Librifly Art Gallery 2.589.713 / 2.589.715 Entries < previous page Page 3336 / 25898 next page > Study for an illustration in Tacitus Tibère, ou Les Six Premiers Livres des Annales Book II, Vol. 1, c. 1768, Hubert François Gravelot, French, 1699-1773, France, Pen and black ink, over… Kylix (Drinking Cup), about 560/550 BC, Greek, Corinth, Attributed to the Workshop of the Bird-frieze Painter, Corinth, terracotta, decorated in the black-figure technique, 7 × 22.9 × 17.5 cm (2… How Cities are Born (Wedding in the Village), 1840, Charles François Daubigny, French, 1817-1878, France, Etching on ivory wove paper, 75 × 142 mm (image), 115 × 177 mm (plate), 243 × 320… Ely Cathedral: Presbytery, from an Engraving, c. 1891, Frederick H. Evans, English, 1853–1943, England, Lantern slide, 8.2 × 8.2 cm Upon Awakening I Saw the Goddess of the Intelligible With Her Severe and Hard Profile, plate 6 of 6, 1885, Odilon Redon, French, 1840-1916, France, Lithograph in black on light gray China paper… The Fifth Plague of Egypt, plate 16 from LIber Studiorum, published June 10, 1808, Joseph Mallord William Turner (English, 1775-1851), Engraved by Charles Turner (English, 1773-1857), England,… Courtesan Dreaming of Eloping, c. 1775, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, hashira-e, 27 1/2 x 4 5/8 in. Cupid’s Annual Charter, n.d., Unknown Artist (English, 19th century), published by W. Perks (English, 19th century), England, Book containing one lithograph with hand-coloring and text on… Panel, 1750/59, England, Spitalfields, Spitalfields, Silk, plain weave with supplementary patterning warps tied on reverse face by supplementary binding wefts, 112.3 x 50.2 cm (44 1/4 x 19 3/4 in.) Vinaigrette, c. 1825/26, Edward Smith, Birmingham, England, Birmingham, Silver and silver gilt, 4.1 × 2.9 cm (1 5/8 × 1 1/8 in.) The Reward of Cruelty, 1750, John Bell (English, 1721–1780), after William Hogarth (English, 1697-1764), England, Woodcut in black on ivory laid paper, 455 × 385 mm (image/block), 520 × 424… Standing Warrior with Shield, 1750, Attributed to Stefano della Bella, Italian, 1610-1664, Italy, Pen and brown ink, with brush and brown wash, over traces of graphite, on ivory laid paper, laid… Panel, 18th century, France, Silk, gold metal strip, silver metal strip, gold metal strip wrapped around silk fiber core, silver metal strip wrapped around a silk fiber core, warp-float faced… Bust of a Man, c. 1875, Pietro Calvi, Italian, 1833-1884, Italy, Marble and bronze, H. 52.1 cm (20 1/2 in.) Portrait of a Ladakhi Mountain Goat, Mughal period, about 1600, India, India, Opaque watercolor, ink, and gold on paper, Image: 23.4 x 16.6 cm (9 3/16 x 6 1/2 in.), Outermost Border: 37.9 x 25.6… The Actors Sanogawa Ichimatsu I as Senjiro disguised as Kichisaburo and Nakamura Tomijuro I as Oshichi in the joruri Midaregami Yoru no Amigasa, performed at the Nakamura Theater in the first… Tigerware Jug with Silver Mounts, 1562/63, Germany, Rhineland, and England, London, Germany, Stoneware, salt-glazed, with silver gilt mounts, H: 22.5 cm (8 7/8 in.) Conical Bowl, Northern Song dynasty (960–1127), 11th century, China, Northern russet ware, Cizhou type, grey stoneware with russet glaze, H. 3.8 cm (1 1/2 in.), diam. 9.5 cm (3 3/4 in.) The Large Thistle, plate three from Les quatres grandes plantes, 1843, Eugène Blery, French, 1805-1887, France, Etching, roulette, and drypoint on cream chine collé, laid down on cream wove… Clark Street, North from Madison, 1873, Lovejoy & Foster, American, active 1870s, United States, Toned gelatin silver print, stereo, from the series "Re-Built Chicago Meal for a Convalescent, 1862, Jules de Goncourt (French, 1830-1870), after Jean Baptiste Siméon Chardin (French, 1699-1779), France, Etching on cream laid paper, 242 × 178 mm (plate), 277 × 219… Fragment (Border), 1850/1900, France, Linen, needle lace of a type known as "Point D'Alencon Izu Province: Hot Springs of the Shuzen Temple (Izu, Shuzenji tojiba), from the series Famous Places in the Sixty-odd Provinces (Rokujuyoshu meisho zue), 1853, Utagawa Hiroshige 歌川 広重,… And All Manner of Frightful Creatures Arise, plate 8 of 10, 1888, Odilon Redon, French, 1840-1916, France, Lithograph in black on ivory China paper, laid down on ivory wove paper, 314 × 226… Tachibanaya: Ichikawa Yaozo III as Fuwa Banzaemon, from the series Portraits of Actors on Stage (Yakusha butai no sugata-e), 1794, Utagawa Toyokuni I 初代 歌川 豊国, Japanese,… Pair of Boots (Theatrical), 1870s, France, Silk, plain weave, brocaded, leather, 26.3 × 36.9 cm (10 3/8 × 14 1/2 in.) Remembrance of Italy, 1866, Jean-Baptiste-Camille Corot, French, 1796-1875, France, Etching on cream Japanese paper, 296 × 219 mm (image), 356 × 280 mm (sheet) The Russian Dance, 1769, Jean Baptiste Le Prince, French, 1734-1781, France, Aquatint on paper, 302 × 242 mm (image), 385 × 310 mm (plate), 500 × 340 mm (sheet) Coast Scene, Bathers, 1884/85, James McNeill Whistler, American, 1834–1903, United States, Oil on panel, 13.8 × 22.1 cm (5 7/16 × 8 11/16 in.) Anguillula aceti, Print, The free-living nematode Panagrellus redivivus (common names include vinegar eel, vinegar eelworm, vinegar nematode, paste worm, starch worm, sour paste nematode, sour… Hercules Conquering the Molionide Twins, c. 1496, Albrecht Dürer, German, 1471-1528, Germany, Woodcut in black on ivory laid paper, 388 x 282 mm (image), 396 x 290 mm (sheet) Peasant with His Hands Behind His Back, 1629, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching on ivory laid paper, 60 x 50 mm (plate), 65 x 54 mm (sheet) Mr. Wray’s Cash Box, or, The Mask and the Mystery, 1852, Sir John Everett Millais, English, 1829-1896, England, Etching on ivory chine collé, laid down on white wove paper, 165 × 126 mm… The Arms of Habsberg Flanked by an Elegant Couple, 1587, Daniel Lindtmayer, Swiss, 1552-c. 1606, Switzerland, Pen and black ink and brush and gray and black washes on ivory laid paper, 329 x 207… Veil, 1850/75, Ireland, Limerick, Irish Republic, Cotton, machine-made net, embroidered in cross, darning, crossed back, eyelet, herringbone, wave filling, overcast, and running stitches, edged… Wine Glass, c. 1795, England or Netherlands, England, Glass, stipple engraved, 6 1/4 in. u.d. 2 1/2 in. Grover Cleveland II, 1899, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 223 x 174 mm (image/plate), 325 x 253 mm (sheet) Paperweight, 19th century, Clichy, France, 1837-1885, Clichy, Glass, 3 in. Dish with Two Birds Encircled by Beaded Roundels, Tang dynasty (618–907), China, Slip-coated earthenware with cobalt blue and lead amber glazes and underglaze mold-impressed decoration, H. 2.6 cm… Le Pré des Graves à Villerville (Calvados), 1875, Charles François Daubigny, French, 1817-1878, France, Etching and drypoint on cream Japanese paper, 127 × 206 mm (image), 162 × 243 mm… Punch Bowl, 1873, Tiffany and Company, American, founded 1837, Chasing by Eugene J. Soligny, American, c. 1833–1901, New York, New York City, Silver, 41.9 × diam. 67.3 cm (16 1/2 × diam. 26 1/2… Capital, 1170/1200, French, Champagne, France, Limestone, 33 × 52.1 cm (13 × 20 1/2 in.) Portrait of Emile Zola, 1875, Marcellin Gilbert Desboutin, French, 1823-1902, France, Drypoint, with light plate tone, on ivory wove paper, 139 × 90 mm (plate), 379 × 285 mm (sheet) Vase, 1766, Clodion (Claude Michel), French, 1738-1814, France, Marble, 36.4 × 19.9 cm (14 5/16 × 7 13/16 in.) Coverlet, 1842, Jacob Impson (American, c. 1802-1869), United States, New York, Cortland County, Groton, New York, Cotton and wool, plain weave double cloth, two loom widths joined, woven on loom… Tray, 1730/70, China, Polychrome enamel on copper, 1.3 × 10.2 × 10.2 cm (1/2 × 4 × 4 in.) Coverlet, 1839, John Henry March (American, died 1847), United States, Pennsylvania, Centre County, Salona, Pennsylvania, Cotton and wool, plain weave with plain interlacings of secondary… Denarius (Coin) Depicting the Goddess Roma, 128 BC, Roman, minted in Rome, Roman Empire, Silver, Diam. 2 cm, 3.79 g The Medici Collar, 1897, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in various black inks, on buff laid paper, 185 x 112 mm (image), 324 x 245 mm (sheet) Vinaigrette with View of Sir Walter Scott Memorial, 1870/71, Marked CC, Birmingham, England, Birmingham, Silver and silver gilt, 4.1 × 3.2 cm (1 5/8 × 1 1/4 in.) Reading, 1897, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on off-white China paper laid down on white wove paper, 160 × 127 mm (image), 290 × 220 mm (sheet) Mme Lamm II, 1894, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on white wove paper, 237 x 157 mm (image/plate), 355 x 278 mm (sheet) Coverlet, 1820/30, United States, Cotton and wool, plain weave with supplementary patterning wefts (overshot), two loom widths joined, 248 x 180.3 cm (97 1/2 x 71 in.) Paperweight, c. 1848–55, Saint-Louis, France, founded 1767, France, Glass, Diam. 7.9 cm (3 1/8 in.) Dish, Goryeo dynasty (918–1392), 12th century, Korea, Korea, Celadon-glazed stoneware, H. 4.3 cm (1 11/16 in.), diam. 15.2 cm (6 in.) The Flower of Pain, 1898, Edvard Munch, Norwegian, 1863–1944, Norway, Black crayon, with graphite, on tan wove tracing paper, 451 x 330 mm Design: Facial Anatomy from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c.… Marguerite at the Spinning Wheel, from Faust, 1828, Eugène Delacroix, French, 1798-1863, France, Lithograph in black on ivory wove paper, 226 × 181 mm (image), 412 × 262 mm (sheet) Landscape with a Pond, c. 1879, Jean-Jacques Henner, French, 1829-1905, France, Black chalk on ivory laid paper laid down on blue laid paper partially discolored to tan, 95 × 153 mm Bathing Women, third large plate, 1896, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on ivory chine, 293 × 450 mm (image), 581 × 631 mm (sheet) Rug, 1850, England, 213.4 × 177.8 cm (84 × 70 in.) Wheellock Rifle of Archduke Charles of Styria, 1571, Hans Paumgartner, Austrian, Graz, active 1556-1582, Graz, Steel, fruitwood, and staghorn, L. 112 cm (44 1/8 in.) Breastplate, c. 1580/90, Italian, Italy, Steel and brass, Wt. 4 lb. 2 oz. Elisabethstraβe No. 18, Wohnhaus Senior Excellenz des Grafen Trautmansdorf, 1860s, Austrian, 19th century, Austria, Albumen print, 28.2 × 30.1 cm (image/paper), 42.8 × 61.2 cm (album page) Souvenir of the Fortifications of Douai, 1869–70, Jean-Baptiste-Camille Corot, French, 1796-1875, France, Etching on ivory laid paper, 159 × 238 mm (plate), 192 × 313 mm (sheet) Portrait of Coupin de la Couperie, 1816, Anne-Louis Girodet de Roucy-Trioson (French, 1767-1824), printed by Gottfried Engelmann (French, 1788-1839), Paris, Lithograph in black on ivory wove… Bullfinch on camellia branch, early 1830s, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, otanzaku, 38 x 17.3 cm (15 x 6 3/4 in.) Tetradrachm (Coin) Portraying Queen Cleopatra VII, 37/33 BC, issued by Mark Antony, Greco-Roman, minted in Eastern Mediterranean (possibly Antioch, Syria), Syria, Silver, Diam. 2.6 cm (1 1/16… Faust in His Study, 1828, Eugène Delacroix, French, 1798-1863, France, Lithograph in black on ivory wove paper, 245 × 175 mm (image), 385 × 315 mm (sheet) Face of Mystery (In my dream I saw in the Sky a FACE OF MYSTERY), plate 1 from Homage to Goya, 1885, Odilon Redon, French, 1840-1916, France, Lithograph in black on light gray China paper laid down… Scarab: Menkheperra (Thutmose III), New Kingdom, Dynasty 18, Reign of Thutmose III (about 1479–1425 BC), Egyptian, Egypt, Steatite, 2.2 × 1.6 × 1 cm (7/8 × 5/8 × 3/8 in.) A Moth, Butterflies, and Bees, after 1644, Wenceslaus Hollar, Czech, 1607-1677, Bohemia, Etching on ivory laid paper, 116 × 181 mm (sheet, trimmed within plate mark) Reclining Male Nude, from Behind, c. 1591, Attributed to Ferraù Fenzoni, Italian, 1562-1645, Italy, Pen and brown ink, on cream laid paper, laid down on cream laid paper, both prepared with… Fragment, Roman period (30 B.C.–641 A.D.), 4th/6th century, Coptic, Egypt, Egypt, Linen and wool, tapestry weave, 19.1 × 19.1 cm (7 1/2 × 7 1/2 in.) Sutra Cover, Ming dynasty (1368–1644), c. 1590s, China, Silk, plain weave with supplementary patterning wefts bound in weft-float faced 1:3 'Z' twill interlacings, 33.6 × 13.2 cm (13 1/4 × 5… Saint Charles Borromeo Supervising the Opening of a Crypt, c. 1604, Cesare Nebbia, Italian, 1536–1614, Italy, Pen and brown ink, with brush and brown wash, over graphite, on cream laid paper, 162… Glory and Praise to You, Satan, in the Heights of Heaven, Where You Reigned, and in the Depths of Hell, Where, Vanquished, You Dream in Silence!, plate 8 of 9, 1890, Odilon Redon, French,… Flounce, 1701/25, France, Linen, needle lace, 63.2 × 319.5 cm (24 7/8 × 125 3/4 in.) The Man with the Pink, 1869, Claude Ferdinand Gaillard (French, 1834-1887), after Jan van Eyck (Netherlandish, c. 1390-1441), France, Engraving on ivory wove paper, 201 × 163 mm The Donkey at the Watering Place, c. 1850, Charles François Daubigny, French, 1817-1878, France, Etching and aquatint on cream Japanese paper, 95 × 155 mm (image), 129 × 178 mm (plate), 262 ×… Coca Bag (Chuspa), 1850/1900, Aymara, Bolivia, Oruro, Ladislao Cabrera, Pampa Aullagas region, Bolivia, Wool, stripes of plain weave and two-color complementary warp weave, edge overcast and… The Actors Kasaya Matakuro II as Hagun Taro (right), Ichikawa Monnosuke II as Izutsu no Suke Narihira (center), and Nakamura Nakazo I as Kose no Kanaoka Disguised as Sogoro the Charcoal Maker, in… Handkerchief, Probably 1860s, France (needlework) and Belgium (lace border), France, Linen, plain weave, cut work in needle lace filling, embroidered with cotton in back, buttonhole, eyelet,… Allegory of Fire (Venus in the Forge of Vulcan), n.d., After Jacopo Bassano, Italian, c. 1510-1592, Italy, Black chalk with brush and brown wash, on blue laid paper (discolored to brownish… The Honorable Sir Henry Gould, 1794, Thomas Hardy, English, 18th century, England, Mezzotint on ivory wove paper, 479 × 338 mm (plate), 513 × 375 mm (sheet) Sei Shonagon, from the series A True Mirror of Japanese and Chinese Poems (Shiika shashin kyo), c. 1833/34, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color woodblock print,… Animal Locomotion, Plate 535, 1887, Eadweard Muybridge, English, active United States, 1830–1904, England, Collotype, from "Animal Locomotion Queen Victoria, 1861, John Jabez Edwin Mayall, American, 1813-1901, United States, Albumen print with applied coloring, 8.6 × 5.6 cm (image/paper), 10.3 × 6.4 cm (mount) Grand’ Place, Brussels, 1887, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint with foul biting in black ink on cream laid paper, 221 x 142 mm (image, trimmed… The Actor Sakata Hangoro II as the Sumo Wrestler Kujaku Saburo Narihira (?) in the Play Sugata no Hana Yuki no Kuronushi (?), Performed at the Ichimura Theater (?) in the Eleventh Month, 1776 (?),… The Caricature Magazine, or Hudibrastic Mirror, Vol. I and II, 1819, George Cruikshank (English, 1792-1878), Thomas Rowlandson (English, 1756-1827), Henry William Bunbury (English, 1750-1811),… Asakusa Rice Fields and Torinomachi Festival (Asakusa tanbo Torinomachi mode), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), 1857, Utagawa Hiroshige 歌川 広重,… Pair of Pattens (Overshoes), 1720s, England, Leather, silk, plain weave, brocaded Kingfisher and dayflower, 1830s, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, yotsugiriban, 12.9 x 16.4 cm Outdoor Amusements at Dokan Hill (Dokanyama noasobi), section of a sheet from the series Cutouts of Famous Places in Edo (Harimaze Koto meisho), 1852, Utagawa Hiroshige 歌川 広重,… She Draws From Her Bosom a Sponge, Perfectly Black, and Covers it With Kisses, plate 8 of 24, 1896, Odilon Redon, French, 1840-1916, France, Lithograph in black on ivory China paper laid down on… Scaraboid: Wedjat Eye, New Kingdom, Dynasty 18 (about 1550–1295 BC), Egyptian, Egypt, Glazed steatite, 0.6 × 1 × 1.4 cm (1/4 × 3/8 × 9/16 in.) Coin Depicting the Goddess Tyche, 253/268 AD (?), Roman, minted in Phokaia, Ionia, Rome, Bronze, Diam. 1.9 cm, 3.39 g The Illumination, Chicago Day, World’s Columbian Exposition, 1893, B. W. Kilburn, American, 1827–1909, United States, Albumen silver print, stereo, 7.8 x 7.6 cm (each image), 8.8 x 17.8 cm (card) The Old Louvre, Paris, 1651, 1865, Charles Meryon (French, 1821-1868), after Reinier Nooms (Dutch, c. 1623-c. 1664), published by Chalcographic Society of the Louvre (French, 19th century),… 2.589.713 / 2.589.715 Entries < previous page Page 3336 / 25898 next page >