Librifly Art Gallery 2.589.713 / 2.589.715 Entries < previous page Page 3364 / 25898 next page > Virgin and Child, c. 1450, Desiderio da Settignano (After), Italian, 1428-1464, Italy, Painted stucco, 61 × 43.2 cm (24 × 17 in.) Landscape, c. 1860, Théodore Rousseau, French, 1812-1867, France, Oil on panel, 43 × 61 cm (17 × 24 in.) There is No One to Help Them, plate 60 from The Disasters of War, 1812/15, published 1863, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished aquatint and burin… Sampler, 1820, Caroline Ditcham (American B. 1808), United States, Linen, plain weave embroidered with silk yarn in cross and satin stitches, 34.1 x 25.6 cm (13 3/8 x 10 1/8 in.) Utah Ute Indian and Lady Courting in N.E. Utah, from the U.S. Topographical and Geological Survey of the Colorado River of the West, 1871/74, Attributed to John K. Hillers, American, born… Prelude to Lohengrin, second plate, 1898, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on ivory China paper laid down on ivory wove paper, 488 × 347 mm (image), 632 × 485… Cowroid: Ankhsenamun, New Kingdom, Dynasty 18, reign of Tutankhamun (about 1336–1327 BC), Egyptian, Egypt, Faience, H. 0.6 cm (1/4 in.), diam. 1.3 cm (1/2 in.) Fragment, 1725/50, France, Silk, cut, and voided velvet with additional patterning wefts tied in twill weave against plain weave foundation, 11.6 × 16.7 cm (4 5/8 × 6 5/8 in.) Shoe, 17th century, England or France, England, Black leather The Tree of Jesse, from a Book of Hours, n.d., Thielmann Kerver, German, flourished 1497-1524, Germany, Woodcut (or soft metal relief cut) on vellum (both sides), with touches of blue and red… Watch-Shaped Vinaigrette, 1824/25, Joseph Willmore, Birmingham, England, Birmingham, Silver and silver gilt, Diam. 3.8 cm (1 1/2 in.) The Piccadilly Nuisance!, published December 29, 1818, George Cruikshank (English, 1792-1878), published by George Humphrey (English, c. 1773-1831), England, Hand-colored etching on paper, 242 ×… Female Figurine, A.D. 1450/1532, Inca, South coast or southern highlands, Peru, Peru, Silver, 6.4 × 1.6 cm (2 1/2 × 5/8 in.) Ely Cathedral: Nave, to West, c. 1891, Frederick H. Evans, English, 1853–1943, England, Lantern slide, 8.2 × 8.2 cm Key Stone State, 1870/71, Anthony & Company, American, active 1848–1901, United States, Albumen print, stereo, No. 18 from the series "American Views, Mammoth Trees, California Ananchytes pustulosa, Print Altar Frontal, c. 1450, Germany, probably Middle Rhine region, Germany, Linen, wool, and gilt- and silvered-metal-strip-wrapped silk, slit and dovetailed tapestry weave, embroidered with silk in… Incense Burner, c. 1830, England, Staffordshire, Staffordshire, Glazed earthenware with polychrome enamel decoration, 11.4 x 10.2 x 9.8 cm (4 1/2 x 4 x 3 7/8 in.) Purse, 19th century, France, Cotton, cut velvet weave with pressed design, 20.4 × 19.7 cm (8 × 7 3/4 in.) Antilope dama, Print, Blackbuck, The blackbuck (Antilope cervicapra), also known as the Indian antelope, is an antelope found in India, Nepal, and Pakistan. The blackbuck is the sole extant member… The Morning Walk—Young Ladies’ School Promenading the Avenue, published March 28, 1868, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United… Roundel, Roman period (30 B.C.– 641 A.D.), 6th century, Coptic, Egypt, Egypt, Wool, tapestry weave, 7.3 × 7 cm (2 7/8 × 2 3/4 in.) Oil Bottle with Scrolling Leaves, Goryeo dynasty (918–1392), 12th century, Korean, South Korea, Stoneware painted in underglaze iron brown, H. 5.0 cm (2 in.), diam. 6.2 cm (2 1/2 in.) The Actor Ichikawa Danjuro V as the Spirit of Monk Seigen in the Shosagoto Dance Sequence Sono Utsushi-e Matsu ni Kaede (A Shadow-Picture of Pine and Maple), the Last Scene of Part Two of the… Husband: My dear, how about a first kiss on my chin? The wife (aside): To think that I am married to this face!, plate 21 from Moeurs Conjugalesa, published March 29, 1840, Honoré Victorin… Sheet of Sketches: Men, Women and Mice, n.d., Denis Auguste Marie Raffet, French, 1804-1860, France, Watercolor and graphite, on white wove paper, tipped onto gray laid paper, 208 × 277 mm Arca uropigimelana, Print The Guide, 1836–37, Denis Auguste Marie Raffet, French, 1804-1860, France, Lithograph in black on ivory chine laid down on cream wove paper, 135 × 204 mm (image), 135 × 204 mm (primary… Horseman Waiting, 1866, Odilon Redon, French, 1840-1916, France, Etching on ivory wove paper, cut down within plate mark and mounted on ivory wove card, 101 × 70 mm (image/sheet), 361 × 276… Antilope defassa, Print, Blackbuck, The blackbuck (Antilope cervicapra), also known as the Indian antelope, is an antelope found in India, Nepal, and Pakistan. The blackbuck is the sole extant… General Taylor at the Battle of Resaca de la Palma (Furnishing Fabric), 1846/48, United States, Cotton, plain weave, printed, 222 1/4 x 62 cm (87 1/2 x 24 1/2 in.) The Fall of Man, from Illustrations of the Bible, 1831, John Martin, English, 1789-1854, England, Mezzotint in black on ivory wove paper, 190 × 290 mm (image), 268 × 357 mm (plate), 329 × 416… Panel (Furnishing Fabric), c. 1820, England, Cotton, plain weave, printed, 43.2 × 31.1 cm (17 × 12 1/4 in.) Locked in Death (Bear and Panther), Modeled 1896, cast 1896/99, Edward Kemeys, American, 1843–1907, United States, Bronze with brown patina, 17.8 × 34.3 × 16.5 cm (7 × 13 1/2 × 6 1/2 in.) The Gleaners, 1855–56, Jean François Millet (French, 1814-1875), printed by Auguste Delâtre (French, 1822-1907), France, Etching and drypoint on ivory chine laid down on ivory wove paper, 191… Lake in the Tyrol, 1863, Jean-Baptiste-Camille Corot (French, 1796-1875), printed by François Houiste (French, 1794-?), published by Le Monde des Arts, France, Etching on white wove paper, 114 ×… L’Ondée, n.d., Charles François Daubigny, French, 1817-1878, France, Etching on paper, 136 × 236 mm (image), 197 × 262 mm (plate), 264 × 394 mm (sheet) Cockney Sportsmen Recharging, published November 12, 1800, James Gillray (English, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Hand-colored etching on paper, 240 ×… Ho: Yatsuhashi Bridge in Mikawa Province, from the series Tales of Ise in Fashionable Brocade Pictures (Furyu nishiki-e Ise monogatari), c. 1772/73, Katsukawa Shunsho 勝川 春章, Japanese,… Didrachm (Coin) Depicting the God Janus, 225/214 BC, Roman, Roman Empire, Silver, Diam. 2.3 cm, 6.20 g Collar (Made from Border), 1601/25, Italy, Linen, three bands of needle lace, upper band worked on a plain weave cut and drawn thread work grid, embroidered in double hem stitches, later edging… The Two Oaks, Fontainebleau, 1842, Eugène Blery, French, 1805-1887, France, Etching, roulette, and drypoint on ivory wove chine collé on ivory wove paper, 204 × 297 mm (plate), 317 × 456 mm… Coin Portraying the Emperor Severus Alexander, before AD 222, Roman, Roman Empire, Bronze, Diam. 2.4 cm, 5.00 g He Falls Head Foremost Into the Abyss, plate 17 of 24, 1896, Odilon Redon, French, 1840-1916, France, Lithograph in black on light gray loose chine, 279 × 214 mm (image), 315 × 250 mm (sheet) Study for Saint Francis Receiving the Stigmata, 1632/34, Guercino, Italian, 1591-1666, Italy, Pen and brown ink, with traces of brush and brown wash, on tan laid paper, laid down on cream laid… The Malakoff Tower, 1855, James Robertson, Scottish, c. 1813–d. after 1881, Scotland, Albumen print, 23.5 x 29.5 cm (image/paper), 30.7 x 40.6 cm (mount/page) Madonna and Child Appearing to Male Saint, n.d., Possibly after Ciro Ferri (Italian, 1634-1689), Style of Carlo Maratti (Italian, 1625-1713), Italy, Pen and brown ink, with brush and brown and… Pharoah’s Dream (recto), Jacob Adopts Sons of Joseph (verso), n.d., Hans Holbein, the younger, German, 1497-1543, Germany, Woodcut on paper, 62 x 87 mm Ram, c. 1780, Staffordshire, England, Staffordshire, Lead-glazed earthenware (creamware), 9.5 x 14 x 7.6 cm (3 3/4 x 5 1/2 x 3 in.) No. 17: Matsuida, from the series Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi), c. 1835/38, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color… Study, 1878, James McNeill Whistler, American, 1834-1903, United States, Lithotint in blue, with scraping, on brown wove paper, 265 x 240 mm (image), 288 x 280 mm (sheet) Square, 18th century, late Ming dynasty (1368–1644)/ early Qing dynasty (1644–1912), Bhutan, Bhutan, 289 small squares of silk, 7:1 satin damask weave, 7:1 satin weave, 4:1 satin damask weave,… Standing Draped Female Figure, c. 1550, Attributed to Girolamo Sellari, called Girolamo da Carpi, Italian, 1501-1556, Italy, Pen and brown ink with brush and brown wash, over traces of black… Scaraboid: Monkey, Second Intermediate Period–Early New Kingdom, Dynasties 15–18 (about 1650–1295 BC), Egyptian, Egypt, Glazed steatite, 1.3 × 1.9 × 1 cm (1/2 × 3/4 × 3/8 in.) The Flagellation, from The Large Passion, c. 1496–97, Albrecht Dürer, German, 1471-1528, Germany, Woodcut in black on ivory laid paper, 384 x 277 mm (image), 387 x 278 mm (sheet) Panel, 1725/50, France, Silk and silvered-metal-strip-wrapped silk, satin weave with brocading wefts and self-patterned by areas of twill interlacings and ground weft floats, 228.2 × 53.9 cm (89… Kesa, Meiji period (1868–1912), 1870/1900, Japan, Wool, warp-float faced 4:1 satin weave, embroidered with silk, in satin and paper-padded satin stiches, laidwork and couching, lined with silk,… Water Glass, Early 19th century, England, Sussex, Sussex, Glass, 9.8 x 7 cm (3 7/8 x 2 3/4 in.) Peacock and Dragon, 1878 (produced 1878/1940), Designed by William Morris (English, 1834–1896), Produced by Morris & Company, 1875–1940, Woven at Queen Square or Merton Abbey Works,… The Actor Iwai Hanshiro IV as Lady Yaehata in the Play Sanga no Sho Haru no Hanayome, Performed at the Kiri Theater in the Eleventh Month, 1787, c. 1787, Katsukawa Shunko I, Japanese,… Job in Luck, 1778, Christian Bernhard Rode, German, 1725-1797, Germany, Etching in brown-black on paper, 221 x 357 mm (plate), 261 x 423 mm (sheet) Four PM, from the series Twenty-Four Hours in Shinbashi and Yanagibashi, n.d., Tsukioka Yoshitoshi, Japanese, 1839–1892, Japan, Color woodblock print The Sumo Wrestlers Uzugafuchi Kandayu and Takasaki Ichijuro, 1783–84, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color woodblock print, aiban, 32.7 x 22.5 cm Untitled, 1857, Gustave Le Gray, French, 1820–1884, France, Albumen print, from the album "Souvenirs du Camp de Châlons Lady in Brown, c. 1855, Frederick R. Spencer, American, 1806–1875, United States, Oil on canvas, 76.8 × 62.9 cm (30 1/4 × 24 3/4 in.) Side Panel of a Sarcophagus, First half of the 3rd century AD, Roman, Antioch, Marble, 96 × 140.5 × 22 cm (37 5/16 × 55 3/8 × 8 5/8 in.) October, August 30, 1793, Francesco Bartolozzi (Italian, 1727-1815), after William Hamilton (English, 1751-1801), published by John and Josiah Boydell (English, 18th century), Italy, Color… Virgin and Child with Saint John, 1575, Diana Scultori (Italian, c. 1536-c. 1590), after Raffaellino da Reggio (Italian, 1550-1578), Italy, Engraving in black on ivory laid paper, 275 x 204 mm… Furisode, late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century, Japan, Silk, 4:1 satin damask weave, rinzu, yuzen dyed, painted, and stenciled, embroidered with silk and… Et couvrit, en pleurant, d’un casque précieux…, 1825, Horace Vernet (French, 1789-1863), poem by Voltaire (French, 1694-1778), published by Dubois (French, 18th-19th century), France,… Rapier and Scabbard, c. 1630, Probably Flemish, Flanders, Steel, iron, copper, textile, leather, and wood, Overall L. 120.5 cm (47 7/16 in.) The actor Ichikawa Tomiemon as Inokuma Monbei, 1794, Toshusai Sharaku 東洲斎 写楽, Japanese, active 1794-95, Japan, Color woodblock print, hosoban, 31.4 x 14.8 cm, The Packer with Two… The Actor Nakamura Nakazo I as a peddler of toys, c. 1782/90, Katsukawa Shunzan, Japanese, active c. 1781-1801, Japan, Color woodblock print, hosoban, 31.4 x 13.8 cm (12 3/8 x 5 7/16 in.) Amulets (Ear and 3 Eyes), New Kingdom (about 1550–1069 BC), Egyptian, Egypt, Faience, Eyes: 2.5 × 1 × 0.3 cm (1 × 3/8 × 1/8 in.), Ear: 3.5 × 1.9 × 0.5 cm (1 3/8 × 3/4 × 3/16 in.) Woman Tending Two Pigs, 1849, Charles Émile Jacque, French, 1813-1894, France, Etching on cream China paper laid down on white wove paper, 62 × 85 mm (image), 216 × 92 mm (chine), 69 × 92… Fragment from a Border, 17th century, Italy, Linen, plain weave, embroidered with silk floss in double running and back stitches, 7.4 x 30.8 cm (2 7/8 x 12 1/8 in.) Fibula (Garment Pin), Geometric Period (about 800 BC), Greek, probably from Southern Italy, Southern Italy, Bronze, 4.3 × 10 × 1.2 cm (1 3/4 × 25.4 × 1/2 in.) Plate, 1866/75, Designed by Félix Bracquemond (French, 1833-1914) for François-Eugène Rousseau (French, 1827-1891), Made by Creil et Montereau Manufactory (French, founded 1797), France,… Goyu: Women Stopping Travelers (Goyu, tabibito tomeru onna), from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi), also known as the Hoeido Tokaido, c. 1833/34,… Rosita Mauri, 1889, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory wove paper, 219 x 143 mm (image), 238 x 159 mm (plate), 270 x 173 mm (sheet) A Procession Scene with Musicians, from a copy of the Padshanama, Mughal period, mid 17th century, India, India, Opaque watercolor and gold on paper, Image: 38 x 25.9 cm (15 x 10 1/4 in.), Paper:… Square, 15th century, Germany, Wool, twill weave, embroidered with silk, 45.8 x 57.2 cm (18 x 22 1/2 in.) The Cats’ Rendezvous, 1868, Édouard Manet, French, 1832-1883, France, Lithograph in black on ivory wove paper, laid down on ivory cloth, 439 × 334 mm (image), 478 × 369 mm (sheet) Sheet of Sketches with Self-Portrait, n.d., George Cruikshank, English, 1792-1878, England, Graphite with brush and watercolor wash, on cream wove paper, 229 × 174 mm Memorial Portrait of the Actor Ichikawa Monnosuke III, 1824, Utagawa Toyokuni I 初代 歌川 豊国, Japanese, 1769–1825, Japan, Color woodblock print, oban, 36.2 x 14.9 cm (14 1/4 x 9 13/16 in.) The Circumcision, from The Fall and Redemption of Man, 1513, Albrecht Altdorfer, German, c.1480-1538, Germany, Woodcut in black on ivory laid paper, 72 x 48 mm (image/block/sheet) Ailurus fulgens, Print, The red panda (Ailurus fulgens) is a mammal native to the eastern Himalayas and southwestern China. It is listed as Endangered on the IUCN Red List because the wild… The Apse of the Church of St Martin-sur-Renelle, Paris, 1860, Charles Meryon (French, 1821-1868), after Polyclés Langlois (French, 1814-1872), France, Etching on ivory laid paper, 153 × 109… The Adoration of the Magi, 1460–65, Master E. S., German, active c. 1450-1467, Germany, Engraving on paper, 147 x 102 mm (sheet trimmed within plate mark) Rapier, c. 1610/20, Western European, Europe, western, Steel and silver, Overall L. 135 cm (53 1/8 in.) Portrait and Execution of Gilles van Ledenberg, 1619, Claes Jansz. Visscher, Dutch, 1587–1652, Netherlands, Book of 40 prints, portraits and pamphlets, bound in cream vellum, 203 x 160 x 40 mm Amblyopus caeculus, Print, 1700-1880 Reading, 1879/87, James McNeill Whistler, American, 1834-1903, United States, Lithograph, in black ink, with stumping, on cream chine, laid down on ivory plate paper, 155 x 130 mm (image), 214 x… The Little Fish Shop, Chelsea Embankment, 1888–89, Theodore Roussel, French, worked in England, 1847-1926, England, Etching in black on cream Japanese paper, 120 × 80 mm (image/plate), 165 ×… Fragment of a Stela (Commemorative Stone) of Neferhotep, New Kingdom, mid-Dynasty 19, about 1240/1195 BC, Egyptian, Egypt, Limestone and pigment, 38.5 × 23.75 × 5.75 cm (15 × 9 3/8 × 2 3/8 in.) Amulet of Taweret, Third Intermediate Period–Late Period (about 1069–332 BC), Egyptian, Egypt, Faience, 4.75 × 1.75 × 1.5 cm (1 7/8 × 1 11/16 × 9/16 in.) Seymour Haden, Jr, Seated, 1857/58, James McNeill Whistler, American, 1834-1903, United States, Etching with foul biting in black ink on off-white laid paper, 136 x 97 mm (plate), 263 x 209 mm Fortune-Teller, c. 1608, Andries Stock (Dutch, c. 1580-after 1648), after Jacques de Gheyn II (Dutch, 1565-1629), Netherlands, Engraving on cream laid paper, 292 x 203 mm (sheet, trimmed within… Panel (Needlework), 1675/1700, England, Linen and cotton, twill weave, embroidered with wool in long, short, running, satin, and stem stitches, block shading, French knots, 214 × 96.4 cm (84 1/4… The Letter T from Le Miroir des Dames, ou nouvel alphabet français, 1834, Pierre Louis Henri Grévedon, French, 1776-1860, France, Lithograph in black on cream wove paper, 365 × 275 mm (image),… 2.589.713 / 2.589.715 Entries < previous page Page 3364 / 25898 next page >