Librifly Art Gallery 2.589.713 / 2.589.715 Entries < previous page Page 3393 / 25898 next page > Two Grand Dukes Leaving for Sebastopol, plate 166 from Actualités, 1855, Honoré Victorin Daumier, French, 1808-1879, France, Lithograph in black on white wove paper, with letterpress verso, 218… Polish Horseman, c. 1651, Stefano della Bella, Italian, 1610-1664, Italy, Etching on paper, 190 x 190 mm Drachma (Coin) Depicting a Sphinx, 478/412 BC, Greek, Greece, Silver, Diam. 1.3 cm, 2.82 g Turkish Cavalier in Combat, c. 1818, Jean Louis André Théodore Géricault, French, 1791-1824, France, Brush and brown wash, heightened with white gouache over black chalk, with blue wash on… Parody of Act VII of The Storehouse of Loyal Retainers (Chushingura), c. 1768/69, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, hashira-e, 25 3/4 x 4 1/2 in. The Original Sin, n.d., Etienne Delaune, French, c. 1519-1583, France, Engraving on ivory laid paper, 53 × 75 mm (image/sheet, cut within platemark) Enigma, 1892, Odilon Redon, French, 1840-1916, France, Drypoint on ivory wove paper, 130 × 92 mm (plate), 308 × 217 mm (sheet) Chest of Drawers, 1878/84, American, 19th century, New York, New York, Bird's-eye maple, tulip poplar, and cherry, 152.4 × 111.8 × 55.9 cm (60 × 44 × 22 in.) Rue des Toiles, Bourges, 1853, Charles Meryon, French, 1821-1868, France, Graphite on ivory laid paper, tipped onto ivory laid paper, 291 × 116 mm Altar Frontal, 17th century, Spain, Red velvet, bands of blue velvet with design, appliquéd in yellow, red and white satin, outlined with couched gold cord A Woman and her Child, 1843, Charles Émile Jacque, French, 1813-1894, France, Drypoint and roulette on cream laid paper, 51 × 38 mm Amulet of a Serpent’s Head, Middle Kingdom–New Kingdom, Dynasties 12–20 (about 1985–1069 BC), Egyptian, Egypt, Carnelian, 2.9 × 1.3 × 1 cm (1 1/8 × 1/2 × 3/8 in.) Pembroke Table, c. 1790, American, 18th century, Philadelphia, United States, Mahogany, white pine, brass, and iron, 71.8 × 76.2 × 55.2 cm (28 1/4 × 30 × 22 1/8 in.) Model Field Cannon with Carriage, 17th century, Italian, Venice, Venice, Bronze, iron, and wood, Length of overall cannon: 31 1/2 in. (80 cm) The Terrace of the Villa Brancas, 1876, Felix Bracquemond, French, 1833–1914, France, Etching and brush and black ink, heightened with traces of white gouache on cream laid paper, 250 × 350… Panel, 1830/35, England, Cotton, plain weave, roller printed, glazed, 201.9 × 68.2 cm (79 1/2 × 26 7/8 in.) Shawl, 1860s, England or France, England, Silk and mohair, Pusher machine lace, 140.2 × 275.8 cm (55 1/8 × 108 5/8 in.) The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Yoshida, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi), c. 1806, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color woodblock print, chuban, Approx.… Drill with Tilted Pikes, plate five from The Military Exercises, published 1635, Jacques Callot (French, 1592-1635), published by Israël Henriet (French, 1590-1661), France, Etching on paper, 60… Braid, 1650/75, France or England, France, Silk and silk-wrapped-hemp and silk-wrapped-linen cords, bobbin straight lace, 18.3 × 44.8 cm (7 1/4 × 17 5/8 in.) Marguerite at the Spinning Wheel, 1828, Eugène Delacroix, French, 1798-1863, France, Lithograph in black on ivory wove paper, 225 × 180 mm (image), 380 × 295 mm (sheet) Coin Portraying Emperor Constantine I, AD 333/335, Roman, minted in Rome, Roman Empire, Bronze, Diam. 1.6 cm, 2.85 g Stoke by Neyland, Suffolk, 1831, David Lucas (English, 1802-1881), after John Constable (English, 1776-1837), England, Mezzotint on paper, 143 × 218 mm (image), 170 × 241 mm (sheet), 301 × 390… Covered Ewer with Lizard-Shaped Handle, Qing dynasty (1644–1911), 18th century, China, Crystal with carved decoration, 15.0 × 15.7 × 10.5 cm (5 15/16 × 6 3/13 × 4 1/8 in.) Border, 1601/25, Italy, Silk, plain gauze weave, embroidered with silk in darning stitches (lacis), 82 x 15.9 cm (32 1/4 x 6 1/4 in.) Study from the Nude of a Girl Standing, 1890, Theodore Roussel, French, worked in England, 1847-1926, England, Drypoint in light black on ivory Japanese paper, 105 × 65 mm (image), 121 × 81… A King Receiving a Present, n.d., Jean Duvet, French, 1485-after 1561, France, Engraving on paper, 223 × 399 mm (plate), 227 × 402 mm (sheet) Portrait of Alexis Rouart, 1897, Paul-César Helleu, French, 1859-1927, France, Drypoint with engraving in black on cream laid paper, 336 × 298 mm (image/plate), 575 × 415 mm (sheet) Untitled, 1860s, Calotype negative, 18.5 × 23.9 cm (image, sight) The Rescue (Picture), 1875/1900, Thomas Stevens (English, 1867–1888), England, Coventry, England, Silk, plain weave with supplementary brocading wefts Basketweave Bowl, Northern Song (960–1127) or Liao dynasty (907–1124), c. 11th century, China, Ding-type ware, porcelain with underglaze molded decoration, H. 5.4 cm (2 1/8 in.), diam. 9 cm… Overgown and Petticoat (Robe à l’anglaise), 1765/85, England, Silk, plain weave and strips of satin weave with supplementary patterning warps and supplementary brocading wefts, overgown lined… Clio, Muse of History, plate 7 from Parnassus Biceps, 1601, Johann Theodor de Bry (German, 1561-1623), or Robert Boissard (French, c. 1570-after 1597), after Jean-Jacques Boissard (French,… Arms Symbolical of the City of Paris, 1854, Charles Meryon, French, 1821-1868, France, Etching in warm black with plate tone on ivory laid paper, 136 × 112 mm (image), 136 × 112 mm (plate), 440… The Prophet Jeremiah, early 1570s, Giorgio Ghisi (Italian, 1520-1582), after Michelangelo Buonarroti (Italian, 1475-1564), Italy, Engraving in black on ivory laid paper, 569 x 439 mm View of Visible Remains of the Baths of Diocletian, from Views of Rome, 1774, published 1800–07, Giovanni Battista Piranesi (Italian, 1720-1778), published by Francesco (Italian, 1758-1810)… Redware Bowl with Molded Snake-like Form on Rim, A.D. 1450/1532, Inca, South coast or southern highlands, Peru, Peru, southern, Ceramic Coin Depicting the Goddess Roma, 77 BC, Roman, Italy, Silver, Diam. 1.7 cm, 3.78 g Beaker, c. 1810/20, Germany, Glass, 10.8 x 9.1 cm (4 1/4 x 3 9/16 in.) Two Panels, 19th century, England, Cotton, plain weave, printed, a: 111.9 × 40 cm (44 × 15 3/4 in.) Carl Snoilsky, 1888, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 76 x 49 mm (image), 82 x 53 mm (plate), 254 x 164 mm (sheet), The Annunciation, from The Life of the… Francesco de Medici, Prince of Tuscany, 1634, Stefano della Bella, Italian, 1610-1664, Italy, Etching and engraving on cream laid paper, 171 x 120 mm (plate), 203 x 132 mm (sheet) Handkerchief, 1875/1900, France, 35.6 × 35.6 cm (14 × 14 in.) Fortitude (Study for the Cabinet du roi [King’s Study]), 1541/45, Francesco Primaticcio, Italian, 1504-1570, Italy, Brush and vermilion wash, heightened with lead white, over stylus incising,… Seated Male Nude with Outstretched Left Arm, n.d., Unknown Artist (Italian, late 16th century), or possibly after Domenico Beccafumi, called Il Mecarino (Italian, 1484-1551), or possibly Imitator… At the Employment Office, 1870/91, Charles Keene, English, 1823-1891, England, Pen and brown ink, with brush and brown wash, corrected with white gouache, on tan wove paper, laid down on card, 147… Beaker, Early 18th century, Bohemia, Czech Republic, Bohemia, Glass, 7.5 × 7 cm (2 15/16 × 2 3/4 in.) Wine Ewer, 1785/90, Wedgwood Manufactory, England, founded 1759, Etruria, Staffordshire, England, Burslem, Stoneware (jasperware), 38.1 × 18.4 cm (15 × 7 1/4 in.) Sketches: The Hotel de Ville, Tours and a Girl Playing (recto), Stork (verso), 1837/78, Charles François Daubigny, French, 1817-1878, France, Graphite (recto and verso) on ivory wove paper, 125… Sea View, Calm Weather (Vue de mer, temps calme), 1864, Édouard Manet, French, 1832-1883, France, Oil on canvas, 29 × 36 1/2 in. (73.6 × 92.6 cm) School Mistress, c. 1740, François Bernard Lépicié (French, 1698-1755), after Jean Baptiste Siméon Chardin (French, 1699-1779), France, Engraving in black on ivory laid paper, 168 × 201… The Descent from the Cross, c. 1485, Butinone, Bernardino, Italian, c. 1450-before November 1510, Italy, Tempera on panel (poplar), Panel: 26 x 20.4 cm (10 3/16 x 8 1/16 in.), Painted surface: 25.6… Fragment (From a Temple Hanging), late Edo period (1789–1868), 1801/25, Japan, Silk and gold-leaf-over-lacquered-paper strip, warp-float faced 3:1 'Z' twill weave with plain interlacings of… Bettw-s-y Coed, The Swallow Falls from Above, 1860/94, Francis Bedford, English, 1816–1894, England, Albumen print, 19.4 × 12.5 cm (image), 20 × 12.5 cm (paper) Kacho chaya, c. 1792/93, Utagawa Toyokuni I 初代 歌川 豊国, Japanese, 1769–1825, Japan, Color woodblock print, oban triptych Coin Portraying Emperor Galerius Maximianus, AD 305/311, Roman, Roman Empire, Bronze, Diam. 2.4 cm, 7.31 g Narrow Strip, 15th century, Hispano-Islamic, Spain, Silk, twill weave with supplementary patterning wefts and supplementary binding warps, 204.9 x 15.2 cm (80 5/8 x 6 in.), Chamber Table,… Martyrdom of Saint John, the Minor, plate seven from The Martyrdoms of the Apostles, n.d., Jacques Callot, French, 1592-1635, France, Etching on paper, 72 × 47 mm Fragment, Roman period (30 B.C.– 641 A.D.), 4th century, Egypt, Egypt, Plain compound cloth, 27 × 8.3 cm (10 3/4 × 3 1/4 in.) Dish with Crane amid Floral Scrolls, Jin dynasty (1115–1234), 12th century, China, Ding ware, porcelain with underglaze mold-impressed decoration, metal rim, H. 5.1 cm (2 in.), diam. 17.1 cm (6… Sampler, 1803, Germany, Linen, plain weave, embroidered with silk, 36.2 x 31.1 cm (14 1/4 x 12 1/4 in.) Solidus (Coin) of Constantine IV Pogonatus, AD 670/680, Byzantine, Byzantine Empire, Gold, Diam. 1.5 cm, 4.32 g Portrait of Emperor Matthias, 1614, Aegidius Sadeler, Flemish, c. 1570-1629, Flanders, Engraving in black on ivory laid paper, 652 × 417 mm (image), 682 × 426 mm (plate), 683 × 467 mm (sheet) Paperweight, c. 1846–55, Clichy, France, 1837-1885, Clichy, Glass, Diam. 5.4 cm (2 1/8 in.) Wind-Swept Sands, 1894, William Merritt Chase, American, 1849–1916, United States, Oil on canvas, 87 × 101.5 cm (34 1/4 × 39 3/4 in.) The Army of the Potomac—A Sharp-Shooter on Picket Duty, published November 15, 1862, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States,… Ring: Scarab, New Kingdom, Dynasty 18 (about 1390 BC), Egyptian, Egypt, Faience, W. 1 cm (3/8 in.), diam. 1.9 cm (3/4 in.) Portrait of Louis XV, 1739, Jacob Christoph Le Blon (German, 1667-1741), after Nicolas Blakey (Irish, died 1758), Germany, Mezzotint with etching, in black, brown, blue, and white, with traces of… Spanish Entertainment, from The Bulls of Bordeaux, 1825, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Lithographic crayon and scraper on light tan wove paper, 301 x 406 mm… The Gleaners, 1855–56, Jean François Millet (French, 1814-1875), printed by Auguste Delâtre (French, 1822-1907), France, Etching and drypoint on tan laid China paper, 188 × 250 mm (image), 192… The Mountebanks., Oh Maître Bilboquet, we have had it… these clowns will steal our show! Don’t you worry, Gringaillet, they’re no competition, they are just comedians!, from Les… Antoninianus (Coin) Portraying Empress Cornelia Salonina, AD 253/260, Roman, minted in Rome, Roman Empire, Billon, Diam. 2.1 cm, 3.21 g Pilgrim of the Sublunary World, plate 5 of 6, 1891, Odilon Redon, French, 1840-1916, France, Lithograph in black on ivory China paper laid down on heavy white wove paper, 276 × 215 mm… Wooded Landscape with Gypsies Gathered Round a Fire, 1753/54, Thomas Gainsborough, English, 1727-1788, England, Etching on ivory wove paper, 475 × 421 mm (plate), 482 × 421 mm (sheet) Pole Fishing, c. 1864, Charles Émile Jacque, French, 1813-1894, France, Etching and drypoint on ivory laid paper, 115 × 180 mm (image), 151 × 207 mm (plate), 318 × 454 mm (sheet) Te atua (The God), from the Suite of Late Wood-Block Prints, 1898/99, Paul Gauguin, French, 1848-1903, France, Wood-block print in black ink on thin ivory laid Japanese paper, 242 × 226 mm… Barracks, Dublin, published July 1795, James Malton, English, 1761-1803, England, Hand-colored aquatint in black on ivory wove paper, 191 × 382 mm (image), 257 × 435 mm (plate), 420 × 550 mm… Bust of a Man, New Kingdom, Dynasty 18 (about 1550–1295 BC), Egyptian, Egypt, Stone and pigment, 45.7 × 34.3 × 20.3 cm (18 × 13 1/2 × 8 in.) The Return to France, 1841, Aime François Joseph de Lemud, French, 1816-1887, France, Lithograph in black on ivory wove paper, 460 × 402 mm (image), 612 × 483 mm (sheet) Saint John the Baptist in the Wilderness, 1600/19, Denys Calvaert, Flemish, c. 1540-1619, Flanders, Oil on copper, 9 1/4 × 7 1/8 in. (23.5 × 18.1 cm) Plate Ten from Drawings of Several Movements by Soldiers, 1644, Stefano della Bella, Italian, 1610-1664, Italy, Etching on ivory laid paper, 56 x 123 mm (image), 60 x 125 mm (plate), 68 x 129… Goblet, 1847, England, Glass, H. 16.4 cm (6 7/16 in.) Mercury Joining the Hands of Britain and France, 1787/90, Wedgwood Manufactory, England, founded 1759, Etruria, Staffordshire, England, Burslem, Stoneware (jasperware), gilded wooden frame, 36 ×… The State Waggoner and John Bull, 1804, James Gillray (British, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Etching, with hand-coloring, on paper Mrs. William Morris Seated in Chair, May 1870, Dante Gabriel Rossetti, English, 1828-1882, England, Graphite, with stumping, on ivory wove paper, 505 × 355 mm Goatherd, Goats on Road near Carriage and House, n.d., Bruno van Straaten, Dutch, 1786-1870, Holland, Pen and black ink, with brush and gray wash, on ivory laid paper, tipped onto card, 152 × 201 mm Autumn River Scene, The Brook, 1889, David Bates, English, 1840-1921, England, Oil on canvas, 30 1/8 × 42 1/4 in. (76.5 × 127.5 cm) Memorial Portrait of the Actor Suketakaya Kodenji, 1899, Utagawa Kunisada III (Kunimasa IV, Toyokuni V), Japanese, 1848–1920, Japan, Color woodblock print, oban Goblet, Late 17th century, Nuremberg, Germany, Nuremberg, Glass, 32.9 x 11.3 cm (12 15/16 x 4 7/16 in.) The Man Who Therefore Preached to the Reeds (recto) and The Armed Noble Who Presumed Much but Did Little (verso) from Fabulae et Vita (Fables and Life), Plate 26 from Woodcuts from Books of the… Nut Shop, St James’s Place, Houndsditch, 1887, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint with foul biting on off-white laid paper, 126 x 177 mm (image,… Curly Headed Man with a Wry Mouth, 1630/80, Possibly Ferdinand Bol (Dutch, 1616-1680), In the manner of Rembrandt van Rijn (Dutch, 1606-1669), Holland, Etching on paper, 65x62 mm (image/plate),… Paperweight, c. 1851, Clichy, France, 1837-1885, Clichy, Glass, Diam. 7.3 cm (2 7/8 in.) Emily, Countess of Kildare, 1754, James McArdell (Irish, c. 1710-1765), after Sir Joshua Reynolds (English, 1723-1792), Ireland, Mezzotint in black on cream laid paper, 315 x 248 mm (image), 350 x… King Vulture, 1734, Meissen Porcelain Manufactory, Germany, founded 1710, Modeled by Johann Joachim Kändler, German, 1706-1775, Germany, Hard-paste porcelain, polychrome enamels, 58 × 43 cm (22.8… Zuni, Watching, 1879/81, John K. Hillers, American, born in Germany, 1843–1925, United States, Albumen print, 23 x 18.3 cm (image/paper), 38.4 x 33.1 cm (mount) Incense That Revives the Image of the Dead, Lady Li, 1765, Attributed to Komatsuya Hyakki, Japanese, 1720–1793 (?), Japan, Color woodblock print, right sheet of chuban diptych (left sheet:… Panel (Style of Toile Normande), 1750/1800, France, Cotton, plain weave, brocaded in wool, 199.5 × 57.8 cm (78 1/2 × 22 3/4 in.) Aureus (Coin) Portraying Emperor Maximianus Herculius, 303, Roman, minted in Trier, Germany, Gold, 1.8 cm, 5.25 g 2.589.713 / 2.589.715 Entries < previous page Page 3393 / 25898 next page >