. 1832/39, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color…
Bands, Qing dynasty (1644–1911), 1875/1900, Han-Chinese, China, Forty-four pairs and eight odd pieces of embroidered sleeve, ankle bands, etc. on gauze., 13 × 29.3 cm (5 1/8 × 11 1/2 in.)
Design for an Ornamental Base with Kneeling Satyresses and Satyr, n.d., Circle of Marco Marchetti, called Marco da Faenza, Italian, c. 1526-1588, Italy, Pen and brown ink, with brush and brown…
Landscape with Herd of Pigs, 1845, Charles Émile Jacque, French, 1813-1894, France, Etching on cream China paper laid down on ivory wove paper, 131 × 215 mm (image), 142 × 221 mm (chine), 170…
Ampitheater of Verona, plate 25 from Some Views of Triumphal Arches and other monuments, 1748, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on ivory laid paper, 129 x 260 mm…
Paul and Virginie, 1795, Charles-Melchior Descourtis (French, 1753-1820), Jean Schall (French, 1752-1825), France, Etching and engraving, from four plates, in yellow, blue, red and black, on…
A Courtesan Catching Her Attendant Sleeping, c. 1766/68, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, chuban, 27.8 x 21.2 cm (11 3/8 x 8 5/8 in.)
Flight into Egypt, 17th century, Sébastien Bourdon, French, 1616-1671, France, Etching on ivory laid paper, 294 × 434 mm (plate), 432 × 590 mm (sheet)
Peytral of a Horse Armor, c. 1520, German, Germany, Steel
Tatting, 1874, James McNeill Whistler, American, 1834-1903, United States, Etching with foul biting in black ink on cream Japanese paper, 125 x 75 mm (plate), 235 x 152 mm (sheet)
Two Borders, 1875/1900, England or France, England, Silk, Pusher machine lace, a: 3.7 × 67.6 cm (1 1/2 × 24 1/4 in.)
The actors Onoe Kikugoro III (R) as Nagoya Sanza and Iwai Kumesaburo II (L) as the courtesan Katsuragi in the play Oichiza Soga no Shimadai, performed at the Kawarazaki Theater in the first…
Woman in a Bathhouse, c. 1769/70, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, cut from chuban sheet, 8 1/2 x 4 1/2 in.

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