Librifly Art Gallery


2.589.713 / 2.589.715 Entries   < previous page Page 3345 / 25898 next page >
Futakawa: Sarugababa Plateau (Futakawa, Sarugababa), from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi), also known as the Hoeido Tokaido, c. 1833/34, Utagawa…
Fukusa (Gift Cover), late Edo period (1789–1868), early 19th century, Painted by Saeki Ganryô (Japanese, active c. 1901/25), Japan, Patterned side: silk, warp-faced, weft-ribbed plain weave…
Tripod Vessel with a Blowgunner Scene, A.D. 300/500, Teotihuacan, Teotihuacan, Mexico, México, Ceramic, stucco, and pigment, 8.9 × 15.9 cm (3 1/2 × 6 1/4 in.)
The actor Seki Sanjuro II as Stuttering Matahei (Domo no Matahei), 1826, Utagawa Kunisada I (Toyokuni III), Japanese, 1786-1864, Japan, Color woodblock print, left sheet of oban diptych…
There’s a Floating Corpse, 1892, Louis Auguste Lepère, French, 1849-1918, France, Lithograph in black with scraping on stone on cream wove paper, 217 × 297 mm (image), 314 × 436 mm (sheet)
Fallen Indian Warrior, c. 1886, Charles Marion Russell, American, 1865-1926, United States, Watercolor and graphite on cream wove paper, 406 x 535 mm
Lot and His Daughters, 1748, Joseph-Marie Vien I, French, 1716-1809, France, Etching on ivory laid paper, 222 × 277 mm (image), 226 × 277 mm (plate), 247 × 285 mm (sheet)
Chalice and Paten, 1639, London, England, London, Silver, H. 27.3 cm (10 3/4 in.)
Anas scutellata, Print, Anas is a genus of dabbling ducks. It includes the pintails, most teals, and the mallard and its close relatives. It formerly included additional species but following…
Praying Virgin, c. 1720, Italian (Roman), Italian, Oil on canvas, 24 1/2 x 20 5/8 in. (62.2 x 52.3 cm)
Dish, Late 12th/early 13th century, Iran, Iran, Fritware, painted in lustre on an opaque white glaze, Height: 3.5 cm Diameter: 13 cm (Height: 1 3/8 in x Diameter: 5 1/8 in.)
A Spanish knight kills the bull after having lost his horse, plate nine from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain,…
Pitcher, 1880, Designed by Christopher Dresser, English, born Scotland, 1834-1904, Manufactured by Linthorpe Art Pottery, English, Yorkshire, 1879-1889, Yorkshire, Lead-glazed earthenware, 19.4 x…
Kesa, late Edo period (1789–1868), early 19th century, Japan, Japan
Portrait of a man, 1860, James McNeill Whistler, American, 1834-1903, United States, Drypoint in black ink on ivory Japanese paper, 227 x 149 mm (plate), 233 x 157 mm (sheet)
Antilope euchore, Print, Blackbuck, The blackbuck (Antilope cervicapra), also known as the Indian antelope, is an antelope found in India, Nepal, and Pakistan. The blackbuck is the sole extant…
Les Monuments de Chine (The Monuments of China) (Furnishing Fabric), 1805/10, Designed by Jean Baptiste Huet (French, 1745–1811) or Hippolyte Lebas (French, 1782–1867), Manufactured by…
The Terror of Grenelle, 1894, Henri de Toulouse-Lautrec, French, 1864-1901, France, Color lithograph on cream wove paper, 174 × 114 mm (image), 193.5 × 137 mm (primary support), 360 × 276…
The Comet of 1811, 1811, Published by T. Moon, English, 19th century, England, Hand-colored etching on paper
An Elegant Series of Amulet Paintings (Furyu nanatsume e awase): Rabbit and Cock, n.d., Tamagawa Shucho, Japanese, 18th century, Japan, Color woodblock print, oban, 38.4 x 25.7 cm
Vieille gouge, 1889, Félicien Rops, Belgian, 1833-1898, Belgium, Aquatint and drypoint on ivory wove paper, 94 × 68 mm (image), 120 × 78 mm (plate), 407 × 311 mm (sheet)
Scarf, 1870/90, Belgium, Belgium, Cotton, needle lace of a type known as "Point de Gaze
Sybil Sanderson, from Treize Lithographies, 1898, published before 1906, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph on cream wove paper, 278 × 243 mm (image), 392 × 316…
Rest on the Flight into Egypt with Saddled Donkey, 1871, Rodolphe Bresdin, French, 1825-1885, France, Lithograph (etching transfer) on cream China paper laid down on white wove paper, 230 × 198…
The Hog, 1643, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching and drypoint on paper, 143 x 183 mm (image/plate), 147 x 187 mm (sheet)
Renaissance Fringe, 16th century, Italy, Silk and gold gilt strip wound around silk fiber core, plain weave with supplementary patterning weft loop fringe and extended ground weft cut fringe, 63 x…
Paperweight, c. 1848–55, Baccarat, France, founded 1764, Lunéville, Glass, Diam. 7.3 cm (2 7/8 in.)
Believe My Love These Lines Are True (valentine), 1840/50, George Kershaw, English, 19th century, England, Collaged elements and watercolor, with pen and ink on embossed ivory wove paper, 228 ×…
Venus and Cupid, large plate, 1896, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on ivory China paper laid down on white wove paper, 324 × 413 mm (image), 428 × 569 mm (sheet)
Agyrtria thalia, Print, Amazilia, Amazilia is a hummingbird genus in the subfamily Trochilinae. It occurs in tropical Central and South America., 1820-1860
Beaker, c. 1840, Bohemia, Czech Republic, Bohemia, Glass, colorless, blown, cut, overlaid with opaque green glass, black enamel and gilding, 14.1 × 10 cm (5 9/16 × 3 15/16 in.)
Cover for Collection of Different Bouquets of Flowers, Invented and Drawn by Jean Pillement and Engraved by P. C. Canot, published July 4, 1760, Pierre-Charles Canot (French, 1710-1777), after…
The Lovers, 1846/50, Jean François Millet, French, 1814-1875, France, Black crayon on buff wove paper with blue fibers, 352 × 223 mm
The Great Sumter Meeting in the Union Square, New York, April 11, 1863, published April 25, 1863, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916),…
Ambulyx, Print, Ambulyx is a genus of moths in the family Sphingidae, described by Westwood in 1847.
The Side Show (La Parade), 1865/67, Honoré Victorin Daumier, French, 1808-1879, France, Pen and black ink and brush and gray wash, with charcoal, on ivory laid paper (discolored to cream), 517 ×…
Head of a New Holland Dog, 1860, Charles Meryon, French, 1821-1868, France, Etching with engraving on grayish ivory chine, laid down on ivory laid paper, 53 × 78 mm (image), 53 × 78 mm (plate),…
Paternal Curse, 1777–78, Jean Michel Moreau (French, 1741-1814), after Jean-Baptiste Greuze (French, 1725-1805), France, Etching with engraving on paper, 95 × 104 mm (image), 370 × 270 mm (sheet)
Fragment, 16th century, Italy, Florence, Italy, cisele voided cloth velvet, 18.5 x 9.5 cm (7 1/4 x 3 3/4 in.)
The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm
Untitled Valentine (Urn with Bird and Flowers in Wreaths of Gold Flowers), c. 1850, Unknown Artist, English, 19th century, England, Watercolor and gold paint with collaged elements on cut and…
Fukusa (Gift Cover), late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century, Japan, Pattern side: silk, gold-leaf-over-lacquered-paper-strip wrapped silk, slit tapestry weave…
Study for a Thesis Conclusion Presented to the Duke of Mantua, 1616/19, Ludovico Carracci, Italian, 1555-1619, Italy, Pen and brown ink, on buff laid paper, laid down on cream laid paper, 145 x 189 mm
View of Mulhouse, 1810, printed 1814/16, Mathieu Mieg (French, 18th-19th century), possibly after Jean Mieg (French, 1791-1862), printed by Gotfried Engelmann (French, 1788-1839), Paris, Lithograph…
Holy Family with Mary Magdalene, late 18th century, After Francesco Mazzola, called Parmigianino, Italian, 1503-1540, Italy, Pen and brown ink with brush and brown wash, on cream laid paper, laid…
Incomplete Valance (For the Bed), 19th century, Greece, Crete, Crete, Cotton, plain weave, embroidered with silk in Armenian edge, back, buttonhole, Cretan, cross, encroaching satin, satin,…
Street Doctors, 1877, John Thomson, Scottish, 1837–1921, Scotland, Woodburytype, from the album "Street Life in London
Apogon margaritophorus, Print, Apogon is a large genus of fish in the family Apogonidae, the cardinalfishes. They are among the most common fish on coral reefs.Over 200 species have been classified…
Standard: Louis Napoleon to the 5th Dragoon Regiment, May 10, 1852, Denis Auguste Marie Raffet (French, 1804-1860), printed by Auguste Bry (French, 19th century), published by Éditeur Ernest…
The Hustings, published May 21, 1796, James Gillray (English, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Etching in dark brown, with handcoloring, on cream wove…
View of the Temple of Fortuna Virilis. Now the Armenian church of S. Maria Egizziaca, from Views of Rome, 1750/59, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on heavy ivory…
Alveolina quoyi, Print, Alveolina is an extinct genus of foraminiferawith an elliptic or spheric form.
In the Sea, 1883, Arnold Böcklin, Swiss, 1827-1901, Switzerland, Oil on panel, 34 3/8 × 45 3/4 in. (86.5 × 115 cm)
Young Couple in Front of a Screen, c. 1748, Ishikawa Toyonobu, Japanese, 1711-1785, Japan, Color woodblock print, hosoban, benizuri-e, 11 3/8 x 5 5/8 in.
Stater Coin Depicting the Nymph Parthenope, 325/241 BC, Greek, minted in Neapolis (Naples), Campania, Italy, Naples, Silver, Diam. 2.1 cm, 7.28 g
Poncho, A.D. 1476/1532, Chuquibamba, Peru, Probably south coast, Peru, Wool (camelid), interlocking tapestry weave with inserts of complementary weft weave, 184.2 x 223.5 cm (72 1/2 x 88 in.)
Untitled, 1839/99, Possibly William J. Shew, American, 1820–1903, United States, Daguerreotype, 8.1 x 7 cm (plate), 9.3 x 8.2 x 1.4 cm (case)
Flounce, 1701/25, Italy, Milan, Milan, Linen, bobbin part lace (made in large sections), 46.4 x 336 cm (18 3/8 x 132 1/4 in.)
The Sixth Month (Rokugatsu), from an untitled series of genre scenes in the twelve months, with kyoka poems, c. 1792/93, Kitagawa Utamaro 喜多川 歌麿, Japanese, 1753 (?)-1806, Japan,…
Saint Christopher, 1506, published 1509, Lucas Cranach the Elder, German, 1472-1553, Germany, Woodcut in black on ivory laid paper, 281 × 192 mm (image/block/sheet)
The Nocturnal Review, 1836, published 1837, Denis Auguste Marie Raffet (French, 1804-1860), printed by Chez Gihaut Frères (French, 19th century), poetry by Sedlitz (German), France, Lithograph…
Scarab: Uninscribed, Middle Kingdom–Late Period, Dynasties 12–26 (about 1985–525 BC), Egyptian, Egypt, Stone, 1 × 2.2 × 1.6 cm (3/8 × 7/8 × 5/8 in.)
Shoe (Single), 1770s, Probably England, England, Yellow satin embroidered with silk and metal thread, satin and couched stitches
Powerscourt Waterfall, August 1843, Elizabeth Murray, English, c. 1815-1882, England, Watercolor and white gouache over graphite on gray wove paper, 254 mm × 176 mm
The Slave Market, 1629, Jacques Callot, French, 1592-1635, France, Etching on paper, 114 × 217 mm (image/sheet, cut within plate mark)
Standing Cattle, n.d., Charles François Daubigny, French, 1817-1878, France, Red chalk on tan laid paper, 292 × 291 mm
Parlor Throw, c. 1890, American, possibly Illinois, Illinois, Pieced, embroidered and painted crazy quilt, dyed and printed silk plain, satin, pile and patterned weave fabrics and ribbons, silk…
Relief of a Falling Warrior, 2nd century AD, Roman, Piraeus, Marble, 53.3 × 81 × 17.5 cm (21 × 31 15/16 × 6 7/8 in.)
The Shepherd and the Shepherdess, 1874, Charles François Daubigny, French, 1817-1878, France, Etching on paper, 254 × 195 mm
Denarius (Coin) Portraying Emperor Antoninus Pius, AD 152, Roman, minted in Rome, Roman Empire, Silver, Diam. 1.9 cm, 3.17 g
Fragment (Border), Roman period (30 B.C.– 641 A.D.), 1st/5th century, Coptic, Egypt, Egypt, Linen and wool, tapestry weave, 15.2 × 10.2 cm (6 × 4 in.)
Chi: Musashi Plain, from the series Tales of Ise in Fashionable Brocade Pictures (Furyu nishiki-e Ise monogatari), c. 1772/73, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan,…
Visitation, n.d., After Andrea del Sarto, Italian, 1486-1530, Italy, Pen and black ink, and black crayon, on tan laid paper, laid down on tan laid paper, tipped on buff card, 259 x 411 mm
Coin Portraying Emperor Gallienus, AD 253/268, Roman, Roman Empire, Bronze, Diam. 1.9 cm, 3.27 g
Bead, Western Zhou period, 10th/9th century B.C., China, Jade, L. 1 13/16 in., diam. 3/4 in.
Plate Four from Drawings of Several Movements by Soldiers, 1644, Stefano della Bella, Italian, 1610-1664, Italy, Etching on ivory laid paper, 59 x 122 mm (image), 62 x 126 mm (plate), 66 x 130…
Water Lily Pond, 1900, Claude Monet, French, 1840-1926, France, Oil on canvas, 89.8 × 101 cm (35 3/8 × 39 3/4 in.)
Fragment, Fatimid period (969–1171)/Ayyubid period (1171–1250)/Mamluk period (1250–1517), 12th/13th century, Egypt, Egypt, Linen and silk, slit tapestry weave, 16.5 × 7.6 cm (6 1/2 × 3 in.)
Panel, 1460/70, Italy, Venice, Italy, Silk and gilt-metal-strip-wrapped silk, 4:1 satin weave self-patterned with supplementary brocading wefts bound in weft-float faced 1:4 'z' twill…
Skewer and Spoon from a Traveling Set, 1761/63, Augsburg, Germany, Augsburg, Silver, H. 15.9 cm (6 1/4 in.)
Follis (Coin) Portraying Emperor Maxentius, AD 309/312, Roman, minted in Ostia, Roman Empire, Bronze, Diam. 2.5 cm, 6.30 g
The Garden of French Nobility (The King’s Officer), 1629, Abraham Bosse, French, 1602-1676, France, Etching and engraving on ivory laid paper, 142 × 97 mm
Seventeenth-Century Interior, 1877, Charles Gifford Dyer, American, 1846–1912, Munich, Oil on canvas, 94 × 71.1 cm (37 × 28 in.)
Le Thésée de Phidias/ Fragment du Fronton du Parthenon d’Athènes/ Maintenant au Musée Britannique, 1851, Louis-Désiré Blanquart-Evrard, French, 1802–1872, France, Salted paper print, 13…
Invitation for Mr. and Mrs. Alexandre Natanson, 1895, Henri de Toulouse-Lautrec, French, 1864-1901, France, Color lithograph on cream wove paper, 258 × 157 mm (image), 340 × 179 mm (sheet)
Border, 16th century, Italy, Linen, darned netting or "filet
Oinochoe (Pitcher), 800/700 BC, Greek, Thessaly, Thessaly, Bronze, 4.8 × 4.3 × 4.3 cm (1 7/8 × 1 11/16 × 1 11/16 in.)
May, Restoration Day from George Cruikshank’s Steel Etchings to The Comic Almanacks: 1835-1853, 1839, printed c. 1880, George Cruikshank (English, 1792-1878), published by Pickering & Chatto…
Arctomys marmotta, Print, 1700-1880
Border, 1720s/30s, France, Valenciennes, Valenciennes, Linen, bobbin straight lace of a type known as "Valenciennes" with a square Valenciennes mesh ground, 4.6 x 248.4 cm (1 3/4 x 97 3/4 in.)
Untitled (Lydford), 1860s, Devon, Albumen print, stereo, 8.2 × 7.6 cm (each image), 8.6 × 17.7 cm (card)
Marcellus Provenzalis, 1623, Ottavio Mario Leoni, Italian, 1578-1630, Italy, Engraving on ivory laid paper, 144 x 112 mm (plate), 168 x 137 mm (sheet)
Serape (Interpretation of Mexican Saltillo Serape), 1875/1900, Germany or Czechoslovakia, Germany, Cotton and wool, plain weave, painted, attached knotted fringe, 222.8 x 122 cm (87 7/8 x 48 in.)
Stem Bowl, Jin (1115–1234) or Yuan dynasty (1279–1368), 13th/14th century, China, Huozhou ware, glazed stoneware, H. 4.7 cm (1 7/8 in.), diam. 8.7 cm (3 7/16 in.)
Fragment, 1650 / 1700, Italy, Silk, plain compound cloth
Leaf from Catalogus Sanctorum by Petrus Natalibus, plate 75 from Woodcuts from Books of the XVI Century, 1542, assembled into portfolio 1937, Unknown Artist (French, 16th century), assembled by…
The Artist, n.d., Achille Devéria, French, 1800-1857, France, Crayon and tusche lithograph on ivory wove paper, 213 × 168 mm (image), 242 × 195 mm (sheet)
Waistcoat, 1775/1800, France, Silk, satin weave, embroidered with silk threads, embroidered fabric covered buttons, silk, twill weave lining, linen, plain weave back, 66.3 × 66.7 cm (26 1/8 × 26…
Salisbury Cathedral, 1831, published 1838, David Lucas (English, 1802-1881), after John Constable (English, 1776-1837), England, Mezzotint in black on ivory wove paper, 139 × 124 mm (image), 168…

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