Snowy Morning from Koishikawa (Koishikawa yuki no ashita), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), c. 1830/33, Katsushika Hokusai 葛飾 北斎, Japanese,…

The Sea, plate 7 from Le Fleuve, 1874, Édouard Manet (French, 1832-1883), written by Charles Cros (French, 1842-1888), printed by Auguste Delâtre (French, 1822-1907) and Cochet (French, 19th…

Male Nude Seated and Standing, c. 1646, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching on ivory laid paper, 196 x 129 mm (plate), 205 x 139 mm (sheet)

Unhappy Mother!, plate 50 from The Disasters of War, 1812/15, published 1863, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished aquatint and drypoint on ivory…

The Little Shepherdess, 1868/72, Jean-François Millet, French, 1814-1875, France, Oil on panel, 35.7 × 25.5 cm (14 × 10 in.)

Yvette Guilbert, 1894, Henri de Toulouse-Lautrec, French, 1864-1901, France, Color lithograph, with letterpress, on ivory laid paper, 322 × 220 mm (image), 383 × 385 mm (sheet, folded, appro×.)

Young Boy Beseeching Hotei, late 18th century, Kitao Shigemasa, Japanese, 1739-1820, Japan, Color woodblock print, hashira-e, 23 1/4 x 4 1/4 in.

Plate, c. 1770/75, Worcester Porcelain Factory, Worcester, England, founded 1751, Worcester, Soft-paste porcelain, underglaze blue decoration, Diam. 22.5 cm (8 7/8 in.)

Head of a Woman and Head of a Bearded Man, 1880, Édouard Manet, French, 1832-1883, France, Watercolor with pen and brown ink and graphite on cream wove paper, 201 x 124 mm

Coin Portraying Emperor Claudius Gothicus, AD 268/270, Roman, Roman Empire, Bronze, DIam. 2.1 cm, 2.67 g

The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm

Queen Henrietta Maria, May 1874, Julia Margaret Cameron, English, 1815–1879, England, Albumen print, 33.5 × 23.2 cm (image/posted), 44.4 × 35.5 cm (mount)

Portrait of Monsieur de Mortemart-Boisse, 1816, Dominique-Vivant Denon, French, 1747-1825, France, Lithograph in black on ivory wove paper, 113 × 112 mm (image), 241 × 189 mm (sheet)

Coin Portraying Emperor Arcadius, AD 383/408, Roman, Roman Empire, Bronze, Diam. 2.3 cm, 4.41 g

Lime-Kiln, from Cabinet Reynst, 1655–59, Cornelis Visscher (Dutch, c. 1629-1658), after Pieter van Laer (Netherlandish, 1592-1642), Holland, Engraving and etching in black on ivory laid paper,…

Masks and faces: Look at the announcements, 1857–58, Paul Gavarni, French, 1804-1866, France, Lithograph in black on cream China paper laid down on ivory wove paper, 194 × 163 mm (image/chine),…

Souvenir of Ostia, 1855, Jean-Baptiste-Camille Corot, French, 1796-1875, France, Cliché-verre on ivory photographic paper, 272 × 344 mm (image), 293 × 363 mm (sheet)

Nude Model, Reclining, 1893, James McNeill Whistler, American, 1834-1903, United States, Transfer ithograph in black on tan laid Japanese paper, 130 x 210 mm (image), 237 x 297 mm (sheet)

Medallion with Coriulanus, Late 18th century, Wedgwood Manufactory, England, founded 1759, Burslem, Stoneware (jasperware), 8.4 × 6.8 × 0.6 cm (3 5/16 × 2 11/16 × 1/4 in.)

Scarab: Uninscribed, First Intermediate Period–Early Middle Kingdom (?), Dynasties 9–12 (about 2160–1773 BC), Egyptian, Egypt, Diorite (?), 0.8 × 1.3 × 1 cm (5/16 × 1/2 × 3/8 in.)

Holy Family with the Infant Saint John the Baptist, 1580/85, Denys Calvaert, Flemish, c. 1540-1619, Italy, Black chalk and brush and pale brown wash, heightened with lead white (partially…

The Old Rye House Inn, 1888, Peter Henry Emerson, English, born Cuba, 1856–1936, England, Photogravure, plate XV from the album "The Compleat Angler or the Contemplative Man's Recreation, Volume…

Carpet, 1870/1900, United States, Wool, plain weave, tied and free double cloth, plain weave with plain interlacings of secondary binding warps and three-color complementary ground wefts, two…

Amulet of a Heart, Third Intermediate Period–Late Period, Dynasties 21–26 (about 1069–525 BC), Egyptian, Egypt, Stone, 1.9 × 1 × 0.3 cm (3/4 × 3/8 × 1/8 in.)

Pitcher, 1878, Design attributed to Edward C. Moore, American, 1827–1891, Tiffany and Company, American, founded 1837, New York, New York City, Silver, gold, and copper, 20.3 × 12.7 × 15.2 cm…

Strawberry Thief (Furnishing Fabric), 1883 (produced 1890s), Designed by William Morris (English, 1834–1896), Produced by Morris & Company (English, 1875–1940), Woven and printed at Merton…

Paperweight, c. 1846–55, Baccarat, France, founded 1764, Lunéville, Glass, Diam. 8.3 cm (3 1/4 in.)

Fragment, Roman period (30 B.C.– 641 A.D.)/Arab period (641–969), 6th/8th century, Coptic, Egypt, Egypt, Linen and wool, slit tapestry weave, 11.4 × 8.9 cm (4 1/2 × 3 1/2 in.)

Sample (Dress Trimming), 1815/35, England or France, France, Silk, plain weaves and silk, satin weaves, pieced, backed with silk, plain weave, sized, cotton batting, edged with cotton cording…

The Good Samaritan, 1861, Rodolphe Bresdin, French, 1825-1885, France, Lithograph on white China paper laid down on white wove paper, 564 × 443 mm (image), 690 × 554 mm (sheet)

At Bordeaux, n.d., Maxime Lalanne, French, 1827-1886, France, Etching on Japanese paper

Arapaima gigas, Print, Arapaima gigas, also known as pirarucu, is a species of arapaima native to the basin of the Amazon River. Once believed to be the sole species in the genus, it is among…

Still Life, about 1625, Pieter Claesz, Dutch, 1596/97–1660, Netherlands, Oil on panel, 48 × 76.9 cm (18 7/8 × 30 1/4 in.)

Curb Bit, late 16th century, Italian, Italy, Iron, steel, and brass, Wt. 2 lb

Princess Maleine (The Little Madonna), 1892, Odilon Redon, French, 1840-1916, France, Etching and drypoint on ivory Japanese paper, 120 × 66 mm (plate), 290 × 178 mm (sheet, appro×.)

Panel, 1730s, France, Silk, silver-gilt-strips wound around silk fiber cores, warp-float faced 7:1 satin weave with supplementary brocading wefts, supplementary binding warps tying some…

The Farnese Bull with Dirce, Zethus and Amphion, 1581, Diana Scultori, Italian, c. 1536–c. 1590, Italy, Engraving in black on ivory laid paper, 369 x 272 mm (image), 398 x 272 (sheet, timed…

Border (Fragment), 1850/1900, Belgium or France, Belgium, Cotton, machine-made twist net, embroidered in back, buttonhole, chain (tambour work), cross, darning, and overcast stitches, 9.8 × 41.7…

The Good Shepherd, 1849, Thomas Cole, American, 1801-1848, United States, Lithograph on white wove plate paper, 290 x 420 mm (image), 483 x 610 mm (sheet)

View of the River Dee 3 Miles Short of Bala, with Cadar-Idris Mountain near Dolgelli 30 Miles Distant, 1776, Paul Sandby, English, 1731-1809, England, Aquatint on cream laid paper, 237 × 314…

Old Willesley House, c. 1865, Francis Seymour Haden, English, 1818-1910, England, Etching on zinc printed on cream wove paper, 169 × 252 mm (image/plate), 261 × 342 mm (sheet)

Baptism of the Chamberlain of Queen Candace of Ethiopia, 1740, Christian Wilhelm Ernst Dietrich, German, 1712-1774, Germany, Etching on paper, 182 x 272 mm

Hotei, from the series The Seven Gods of Good Luck in Modern Life (Ukiyo shichi fukujin), c. 1769, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, chuban, 11 ×…

Two Chair Seats, c. 1717, Abigail Davenport Williams (American, 1696–1766), United States, probably Connecticut, Stamford, United States, Linen, plain weave, embroidered with wool yarns in…

Sebastiaan Vrancx, 1630/45, Schelte Adamsz. Bolswert (Dutch, active in Flanders, c. 1586–1659), after Anthony van Dyck (Flemish, 1599-1641), Flanders, Engraving in black on ivory laid paper, 220…

Fragment, Roman period (30 B.C.– 641 A.D.), 5th/6th century, Egypt, Egypt, Wool, double weave, 42.7 × 86 cm 16 3/4 × 33 7/8 in.

Pillar from Tomb Chamber, Western Han dynasty (206 B.C.–A.D. 9), 1st century B.C., China, probably Zhengzhou, Henan province, China, Gray earthenware with impressed and carved decoration, 120.2…

Standing Figure Leaning on a Staff, c. 1510, Piero di Cosimo, Italian, 1462-1521, Italy, Pen and brown ink on tan laid paper, edge-mounted to cream wove paper, framing lines in pen and brown ink…

Plates Three and Four, from L’Ouverture de la Campagne des Ultras contre la XIXe siecle, n.d., Unknown Artist, French, 19th century, France, Two etchings, with watercolor, on cream wove paper, 67…

My Kisses Have the Taste of Fruit Which Would Melt in Your Heart!…You Disdain Me! Farewell!, plate 4 of 24, 1896, Odilon Redon, French, 1840-1916, France, Lithograph in black on gray China…

Leaving the Bath, 1879–80, Edgar Degas, French, 1834-1917, France, Drypoint and aquatint on ivory laid paper, 127 × 127 mm (image/plate), 177 × 224 mm (sheet)

The Painter, 1616, Jan Saenredam (Netherlandish, 1565-1607), after Hendrick Goltzius (Dutch, 1558-1617), Netherlands, Engraving on paper, 245 x 185 mm

Kraenstrate Maline, 1833, Samuel Prout (English, 1783-1852), probably printed by Charles Joseph Hullmandel (English, 1789-1850), probably published by Rudolph Ackermann (English, 1764-1834),…

A Court Lady, 1555/72, Circle of Francois Clouet (French, c. 1510-1572), Style of Daniel Dumonstier (French, 1574-1646), France, Red and black chalk, on ivory laid paper, 311 × 232 mm

Study of Seated Woman, Seen from Behind, 1897, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on white chine, 130 × 82 mm (image), 170 × 110 mm (sheet)

Hercules Killing the Mares of Diomedes, 1800/05, Henry Fuseli, Swiss, active in England, 1741-1825, England, Pen and black ink, with brush and black wash, over graphite, on cream laid paper, laid…

The Koya Jewel River in Kii Province (Kii Koya), from the series Six Jewel Rivers in the Various Provinces (Shokoku Mu Tamagawa), 1857, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858,…

Left Arm of a Hunter, n.d., Bernard Baron (French, 1696-1762), after Tiziano Vecellio, called Titian (Italian, c. 1488-1576), France, Red chalk on oiled golden-yellow transparentized laid paper,…

Coin Portraying Emperor Elagabalus, AD 218/222, Roman, Roman Empire, Bronze, Diam. 2.7 cm, 7.61 g

Paperweight, Mid 19th century, Saint-Louis, France, founded 1767, France, Glass, Diam. 6.4 cm (2 1/2 in.)

Sur ce fier ennemi BOURBON se précipite…, 1825, Horace Vernet (French, 1789-1863), poem by Voltaire (French, 1694-1778), printed by Mademoiselle Formentin (French, 18th-19th century), published…

Figure (recto and verso), from Seconde livre de figures d’Academies gravées en Partie par les Professeurs de l’ Académie Royale, published 1745, Collin de Vermont (French, 1693-1761),…

Alabastron with Inscription, Late Period, Dynasty 26–27 (664–404 BC), Egyptian, Egypt, Calcite ("Egyptian alabaster"), 27.6 × 30.5 × 30.5 cm (10 7/8 × 12 × 12 in.)

Amulet of a Crouching Lion, Late Period, Dynasty 26 or later (664–525 BC), Egyptian, Egypt, Faience, 2.5 × 5.5 × 2 cm (1 × 1 × 3/4 in.)

Shower Below the Summit (Sanka hakuu), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei), c. 1830/33, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color…

Washing the Feet, from The Small Passion, 1624/31, Jacques Callot, French, 1592-1635, France, Etching on ivory laid paper, 72 × 56 mm

Lady and Child, 1892, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph from five stones, in gray (keystone), blue, green, brown, yellow, orange, red, and ochre on…

The Disciples at the Tomb, 1764, Jean Honoré Fragonard (French, 1732-1806), after Jacopo Robusti, called Tintoretto (Italian, 1519-1594), France, Etching on ivory laid paper, 130 × 86 mm…

Lucie Berard (Child in White), 1883, Pierre-Auguste Renoir, French, 1841-1919, France, Oil on canvas, 61.3 × 49.8 cm (24 3/8 × 19 5/8 in.)

Goblet, Early 18th century, Germany, Glass, H. 21.1 cm (8 5/6 in.)

White Chrysanthemums and Pinks in a Black Vase, 1765/70, Attributed to Ippitsusai Buncho, Japanese, active c. 1755-90, Japan, Color woodblock print, hosoban, 33 x 15 cm (13 x 5 7/8 in.)

Pendant with Cameo of a Roman Woman, probably early 19th century, European, Europe, Gold filigree and lapis lazuli, 4.4 × 3.4 cm (1 3/4 × 1 3/8 in.)

Chasuble, c. 1750, France, Wool, 2:2 twill weave, embroidered with wool in chain and running stitches, couching and French knots, 120.6 × 68.6 cm (47 1/2 × 27 in.)

Plaque, c. 1895, Henri Cros, French, 1840-1907, France, Pâte-de-verre, 13.2 × 19.4 cm (5 3/16 × 7 5/8 in.)

Nude Model, Standing, c. 1891, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black on cream Japanese gampi paper, 189 x 109 mm (image), 366 x 247 mm (sheet)

Scarab: Uninscribed, Middle Kingdom (?), Dynasties 11–12 (about 2055–1773 BC), Egyptian, Egypt, Amazonite?, 1.6 × 1.3 × 1 cm (5/8 × 1/2 × 3/8 in.)

Jug with the Head of a Woman, 1597, Bohemian, Bohemia, Colorless glass and enamel, 16 × 11.1 cm (6 5/16 × 4 3/8 in.), Wt. 265 g (8.5 oz.)

Woman Wearing Black Hood, c. 1766/67, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, hashira-e, 25 1/8 x 5 1/8 in.

Surugacho, from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), 1856, Utagawa Hiroshige 歌川 広重, Japanese, 1797–1858, Japan, Color woodblock print, oban, 36.3 x 23.9 cm…

Chief Mohammed-Ben-Abou, 1833, Eugène Delacroix, French, 1798-1863, France, Etching on off-white chine, laid down on white wove paper, 142 × 213 mm (chine), 219 × 296 mm (sheet)

Kind, Kind and Gentle is She, c. 1840, Currier & Ives, American, founded in 1834, United States, Lithograph on paper, 225 x 175 mm (image), 337 x 256 mm (sheet folded)

Shepherdess, 1810/20, Richard Westall, English, 1765-1836, England, Graphite heightened with watercolor and touches of white gouache on gray wove paper, 220 × 172 mm

Jerusalem, Valley of Josaphat, Tomb of St. James (Jérusalem, Vallée de Josaphat, Tombeau de Saint Jacques), 1854, printed 1856, Auguste Salzmann, French, 1824–1872, France, Salted paper…

Handle-Shaped Jade, Shang period, 2nd millennium B.C., China, Jade, 13.7 × 1.3 × 1.1 cm (5 3/8 × 1/2 × 7/16 in.)

Garment Hook (Daigou), Eastern Zhou dynasty, Warring States period (480–221 B.C.), late 4th/3rd century B.C., China, Bronze inlaid with gold and silver, 19.4 × 1.3 cm (7 1/2 × 1/2 in.)

Landscape with Smokestacks, c. 1890, Edgar Degas, French, 1834-1917, France, Pastel, over monotype, on textured cream wove paper, edge-mounted on board, 317 × 416 mm

Christ Preaching, from Leben Jesu Christi, plate 19 from Woodcuts from Books of the XVI Century, 1508, portfolio assembled 1937, Hans Wechtlin (German, 1480/85-after 1526), published by Johann…

Pap Boat, 1751/71, American, 18th century, United States, Silver, 3.2 × 12.8 × 7 cm (1 1/4 × 5 × 2 3/4 in.)

Panel, 1700/50, France, Silk, warp-float faced satin weave self-patterned by ground wefts bound in twill interlacings, 186.9 × 67.2 cm (73 5/8 × 26 1/2 in.)

Morning on St. John’s, Florida, 1886, Thomas Moran, American, born England, 1837-1926, United States, Etching and drypoint on cream laid paper, 144 x 218 mm (image), 150 x 225 mm (plate), 279 x…

Fuchu, section of sheet no. 5 from the series Cutouts of the Fifty-three Stations (Gojusan tsugi harimaze), 1852, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock…

Paperweight, Mid 19th century, Baccarat, France, founded 1764, Baccarat, Glass, Diam. 8.6 cm (3 3/8 in.)

Courtesan Playing with a Cat, c. 1715, Kaigetsudo Dohan, Japanese, active c. 1704-16, Japan, Hand-colored woodblock print, tan-e, vertical o-oban, 55.5 × 28.8 cm

Covered Goblet (Pokal) with a Bear Hunt, 1680/1700, Germany, Nuremberg, Nuremberg, Glass, H. 38.1 cm (15 in.)

Autumn Moon over Ishiyama Temple (Ishiyama shugetsu), from the series Eight Views of Omi (Omi hakkei), 1857, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print,…

Three Images from Millin’s Atlas, plate XII, 1807–08, Aubin-Louis Millin (French, 19th Century), printed by André Frédérick (French, 18th-19th Century), France, Lithograph in black on…

Fragment (Border), 1601/25, Italy, Linen, needle lace worked on a laid and plaited thread grid, 4.2 x 12.2 cm (1 5/8 x 4 7/8 in.)

A Panel from a Porticoes Series, 1775/1800, After designs by Jean-Baptiste Oudry (1686–1755) and/or Jean-Baptiste Huet (1745–1811), or artists in their circle, Woven at an unknown workshop at…

Hind Head Hill, plate 25 from Liber Studiorum, published January 1, 1811, Joseph Mallord William Turner (English, 1775-1851), Engraved by Dunkarton, England, Etching and engraving on ivory paper,…

Yui—No. 17, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi), also known as the Reisho Tokaido, c. 1847/52, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858,…