Bathers, 1890–1900, Paul Cézanne, French, 1839-1906, France, Color lithograph on ivory laid paper, 421 × 528 mm (image), 464 × 569 mm (sheet)

Amulet of a Falcon-Headed God, Late Period, Dynasty 25–30 (780–343 BC), Egyptian, Egypt, Glass, 4.25 × .75 × .5 cm (1 5/8 × 1/4 × 3/16 in.)

C. L. Drouet, Sculptor, 1859, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint, with drypoint cancellation, in black ink on ivory laid paper, 227 x 152 mm (plate),…

Entrance to an Inn, with Peasant Drinking, 1849, Charles Émile Jacque, French, 1813-1894, France, Etching on cream China paper laid down on ivory wove paper, 127 × 149 mm (image), 134 × 156…

Shabti of Henuttawy, Third Intermediate Period, Dynasty 21 (about 1069–945 BC), Egyptian, Thebes, Deir el-Bahri, Egypt, Faience, 11.7 × 4.8 × 2.2 cm (4 5/8 × 1 7/8 × 7/8 in.)

Jacket (Separated Bodice and Sleeves), 1855/65, England or France, England, Silk and mohair, Pusher machine lace, 74.2 × 88.4 cm (29 1/4 × 34 3/4 in.)

Spoon, 1727/36, Jonathan Clarke, American, c.1705–1770, Newport and Providence, RI, Rhode Island, Silver, L. 18.4 cm (7 1/4 in.)

Coin Depicting a Horse, 2nd century BC, Greek, Ancient Greece, Bronze, Diam. 1.6 cm, 3.51 g

Border, 19th century, England or United States, Cotton, plain weave, block printed, 41.6 × 7.2 cm (16 3/8 × 2 7/8 in.)

Coverlet (Fragment), 1875–1900, United States, Cotton and wool, plain weave with plain interlacings of secondary binding warps and patterning wefts (Beiderwand), woven on loom with Jacquard…

Horseman in the Mountains, 1866, Odilon Redon, French, 1840-1916, France, Etching on paper, 84 × 113 mm (composition), 128 × 140 mm (plate)

Landscape, Hillside in Gruchy, Normandy, 1869/70, Jean François Millet, French, 1814-1875, France, Pen and brown ink on cream laid paper, 304 × 365 mm

Panel (Furnishing Fabric), c. 1840, United States, Cotton, plain weave, printed, 414 x 48.3 cm (163 x 19 in.)

Kantharos (Wine Cup) in the Shape of a Female Head, about 480 BC, Greek, Athens, Attributed to the London Class (Class G), Athens, terracotta, white-ground and black-figure technique, 19 × 17.8…

Tetradrachm (Coin) Portraying Alexander the Great, 336/323 BC, Greek, minted in Amphipolis, Roman Empire, Silver, Diam. 2.6 cm, 17.16 g

Whistler’s Mother, after Whistler, c. 1883, Henri Charles Guérard (French, 1846-1897), after James McNeill Whistler (American, 1834-1903), France, Etching in brown on cream laid paper, 142 ×…

No. 2 (Sono ni), from the triptych Three Musical Instruments (Sankyoku), c. 1825, Yashima Gakutei, Japanese, 1786 (?)-1868, Japan, Color woodblock print, center sheet of shikishiban triptych…

Gloucester, Courtyard of New Inn, 1860/94, Francis Bedford, English, 1816–1894, England, Albumen print, 16.2 × 21.2 cm (image/paper)

Scarab: Falcon with Antelope, Middle Kingdom–New Kingdom, Dynasties 12–18 (about 2055–1295 BC), Egyptian, Egypt, Steatite, 1.6 × 1.1 × 0.6 cm (5/8 × 7/16 × 1/4 in.)

Covered Tripod Jar, Tang dynasty (618–907), first half of 8th century, China, Earthenware with three-color (sancai) lead glazes, H. 12.2 cm (4 3/16 in.), diam. 12.7 cm (5 in.)

Fragment (Dress Fabric), 1775/1800, France, 18.4 × 19.7 cm (7 1/4 × 7 3/4 in.)

May God Repay You, 1800/04, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, aquatint and drypoint on laid paper, 138 x 183 mm (image), 172 x 230 mm (plate), 177 x 238…

The Actor Segawa Kikunojo III in an Unidentified Role, late 1790s, Katsukawa Shun’ei, Japanese, 1762-1819, Japan, Color woodblock print, hosoban, 32 x 14.5 cm (12 5/8 x 5 11/16 in.)

Plate, 1771/72, Sèvres Porcelain Manufactory, French, founded 1740, Sèvres, Soft-paste porcelain, turquoise blue ground, polychrome enamels, and gilding, Diam. 24 cm (9 3/4 in.)

The Visitation of St. Elizabeth, from The Life of the Virgin, n.d., Jacques Callot, French, 1592-1635, France, Etching on paper, 60 × 43 mm (image), 65 × 44 mm (plate), 68 × 46 mm (sheet)

Young Woman Holding an Umbrella, c. 1750, Torii Kiyohiro, Japanese, active c. 1737-76, Japan, Color woodblock print, hosoban, benizuri-e, 10 3/8 x 5 1/2 in.

Venus Receiving Gifts, c. 1588, Aegidius Sadeler (Flemish, 1570-1629), after Bartholomaeus Spranger (Flemish, 1546-1611), Flanders, Engraving in black on ivory laid paper, 278 × 186 mm…

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil, 1445/55, Antonio Vivarini, Italian, about 1415-1476/84, Italy, Tempera on panel, Panel: 54.8 × 35.5 cm (21 9/16 × 14 in.), Painted…

The Stoning of Zacharias and Isaias, page 9 from the Treasury (Schatzbehalter), 1491, Michael Wolgemut and Workshop (German, 1434/37–1519), published by Anton Koberger (German, 1440–1513),…

Blossoming, plate one from In Dreams, 1879, Odilon Redon, French, 1840-1916, France, Lithograph on mounted ivory China paper, 334 × 259 mm

Saint Peter in a Historiated Initial E from a Gradual, 15th century, Italian, Italy, Manuscript cutting in tempera and gold leaf, and red and blue ink, with gothica textura inscriptions in…

Coverlet, 1820/25, United States, Cotton and wool, plain weave with supplementary patterning wefts ("summer and winter"), two loom widths joined, 249 x 202.4 cm (98 x 79 5/8 in.)

Follis (Coin) Portraying Emperor Constantine II as Caesar, AD 333/335, Roman, Alexandria, Bronze, Diam. 1.8 cm, 2.10 g

Takinoya: Ichikawa Monnosuke II as Soga no Juro, from the series Portraits of Actors on Stage (Yakusha butai no sugata-e), 1794, Utagawa Toyokuni I 初代 歌川 豊国, Japanese, 1769–1825,…

The Storm, 1876, George Inness, American, 1825–1894, United States, Oil on canvas, 64.5 × 97.2 cm (25 3/8 × 38 1/4 in.)

He Smothers Her, plate thirteen from Othello, 1844, Théodore Chassériau, French, 1819-1856, France, Etching, engraving, roulette, and drypoint on paper, 250 × 227 mm (image), 347 × 248 mm…

I’ll go public with my business…. this is the right moment… I form a company with a capital of 3 Million Francs….. for the production of artifical plums!…., I can already see you coming,…

You Have Honor…, 1825–26, Denis Auguste Marie Raffet (French, 1804-1860), printed by François le Villain (French, active 19th century), France, Lithograph in black on off-white wove paper, 207…

Needlecase Sampler, late 18th century, England, Linen, plain weave, embroidered in silk (from old card)

Uncut Waistcoat, 1780/1790, France, Silk, plain weave, embroidered with silk in individual back, outline, running, satin, split and stem stitches, couching, laid work and French knots, 104.5 ×…

The Temple of Minerva Medica, plate 23 from Liber Studiorum, Publishd January 1, 1811, Joseph Mallord William Turner (English, 1775-1851), Engraved by R. Dunkarton, England, Etching and aquatint…

The Beds of Death, plate 62 from The Disasters of War, 1812/15, published 1863, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, lavis, drypoint, burin and burnishing on…

Berggasse No. 16, Palais des Grafen Georg Festetics de Tolna, 1860s, Austrian, 19th century, Austria, Albumen print, 28.4 × 31.7 cm (image/paper), 42.7 × 61.2 cm (album page)

Fragment, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912), Japan, Plain compound twill, silk and gilt paper, 4 strips to m.m., 31.3 x 22.7 cm (12 3/8 x 9 in.)

Figure of a Jaguar Attacking a Man, Probably A.D. 250/900, Maya, Possibly Tabasco, Mexico, México, Wood, 4.5 x 7 cm (1 3/4 x 2 3/4 in.)

Inspite of all their assertions that their guns are only loaded with small shots, it is nonetheless annoying to be aimed at the head like this for three consecutive hours… I tremble at the…

The actors Onoe Kikugoro III, Onoe Matsutake III, and Iwai Kumesaburo II, c. 1825, Utagawa Kunisada I (Toyokuni III), Japanese, 1786-1864, Japan, Color woodblock print, shikishiban diptych, 22.2…

Two Children Wearing Helmets, plate three of Twelve Ornament Panels, c. 1505–20, Giovanni Pietro da Birago, Italian, active 1470-1513, Italy, Engraving in black on ivory laid paper, 528 x 88…

Beauties Parodying the Seven Sages, A Selection of Younger Courtesans (Shichi kenjin yatsushi bijin shinzo zoroe): Kumegawa of the Ogiya, c. 1793, Chobunsai Eishi, Japanese, 1756-1829,…

Rear View of Lender Dancing the Bolero in Chilpéric, 1895, Henri de Toulouse-Lautrec, French, 1864-1901, France, Color lithograph on cream wove paper, 376 × 265 mm (image), 549 × 418 mm (sheet)

Saint John the Evangelist, 1519, Hans Franckenberger, the Elder, German, active 1519-c. 1530, Germany, Pen and black ink, with brush and gray wash, heightened with white gouache, on cream laid…

Entering a Village, from Revue Fantaisiste, 1861, Rodolphe Bresdin, French, 1825-1885, France, Etching on gray chine, 148 × 100 mm (image), 208 × 135 mm (plate), 292 × 208 mm (sheet)

Sauce Tureen and Cover from the Hood Service, 1807/08, Paul Storr, English, 1771-1844, London, England, Sterling silver, 17.8 × 22.9 × 13 cm (7 × 9 × 5 1/8 in.)

View of Tivoli with the Bridge Over the Anio Waterfall, 1620, Cornelis van Poelenburgh, Dutch, 1594/95-1667, Netherlands, Pen and brown ink and brush and brown wash on cream laid paper, 436 x 322 mm

Vase with Rectangular Handles, Qing dynasty (1644–1911), Qianlong reign mark and period (1736–1795), China, Porcelain with pale lavender-blue (tianlan) glaze, H. 30.1 cm (11 7/8 in.), diam.…

Fire Works on the Night of the Fourth of July, published July 11, 1868, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving…

Réveil, 1886, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black with scraping on stone on greyish-ivory laid china paper with visible brushmarks, 349 × 249 mm (image), 435 ×…

Armchair, 1768, Thomas Chippendale, English, 1718-1779, London, England, Painted oak, modern upholstery, 90.2 × 62.2 × 55.9 cm (35 1/2 × 24 1/2 × 22 in.)

Fragment, Greco–Roman period (30 B.C.– 641 A.D.), 4th/5th century, Coptic, Egypt, Akhmin, Egypt, Linen and wool, slit tapestry weave, 27.9 × 3.2 cm (11 × 11/4 in.)

Storage bag, c. 1860/80, United States, Pacific Northwest region, United States, Bast fiber, two-strand weft-twining, with cornhusk supplementary weft-twining (false-embroidery);, 42.5 x 32.8 cm…

Seated Virgin and Child (recto), Seated Virgin and Child (verso), 1570/90, Bernardino India, Italian, 1528-1590, Italy, Pen and brown ink (recto and verso) on cream laid paper, 138 x 64 mm

Chasuble, 16th century, Italy, Silk, warp-float faced 3:1 'S' twill weave with supplementary pile warps forming cut solid velvet, Orphrey: silk, warp-float faced 7:1 satin weave, embroidered with…

Bust of President Thiers, 1883, Sèvres Porcelain Manufactory, French, founded 1740, Designed by Albert-Ernest Carrier-Belleuse, French, 1824-1887, Sèvres, Unglazed hard-paste porcelain (biscuit),…

Demitasse Cup and Saucer, c. 1888, Austria, Vienna, J.L. Lobmeyr (Austrian, founded 1823), Vienna, Glass, Cup: 5.4 x 7.3 cm (2 1/8 x 2 7/8 in.), Saucer: 13 x 13.2 cm (5 1/8 x 5 3/16 in.), The…

Actor on Kite, 1865, Sato Hodai, Japanese, c. 1845-1875, Utagawa Yoshitaki, Japanese, 1841-1899, Japan, Color woodblock print, surimono, 24.7 x 18.5 cm

Sarafan (Gala Costume), 18th century, Russia (Northwestern), Russia, Silk, compound weave, brocaded, gilt galloon, gilt buttons with silk cord loops, 141.3 x 86.4 cm (55 5/8 x 34 in.)

Tenji Tenno (The Emperor Tenji), first poet in the series One Hundred Poems by One Hundred Poets Explained by the Nurse, c. 1835/36, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849,…

Duke Charles Louis of the Palatinate, n.d., Cornelis Visscher, the Elder (Netherlandish, c. 1520-1586), after Gerrit van Honthorst (Dutch, 1590-1656), Holland, Engraving on paper

Bitters Bottle, 19th century, Possibly Europe, Europe, Glass, 15.2 cm (6 in.)

Bedspread, 1800/25, Portugal, Cotton, printed, 224.8 x 174 cm (88 1/2 x 68 1/2 in.)

Head of a Roebuck and Two Ptarmigan, c. 1830, Edwin Henry Landseer, British, 1802-1873, England, Oil on panel, 8 7/8 × 12 in. (22.5 × 30.4 cm)

Night View of Saruwaka-machi (Saruwaka-machi yoru no kei), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), 1856, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858,…

Hibiya and Soto-Sakurada from Yamashita-cho (Yamashita-cho Hibiya Soto-Sakurada), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), 1857, Utagawa Hiroshige 歌川 広重,…

True Loves Offering (Valentine), 1850/59, Unknown Artist, American or English, 19th century, United States, Collaged elements on cut and embossed (designed) ivory wove paper, 82 x 62 mm (folded sheet)

Velvet Fragment, 18th century, France, Piece of green velvet.

Venus and Cupid, n.d., Circle of Francesco Mazzola, called Parmigianino, Italian, 1503-1540, Italy, Pen and brown ink with brush and pale brown wash, on buff laid paper, partially laid down on…

My Dream, 1883, Rodolphe Bresdin, French, 1825-1885, France, Etching on paper, 183 × 119 mm (image), 218 × 138 mm (plate)

Alabastron (Container for Scented Oil), about 500/480 BC, Greek, Athens, Attributed to the Diosphos Painter, Athens, terracotta, decorated in the black-figure on white ground technique, 16.2 × 6 ×…

Sheep in the Field (Rien de trop I), 1732, Jean-Baptiste Oudry, French, 1686-1755, France, Pen and black ink, with brush and gray wash and black-and-white gouache, on blue laid paper, 314 × 260 mm

Salt Beach at Gyotoku (Gyotoku shiohama no zu), from an untitled series of famous views of the Edo suburbs, c. 1839/40, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color…

Freedom from Labor, 1894, Théophile-Alexandre Steinlen, French, born Switzerland, 1859-1923, France, Lithograph in black on cream wove paper, 293 × 292 mm (image), 451 × 418 mm (sheet)

The Lion Tamer, Safavid dynasty (1501–1722), early 17th century, Iran, Attributed to Sadiqi Beg (1533-1610), Iran, Ink and gold on paper, Image: 13.8 x 19.6 cm (5 7/16 x 7 3/4 in.),

Crucifixion, 1524/27, Parmigianino, Italian, 1503-1540, Italy, Pen and brown ink on cream laid paper, prepared with pale orange wash, laid down on ivory wove card, 140 x 65 mm

Pembury Mill, Kent, plate 12 from Liber Studiorum, published June 10, 1808, Joseph Mallord William Turner (English, 1775-1851), Engraved by Charles Turner (English, 1773-1857), England, Etching…

Alcedo bengalensis, Print, 1700-1880

Towel, 18th century, Greece, Northern Sporades Islands, Lesbos, Mytilene, Mytilene, Linen and silk, plain weave self patterned by ground weft floats, embroidered with silk and…

Figure of a Seated Dog, A.D. 1/300, Colima, Colima, Mexico, Colima state, Ceramic and pigment, 40 × 22.9 × 43.2 cm (15 3/4 × 9 × 17 in.)

Fragment, 16th century, Italy, Silk, cut, uncut voided velvet against plain weave foundation, 87.3 x 36.0 cm (34 3/8 x 14 3/16 in.)

The Judgement of Midas: Apollo and Pan, n.d., Circle of Jacopo Zanguidi, called Bertoia, Italian, 1544-1573/74, Italy, Pen and brown ink, and brush and brown wash, with pinkish opaque wash,…

Fragment, 1650/1700, Italy, Silk, plain weave with self-patterning ground wefts, 24.8 x 24.9 cm (9 3/4 x 9 7/8 in.)

Harbor of Naples, n.d., Unknown Artist, Possibly Italian. n.d., Italy, Pen and black ink on vellum, 181 x 365 mm

Still-Life with a Group of Muffs, a Pair of Gloves, and Two Kerchiefs, 1647, Wenceslaus Hollar, Czech, 1607-1677, Czechoslovakia, Etching in black on cream laid paper, 109 × 203 mm…

Stripped for the Fight, from Puck, 1892, William Allen Rogers, American, 1854-1931, United States, Color lithograph on newsprint, 311 x 230 mm

Bust Portrait of Man, n.d., Daniel de Blieck (Dutch, c. 1630-1673), Cornelis Visscher (Dutch, c. 1629-1658), Holland, Graphite on vellum, 114 x 87 mm

The Eighth Month (Chushu), from the series Popular Versions of Immortal Poets in Four Seasons (Fuzoku shiki kasen), c. 1768, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan,…

Charles François Mallet, Civil Engineer, 1809, Jean–Auguste–Dominique Ingres, French, 1780–1867, France, Graphite on cream wove paper, 268 × 211 mm

Arachnothera modesta, Print, The grey-breasted spiderhunter (Arachnothera modesta) is a species of bird in the family Nectariniidae. It is found in Brunei, Indonesia, Malaysia, Myanmar,…

Pole Top with Double Bird-Shaped Bell (one of pair), 6th/4th century B.C., Northern China or Inner Mongolia, China, Bronze, 18.8 × 10.5 cm (7.4 × 4.1 in.)

Pendant with the Christ Child, c. 1650, Spanish, Spain, Gold, enamel, rubies, and diamonds, 5.2 × 3.8 cm (2 1/16 × 1 1/2 in.)

Sestertius (Coin) Portraying Emperor Maximus, AD 236/238, Roman, Roman Empire, Bronze, Diam. 3 cm, 19.61 g