Librifly Art Gallery


2.589.713 / 2.589.715 Entries   < previous page Page 3395 / 25898 next page >
Two Panels, 1775/1800, England or France, England, Cotton, plain weave, probably roller printed, glazed, a: 191.8 × 82 cm (75 1/2 × 32 1/4 in.)
Fragment, Roman period (30 B.C.– 641 A.D.)/Arab period (641–969), 6th/8th century, Coptic, Egypt, Egypt, Wool and linen, slit and dovetailed tapestry weave with eccentric wefts and wrapped…
Fragment, 17th century, Italy, Satin: flat, raised and couched.
Joseph and Potiphar’s Wife, 1634, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching on buff laid paper, 90 x 114 mm (image/plate), 98 x 120 mm (sheet)
The Courtesan Nanaaya of the Kadokanaya and Her Attendant, c. 1776/81, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, hashira-e, 26 3/4 x 4 5/8 in.
Pink-Ground Medallion Bowl, Qing dynasty (1644–1911), Qianlong reign mark and period (1736–1795), China, Porcelain with overglaze enamel decoration and painted gold rim, H. 6.7 cm (2 5/8…
Arctica alle, Print, 1700-1880
Trishala Gives Birth to Mahavira, page from a copy of the Kalpasutra, 1475/1500, India, Gujarat, India, Opaque watercolor, gold, and ink on paper, Image: 10.3 x 7.4 cm (4 1/16 x 2 7/8 in.),…
Flying fish and Ichimochi, from an untitled series of fish, c. 1840/42, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, oban, trimmed, 23.6 x 34.5 cm
Bottle, 1st/2nd century AD, Ancient Mediterranean, Mediterranean Region, Glass, blown technique, 11.4 × 2.2 × 2.2 cm (4 1/2 × 7/8 × 7/8 in.)
Coin Portraying Emperor Arcadius, AD 383/408, Roman, Roman Empire, Bronze, Diam. 1.7 cm, 2.40 g
Paperweight, c. 1845–60, Saint-Louis, France, founded 1767, France, Glass, Diam. 7.3 cm (2 7/8 in.)
The Extraordinary Phenomenon of the Popular Otsu Picture (Tokini otsue kidai no maremono), 1848, Utagawa Kuniyoshi, Japanese, 1779-1861, Japan, Color woodblock print, oban triptych
Paperweight, c. 1845–60, Baccarat, France, founded 1764, Baccarat, Glass, Diam. 8 cm (3 1/8 in.)
The Saw Mill, Putney, 1888–89, Theodore Roussel, French, worked in England, 1847-1926, England, Etching in black on ivory laid paper, 119 × 80 mm (image/plate), 126 × 80 mm (sheet)
The Model Nizzavena, c. 1882–1883, Henri de Toulouse-Lautrec, French, 1864-1901, France, Charcoal, with stumping, on cream laid paper, 610 × 471 mm
Londesburgh, plate 31 from Britannia Illustrata, published 1707, Jan Kip (Dutch, c. 1653-1722), after Leonard Knyff (Dutch, 1650-1721), published by David Mortier (French, 1673-1728),…
Apate, Print
Purse, 19th century, France, Knitted in silk and metal thread consisting of strip wound on silk core, Diam. 5.4 cm (2 1/8 in.)
Coverlet, 1820/40, United States, Probably Pennsylvania, Pennsylvania, Cotton and wool, plain weave with plain interlacings of secondary binding warps and patterning wefts (star work, tied…
Friar Pedro Binds El Maragato with a Rope, c. 1806, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Oil on panel, 11 1/2 × 15 5/8 in. (29.2 × 38.5 cm)
Agelaius phoeniceus, Print, The red-winged blackbird (Agelaius phoeniceus) is a passerine bird of the family Icteridae found in most of North America and much of Central America. It breeds from…
The Entombment, 1585, Andrea Andreani (Italian, 1558/59-1629), after Raffaellino Motta da Reggio (Italian, 1550-1578), Italy, Chiaroscuro woodcut in black and burnt sienna, on white laid paper, 418…
Courtesan and Two Attendants Parading by a Stream, c. 1776, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, vertical oban diptych, 25 1/8 x 9 3/8 in.
The Actor Ichikawa Somegoro, from A Picture Book of Stage Fans (Ehon butai ogi), 1770, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Color woodblock print, page from illustrated book,…
Paperweight, c. 1845–60, Clichy, France, 1837-1885, Clichy, Glass, Diam. 7.3 cm (2 7/8 in.)
Birth of the Virgin, c. 1784, Giuseppe Cades, Italian, 1750-1799, Italy, Pen and brown ink with pen and brown wash, over traces of graphite, heightened with white gouache (discolored), on ivory…
Coin Portraying Emperor Constantine I, AD 307/337, Roman, minted in Trier, Roman Empire, Bronze, Diam. 2 cm, 2.85 g
Letter of Congratulations to Karna Martensdottir, n.d., Unknown Artist, American, 19th century, United States, Watercolor, over graphite, heightened with gum arabic, on cream wove paper, 219 x 163 mm
Anomala, Print, Anomala is a genus of shining leaf chafers in the family of beetles known as Scarabaeidae. There are at least 1, 200 described species in Anomala.
Tuchlauben No. 1, Wohnhaus des Peter Ritter von Calvagni, 1860s, Austrian, 19th century, Austria, Albumen print, 33.2 × 27 cm (image/paper), 61.2 × 42.7 cm (album page)
Milton Dictating to Ellwood the Quaker, 1804/05, James Barry, Irish, 1741-1806, Ireland, Etching and engraving with some aquatint on ivory wove paper, 578 x 423 mm (plate), 674 x 526 mm (sheet)
Lamp, 1st/2nd century AD, Roman, Italy, terracotta, 12.5 × 8 × 4 cm (4 7/8 × 3 × 1 1/2 in.)
Petanque Players in Brittany, 1890, Charles Laval, French, 1862-1894, France, Graphite on cream wove paper, laid down on off-white wove paper, 272 × 412 mm (primary support), 280 × 430 mm…
Transcription of various ancient Latin inscriptions, from Some Views of Triumphal Arches and other monuments, 1748, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on ivory laid…
The Adoration of the Einsiedeln Madonna, n.d., German or Swiss, 18th century, Germany, Woodcut in black hand colored with elements of fabric, copper alloy metal foil, and block printed…
Mother and Child, No. 2, 1891/95, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black on cream laid paper, 170 x 204 mm (image), 227 x 283 mm (sheet)
Fragment, 1876, United States, Cotton, plain weave, roller printed, 18.5 × 8 cm (7 1/4 × 3 1/8 in.)
The Baby House, 1863, Sir John Everett Millais, English, 1829-1896, England, Etching on cream chine, laid down on ivory wove paper, 145 × 184 mm (plate), 280 × 385 mm (sheet)
Coin Portraying Emperor Aurelian, AD 270/275, Roman, Roman Empire, Bronze, Diam. 2.2 cm, 3.51 g
Garden View, c. 1880, Henri Stanislas Rouart, French, 1833-1912, France, Watercolor, over traces of graphite, on cream laminate card, 253 × 175 mm
Leaf from Habiti antichi e moderni, plate 92 from Woodcuts from Books of the XVI Century, 1598, assembled into portfolio 1937, Cesare Vecellio (Italian, c.1521-1601), assembled by Max Geisberg…
Perspective, n.d., Etienne Delaune, French, c. 1519-1583, France, Engraving on paper, 54 × 73 mm (image/sheet, cut within platemark)
Kanbara, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi), also known as the Tokaido with Poem (Kyoka iri Tokaido), c. 1837/42, Utagawa Hiroshige 歌川 広重,…
The Actor Nakamura Nakazo I as the Renegade Monk Dainichibo Soliciting Alms, in the Play Edo Meisho Midori Soga (Famous Places in Edo: A Green Soga), Performed at the Morita Theater from the…
Fragment (Border), 1601/25, Italy, Linen and silk, plain weave, tied double cloth, edging linen and silk, warp-twining with ground weft fringe, 7.5 x 33 cm (3 x 13 in.)
Christ Summoning Saint Peter to Walk on the Water, after 1627/28, After Giovanni Lanfranco, Italian, 1582-1647, Italy, Red chalk, over stylus underdrawing, on cream laid paper, laid down on cream…
First Step to the Coach Box, n.d., Henry Alken, English, 1785-1851, England, Hand-colored etching on paper, 118 × 184 mm (image), 153 × 229 mm (sheet)
Cat, c. 1750, Staffordshire, England, Staffordshire, Lead-glazed earthenware (agateware), 7.6 x 6.4 x 4.5 cm (3 x 2 1/2 x 1 3/4 in.)
God the Father, 1567/70, Bernardino Campi, Italian, 1522-1591, Italy, Black chalk, heightened with white gouache, squared in black chalk, on gray-brown laid paper, laid down on cream laid paper, 212…
Saint Matthew, plate one from The Four Evangelists, 1588, Jacob de Gheyn II (Dutch, 1565-1629), after Hendrick Goltzius (Dutch, 1558-1617), Netherlands, Engraving in black on laid paper, 150…
Allorrhina, Print
On the Bridge of Europe, plate nine from Landscapes and Interiors, 1899, Edouard Vuillard (French, 1868-1940), printed by Auguste Clot (French, 1858-1936), published by Ambroise Vollard…
Fragment, Fatimid period (969–1171), late 11th/early 12th century, Egypt, Egypt, Silk, tapestry weave, 50.8 × 35.6 cm (20 × 14 in.)
French photographer, 1861, Utagawa Yoshikazu, Japanese, active c. 1850–70, Japan, Color woodblock print, oban
Rummer, c. 1780, England, Glass, H. 19.1 cm (7 1/2 in.)
Anodonta dipsada, Print, Anodonta is a genus of freshwater mussels in the family Unionidae, the river mussels.
Paperweight, c. 1848–55, Baccarat, France, founded 1764, Lunéville, Glass, Diam. 8.9 cm (3 1/2 in.)
Jean René Gauguin, 1881, Paul Gauguin, French, 1848-1903, France, Black fabricated chalk, red chalk, brush and brown wash, with pen and brown ink, on cream wove paper, with later additions in…
Christ on the Cross, n.d., Attributed to Sebastiano Conca, Italian, 1680-1764, Italy, Black chalk with touches of white chalk, on brown laid paper, 397 x 243 mm
The Coiffure, 1890–91, Mary Cassatt (American, 1844-1926), printed with Leroy (French, active 1876-1900), United States, Color aquatint with drypoint from three plates on ivory laid paper, 364 x…
Memorial Surimono, 2nd month, 1883, Shibata Zeshin, Japanese, 1807-1891, Japan, Color woodblock print, surimono, 58.2 x 44.5 cm
Pair of Startups (Half Boots), c.1860s, United States, United States
Mytton Hall, 1859, Francis Seymour Haden, English, 1818-1910, England, Drypoint on ivory Japanese paper mounted on board, 122 × 264 mm (image/plate), 155 × 283 mm (sheet)
Paperweight, 19th century, Clichy, France, 1837-1885, Clichy, Glass, Diam. 5 cm (2 in.)
Great Courtyard, Dublin Castle, published July 1792, James Malton, English, 1761-1803, England, Hand-colored aquatint in black on ivory wove paper, 257 × 373 mm (image), 315 × 425 mm (plate), 420…
The Sudarium of Saint Veronica, 1649, Claude Mellan, French, 1598-1688, France, Engraving in black on buff laid paper, 433 × 316 mm (plate), 436 × 319 mm (sheet)
Smallsword and Scabbard, c. 1785, Cutler: Thomas Prosser (English, 1774-1795), England, Steel, two gold alloys, gilding, brass, parchment, and wood, 101 × 10.2 cm (39 3/4 × 4 in.)
Fitted Chest with Floral and Grape-Leaf Motifs, 18th/19th century, India, Deccan, India, Iron inlaid with silver in the kuftgari technique, 12.1 x 35.2 x 22.7 cm (4 3/4 x 13 7/8 x 8 15/16 in.)
Okitsu, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi), c. 1806, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color woodblock print, chuban, Approx. 24…
Fragment, 1601/25, Italy, Silk, 4:1 satin damask weave, 68.8 x 57 cm (27 1/8 x 22 1/2 in.)
Philibert the Pony, 1898, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph on ivory wove paper, 357 × 260 mm (image), 530 × 360 mm (sheet)
John Bull at His Studies, published March 13, 1799, Unknown Artist (English, late 18th-early 19th centuries), published by S. W. Fores (English, active 1785-1825), England, Hand-colored etching…
View of the Palazzo della Consulta on the Quirinal housing the Papal Secretariat, from Views of Rome, 1750/59, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on heavy ivory laid…
A Woman and Two Maids, from the series A Mirror of Feminine Manners (Onna fuzoku masu kagami), c. 1790, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, chuban, 24.4 x 18.1 cm
The Pietà, c. 1512, Marcantonio Raimondi (Italian, c. 1480-1534), after Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving in black on paper, 308 x 219 mm
Newspaper-Stall, Rue de Seine, 1893, James McNeill Whistler, American, 1834-1903, United States, Etching with foul biting in dark brown ink on buff laid paper, 82 x 200 mm (image, trimmed within…
Yusuf and Zulaykha, Safavid dynasty (1501–1722), 1573, Iran, Inscribed by Muhammad Hussayn ibn Sultan Hussayn, Iran, Ink, gold, and opaque watercolor on paper, 25.1 x 15.8 x 5 cm (9 7/8 x 6 1/4 x…
Coverlet, 1840/50, United States, New York, Genessee County, United States, Cotton and wool, woven on loom with Jacquard attachment, two loom widths joined, 220 x 204.6 cm (86 1/2 x 80 1/2 in.)
Stater (Coin) Depicting Horseman, 272/235 BC, Greek, minted in Tarentum, Calabria, Italy, Taranto, Silver, Diam. 2 cm, 6.24 g
Mirror with Dragon Arabesques, Eastern Zhou dynasty, Warring States period or early Western Han dynasty, 3rd/2nd century B.C., China, Bronze, Diam. 20.8 cm (8 3/8 in.), Thickness: 0.2 cm (3/16 in.)
Remember the Giver (valentine), c. 1830, Unknown Artist, American or English, 19th century, United States, Engraving with hand-coloring on ivory card, 39 x 69 mm
Man’s Jifu (Semiformal Court Robe), Qing dynasty (1644–1911), 1750/75, Manchu, China, Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced…
Fragment, 1601/25, Netherlands, Netherlands, Fancy simple cloth, twill weave
Loop Suspension Bell (Niuzhong), Eastern Zhou dynasty (770–256 B.C.), late 6th/early 5th century B.C., China, Bronze, 27.0 × 15.5 cm (10.6 × 6.1 in.)
Pickle Herring Wharf, 1876/77, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint with foul biting in black ink on ivory laid paper, 151 x 228 mm (plate), 197 x 308…
The Entrance of Warwick Castel from the Lower Court, plate 2, January 1776, Paul Sandby, English, 1731-1809, England, Etching and aquatint, printed in bistre ink on heavy cream laid paper, 320 ×…
The Meeting of Joachim and Anna at the Golden Gate, c. 1553, Girolamo Mazzola Bedoli, Italian, c. 1510-c. 1569, Italy, Pen and brown ink with brush and gray wash, heightened with lead white, on…
Cecrops’ Daughters Uncover Erichthonius (recto), A Battle Scene (verso), 1577/78 (recto), n.d. (verso), Anthonie van Montfoort Blocklandt, Netherlandish, 1532-1583, Netherlands, Pen and brown…
Teapot, c. 1760, England, Staffordshire, Staffordshire, Earthenware (redware), 14.6 x 7.6 cm (5 3/4 x 3 in.)
The Climb, 1787, Philibert Louis Debucourt, French, 1755-1832, France, Aquatint on paper, 310 × 254 mm (image), 375 × 285 mm (sheet)
Cloak Pin (Knob or Tieback), 1810/30, England, Copper, transfer printed and polychrome enamel, gilt bronze, and iron, Diam. 4.8 cm (1 7/8 in.)
Solar Law, 1855, Charles Meryon, French, 1821-1868, France, Etching, from two plates, one printed in warm black, the other in red ink, on ivory wove paper, 118 × 80 mm (image), 118 × 80 mm…
Seated Girl (Julie Manet), c. 1890, Berthe Morisot, French, 1841-1895, France, Colored pencils, over touches of graphite, on cream wove paper, laid down on cream wove paper, 315 × 228 mm
Antoninianus (Coin) Portraying Emperor Gordian III, AD 242/244, Roman, minted in Antioch, Roman Empire, Billon, Diam. 2.3 cm, 4.84 g
Street at Saverne, 1858, James McNeill Whistler, American, 1834-1903, United States, Etching with foul biting, with drypoint cancellation, in black ink on ivory laid paper, 205 x 159 mm (plate), 299…
Family Scene in Landscape, 1803, Jean Jacques de Boissieu, French, 1736-1810, France, Etching on paper, 185 × 230 mm (image), 205 × 250 mm (plate), 215 × 265 mm (sheet)
Two Small Horsemen, 1865, Odilon Redon, French, 1840-1916, France, Etching on ivory wove paper mounted on ivory wove paper, 99 × 81 mm (image/sheet), 320 × 223 mm (sheet, mounting)
A Wooded River Landscape with Jacob, Laban, and His Daughters, 1661, Claude Lorrain, French, 1600-1682, France, Pen and brown ink, with brush and black, brown and gray wash, and black chalk, on…
The Raised Flag of the Zouave Regiment, Camp de Châlons, 1857, Gustave Le Gray, French, 1820–1884, France, Albumen print, from the album "Souvenirs du Camp de Châlons

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