Librifly Art Gallery 2.589.713 / 2.589.715 Entries < previous page Page 3367 / 25898 next page > Miss May Belfort (large plate), 1895, Henri de Toulouse-Lautrec, French, 1864-1901, France, Color lithograph on cream wove paper, 499 × 380 mm (image), 544 × 380 mm (sheet) Illuminated Manuscript Leaf, c. 1450, Italian, Italy, Manuscript cutting with roman small letter inscriptions in black and dark brown inks, tempera and gold leaf illuminated letters, and… Portrait of Th. Agrippa d’Aubigné, 1861–62, Charles Meryon (French, 1821-1868), after Jules Hébert (Swiss, 1812-1897), France, Etching in warm black from tin plate on grayish-ivory laid… Cleric, 18th century, Nevers, France, Glass, lampwork (verre de Nevers), metal armature, H. 9.5 cm (3 3/4 in.) Tea Caddy with Cover, c. 1795, China, Chinese, made for the American market, China, Porcelain, 14.3 × 7.6 × 3 in. (5 5/8 × 3 × 1 3/16 in.) Imaginary View of Padua, from Vedute, 1735/44, Canaletto, Italian, 1697-1768, Italy, Etching in black on ivory laid paper, 295 x 432 mm (image), 300 x 434 mm (plate), 431 x 587 mm (sheet) St. Giles-in-the-Fields, 1896, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black, with stumping, on cream laid paper, 217 x 142 mm (image), 278 x 193 mm (sheet) Bell Salt, 1601/02, London, England, London, Silver gilt, H. 18.4 cm (7 1/4 in.) Winter: Storing Rice (Fuyu: kome osame no zu), No. 4 from the series The Four Seasons of Farmers (Shiki no hyakusho), c. 1730s, Torii Kiyomasu II, Japanese, 1706 (?)–1763 (?), Japan,… Four-Barrel Flintlock Pocket Pistol, 1740/60, Belgian, Liège, Liège, Steel, L. 16.5 cm (6 1/2 in.) Scarab: Hovering Falcon over Name of God Amun, New Kingdom, Dynasties 18–20 (about 1550–1069 BC), Egyptian, Egypt, Glazed steatite, 1.6 × 1.3 × 1 cm (5/8 × 1/2 × 3/8 in.) Cravat End, 1700/40, Belgium, Flanders, Brussels, Flanders, Linen, bobbin part-lace of a type known as "Brussels" with a Droschel mesh ground, 32.1 × 41.7 cm (12 5/8 × 16 3/8 in.) Untitled (Fountains Abbey Surprise View), 1860s, Fountains Abbey, Albumen print, stereo, 8 × 7.7 cm (each image), 8.8 × 17.8 cm (card) Center Table, c. 1755, England, Cuban mahogany and iron fittings, Open: 75 × 183 × 108 cm (29.5 × 72 × 42.5 in.) Double Decilitre Measure, 1875/1895, Maison Le Seigneur, Deverre, Caen, France, Caen, Pewter, 13.3 × 10.2 cm (5 1/4 × 4 (incl. handle) in.) Parasol, c.1865/70, Produced by Gorham Manufacturing Company (Probably Handle) (American, Founded 1831), France, Black Chantilly lace overy ivory taffeta. Lined with thin white silk, wood handle… Fukusa (Gift Cover), Mid–Meiji period (1868–1912), c. 1895, Japan, Patterned side: silk, plain weave (shioze), dye extracted though a discharge dyeing technique and chemical dye stripper… Wakana, Part 1 (Wakana, jo), from the series A Fashionable Parody of the Tale of Genji (Furyu yatsushi Genji), c. 1789/94, Chobunsai Eishi, Japanese, 1756-1829, Japan, Color woodblock prints,… The Actor Ichikawa Monnosuke II as the Ghost of the Renegade Monk Seigen in the Play Edo no Hana Mimasu Soga, Performed at the Nakamura Theater in the Second Month, 1783, c. 1783, Katsukawa… Border, 1675/1700, Belgium, Flanders, Antwerp, for Dutch Peasant market, Antwerp, Linen, bobbin straight lace, 9.5 × 503.4 cm (5 3/4 × 198 1/8 in.) Post House in Cologne, 1791, Thomas Rowlandson, English, 1756-1827, England, Pen and gray and brown ink with brush and watercolor, over traces of graphite, on tan wove paper, laid down on card, 280… Armorial Covered Tankard, 1714, Germany, Glass with pewter mounts, 26.4 x 13.3 cm (10 3/8 x 5 1/4 in.) The Boy Carrying a Tray, 1862, Édouard Manet, French, 1832-1883, France, Etching and aquatint in black on cream Japanese paper, 222 × 145 mm (image), 241 × 159 mm (plate), 467 × 298 mm (sheet) Amulet of Mut with Khonsu, Third Intermediate Period–Late Period (about 1070–332 BC), Egyptian, Egypt, Faience, 6 × 3.5 × 1.75 cm (2 3/8 × 1 3/8 × 6/8 in.) Ceremonial Skirt (tapis), Early 19th century, Abung people, Indonesia, South Sumatra, northern Lampung area, Monggala, Indonesia, Two panels joined: cotton and silk, stripes of warp-faced, weft… Dante Swoons before the Soaring Souls of Paolo and Francesca, Virgil at his Side, c. 1818, Henry Fuseli, Swiss, active in England, 1741-1825, Switzerland, Etching and aquatint on ivory wove paper,… Border, 1880/90, Denmark, Tønder, Denmark, Cotton and linen, bobbin straight lace, 9.2 × 101.4 cm (3 5/8 × 39 7/8 in.) Amulet of Double Plumes, Late Period, Dynasties 26–31 (664–332 BC), Egyptian, Egypt, Steatite, 7 × 2.5 × 1 cm (2 3/4 × 1 × 3/8 in.) The Village of Horning, 1886, Peter Henry Emerson, English, born Cuba, 1856–1936, England, Platinum print, pl. V from the album "Life and Landscape on the Norfolk Broads" (1886), edition of… Orphrey Band, 17th century, Italy, Hemp and linen plain weave, appliquéd with silk, broken warp chevron twill weave cut, solid velvet, embroidered with silk and gilt- and… Design for Stage Scenery (Hampton Court) with Mythological Figures, c. 1718, James Thornhill, English, 1675-1734, England, Pen and brown ink with brush and gray wash, over graphite, on tan laid… Sword Pommel, early 17th century, European, Europe, Iron, Overall Faith plate 40 from Genii and Virtues, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving on paper, 186 x106 mm (sheet), 180 x 100 mm (plate) Wood Engraving, Tools, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769),… The Rider in the Woods, large plate, c. 1854, Jean-Baptiste-Camille Corot, French, 1796-1875, France, Cliché-verre on ivory photographic paper, 285 × 226 mm (image), 302 × 242 mm (sheet) Plate from the Charlotte Louise Service, 1774, Sèvres Porcelain Manufactory, French, founded 1740, Painted by Joyau and Massy, Sèvres, Soft-paste porcelain, polychrome enamels, and gilding,… Standing Female Allegorical Figure, 1566/67, After Federico Zuccaro, Italian, 1540/41-1609, Italy, Pen and brown ink with brush and brown wash, heightened with white gouache, over traces of… A Water Meadow, 1859, Francis Seymour Haden, English, 1818-1910, England, Etching on copper printed on ivory wove paper, 151 × 227 mm (image/plate), 191 × 258 mm (sheet) Panel (Furnishing Fabric), Qing dynasty (1644–1911), 1875/1900, China, 33.4 × 94.7 cm (13 7/8 × 37 1/4 in.) The Vernal Fall, 300 ft., Yosemite, 1861/76, Carleton Watkins, American, 1829–1916, United States, Albumen print, stereo, from the series "Watkins' Pacific Coast Modern Reformers in Council, published July 3, 1818, Isaac Robert Cruikshank (English, 1789-1856), after George Humphrey (English, c. 1773-1831), published by George Humphrey (English, c.… Scroll, Qing dynasty (1644–1911), c. 1720, China, Panel: silk, satin weave, embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in satin and stem stitches, couching,… Border, 1650/60, Blegium, Flanders, Flanders, Linen, bobbin part lace, 10.8 × 161.6 cm (4 1/4 × 63 5/8 in.) Fragment, 1650/1700, Italy, Linen and silk, compound weave (i.e.: Beiderwand or lampas 2:1), 28.9 x 20.3 cm (11 3/8 x 8 in.) Covered Bowl and Stand (Ecuelle de la toilette), 1784, Sèvres Porcelain Manufactory, French, founded 1740, Painted by Nicolas-Pierre Pithou (French, active 1759/60-1767, 1769-1795,… Symphonie Fantastique: A Ball, from Hector Berlioz, sa vie et ses oeuvres, 1888, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on off-white China paper, laid down on white… Illustration from Le Pegme by Lanteaume de Romieu Cousteau, plate 77 from Woodcuts from Books of the XVI Century, 1560, assembled into portfolio 1937, Unknown Artist (French, 16th century),… Going to the Park, 1872, Sir John Everett Millais, English, 1829-1896, England, Etching on cream chine, laid down on ivory wove paper (chine collé), 185 × 131 mm (plate), 359 × 251 mm (sheet) Twilight Moon at the Ryogoku Bridge (Ryogoku no yoizuki), from the series Famous Views of the Eastern Capital (Toto Meisho), c. 1831, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan,… Grove of Trees, 1600/12, Federico Barocci, Italian, c. 1535-1612, Urbino, Black chalk, on ivory laid paper, 269 x 118 mm Denarius (Coin) Depicting the Goddess Ceres, about 63 BC, Roman, Roman Empire, Silver, Diam. 1.9 cm, 3.88 g Walter Sickert, 1895, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black on cream laid Japanese vellum, 190 x 140 mm (image), 293 x 234 mm (sheet) Paperweight, Late 19th century, New England Glass Company, American, 1818-1888, New England, Glass, Diam. 7.9 cm (3 1/8 in.) Amulet of a Hare, Late Period, Dynasties 26–31 (664–332 BC), Egyptian, Egypt, Faience, 1 × .32 × 1.59 cm (3/8 × 1/8 × 5/8 in.) Fragment (Border), 18th century, Iran (Persia, Isfahan), Iran, Brocaded compound cloth, 6.3 x 21.5 cm (2 1/2 x 8 1/2 in.) Fontaine, place de la Concorde, Paris, 1855/60, printed 1978, Édouard Baldus, French, born Germany, 1813–1889, France, Salted paper print, edition of 65, 33.7 × 44.1 cm (image/paper), 54.1 ×… Garment Hook (Daigou), Eastern Zhou dynasty, Warring States period (480–221 B.C.), 3rd/2nd century B.C., China, Bronze inlaid with gold and silver, L. 22.2 cm (8.7 in.) A Sunlit Path through a Wood, 1750/59, Thomas Gainsborough, English, 1727-1788, England, Graphite, with brush and gray wash, on cream laid paper, laid down on cream wove paper, edge mounted… Venus Complains to Jupiter, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio, called Raphael… Half Shawl, Early 1860s, France, Bayeux, France, Silk, bobbin straight lace (made in vertical strips), 136.7 × 283.6 cm (53 3/4 × 111 5/8 in.) The Triumph of Caesar from The Story of Caesar and Cleopatra, c. 1680, After a design by Justus van Egmont (1601–1674), Produced at the workshop of Gerard Peemans (1637/39–1725), Flanders,… Infantry Pike, 1700/1800, German, Germany, Steel and wood (oak), L. 188 cm (74 in.) Alauda cristata, Print, The crested lark (Galerida cristata) is a species of lark distinguished from the other 81 species of lark by the crest of feathers that rise up in territorial or… After the Antique: Sarcophagus Lid with the Labors of Hercules, n.d., Probably Italian, early 16th century, Italy, Pen and brown ink on tan laid paper, 144 x 683 mm Garrick and Shakespeare with Tragedy and Comedy (Furnishing Fabric), c. 1790, After a painting by Robert Edge Pine (English, c. 1730–1788) Engraved by Caroline Watson (English, 1760–1814),… Statuette of Herakles, 3rd/2nd century BC, Etruscan, Etruria, Bronze, 10.25 × 6.5 × 2.5 cm (4 × 2 1/2 × 1 in.) Alcedo ispida, Print, The common kingfisher (Alcedo atthis) also known as the Eurasian kingfisher, and river kingfisher, is a small kingfisher with seven subspecies recognized within its wide… Saint Francis of Assisi, n.d., Unknown Artist, Italian, 17th century, Italy, Black chalk, heightened with white chalk, on brown laid paper, 340 x 255 mm Cover for Elles, 1896, Henri de Toulouse-Lautrec (French, 1864-1901), published by Gustave Pellet (French, 1859-1919), probably printed by Auguste Clot (French, 1858-1936), France, Color lithograph… Amphisbaena alba, Print, Amphisbaena alba, also known as the red worm lizard or less commonly as the white or white-bellied worm lizard, is a species of amphisbaenian in the reptilian order… Venus, plate five from Der VII Planeten, n.d., Conrad Meyer, Swiss, 1618-1689, Switzerland, Etching in black on ivory laid paper, 69 x 49 mm (sheet) Poker, 19th century, England, Bristol or Stourbridge, Bristol, Glass, H. 40.6 cm (16 in.) Bamboo Poetry Sheet, fall 1860, Shibata Zeshin, Japanese, 1807-1891, Japan, Color woodblock print, surimono, 57.0 x 43.0 cm Marriage of Henry II and Catherine de’ Medici, The Dowry, c. 1562, Antoine Caron, French, c. 1515-1593, France, Pen and brown ink, with brush and brown wash, heightened with lead-white gouache,… Border, Roman period (30 B.C.– 641 A.D.), 3rd/5th century, Coptic, Egypt, Egypt, Linen and wool, slit tapestry weave, 6.4 × 24.8 cm (2 1/2 × 9 3/4 in.) Amulet of the God Anubis, Third Intermediate Period, Dynasty 21–25 (1070–656 BC), Egyptian, Egypt, Faience, 3.5 × 1 × 1.25 cm (1 3/8 × 3/8 × 1/2 in.) Hanging, late Edo period (1789–1868)/Meiji period (1868–1912), 1825/1900, Japan, Cotton, plain weave, covered with paper, embroidered with silk, cotton and wild silk, in bullion, satin,… Portrait of Auguste Raffet, 1857, Denis Auguste Marie Raffet (French, 1804-1860), printed by Auguste Bry (French, 19th century), published by Éditeur Leconte (French, 19th century), France,… Adoration of the Shepherds, 1620, Lucas Vorsterman (Flemish, 1595-1675), after Peter Paul Rubens (Flemish, 1577–1640), Flanders, Engraving in black on ivory laid paper, 278 × 438 mm (image), 285… Alauda kollyi, Print, Alauda is a genus of larks found across much of Europe, Asia and in the mountains of north Africa, and one of the species (the Raso lark) endemic to the islet of Raso in the… Democritus and Protagoras, 1778, William Pether (English, 1738-1821), after Salvator Rosa (Italian, 1615-1673), published by John Boydell (English, 1719-1804), England, Mezzotint in black on… Tankard, c. 1780, Possibly Bristol, Bristol, Tin-glazed earthenware (pearlware), puce transfer-printed, 14.9 × 10.8 × 15.2 cm (5 7/8 × 4 1/4 × 6 in.) Young Woman Drops her Geta as She Boards a Boat, c. 1773, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, hashira-e, 25 3/8 x 4 3/4 in. Flower-Viewing Party with Crest-Bearing Curtain, from the series Flower Viewing at Ueno (Ueno hanami no tei), c. 1681/84, Hishikawa Moronobu, Japanese, (?)-1694, Japan, Woodblock print, oban,… Sestertius (Coin) Portraying Empress Herennia Etruscilla, AD 249/251, Roman, minted in Rome, Roman Empire, Bronze, Diam. 3.1 cm, 18.16 g DUP…, plate 171 from Célébrités de la Caricature, 1832, Honoré Victorin Daumier, French, 1808-1879, France, Lithograph in black, with hand coloring, on ivory wove paper, fixed (fixative… Therefore be merry, Cassio, plate six from Othello, 1844, Théodore Chassériau, French, 1819-1856, France, Etching, engraving, roulette, and drypoint on paper, 268 × 215 mm (image), 318 × 245… Fragment, Middle 17th century, Italy, cut and uncut velvet, 27.6 x 17.1 cm (10 7/8 x 6 3/4 in.) Each Moment Has Its Sickle, n.d., Charles Reuben Ryley, English, c. 1752-1798, England, Watercolor on tan wove paper, 84 × 121 mm Jacopo Butera, c. 1695, Francesco Solimena, Italian, 1657-1747, Italy, Oil on canvas, 46 1/16 x 36 1/16 in. (117 x 91.6 cm) Mary Marries Joseph, from The Life of the Virgin, n.d., Jacques Callot, French, 1592-1635, France, Etching on paper, 63 × 43 mm (image), 68 × 44 mm (plate), 71 × 47 mm (sheet) The Tuileries Gardens., No smoking here, Sir!, You mean in the garden?, plate 10 from Le Chapitre Des Interprétations, 1843, Honoré Victorin Daumier, French, 1808-1879, France, Lithograph in… Pitcher, 2nd/5th century AD, Ancient Mediterranean, Mediterranean Region, Glass, blown technique, 11.4 × 6 × 6 cm (4 1/2 × 2 3/8 × 2 3/8 in.) Fragment of a Plate, 13th/14th century, Byzantine, Greece, Thessaloniki, Istanbul, Ceramic, 2.9 × 10.5 × 8.3 cm (1 1/8 × 4 1/8 × 3 1/4 in.) A Bridge Near a Church in Venice, c. 1720, Canaletto, Italian, 1697-1768, Italy, Pen and brown ink, on ivory laid paper, (black chalk and pen and brown ink sketch on verso), perimeter mounted on… Long Shawl, 1840/45, India, India, Wool, double interlocking 2:2 twill tapestry weave, woven in rectangular sections, attached "Harlequin" tabs of pieced 2:2 twill weaves, embroidered in… Lion and Peonies, c. 1720/25, Okumura Masanobu, Japanese, 1686-1764, Japan, Hand-colored woodblock print, hosoban, urushi-e, 33.7 x 15.6 cm (12 1/2 x 6 1/8 in.) Tray, 18th century, England, Glass, 2.5 × 19.1 × 14.6 cm (1 × 7 1/2 × 5 3/4 in.) Bottle, 2nd/3rd century AD, Roman, Syria, Glass, blown technique, 16.5 × 6.4 × 6.4 cm (6 1/2 × 2 1/2 × 2 1/2 in.) Landscape, from Deuxieme Cahier de Paysage, 1772, Nicolas Pérignon, French, 1726-1782, France, Etching on off-white laid paper, 111 × 178 mm (plate), 160 × 250 mm (sheet) 2.589.713 / 2.589.715 Entries < previous page Page 3367 / 25898 next page >