Altar Cover, 17th century, Italy, 68.9 x 248.7 cm (271/8 x 97 7/8 in.)

Amulet of a Uraeus with Sun Disk, Late Period, Dynasty 26–31 (664–332 BC), Egyptian, Egypt, Faience, 1.6 × 0.8 × 0.5 cm (5/8 × 5/16 × 3/16 in.)

Les Invalides du Sentiment: Child-Harold, 1852, Paul Gavarni, French, 1804-1866, France, Lithograph in black on cream wove paper, 218 × 185 mm (image), 364 × 268 mm (sheet)

Woman with the Pear, 1651, Ferdinand Bol, Dutch, 1616-1680, Holland, Etching on ivory paper, 143 x 118 mm

Fragment (Band), A.D. 700/900, Nazca, Peru, Probably south coast, Peru, 21.0 × 3.8 cm (8 1/4 × 1 1/2 in.)

Portrait of the Poet Pietro Aretino, n.d., Cornelis van Dalen, II (Dutch, seventeenth century), after Titian (Italian, c. 1488-1576), Netherlands, Engraving on paper, 375 x 278 mm (image), 410 x…

The Actor Hanagawa Ichinojo as Akane Gozen in the play Okunizome Shusse Butai, performed at the Ichimura Theater in the eleventh month, 1759, 1759, Torii Kiyomitsu I, Japanese, 1735–1785,…

Sir Lancelot Approaching the Castle of Astolat, n.d., Gustave Doré, French, 1832-1883, France, Gouache with pen and black ink, heightened with lead white (partially discolored), on cream wove…

The Persian Sibyl, 1570/75, Giorgio Ghisi (Italian, 1520-1582), after Michelangelo Buonarroti (Italian, 1475-1564), Italy, Engraving on ivory laid paper, 569 x 437 mm

Cameo with Classical Figures, Late 18th century, Wedgwood Manufactory, England, founded 1759, Burslem, Stoneware (jasperware), 2.4 × 2.4 × 0.4 cm (15/16 × 15/16 × 1/8 in.)

Self-Portrait, 1860, Simeon Solomon, English, 1840-1905, England, Graphite on off-white wove paper, 193 × 101 mm

Pair of Wheellock Pistols, 1577, A. Drechsler, German, Dresden, Dresden, Steel, L. 62 cm (24 3/8 in.)

H. R. H. Princess Ingeborg of Sweden I, 1900, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 301 x 244 mm (image/plate), 445 x 308 mm (sheet)

South Sea Fishers, 1850, Charles Meryon (French, 1821-1868), after Reinier Nooms (Dutch, c. 1623-c. 1664), France, Etching, drypoint and roulette on ivory wove paper, 68 × 120 mm (image), 68 ×…

Pink Coated Rider, 1827, Henry Alken, English, 1785-1851, England, Watercolor and graphite on paper, 8 1/4 × 10 3/4 in.

Interior view of the Pantheon, from Views of Rome, 1768, published 1800–07, Giovanni Battista Piranesi (Italian, 1720-1778), published by Francesco (Italian, 1758-1810) and Pietro Piranesi…

Stag and Flower Pattern Frame (bottom frame section), 1897–99, Theodore Roussel, French, worked in England, 1847-1926, England, Etching and soft ground in black, yellow-brown metallic, and…

Commemorative Wineglass for the Coronation of George I, c. 1714 (Engraved 1716), England, Diamond-engraved lead glass, 20.6 × 10.1 × 10.1 cm (8 1/8 × 4 × 4 in.)

Pair of Lappets, Late 1720s, France, Valenciennes, France, Linen, bobbin straight lace of a type known as "Valenciennes" with five hole and snowflake mesh grounds, a: 59.8 × 10.8 cm (23 1/2 × 4…

Clemenceau in Busk, from Au Pied du Sinaï, 1897, published 1898, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph on ivory wove paper, 180 × 150 mm (image), 332 × 235 mm (sheet)

Kingfisher and viburnum, 1840s, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, chutanzaku, 13 5/8 x 4 1/2 in.

Fragment, Late 18th century, France, plain compound cloth, 22.2 × 22.2 cm (8 3/4 × 8 3/4 in.)

Woman’s Overskirt, 19th century, Kuba, Bushong, Democratic Republic of the Congo, Mushenge, Democratic Republic of Congo, Raffia, plain weave, pieced, embroidered in lateral looping, and stem…

Elisabethstraβe No. 20, Wohnhaus des Herrn E. von Dusy, 1860s, Austrian, 19th century, Austria, Albumen print, 29.2 × 32.2 cm (image/paper), 42.6 × 61.2 cm (album page)

Artist’s Dream, 1860/99, G. F. Gates, American, active 1860s–1890s, United States, Albumen print, stereo, No. 18 from the series "Stereographs of the Watkins Glen

Pair of Curtains, 17th century, England, Cotton and linen, twill weave, embroidered with wool, 224.8 × 123.5 cm (88 1/2 × 48 5/8 in.)

Fragment, 17th century, Italy or Spain, Italy, Silk, satin weave self-patterned by reversing of faces, 42.9 x 27.6 cm (16 7/8 x 10 7/8 in.)

Driving Home the Corn and The Dance After the Husking, published November 13, 1858, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States,…

The Actor Segawa Kikunojo II as Ishi no Mae in the play Hoshi Aikotoba Higashiyama no Sakae, performed at the Ichimura Theater in the ninth month, 1763, 1763, Torii Kiyomitsu I, Japanese,…

The Pig-Butcher, 1844, Charles Émile Jacque, French, 1813-1894, France, Etching on light gray China paper laid down on ivory wove paper, 97 × 81 mm (image/chine), 122 × 114 mm (plate), 267 ×…

Schlesinger and Mayer Company Store, Chicago, Illinois, Baluster, 1898–1899, Louis H. Sullivan, American, 1856–1924, United States, Copper plated iron, 89 × 25 × 5 cm (35 × 10 × 2 in.)

Kesa, late Edo period (1789–1868)/ Meiji period (1868–1912), 1825/75, Japan, 45 1/2 x 81 in.

Pair of Flintlock Pistols, 1660/70, Dutch, Maastricht, Maastricht, steel, silver, ivory, ebony, leather, and flint, L. 45.6 cm (17 15/16 in.)

Chelsea Shop, 1897/1900, James McNeill Whistler, American, 1834-1903, United States, Watercolor with touches of opaque watercolor on cream wove paper, 126 x 210 mm

Coverlet, 1868, Daniel Stephenson (American, born English, 1823–1892), United States, Iowa, Jefferson County, Fairfield, United States, Cotton and wool, plain weave with plain interlacings…

Scent Bottle, c. 1840/50, Bohemia, Czech Republic, Bohemia, Glass, cut and colored with metal mounts, 10.2 × 4.5 × 3.2 cm (4 × 1 3/4 × 1 1/4 in.)

In the bell section, plate 27 from L’exposition Universelle, 1855, Honoré Victorin Daumier, French, 1808-1879, France, Lithograph in black on buff wove paper, with letterpress verso, 189 × 270…

Border, 1875/1900, Italy, Linen, needle lace worked on a plain weave cut and drawn thread work grid, embroidered in double hem, hem and overcast stitches, 20 x 232.3 cm (7 7/8 x 91 3/8 in.)

The Sacrifice of Pan, 1808/15, Carl Wilhelm Kolbe, the elder, German, 1759-1835, Germany, Etching in black on ivory wove paper, 402 × 518 mm (image), 420 × 530 mm (plate), 490 × 685 mm (sheet)

Parrot Komachi, from the series The Fashionable Seven Komachi (Furyu nana Komachi), Edo period (1615–1868), about 1788, Chobunsai Eishi, Japanese, 1756 –1829, Japan, Color woodblock print,…

Sheet of Studies: Head of the Artist, a Beggar Couple, Heads of an Old Man and Old Woman, etc., 1632, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching in black on buff laid paper, 99 x 102…

Bowl with Pomegranates, Peonies, and Stylized Leaves, Jin dynasty (1115–1234), China, Ding ware, porcelain with underglaze molded decoration, H. 5.8 cm (2 1/4 in.), diam. 19.7 cm (7 3/4 in.)

Covered Tureen and Stand (One of a Pair), c. 1740, Meissen Porcelain Manufactory, Germany, founded 1710, Germany, Hard-paste porcelain, polychrome enamels and gilding, Stand: 39.5 × 30.1 × 8 cm…

Map of the Mercator Projection, 1595, reprinted 1889, Unknown Artist, English, 19th century, England, Engraving in black on cream laid paper, 256 × 329 mm

Kintai Bridge in Suo Province (Suo no kuni Kintaibashi), from the series Unusual Views of Famous Bridges in Various Provinces (Shokoku meikyo kiran), c. 1833/34, Katsushika Hokusai 葛飾…

Paris and Oenone, from Greek Heroines, c. 1539, Georg Pencz, German, c. 1500-1550, Germany, Engraving in black on ivory laid paper, 117 x 77 mm (sheet)

Grand’ Place, Brussels, 1887, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint with foul biting in black ink on ivory laid paper, 217 x 138 mm (image, trimmed…

Psyche Presenting the Phial of Water to Venus, 18th century, After Raffaello Sanzio, called Raphael, Italian, 1483-1520, Italy, Red chalk, with traces of graphite, on cream laid paper, 237 × 176 mm

The Pledge, 1897, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph on cream wove paper, 301 × 244 mm (image), 311 × 267 mm (sheet)

Oinochoe (Pitcher), about 440 BC, Greek, Athens, Attributed to The Painter of Naples 3136, Athens, terracotta, decorated in the red-figure technique, H. 19.3 cm (7 5/8 in.) diam. 13.7 cm (5 3/8 in.)

Armchair, Designed 1848/50, Made c. 1860, Michael Thonet, Austrian, 1796-1871, Thonet Brothers, Austria, founded 1849, Austria, Bentwood, caning, 97.8 × 50.8 × 49.5 cm (38 1/2 × 20 × 19 1/2 in.)

Amulet of a Leg and Foot, Late Old Kingdom–First Intermediate Period, Dynasty 5–11 (about 2494–2055 BC), Egyptian, Egypt, Carnelian, 2 × 1 × .25 cm (3/4 × 3/8 × 1/8 in.)

Left Pauldron Reinforce, c. 1570/80, Northern Italian, Milan, Milan, Steel

The Frontispiece to Liber Studiorum, published May 23, 1812, Joseph Mallord William Turner (English, 1775-1851), border engraved by Easling, J.C. (British, active 19th cen.), England, Mezzotint…

Women weaving on a loom, late 1810s and/or early 1820s, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color woodblock print, oban, surimono, 9 1/2 x 14 1/4 in.

Illuminated Manuscript Leaf, c. 1450, Italian, Italy, Manuscript cutting with round gothic inscriptions in black, red and blue inks, and decorations in red and blue inks, on vellum, 162 x 117 mm

Two Putti with a Bird, n.d., François Boucher, French, 1703-1770, France, Etching on cream laid paper, 184 × 141 mm

Bed Curtain, c. 1720, United States or England, United States, Linen and cotton, 2:2 twill weave, embroidered with wool in satin, single satin, and stem stitches, French knots and stem stitch…

The Industrious Hunter, in Spring, n.d., Johann Elias Ridinger, German, 1698-1767, Germany, Pen and brown ink, with brush and brown and gray wash, over graphite, on laid ivory paper, 310 × 250 mm

The Sea at Bognor, 1895, Theodore Roussel, French, worked in England, 1847-1926, France, Color soft ground etching, inked à la poupée, with inkless intaglio on ivory laid paper, 93 × 140 mm…

The Return of Paris, published January 3, 1817, George Cruikshank (English, 1792-1878), published by Hannah Humphrey (English, c. 1745-1818), England, Hand-colored etching on paper, 270 × 374…

Asakusa River, Great Riverbank, Miyato River (Asakusagawa Okawabata Miyatogawa), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), 1857, Utagawa Hiroshige 歌川 広重,…

Covered Flagon with Chain, c. 1845, Giovanni del Barba, Swiss, active first half 19th century, Switzerland, Wallis, Pewter, 34.3 x 16.5 x 18.4 cm (13 1/2 x 6 1/2 x 7 1/4 in.)

Shepherdess Leaning Against a Tree, 1857–60, Jean François Millet, French, 1814-1875, France, Black chalk, with charcoal, and stumping, on ivory wove paper, laid down on ivory wove paper, 342…

Savoy Pigeons, 1896, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black on ivory laid paper, 199 x 138 mm (image), 300 x 183 mm (sheet)

Gauntlet from a Tournament Garniture of a Hapsburg Prince, 1571, Attributed to Anton Peffenhauser (German 1525—1603), Augsburg, Augsburg, Steel, gilding, brass, and leather, 11.4 × 10.8 × 26.7…

Sketches of Crouching and Standing Figures, a Pig, and a Hut at Water’s Edge, 1891, Paul Gauguin, French, 1848-1903, France, Graphite and watercolor on cream wove paper, discolored to tan…

Springtime, c. 1878, Auguste Rodin, French, 1840-1917, France, Charcoal, with stumping and traces of black chalk, on blue laid paper (discolored to gray) with pink and blue fibers, 469 × 317 mm

Bottle, 3rd century AD, Roman, Levant or Syria, Syria, Glass, blown technique, H. 11.4 cm (4 1/2 in.), diam. 6.4 cm (2 1/2 in.)

Valance, 1620/60s, England, Silk, warp-float faced 7:1 satin weave, appliquéd with hemp and linen, plain weaves, embroidered with silk and silk chenille in satin and tent stitches, laid work…

Woman Arranging Her Hair, 1765, Kyosen, Japanese, 1722–1777, Japan, Color woodblock print, hosoban, 23.4 x 14.2 cm

The Duet, No. 2, 1894, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black on grayish ivory China paper, 219 x 178 mm (image), 361 x 332 mm (sheet)

Oniwakamaru Observing the Great Carp in the Pond, from the series New Forms of Thirty-Six Ghosts, 1889, Tsukioka Yoshitoshi, Japanese, 1839–1892, Japan, Color woodblock print

Husbands Always Make Me Laugh: He goes on the loose, 1853, Paul Gavarni, French, 1804-1866, France, Lithograph in black on ivory wove paper, 192.5 × 161 mm (image), 352 × 264 mm (sheet)

Thein Church, Prague, 1833, Samuel Prout (English, 1783-1852), probably printed by Charles Joseph Hullmandel (English, 1789-1850), probably published by Rudolph Ackermann (English, 1764-1834),…

Anti-Slavery Medallion, 1787, Wedgwood Manufactory, England, founded 1759, Modeled by William Hackwood, English, c. 1753–1836, Etruria, Staffordshire, England, Burslem, Stoneware (jasperware…

Panel of Ornament with Two Nude Boys Standing on the Legs of a Satyr, 1549, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 104 × 41 mm (image/plate/sheet)

Courtesan Riding a Carp (parody of the Daoist Immortal Kinko [Chinese: Qin Gao]), c. 1768/69, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, hashira-e, 27 1/4…

Another view of the Temple of the Sibyl at Tivoli, from Views of Rome, 1761, published 1800–07, Giovanni Battista Piranesi (Italian, 1720-1778), published by Francesco (Italian, 1758-1810)…

The Return from Fishing, n.d., Claude Joseph Vernet, French, 1714-1789, France, Etching on cream laid paper, 303 × 220 mm (plate), 334 × 248 mm (sheet)

Panel (Furnishing Fabric), Qing dynasty(1644–1911), 1860/80, China, Golden yellow silk embroidered with a dragon in gold thread surrounded by clouds in the center, surrounded further by a border…

The Actor Sanogawa Mangiku as a woman walking in the snow, c. 1742, Okumura Toshinobu, Japanese, active c. 1717-50, Japan, Color woodblock print, hosoban, benizuri-e, 12 1/4 x 5 5/8 in.

The Actor Nakamura Takesaburo I in a female role, c. 1718, Torii Kiyomasu II, Japanese, 1706 (?)–1763 (?), Japan, Hand-colored woodblock print, hosoban, urushi-e, 29.2 x 16.2 cm (11 1/2 x 6 3/8 in.)

Slendang (Shawl), 19th century, Indonesia, Central Java, Java, Cotton, batik dyed, 261 x 51.4 cm (102 3/4 x 20 1/4 in.)

Sweetmeat Basket, 1791/1800, William Garrett Forbes, American, 1751–1840, New York, New York City, Silver, 15.2 × 16.5 × 11.4 cm (6 × 6 1/2 × 4 1/2 in.)

Plaque with Marcus Antonius, 1776/80, Wedgwood Manufactory, England, founded 1759, Burslem, Stoneware (jasperware), 9.5 × 12.7 × 3.7 cm (3 3/4 × 5 × 1 7/16 in.)

Yo-Semite Fall (2634 feet high), from near Hutchings’, with excursion party, 1870, John P. Soule, American, 1828–1904, United States, Albumen print, stereo, No. 1216 from the series "California…

We Have Won!, 1825–26, Denis Auguste Marie Raffet (French, 1804-1860), printed by Alois Senefelder (German, 1771-1834), France, Lithograph in black on ivory wove paper, 171 × 174 mm (image), 201…

The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm

Mulford’s Orchard, Easthampton, 1883, Thomas Moran, American, born England, 1837-1926, United States, Etching in brown, with plate tone, on off-white chine, laid down on white wove card, 290 x…

Pint Wine Measure, c. 1780, England, Pewter, 15.9 × 14 cm (6 1/4 × 5 1/2 (incl. handle) in.)

Jaina Tirthankara Parshvanatha with Serpent Hood, 6th century, India, Uttar Pradesh, Uttar Pradesh, Red sandstone, 74.8 x 44.0 x 21.0 cm (29 1/2 x 17 3/8 x 8 1/4 in.)

Aphodius, Print, Aphodius is a genus of beetles in the Scarabaeidae family. In most species both the adults and larvae are coprophagous (dung feeding) although some species have herbivorous or…

Macaw on ivy-covered tree, 1830s, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, chuban, 22.8 x 16.7 cm (9 x 6 1/2 in.)

Footpath in the Barbizonnières, 1864, Theodore Rousseau, French, 1812-1867, France, Pen and brown and black ink, with watercolor, over graphite, on ivory wove paper, 123 × 204 mm

Rev. James Langton Clark and son Charles (Robin), 1864, Lewis Carroll (Charles Lutwidge Dodgson), English, 1832–1898, England, Albumen silver print, 14.2 × 11.8 cm (image), 14.8 × 12 cm (paper)

Evening Glow for Date no Yosaku and Seki no Koman, from the untitled series known as Eight Views of Tragic Lovers (Michiyuki hakkei), 1801–04, Katsushika Hokusai 葛飾 北斎, Japanese,…

The Market, c. 1895, Camille Pissarro, French, 1830-1903, France, Monotype on cream paper, 130 × 180 mm (image), 130 × 180 mm (plate, mark not clear), 155 × 203 mm (sheet), Cong, Neolithic period…

The Harugoma Dance, c. 1764, Torii Kiyomitsu I, Japanese, 1735-1785, Japan, Color woodblock print, o-oban yoko-e, benizuri-e, 11 7/8 x 16 15/16 in.

An Allegory of Statuary or Lament of Sculpture, 1629, Pierre Biard, II, French, 1592-1661, France, Etching in black on ivory laid paper, 325 × 530 mm (image), 353 × 532 mm (sheet)