Librifly Art Gallery


2.589.713 / 2.589.715 Entries   < previous page Page 3360 / 25898 next page >
The Actor Iwai Hanshiro IV as the Courtesan Agemaki in the Play Sukeroku Yukari no Hatsu-zakura, Performed at the Ichimura Theater in the Third Month, 1776, c. 1776, Katsukawa Shunsho 勝川…
Fragment, Early 18th century, France, silk, brocaded plain compound satin, 81.9 × 57.2 cm (32 1/4 × 22 1/2 in.)
Bottle, 1st/2nd century AD, Ancient Mediterranean, Mediterranean Region, Glass, blown technique, H. 21.6 cm (8 1/2 in.), diam. 4.4 cm (1 3/4 in.)
The Hydropaths: Second Treatment (plate 2), 1843, Charles Émile Jacque, French, 1813-1894, France, Lithograph in black on ivory wove paper, 238 × 196 mm (image), 350 × 223 mm (sheet)
St. James Major, from Apostles, n.d., Martin Schongauer, German, c. 1450-1491, Germany, Engraving on paper, 89 × 43 mm (plate), 90 × 46 mm (sheet)
Study for San Francisco, far left section, 1855–56, Charles Meryon, French, 1821-1868, France, Graphite on tan wove tracing paper, 227 × 293 mm
Dumbarton Presbytery, March 29, 1845, David Octavius Hill (Scottish, 1802–1870) and, Robert Adamson (Scottish, 1821–1848), Scotland, Salted paper print, 14.1 x 19.2 cm (image/paper), 19.2 x…
Garment Hook, Eastern Zhou dynasty (770–221 B.C.), China, Bronze inlaid with gold and silver and inset with jade, 8.3 × 8.3 × 2.0 cm (3 1/4 × 3 1/4 × 13/16 in.)
Women on a Pleasure Boat, c. 1790, Chobunsai Eishi, Japanese, 1756-1829, Japan, Color woodblock print, left sheet of oban pentaptych, 14 1/4 x 9 7/8 in.
Gian Lodovico Madruzzo, 1551/52, Giovanni Battista Moroni, Italian, 1520/24-1578, Italy, Oil on canvas, 199.8 × 116 cm (78 5/8 × 45 5/8 in.)
Clay filter with design of fish, Fatimid dynasty (969–1171), 11th–12th century, Egypt, Fustat, Masr al-`Atiqah, Earthenware, carved and punched, .75 × 7.3 cm (3/4 × 2 7/8 in.)
Royal Albert Hall, 1850–1900, probably English, 19th century, England, Albumen print, from the album "Views of London
After the Antique: Trajan’s Victorious Combat against the Dacians, n.d., Unknown Artist, Italian, 16th century, Italy, Pen and brown ink on ivory laid paper, laid down on buff laid paper, 202 x…
Field’s Weir, Near Rye House, 1888, Peter Henry Emerson, English, born Cuba, 1856–1936, England, Photogravure, plate XVII from the album "The Compleat Angler or the Contemplative Man's…
The Actor Matsumoto Koshiro IV as Matsuo-maru in the Play Sugawara Denju Tenarai Kagami, Performed at the Nakamura Theater in the Ninth Month, 1773, c. 1773, Katsukawa Shunsho 勝川 春章,…
Sheet of Sketches: Beheading of a Saint (recto), Several Slight Figure Sketches (verso), 1605/44, Giovanni (Antonio) Bilivert (Italian, 1585-1644), or Jacques Callot (French, 1592-1635), Italy,…
A Philosopher Shewing an Experiment on the Air Pump, 1769, Valentine Green (English, 1739-1813), after Joseph Wright of Derby (English, 1734-1797), printed by John Boydell (English,…
The Actor Segawa Kikunojo III as Spirit of a Mandarin Duck (Oshidori) Disguised as Tagasode, in the Play Hana-zumo Genji Hiiki, Performed at the Nakamura Theater in the Eleventh Month, 1775, c.…
Bowl with Three-part Antelope Design, 950/1150, Mimbres branch of the Mogollon, Classic Mimbres Black-on-white, New Mexico, United States, New Mexico, Ceramic and pigment
The Actor Ichikawa Danjuro V and his family, from an untitled series of four prints showing Actors in private life, c. 1783/84, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print,…
The World That Is (valentine), c. 1830, Unknown Artist, American or English, 19th century, United States, Engraving with hand-coloring and traces of graphite on ivory card, 113 x 72 mm (card)
Draped Figure and Reflection, study for Mirror of Venus, c. 1873–77, Sir Edward Burne-Jones, English, 1833-1898, England, Graphite on ivory wove paper, 253 × 178 mm
Dalmatic, Mid–19th century, England, possibly Nottingham, Nottingham, Wool, plain weave, glazed and calenderized, with wool supplementary patterning wefts, applied woven tape, edged with woven…
Ruler Entertained by Dancers in a Paradise Garden, late 18th century, India, Uttar Pradesh, Avadh, India, Opaque watercolor and gold on paper, Image: 30 x 12.9 cm (11 13/16 x 5 1/16 in.),…
In Beresford Dale, 1880s, Peter Henry Emerson, English, born Cuba, 1856–1936, England, Photogravure, plate LII from the album "The Compleat Angler or the Contemplative Man's Recreation, Volume…
Coat, 19th century, Eastern India, India, Embroidered, 109.3 x 157.6 cm (47 x 62 1/16 in)
Courtyard of a Palace, Safavid dynasty (1501–1722), 16th century, Iran, Iran, Opaque watercolor and ink on paper, Image: 22.9 x 13.1 cm (9 x 5 3/8 in.), Paper: 26.8 x 14.2 cm (10 9/16 x 5 5/8 in.)
Bedcover (Unfinished in three sections), 18th century, France, Cotton, plain weave, quilted in parts, design stamped in ink, lined with cotton, plain weave, 294.7 × 91.5 cm (116 × 36 in.)
Ring: Rameses (II), Beloved of Amun, New Kingdom, Dynasty 19, reign of Rameses II (about 1279–1213 BC), Egyptian, Egypt, Faience, W. 0.6 (1/4 in.), diam. 1.9 cm (3/4 in.)
Merced River, Yosemite, Cal., 1855/75, Kilburn Brothers, American, active 1855–1875, United States, Albumen print, stereo, 7.6 x 7.6 cm (each image), 8.2 x 17.1 cm (card)
Towing the Reed, 1886, Peter Henry Emerson, English, born Cuba, 1856–1936, England, Platinum print, pl. XXVI from the album "Life and Landscape on the Norfolk Broads" (1886), edition of 200, 22.8…
Pikeman Armor for an Officer, 1625/30, English, Greenwich, Greenwich, Steel, brass, and leather, H. 94 cm (37 in.)
July, c. 1770, Germany, Berlin, Berlin, Hard-paste porcelain, polychrome enamels, and gilding, H. 10.3 cm (4 1/16 in.)
Silkworm Pupa, Shang or Western Zhou period, 13th/10th century B.C., China, Jade, 4.4 × 1.1 × 0.6 cm (1 3/4 × 7/16 × 1/4 in.)
The Actor Yamanaka Heikuro I, c. 1705, Attributed to Torii Kiyonobu I, Japanese, 18th century, Japan, Hand-colored woodblock print, hosoban, tan-e, 29.2 x 15.2 cm (11 1/2 x 6 in.)
Untitled, 1855/75, 19th century, Unknown Place, Tintype, 8.3 x 7 cm (plate), 9.8 x 8.8 x 2 cm (case)
Cover or HandKerchief, 1850/1875, Turkey, Istanbul, Turkey, borders embroidered with colored silk floss in flower and tree forms., 126.5 x 128.8 cm (49 3/4 x 50 5/8 in.)
Tetradrachm (Coin) Depicting the Goddess Athena, 296/295 BC, Greek, Ancient Greece, Silver, Diam. 2.2 cm, 17.03 g
Herd Near a Stone Bridge, n.d., Anthoni Waterlo, Dutch, 1609-1690, Holland, Etching on paper, 154 x 206 mm
Wine Glass, c. 1775/99, England or Netherlands, England, Glass, cut and stipple engraved, 13 × 5.6 cm (5 1/8 × 2 3/16 in.)
Landscape and Animals, 1846, Charles Émile Jacque, French, 1813-1894, France, Etching on cream China paper laid down on ivory wove paper, 45 × 77 mm (image), 60 × 92 mm (chine), 310 × 449…
Black Horse Tethered under a Blossoming Cherry Tree, c. 1770, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Color woodblock print, chuban, 25.5 x 19.7 cm (10 1/16 x 7 3/4 in.)
The Miraculous Draught of Fishes, 1883, Rodolphe Bresdin, French, 1825-1885, France, Lithograph on gray chine laid down on ivory wove paper, 482 × 310 mm
Two Little Girls in Fur-Trimmed Coats, 1900, Kate Greenaway, English, 1846-1901, England, Watercolor, with graphite, on cream wove paper (discolored to tan), 214 × 222 mm
Walking Staff with Sword Hilt, 1663, German, Germany, Wood, iron, and bone, L. 119.4 cm (47 in.)
Fragment (Three Joined Strips from Small Pillow), 1550/1600, Italy, Linen, plain weave, cut and drawn work in overcast stitches with needle lace inserts, embroidered in back, buttonhole,…
The Path Over The First Brae, Dove Dale, 1880s, Peter Henry Emerson, English, born Cuba, 1856–1936, England, Photogravure, plate XLI from the album "The Compleat Angler or the Contemplative…
Coffin of Wenuhotep, Third Intermediate–Late Period, late Dynasty 25–early Dynasty 26 (about 700–600 BC), Egyptian, Egypt, Wood, pigment, 44.1 × 181 × 51.4 cm (17 3/8 × 71 1/4 × 20 1/4 in.)
Chinese and Tartar Boys Quarreling over a Game of Go, c. 1790, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Woodblock print, oban, keyblock proof impression, 38.5 x 26.3 cm (15 3/16…
Spring in France, 1890, Robert William Vonnoh, American, 1858–1933, France, Oil on canvas, 38.7 × 55.9 cm (15 1/4 × 22 in.)
Cover for L’exemple de Ninon de Lenclos amoureuse, 1898, Henri de Toulouse-Lautrec, French, 1864-1901, France, Color lithograph on cream wove paper, 191 × 248 mm (image), 191 × 281 mm (sheet)
Frontispiece to Drawings of Several Movements by Soldiers, 1644, Stefano della Bella, Italian, 1610-1664, Italy, Etching on ivory laid paper, 54 x 124 mm (image), 58 x 129 mm (plate), 64 x 134…
The Flight into Egypt, 1540/50, Unknown Venetian, Italian, 16th Century, Attributed to Andrea Meldolla Schiavone, Italian, 1522-1564, Venice, Oil on canvas, 42 x 98 cm (16 1/2 x 38 1/2 in.)
Fujisawa: Yugyo Temple (Fujisawa, Yugyoji), from the series Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi), also known as the Hoeido Tokaido, c. 1833/34, Utagawa…
Paperweight, c. 1845–60, Saint-Louis, France, founded 1767, France, Glass, Diam. 7.6 cm (3 in.)
Panel from a Skirt, 1741/42, Possibly designed by Anna Maria Garthwaite, English, 1720–1756, England, Spitalfields, England, Silk, plain weave with weft-float faced 2:1 twill interlacings of…
Artamus rufus, Print, Woodswallows are soft-plumaged, somber-coloured passerine birds in the genus Artamus. The woodswallows are either treated as a subfamily, Artaminae, in an expanded family…
Combats and Triumphs: Battle of the Naked Men, 1550/1572, Etienne Delaune, French, 1518/19-c.1583, France, Engraving on ivory laid paper, 65 × 220 mm
The Morning After, from Thinking of Rising from Bed, A Set of Three (Toko banare omoi iri sanpukutsui), c. 1750, Okumura Masanobu, Japanese, 1686-1764, Japan, Color woodblock print, hosoban,…
Paperweight, c. 1845–60, Baccarat, France, founded 1764, Baccarat, Glass, Diam. 8 cm (3 1/8 in.)
Coverlet, 1825/35, United States, Cotton and wool, plain weave with supplementary patterning wefts (overshot), one loom width, 225 x 114.3 cm (88 x 45 in.)
Sketches of Nymph, Satyr and Putto, n.d., John Vanderbank, English, 1686-1739, England, Pen and brown ink, on ivory laid paper laid down on card, 151 × 293 mm
Pierrot en Pied, Portrait of the Lady A. C., 1888, Theodore Roussel, French, worked in England, 1847-1926, England, Etching in brown with plate tone on cream laid paper, 205 × 140 (image), 251 ×…
Panel (Furnishing Fabric), c. 1830, England, Cotton, plain weave, engraved roller printed, glazed, a: 275.5 × 62.5 cm (108 1/2 × 24 5/8 in.)
Fragment, Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century, Egypt, Egypt, Silk, compound weave, 33.0 × 21.6 cm (13 ×…
Arachnothera fraseri, Print, Spiderhunter, The spiderhunters are birds of the genus Arachnothera, part of the sunbird family Nectariniidae. The genus contains thirteen species found in the forests…
The Actor Ichikawa Danjuro V as Yanone Goro in the Play Kuruwa-gayoi Komachi Soga, Performed at the Nakamura Theater in the Fifth Month, 1781, c. 1781, Katsukawa Shunsho 勝川 春章,…
View of the Salon in the Louvre in the Year 1753, 1753, Gabriel Jacques de Saint-Aubin, French, 1724-1780, France, Etching on ivory laid paper, 146 × 178 mm (image), 147 × 178 mm (plate), 152 ×…
Anthus plumatus, Print, Pipit, The pipits are a cosmopolitan genus, Anthus, of small passerine birds with medium to long tails. Along with the wagtails and longclaws, the pipits make up the…
Amphiprion chrysogaster, Print, Amphiprion chrysogaster, the Mauritian anemonefish, is a marine fish belonging to the family Pomacentridae, the clownfishes and damselfishes. It is endemic to…
The Death, from Fox Hunting, 1828, Charles Bentley (English, 1806-1854), after Henry Alken (English, 1785-1851), England, Color aquatint on paper, 270 × 420 mm (image), 350 × 464 mm (plate), 373…
Scarab: The God Ptah with Name of Usermaatra Setepenra (Rameses II), New Kingdom, Dynasty 19, Reign of Rameses II (about 1279–1213 BC), Egyptian, Egypt, Steatite, 2.2 × 1.6 × 1 cm (7/8 × 5/8…
Bowl with Plum, Peach, Bamboo, and Lingzhi Mushrooms, Qing dynasty (1644–1911), Yongzheng reign mark and period (1723–1735), China, Porcelain painted in overglaze enamels, H. 4.8 cm (1 7/8…
Coin Depicting the Hero Herakles, about 300/200 BC, Greek, Ancient Greece, Bronze, Diam. 1.5 cm, 3.30 g
Scarboid Amulet with the Eye of the God Horus (Wedjat), New Kingdom, Dynasty 18 (about 1550–1295 BC), Egyptian, Egypt, Faience, 1.3 × 0.8 × 0.5 cm (1/2 × 5/16 × 3/16 in.)
Honcho furisode no hajime, Susanoo no mikoto yokai ? no zu, n.d., Katsushika Hokki, Japanese, active c. 1804-18, Japan, Color woodblock print, 26.8 x 37 cm
Perseus and Andromeda, study for The Doom Fulfilled, 1875, Sir Edward Burne-Jones, English, 1833-1898, England, Gouache with gold paint on board, 330 × 303 mm
The Cow and Ass, 1849, Charles Meryon (French, 1821-1868), after Philip Jacques de Loutherbourg (French, 1740-1812), France, Etching on buff chine, laid down on ivory wove paper, 65 × 120 mm…
Petrus Proclius, n.d., Jan Visscher (Dutch, 1634-1692), after Jan van Noordt (Dutch, active 1645-1675), Holland, Engraving on paper, 295 x 208 mm
Anser cinereus, Print, 1700-1880
Panel to be Used as Dress or Gown Inserts, Mid–19th century, Probably France, France, Cotton and silk, plain weave with supplementary brocading wefts, woven on loom with Jacquard attachment,…
Agate Bowl, n.d., Giuseppe Grisoni, Italian, born Flanders, 1699-1769, Flanders, Gouache over black chalk, on ivory laid paper, 130 × 214 mm
Frontispiece to Les baisers morts, 1893, Félicien Rops, Belgian, 1833-1898, Belgium, Soft varnish etching ("vernis mou"), drypoint and roulette on cream wove paper, 94 × 66 mm (image), 108 × 72…
The Vision of Ezekiel, 1554, Giorgio Ghisi (Italian, 1520–1582), after Giovanni Battista Bertani (Italian, 1516 –1576), published by Antoine Lafréry (French, active Italy, 1512–1577),…
Panel, Qing dynasty (1644–1911), 1875/1900, Han-Chinese, China, Forty-four pairs and eight odd pieces of embroidered sleeve, ankle bands, etc. on gauze., 17 × 55.2 cm (6 5/8 × 21 3/4 in.)
Pillow Cover, 19th century (revival lace), Italy, Linen, plain weave, needle lace work on a cut and drawn thread work grid, embroidered in double hem and overcast stitches, edged in bobbin…
Saint Sebastian Crowned by an Angel, n.d., Willem Panneels, Flemish, 1600-after 1632, Flanders, Etching printed in black, on paper, 178 × 112 mm
View of Hillbank on the River Thames near London, published 1795, Francis Jukes (English, 1745-1812), after John Laporte (English, 1761-1839), England, Color aquatint on paper
Pitcher, 1810/20, England, Staffordshire, Staffordshire, Lead-glazed earthenware with lustre decoration, H. 16.5 cm (6 1/2 in.)
Arrest of Christ, from Passion of Christ, 1575/1600, Jan Sadeler, the Elder (Flemish, 1550-1600), after Marcus Gheeraerts, the Elder (Flemish, c. 1520-c. 1590), Flanders, Engraving in black on…
Beaker, Early 18th century, Bohemia, Czech Republic, Bohemia, Glass with engraved gold leaf decoration, 6.4 × 6.2 cm (2 1/2 × 2 7/16 in.)
To the Restoration of Poland!, 1831, Denis Auguste Marie Raffet, French, 1804-1860, France, Lithograph in black on ivory wove paper, 165 × 255 mm (image), 282 × 400 mm (sheet)
Shepherd and Old Warrior, 1517, Domenico Campagnola, Italian, c. 1500-1564, Italy, Engraving, on paper, 133 x 95 mm
The Hen and her Chicks, c. 1860, Charles François Daubigny, French, 1817-1878, France, Etching on cream Japanese paper, 93 × 152 mm (image), 109 × 167 mm (plate), 264 × 394 mm (sheet)
Pair of Jars, Western Zhou dynasty ( 1046–771 BC ), late 9th/8th century BC, China, Bronze, 50.3 × 36 cm (19 7/8 × 14 3/16 in.)
Sponge Box, 1852, Jacobus van Dam, Dutch, active c. 1849-c. 1888, Schoonhoven, Netherlands, Netherlands, Silver, 3.8 x 3.2 cm (1 1/2 x 1 1/4 in.)
Nihon Bridge seen in the Snow (Nihonbashi setchu no kei), from the series Famous Views in the Eastern Capital (Toto meisho), 1837/38, Utagawa Hiroshige 歌川 広重, Japanese, 1797–1858,…
Five Putti with Books, c. 1543, After Bernardino Gatti, called Il Sojaro, Italian, c. 1495-1575, Italy, Brush and brown wash, with black chalk, on cream laid paper, tipped onto ivory laid paper,…
The Drawing Class, 1810/13, Unknown Artist, American, 19th century, United States, Watercolor over graphite on cream wove paper, laid down on cream board, 372 x 609 mm
Apollo on Parnassus, 1517/20, Marcantonio Raimondi (Italian, c. 1480-1534), after Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving on ivory laid paper, 357 x 472 mm

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