Librifly Art Gallery


2.589.713 / 2.589.715 Entries   < previous page Page 3334 / 25898 next page >
Antennarius histrio, Print, Antennarius is a genus of 11 species of fish in the family Antennariidae. These fish spend most of their lives on the bottom in relatively shallow water between 20 and…
Couple Lighting Pipes Under a Plum Tree, c. 1772, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, hashira-e, 27 3/4 x 5 in.
Night, from On Death Part I, 1888–89, Max Klinger, German, 1857-1920, Germany, Etching, aquatint and burnishing in black ink on ivory wove paper, 275 × 273 mm (image), 315 × 315 mm (plate), 360…
Two Women Waiting for a Ferry on the Sumida River, c. 1787, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, right sheet of oban triptych, 37.5 x 25.3 cm
Table Carpet with Garlands of Flowers and Rinceaux, 1650/75, Possibly Flanders or France, Flanders, Wool and silk, slit and double interlocking tapestry weave, 254 × 376.56 cm (100 × 148 1/4 in.)
Invitation to a Glass of Milk, 1897, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph on cream wove paper, 267 × 210 mm (image), 380 × 280 mm (sheet)
Tile with a Scene from Nizami’s Khamsa (Khusrau Happens upon Shirin Bathing), Qajar dynasty (1796–1925), late 19th century, Iran, probably Tehran, Iran, Fritware with molded decoration and…
Sestertius (Coin) Portraying Emperor Severus Alexander, AD 222/235, Roman, minted in Rome, Roman Empire, Bronze, Diam. 3.1 cm, 25.30 g
Bird Pendant, Western Zhou dynasty, 11th/10th century B.C., China, Jade, 8.1 × 3 × 0.3 cm (3 3/16 × 1 3/16 × 1/8 in.)
Joachim and the Angel, from The Life of the Virgin, c. 1504, published 1511, Albrecht Dürer, German, 1471-1528, Germany, Woodcut in black on ivory laid paper, 300 x 207 mm (image), 445 x 310…
Sewing Box, 19th century, France, Wooden box, brass-colored fittings, mother-of-pearl tools, 11.1 × 18.4 × 14.3 cm (4 3/8 × 7 1/4 × 5 5/8 in.)
Man’s Bufu (Court Surcoat), Qing dynasty (1644–1911), 1875/1900, Manchu, China, Silk, 1:1 plain gauze weave, embroidered with silk and gilt- and silvered-metal-strip-wrapped silk in satin,…
The Fourth Month (Shi gatsu), from the series Fashionable Twelve Months (Furyu junikagetsu), c. 1793, Utagawa Toyokuni I 初代 歌川 豊国, Japanese, 1769–1825, Japan, Color woodblock…
Woman’s Sleeve Band, Qing dynasty (1644–1911), 1875/1900, Han-Chinese, China, Stylized floral and geometric pattern primarily blue tones embroidered on gauze., 11.2 × 31.5 cm (4 3/8 × 12 3/8…
Madonna, 1895, Edvard Munch, Norwegian, 1863-1944, Norway, Lithograph in black on green wove paper, 596 x 442 mm (image), 616 x 460 mm (sheet, sight)
Anguillula lumbrici, Print
Hamlet and the Queen, plate 1 from Hamlet, 1834, Eugène Delacroix, French, 1798-1863, France, Lithograph in black on off-white China paper laid down on white wove paper, 254 × 198 mm (image), 545…
The Clock-Makers, Paimpol, 1893, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black on ivory chine, laid down on ivory plate paper, 202 x 150 mm (image), 225…
Denon Instructing a Young Woman Drawing on a Lithographic Stone, c. 1820, Dominique-Vivant Denon, French, 1747-1825, France, Lithograph in black on white wove paper, 123 × 160 mm (image), 233 ×…
Medallion Portraits of Henry and Margaret of Navarre (recto) and Portraits of Barbarossa and of Muleasem of Tunis (verso) from Bildtnussen der Rhömischen Keyseren, plate 44 from Woodcuts from…
L’Arche du Pont Notre-Dame, 1853, Charles Meryon, French, 1821-1868, France, Etching and drypoint on paper, 125 × 169 mm (image), 140 × 169 mm (sheet)
Masks and faces: I have been slandered, 1857–58, Paul Gavarni, French, 1804-1866, France, Lithograph in black on light gray China paper laid down on ivory wove paper (China paper collé), 201 ×…
Sir Nicholas Poines, April 6, 1795, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on buff wove paper, 302 x 178 mm…
Hemidrachm (Coin) Depicting the God Zeus Amarios, 191/146 BC, Greek, Ancient Greece, Silver, Diam. 1.3 cm, 2.35 g
The Actor Nakamura Takesaburo I as Kewaizaka no Shosho (?), c. 1718, Torii Kiyonobu I, Japanese, 1664–1729, Japan, Hand-colored woodblock print, hosoban, urushi-e, 11 3/4 x 5 1/4 in.
Thetis and Achilles, 1757, Johann Heinrich Tischbein, I, German, 1722-1789, Germany, Etching on ivory laid paper, 180 x 140 mm (image), 205 x 146 mm (plate), 291 x 214 mm (sheet)
Portrait of a Young Man, Looking to the Left (Self-Portrait), from Life-Sized Heads, 1760, Thomas Frye, Irish, 1710-1762, Ireland, Mezzotint in black on off-white laid paper, 502 x 365 mm (plate),…
Mother and Child, No. 5, 1895, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black on ivory wove proofing paper, 190 x 148 mm (image), 287 x 222 mm (sheet)
Portrait of a Man in a Tricorn Hat, 1767, John Russell, British, 1745-1806, England, Oil on canvas, 76 × 64 cm (29 7/8 × 25 3/16 in.)
Sestertius (Coin) Depicting an Elephant Quadriga, AD 34/35, Roman, minted in Rome, Rome, Bronze, Diam. 3.5 cm, 20.43 g
Fan (Cabriolet Type), 19th century, France, Carved and painted sticks with gold incrustations, red stone rivet, silver loop, 24.4 cm (9 5/8 in.)
Dragons Among Clouds, 1844, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, surimono, 13.3 x 18.3 cm
Dancer Putting on Her Shoe, c. 1888, Edgar Degas, French, 1834-1917, France, Etching on ivory wove paper, 178 × 117 mm (image/plate), 249 × 171 mm (sheet)
The Sick Goose and the Council of Health from George Cruikshank’s Steel Etchings to The Comic Almanacks: 1835-1853 (top left), 1847, printed c. 1880, George Cruikshank (English, 1792-1878),…
Cope, 1480/1500, Turkey, Turkey, Silk and gilt-metal-strip-wrapped silk, warp-float faced 4:1 satin weave with supplementary brocading wefts and supplementary pile warps forming cut voided velvet,…
Coin Depicting the Goddess Kybele, 2nd/1st century BC, Greek, Izmir, Bronze, Diam. 1.8 cm, 4.57 g
Les anglais chez eux: Bouquets de violettes., 1852, Paul Gavarni, French, 1804-1866, France, Lithograph in black on cream wove paper, 218 × 184 mm (image), 364 × 267 mm (sheet)
Fragment, 17th century, Italy, Linen, plain weave, embroidered with silk floss, and gilt- and silvered-metal-strip-wrapped silk in tent stitches, padded couching, 14.5 × 19.5 cm (5 3/4 × 7 5/8 in.)
Wall Pocket, c. 1805, Wedgwood Manufactory, England, founded 1759, Staffordshire, Earthenware with lustre decoration, H. 25.4 cm (10 in.)
Cornwall, 1868–69, Charles George Lewis, English, 1808-1880, England, Sketchbook
The Actor Ichimura Takenojo IV as Kanaya Kingoro in the play Ima wa Mukashi Omokage Soga, performed at the Ichimura Theater in the fifth month, 1737, 1737, Torii Kiyomasu II, Japanese, 1706…
Bedcover (Basket of Flowers Quilt), c.1860, Made for the Bridges Family, United States, Kentucky, Lexington, Kentucky, Silk, plain weave, appliquéd with silk plain weaves and silk and cotton,…
Beauty and Young Man Riding an Ox (parody of Kyoyu and Sobu?), c. 1740s, Nishimura Shigenaga, Japanese, 1697 (?)-1756, Japan, Color woodblock print, hosoban, benizuri-e, 12 1/2 x 6 in.
Haitian Horseman (Scene from the French Colonial Wars), 1823, Attributed to Jean Louis André Théodore Géricault, French, 1791-1824, France, Brush and brown ink and brown wash, over black chalk,…
Head of a Bodhisattva, 3rd/5th century, Afghanistan or Pakistan, Ancient region of Gandhara, Gandhara, Stucco with red and black pigment, 14 × 8.5 × 10.2 cm (5 1/2 × 3 5/16 × 4 in.)
Joost van den Vondel, 1644/50, Jan Lievens, Dutch, 1607-1674, Holland, Etching and engraving in black on ivory laid paper, 323 x 233 mm (image/plate), 328 x 243 mm (sheet)
Sestertius (Coin) Portraying a Roman Emperor, AD 238/244, Roman, Roman Empire, Bronze, Diam. 3 cm, 16.08 g
May 1871, May 1894, Théophile-Alexandre Steinlen, French, born Switzerland, 1859-1923, France, Lithograph in black on cream wove paper, 341 × 299 mm
Lullaby! Sooth him with a Lullaby!, published July 12, 1798, James Gillray (English, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Hand-colored etching on paper, 180…
A Strange Case of Epizooty, from Puck, n.d., Joseph Keppler, American, 1838-1894, United States, Color lithograph on newsprint, 285 x 470 mm (image), 300 x 470 mm (sheet)
Navajo Indian Squaw, and Child, at their home, in Cañon de Chelle, 1873, Timothy O’Sullivan (American, born Ireland, 1840–1882), commissioned by George Wheeler for the War Department, Corps…
Calf Feeding, from Die Zweite Thierfolge, 1800, Johann Christian Reinhart, German, 1761-1847, Germany, Etching on ivory laid paper, 140 x 129 mm (plate), 168 x 153 mm (sheet)
Goblet with Cover, c. 1750, Germany, Brunswick, Probably engraved by Johann Heinrich Balthasar (German, active 18th century), Brunswick, Glass, 32.7 × 9.5 cm (12 7/8 × 3 3/4 in.)
Amphiops, Print
Children Playing near Statue in Garden, 1714/39, John Vanderbank, English, 1686-1739, England, Pen and brown ink with brush and brown wash, on tan laid paper, 282 × 225 mm
Cow Pitcher with Lid, c. 1855, United States Pottery Company, American, 1847–58, Bennington, Vermont, Possibly designed by Daniel Greatbatch, American, born England, active 1838–c. 1861,…
Still Life: Wood Tankard and Metal Pitcher, 1880, Paul Gauguin, French, 1848-1903, France, Oil on linen canvas, 54 × 65 cm (21 1/4 × 25 9/16 in.)
Denarius (Coin) Portraying Emperor Augustus, 15/13 BC, Roman, minted in Lyons, Roman Empire, Silver, Diam. 1.8 cm, 3.52 g
Border, 19th century, Italy, Cotton and linen, bobbin part lace, 11.7 x 75.6 cm (4 5/8 x 29 3/4 in.)
Sutra Cover, Ming dynasty (1368–1644), c. 1590’s, China, Silk and gold-leaf-over-lacquered-paper strips, plain weave with supplementary patterning wefts, label: silk, plain weave, painted…
Vase, c. 1750, Meissen Porcelain Manufactory, German, founded 1710, Meissen, Hard-paste porcelain, polychrome enamels, gilding, and gilt bronze mounts, H. 50.2 cm (19 3/4 in.)
Cuirass, 1700/50, French, France, Steel, brass, silver-gilt bradding, silk textile, and leather, Breastplate Wt. 16 lb. 7 oz.
Bulb Pot, c. 1790, Wedgwood Manufactory, England, founded 1759, Burslem, Stoneware (jasperware), 23.5 × 17.5 cm (9 1/4 × 6 7/8 in.)
Kinryuzan Temple in Asakusa in Falling Snow (Asakusa Kinryuzan setchu no zu), from the series Famous Views of the Eastern Capital (Toto meisho no uchi), 1840, Utagawa Hiroshige 歌川 広重,…
Old Peasant Couple in Cottage, n.d., After Adriaen van Ostade (Dutch, 1610-1685), or possibly Bartholomeus Molenaer (Dutch, d. 1650), or possibly Cornelis Beelt (Dutch, fl. 1661-c.1702), Holland,…
Study for the Engraving Thalkirchen, from series Views of, c. 1818, Wilhelm Alexander Wolfgang von Kobell, German, 1766-1855, Germany, Pen and black ink over graphite on ivory laid paper, 107 x 177 mm
Evening Rain at Nihonzutsumi (Nihonzutsumi no yau), from the series Eight Fashionable Views of Edo (Furyu Edo hakkei), c. 1768/69, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan,…
Vision, plate eight from In Dreams, 1879, Odilon Redon, French, 1840-1916, France, Lithograph in black on cream China paper laid down on white wove paper, 275 × 198 mm (image/chine), 360 × 273…
Rêverie (Portrait of Gabrielle Borreau), 1862, Gustave Courbet, French, 1819-1877, France, Oil on paper mounted on canvas, 25 × 30 5/16 in. (63.5 × 77 cm)
Ichikawa Danjuro VI, c. 1792/93, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color woodblock print, 31.6 x 14.2 cm
Stole, 1850/75, England, Nottingham, Nottingham, Cotton and linen, Pusher machine lace, 258.3 x 53.4 cm (101 5/8 x 21 in.)
The Actor Sakata Hangoro III as the Guard Yahazu no Yadahei in the Play Otokoyama O-Edo no Ishizue, Performed at the Kiri Theater in the Eleventh Month, 1794, c. 1794, Katsukawa Shun’en,…
Flirtation, plate six from Woman, c. 1886, Albert Besnard, French, 1849-1934, France, Etching, aquatint and drypoint on cream Japanese paper, 319 × 247 mm (image/plate), 410 × 298 mm (sheet)
Nocturne, 1878, published 1887, James McNeill Whistler, American, 1834-1903, United States, Lithotint, on a prepared half-tint ground, in black with scraping, on blue laid paper, laid down on…
Split Shot (Projectile) for a Cannon, 17th Century, Austrian, Austria, Iron, L.(closed) 29.2 cm (11 1/2 in.)
Amulet of Djed Column, Late Period, Dynasties 26–31 (664–332 BC), Egyptian, Egypt, Faience, 2.9 × 1.1 × 0.5 cm (1.18 × 0.44 × 0.20 in.), Amulet of a Djed Column, Ptolemaic Period…
Landscape with Sheep, from The Small Landscapes, c. 1638, Schelte Adamsz. Bolswert (Dutch, active in Flanders, c. 1586–1659), after Peter Paul Rubens (Flemish, c. 1577-1640), Flanders, Engraving…
Coverlet, 1820/40, United States, Probably Pennsylvania, Pennsylvania, Cotton and wool, plain weave with supplementary wefts in composite point twill weave (star work, multiple shaft), two loom…
Illustration from Horae, plate 63 from Woodcuts from Books of the XVI Century, 1514, assembled into portfolio 1937, Unknown Artist (French, 16th century), assembled by Max Geisberg (Swiss,…
Ôhi (Stole), late Edo period (1789–1868), 1801/25, Japan, 129.5 x 29.2 cm (51 x 11 1/4 in.)
Lamentation over the Body of Christ, c. 1500, Gerard David, Netherlandish, c. 1460–1523, Netherlands, Oil on panel, 55.1 × 62.8 cm (21 1/2 × 24 1/2 in.)
Aplysia fasciata, Print, Aplysia fasciata, common name the "mottled sea hare
Worker and Bourgeois, from Les Parisiens En 1848, 1848, Honoré Victorin Daumier, French, 1808-1879, France, Lithograph in black on off-white wove paper, 266 × 213 mm (image), 349 × 265 mm (sheet)
Hyacinthe and Passion Fruit Flower, plate two from Mes Petits Bouquets, n.d., Charles Germain de Saint-Aubin, French, 1721–1786, France, Etching on paper, 237 × 175 mm (plate), 278 × 200 mm…
Drum-Shaped Vessels with Textile Motif, A.D. 1450/1532, Inca, South coast or southern highlands, Peru, South Coast, Ceramic and pigment, 10.5 × 11.4 cm (4 1/8 × 4 1/2 in.) (each)
Beggar Leaning on a Stick, Facing Left, c. 1630, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching on ivory laid paper, 85 x 47 mm (plate), 88 x 50 mm (sheet)
Suffer!, plate fourteen from A Life, 1884, Max Klinger (German, 1857-1920), printed by Otto Felsing (German, 19th century), Germany, Etching, aquatint and drypoint in black ink on grayish ivory…
Breaking Up of the Agamemnon, No. 1, 1870, Francis Seymour Haden, English, 1818-1910, England, Etching on cream wove paper, 195 × 415 mm (image/plate), 231 × 448 mm (sheet)
Anochilia, Print
Seated Male Nude, n.d., Unknown Artist, French or Italian, possibly Bolognese, 18th century, France, Red chalk, with stumping, on tan laid paper, 369 × 304 mm
Parrying Dagger, 1650/1675, Spanish or south Italian, Spain, Steel, iron, and wood, L. 58 cm (22 7/8 in.)
Orphrey Band (Depicting the Resurrection), 15th/16th century, Italy, Silk, warp-float faced 4:1 satin weave with weft-float faced 3:1 'Z' twill interlacings of secondary binding warps and…
Fragment, 1650/1700, Italy, Silk, satin damask weave, 27 x 9 1/2 cm (10 3/4 x 3 3/4 in.)
Molière’s Tomb, Père-Lachaise Cemetery, Paris, 1854, Charles Meryon, French, 1821-1868, France, Etching in warm black on ivory laid paper, 68 × 70 mm (image), 68 × 70 mm (plate), 172 × 257…
Coffin with Cobra (Atum) and Ostrich Feather of Goddess Maat on the Top, Late Period–Ptolemaic Period (664–30 BC), Egyptian, Egypt, Bronze, 8.4 × 4.1 × 8.6 cm (3 5/16 × 1 5/8 × 3 3/8 in.)
The Bombardment of Algiers (Furnishing Fabric), After 1816, England, Great Britain, Cotton, plain weave, roller printed, glazed and calenderized, 221 x 58.1 cm (87 x 22 7/8 in.)
Portrait Head of a Woman, about 140 AD, Roman, Rome, marble, 35.6 × 16.5 × 22.2 cm (14 × 6 1/2 × 8 3/4 in.)
Frontispiece for Le mouvement idéaliste en peinture (The Idealist Movement in Painting) by André Mellerio, 1896, Odilon Redon, French, 1840-1916, France, Lithograph in black on off-white China…
Fragment, Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century, Egypt, Egypt, Linen and silk, slit tapestry weave, 20.3…
The Cloaca Maxima, plate three from Ruins of Rome, published March 1, 1796, M. Dubourg, (English, active 1786-1838), published by J. Merigot (Italian, Unknown), England, Hand-colored aquatint…

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