Images at Librifly

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A Vole, James Sowerby, 1756–1822, British, Or James de Carle Sowerby, 1787–1871, British, Or Charles E. Sowerby, 1795–1842, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove

Fishing Boat on the Beach with a Brig at Sea, Samuel Prout, 1783–1852, British, undated, Watercolor, gouache, and graphite, with stumping on moderately thick, slightly textured, beige wove paper, Sheet: 10 1/2 × 7 7/8 inches (26.7 × 20

Boat on the Nile, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, beige wove paper, Sheet: 2 x 3 1/4in. (5.1 x 8.3cm), boat, marine art, river, sails, Africa, Nile

Ryde Pier, Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859), 1887, Etching on medium, slightly textured, cream antique laid paper, Sheet: 5 5/16 x 3 11/16 inches (13.5 x 9.4 cm) and Image: 5 3/16 x 3

A Camel Resting, George Jones, 1786–1869, British, undated, Brown wash, black chalk, and white gouache on medium, slightly textured, brown, wove paper, Sheet: 3 3/4 × 5 1/4 inches (9.5 × 13.3 cm), animal art

A Hare Running, with Ears Laid Back, James Seymour, 1702–1752, British, undated, Pen, in brown ink on medium, moderately textured, beige, laid paper, mounted on, thick, moderately textured, beige, laid paper, Mount: 5 11/16 × 6 3/4

Peacock at Capel Curig, David Cox, 1783–1859, British, 1840s, Black chalk on medium, slightly textured, white wove paper, Sheet: 5 5/8 x 9 inches (14.3 x 22.9 cm), animal art, peacock (bird), Capel Curig, United Kingdom

Snipe Shooting, Robert Dighton, 1752–1814, British, ca. 1790, Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, blued white, laid paper, Sheet: 10 1/16 × 14 7/16 inches (25.6 × 36.7 cm), Image: 9

Cristiano Giuseppe Lidarti and Giovanni Battista Tempesti, Nathaniel Dance RA, 1735–1811, British, between 1759 and 1760, Oil on canvas, Support (PTG): 28 1/2 x 24 1/2 inches (72.4 x 62.2 cm), art, artist, brushes, canvas, cello, chair,

Jumping a Double Oxer - A Rider in Difficulties, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, with pen, in brown ink, and graphite on medium, slightly textured, blued white, wove paper, Sheet: 10 3/4 × 14 5/8 inches

Fencers, Marcellus Laroon the Younger, (senior), 1679–1772, British, undated, Black chalk and white chalk on medium, moderately textured, beige wove paper, Sheet: 7 9/16 x 10 1/8in. (19.2 x 25.7cm) and Sheet: 7 5/8 × 10 1/8 inches (19.4

Patience in a Punt, Henry William Bunbury, 1750–1811, British, undated, Watercolor, pen and black ink, brown ink, gray ink, and graphite on moderately thick, rough, cream, wove paper, Sheet: 8 1/16 × 12 1/2 inches (20.5 × 31.8 cm),

The Portraiture of Crab, Late the Property of the Right Honorable Earl of Portmore, Print made by Richard Houston, ca. 1721–1775, British, after Thomas Spencer, 1700–1753, British, 1755, Mezzotint on medium, slightly textured, cream

The Night Riders of Nacton: The Last Field near Nacton Heath, Henry Thomas Alken, 1785–1851, British, undated, Watercolor and gouache on medium, slighlty textured, brown wove paper, mounted to card, Sheet: 10 1/8 × 14 1/8 inches (25.7 ×

Studies of Pigs, James Ward, 1769–1859, British, undated, Graphite on medium, smooth, cream wove paper, Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm) and Contemporary drawn border: 10 7/8 x 8 3/4 inches (27.6 x 22.2 cm), animal art, pigs

Harlech, no. 2, Francis Seymour Haden, 1818–1910, British, 1880, Etching, drypoint and mezzotint on thick, slightly textured, cream wove paper, Sheet: 10 13/16 x 14 7/8 inches (27.5 x 37.8 cm), Plate: 8 11/16 x 12 5/16 inches (22.1 x

Study of a cow, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 3 1/8 × 4 3/8 inches (7.9 × 11.1 cm), animal art, cow

Excelsior (tail piece), Print made by Alfred W. Cooper, active 1850–1901, British, after Alfred W. Cooper, active 1850–1901, British, undated, Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper,

Buck and Doe, Sawrey Gilpin, 1733–1807, British, undated, Graphite and rubbing on medium, moderately textured, cream, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Sheet: 6 3/8 × 9 1/16 inches (16.2

Portrait of a Young Woman, Unknown artist, sixteenth century, Formerly Steven van der Meulen, active 1543–1563, Netherlandish, active in Britain (from 1560), naturalized 1562, 1567, Oil on panel, Support (PTG): 36 1/2 x 28 inches (92.7 x

The Fort of Bidjegur, William Hodges, 1744–1797, British, ca. 1784, Oil on canvas, Support (PTG): 24 1/8 x 40 inches (61.3 x 101.6 cm), architectural subject, cannon, cliff, fort, fortress, hill, landscape, man, military art,

Bachelor's Hall: The Death, Francis Calcraft Turner, active 1782–1846, British, 1835 to 1836, Oil on canvas, Support (PTG): 14 x 19 inches (35.6 x 48.3 cm), genre subject, horses (animals), hounds (dogs), reins, rural, sporting art,

A Shooting Party: Mr. C. Leslie and Mr. John Leslie, Sir Edwin Henry Landseer, 1802–1873, British, 1833, Pen and brown ink, brown wash, and gray wash on thin, slightly textured, blue laid paper, Sheet: 9 5/8 x 10 1/2 inches (24.4 x 26.7

The Suffolk Hunt : The Death, John Frederick Herring, 1795–1865, British, 1833, Oil on canvas, Support (PTG): 11 x 15 inches (27.9 x 38.1 cm), brook, costume, death, dogs (animals), fence, horse (animal), hunting, riding, rural,

A Sailing Boat Becalmed, Thomas Creswick, 1811–1869, British, undated, Pen, brown ink, black ink and graphite on medium, smooth, cream wove paper, Sheet: 1 7/8 × 2 1/4 inches (4.8 × 5.7 cm), boat, figures, lighthouse, marine art,

Sailing Barge at Sea, Edward Duncan, 1803–1882, British, undated, Watercolor, gouache, and graphite, with scratching out on medium, slightly textured, cream wove paper, Sheet: 9 1/4 x 12 5/8 inches (23.5 x 32.1 cm), barge, boats,

A Bandit, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor, gouache, and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 5 1/2 × 7 3/8 inches (14 × 18.7 cm), animal art

Shipping off Staffa, Anthony Vandyke Copley Fielding, 1787–1855, British, 1842, Watercolor, pen, brown ink, gray ink, black ink, gouache, gum, and graphite, with scraping on medium, slightly textured, cream, wove paper, Sheet: 12

Man on Horseback Carrying a Spear, James Bruce, 1730–1794, British, undated, Graphite on medium, moderately textured, cream laid paper, Sheet: 8 5/8 × 13 1/2 inches (21.9 × 34.3 cm), animal art

Study of the Royal Stag, James Valentine, 1815–1879, British, ca. 1865, Albumen print from wet collodion negative on thin, smooth, cream wove paper, Sheet: 4 1/2 × 6 1/2 inches (11.4 × 16.5 cm) and Mount: 13 × 16 3/8 inches (33 × 41.6

Prince George and Prince Edward Augustus, Sons of Frederick, Prince of Wales, with Their Tutor Dr. Francis Ayscough, Richard Wilson RA, 1714–1782, British, active in Italy (1750–56), between 1748 and 1749, Oil on canvas, Support (PTG):

Drawing Covert, Possibly Henry Thomas Alken, 1785–1851, British, or possibly Samuel Henry Gordon Alken, 1810–1894, British, undated, Graphite and watercolor on medium, slightly textured, cream, wove paper, Sheet: 8 5/8 × 10 11/16

A Tigress, John Dixon, ca. 1740–1811, Irish, after George Stubbs, 1724–1806, British, 1773, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 19 x 23 inches (48.3 x 58.4 cm) and Image: 18 1/2 x 23 inches (47 x 58.4 cm),

Windham Quin of Adare, Co. Limerick, Ireland, Stephen Slaughter, 1697–1765, British, ca. 1745, Oil on canvas, Support (PTG): 40 1/8 x 50 5/8 inches (101.9 x 128.6 cm), animal, birds, cravat, dead, dog (animal), guns, hunter,

Study of a Bull, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 9 1/4 × 12 inches (23.5 × 30.5 cm), animal art, bull, cow, male, study (visual work

Study of a Vampire Bat, Samuel Howitt, 1756–1822, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 9 1/8 × 6 1/2 inches (23.2 × 16.5 cm), animal art, bat (animal), flying

Head of a Lion, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Sheet: 8 15/16 × 10 3/4 inches (22.7 ×

Wounded Turkish Cavalryman in Danger of Failling From His Horse..., Henry Thomas Alken, 1785–1851, British, undated, Graphite on medium, smooth, cream, wove paper, Sheet: 6 × 7 15/16 inches (15.2 × 20.2 cm), cavalry, falling, genre

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), breakwaters, channel

Study of a Rababi Musician, Amritsar, 25 March 1860, William Simpson, 1823–1899, British, 1860, Graphite on medium, smooth, cream wove paper, Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm) and Binding: 4 1/4 inches (10.8 cm), animal art,

Brown Horse in a Hilly Landscape, unknown artist, eighteenth century, Formerly attributed to George Stubbs, 1724–1806, British, ca. 1785, Oil on canvas, Support (PTG): 25 x 30 inches (63.5 x 76.2 cm), animal art, brown, clouds, field,

Cave of the Golden Calf: Studies of Tree Houses, Animals and Floor Plan, Spencer Frederick Gore, 1878–1914, British, 1912, Graphite and pen and black ink on moderately thick, slightly textured, cream wove paper, Sheet: 14 x 10 inches (35.6

Lioness in Profile, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Black chalk on thin, smooth, beige wove paper, Sheet: 10 7/8 x 14 1/2 inches (27.6 x 36.8 cm), animal, animal art, lioness, profile, Vorticism

A Hunter in a Landscape, James Ward, 1769–1859, British, 1810, Oil on panel, Support (PTG): 27 7/8 x 35 7/8 inches (70.8 x 91.1 cm), fields, hills, horse (animal), hunting, landscape, sporting art

The Tetrarch, Adrian Jones, 1845–1938, British, ca. 1913, Bronze, with wooden base, Overall: 23 x 21 1/4 x 8 3/4 inches (58.4 x 54 x 22.2 cm) and Base or socle: 2 5/8 inches (6.7 cm), animal art, horse (animal

Borlase Cokayne as a Boy riding Sultana, Thomas Smith of Derby, ca. 1720–1767, British, 1751, Oil on canvas, Support (PTG): 18 1/2 x 25 3/8 inches (47 x 64.5 cm), boy, bridle, cattle, child, equestrian, jockey, jockey cap, portrait,

A Black and White Indian Bird, (one of a pair), unknown artist, Undated, Watercolor, with pen, in brown ink, gouache, and graphite on medium, moderately textured, cream, wove paper, Sheet: 24 7/8 × 18 1/8 inches (63.2 × 46 cm), animal

Chaffinch, Possibly Joseph Wolf, 1820–1899, German, ca. 1840, Watercolor, with pen in brown ink, over graphite on medium, slightly textured, beige, wove paper, Sheet: 4 3/4 × 4 1/16 inches (12.1 × 10.3 cm) and Image: 2 5/8 × 2 13/16

A Fish-market near Boulogne, Richard Parkes Bonington, 1802–1828, British, 1824, Oil on canvas, Support (PTG): 32 3/8 x 48 1/4 inches (82.2 x 122.6 cm), bags (containers), barrels (containers), baskets, beach, boats, buildings, buyers,

Foxhunter, with Jockey Up, James Seymour, 1702–1752, British, undated, Graphite and pen and brown ink on medium, moderately textured, beige, laid paper, Sheet: 5 7/16 × 8 5/16 inches (13.8 × 21.1 cm), figure study, horse (animal),

Coastal Scene with Figures and Boats, imitator of Thomas Gainsborough RA, 1727–1788, British, undated, Gray wash, brush and black ink, black chalk, heightened with white chalk on medium, slightly textured, beige laid paper, Sheet: 10 7/8

The Berkeley Hunt, 1842: The Chase, Francis Calcraft Turner, active 1782–1846, British, 1842, Oil on canvas, Support (PTG): 16 x 24 inches (40.6 x 61 cm), animals, breeches, bridle, chase, chasing, dogs (animals), fence, field,

Prospero and Miranda, Mary Hoare, 1753–1820, British, 1781, Watercolor with gouache, black ink, and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with

Cattle Resting, Robert Hills, 1769–1844, British, 1807, Lithograph on moderately thick, moderately textured, gray laid paper, Sheet: 8 15/16 x 12 1/4 inches (22.7 x 31.1 cm) and Image: 8 15/16 x 12 1/4 inches (22.7 x 31.1 cm), animal art,

Old British Camp in Bulstrode Park, George Arthur Fripp, 1813–1896, British, 1860, Watercolor, gouache, graphite, and gum with scraping out on moderately thick, slighlty textured, cream wove paper, Sheet: 13 7/8 × 24 1/4 inches (35.2 ×

The Death of the Fox, Print made by Thomas Burford, ca. 1710–after 1774, British, after James Seymour, 1702–1752, British, Published by Laurie & Whittle, 1755?–1836, British, 1794, Mezzotint on moderately thick, smooth, beige laid

Study of cattle with horses in the background, Sawrey Gilpin, 1733–1807, British, undated, Pen and brown ink and gray wash over graphite on medium, slightly textured, cream laid paper, Sheet: 6 7/8 × 11 5/8 inches (17.5 × 29.5 cm),

Corbeaux Town, Port of Spain, Michel Jean Cazabon, 1814–1888, Trinidadian, active in France ca. 1839-1847, 1857, Pen and black ink, gray ink, gray wash, black wash, graphite and gouache on moderately thick, slightly textured, beige,

Gloucestershire Old Spot, James Ward, 1769–1859, British, between 1800 and 1805, Oil on panel, Support (PTG): 11 3/4 x 15 inches (29.8 x 38.1 cm), farm, farmer, farmyard, fur, obese, obesity, pig, rural, sporting art, England,

An Unknown Man, perhaps Charles Goring of Wiston (1744-1829), out Shooting with his Servant, Unknown artist, eighteenth century, Formerly attributed to Johan Joseph Zoffany RA, 1733–1810, German, active in Britain (from 1760), ca. 1765,

Near Suez, 1 pm, 16 January 1849 (48), Edward Lear, 1812–1888, British, 1849, Watercolor with pen in brown ink over graphite on moderately thick, rough, beige wove paper, Sheet: 5 3/16 x 9 1/16 inches (13.2 x 23 cm), animal art, bags

Front View of a Vessel with Masts, Cornelius Varley, 1781–1873, British, undated, Graphite on medium, moderately textured, cream wove paper, Sheet: 13 3/4 x 8 7/8 inches (34.9 x 22.5 cm), boat, dinghy, dock, marine art, mast, pulley,

For Japaning, Where may be 200 Different Sorts, Peter P. Benazech, 1767–1794, after C. Fenn, after unknown artist, ( C. Fenn ), Published by John Ryall, active 1755–1762, British, Published by Robert Withy, active 1750–1765,

Study of Boats on Shore, Cornelius Varley, 1781–1873, British, 1829, Graphite on medium, slightly textured, cream wove paper, Sheet: 16 1/2 x 10 1/2 inches (41.9 x 26.7 cm), bay, building, cloak, dry dock, harbor, man, marine art,

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

The Alco: Young, Carrier Dog of the Indians, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink, brown ink, gray ink and graphite on medium, slightly textured, cream, wove paper, Sheet: 4 3/4 × 7 7/16

'Doing the Thing: and the Thing Done:' Doing the Thing Well - giving Dribblers the go bye, Henry Thomas Alken, 1785–1851, British, 1818, Watercolor, with pen, in brown ink, over graphite on medium, moderately textured, beige, wove paper,

View of Swanage Bay, Dorset, unknown artist, nineteenth century, formerly John Constable, 1776–1837, British, 1816, Watercolor over graphite on medium, smooth wove paper laid to card, Sheet: 4 1/2 x 5 3/4in. (11.4 x 14.6cm) and Mount: 5

Two Figure Studies, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Black ink on medium, slightly textured, cream machine-made laid paper, Sheet: 9 x 7 1/8 inches (22.9 x 18.1 cm), abstract art, figure, figure study,

Reverend Moore, Richard Dighton, 1795–1880, British, 1841, Graphite and watercolor on medium, smooth, cream wove paper, Image: 9 1/4 × 7 11/16 inches (23.5 × 19.5 cm) and Frame: 10 11/16 × 26 3/16 × 13/16 inches (27.2 × 66.5 × 2 cm),

An Indoor Military Riding School With an Instructor Teaching Recruits to Trot, Charles Samuel Keene, 1823–1891, British, undated, Pen, in brown ink: on medium, smooth, beige, wove paper, mounted on very thick, smooth, cream, wove card

Opposite Beni Hassan, Looking North, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, beige, wove paper, mounted on thick, moderately textured cream paper, Sheet: 3 3/16 x 10

A Woodpecker, James Sowerby, 1756–1822, British, undated, Watercolor over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 13 1/2 × 8 1/8 inches (34.3 × 20.6 cm), animal art, birds, European Green Woodpecker,

Torquay, William Payne, active 1850s, British, undated, Watercolor and graphite with pen and gray ink on moderately thick, slightly textured, cream wove paper, Sheet: 4 3/16 × 6 inches (10.6 × 15.2 cm), boats, children, docks, genre

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Graphite on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

A Sun-Bear, James Sowerby, 1756–1822, British, undated, Watercolor, gouache, and graphite with pen and black ink on medium, smooth, cream wove paper, Sheet: 6 1/2 × 6 inches (16.5 × 15.2 cm), animal art, bear, Sun Bear

Two Hounds Attacking a Stag at Bay, Samuel Howitt, 1756–1822, British, undated, Watercolor, with pen, in black ink, over graphite on medium, slightly textured, beige, wove paper, Sheet: 5 3/16 × 7 3/16 inches (13.2 × 18.3 cm), animal

West Highland Heifer Kyloe, Print made by Charles Turner, 1774–1857, British, after Thomas Bewick, 1753–1828, British, 1823, Mezzotint with hand coloring on medium, slightly textured, cream wove paper, Sheet: 19 1/8 x 22 5/8 inches

Three Cows Standing Under a Group of Trees, unknown artist, eighteenth century-nineteenth century, after Thomas Gainsborough RA, 1727–1788, British, undated, Graphite and gray wash on medium, slightly textured, cream laid paper, Sheet: 6

Binney: number one (a fish), Luigi Balugani, 1737–1770, Italian, Formerly James Bruce, 1730–1794, British, undated, Watercolor over graphite on medium, slightly texture, cream laid paper, Sheet: 12 1/4 × 9 3/4 inches (31.1 × 24.8

The Monument and London Bridge, Frederick Nash, 1782–1856, British, ca. 1825, Oil on artist's board, Support (PTG): 5 5/8 x 8 1/2 inches (14.3 x 21.6 cm), arches, architectural subject, architecture, bales, banks (riverbanks), barges

Breaking Cover, Desperate Struggle for the Lead, Consequences of Leaping Short, Print made by John Doyle ('H.B.'), 1797–1868, Irish, Printed by Thomas McLean, 1788–1875, British, Published by Thomas McLean, 1788–1875, British, 1849,

Foxhunting: Unkennelling the Pack, Edwin W. Cooper of Beccles, 1785–1833, British, 1816, Watercolor witih pen in gray ink and black ink, oever graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 12 11/16 × 19 3/16

Bay with Sailing Ships, Thomas Daniell, 1749–1840, British, active in India, William Daniell, 1769–1837, British, 1793, Graphite on medium, slightly textured, beige, laid paper; mounted on, moderately thick, slightly textured,

The Early Ploughman, Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39), begun before 1861, Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper, Sheet: 11 7/8 x 14 3/4

Study of a Hulk, Thomas Rowlandson, 1756–1827, British, undated, Graphite on medium, slightly textured, blued white, laid paper, Sheet: 8 x 14 inches (20.3 x 35.6 cm), boats, boats, hulk (watercraft by form), hulk (watercraft by form),

Vulture and Lamb, Print made by Samuel William Reynolds, 1773–1835, British, after James Northcote, 1746–1831, British, Published by James Daniell, active ca. 1780–1820, British, 1799, Mezzotint, etching and drypoint on medium,

Dieppe Pier, Stiff Breeze, David Cox, 1783–1859, British, ca. 1832, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 6 5/8 x 9 inches (16.8 x 22.9 cm), birds, coast, marine art, ships, Dieppe, Europe,

An Elephant, George Chinnery, 1774–1852, British, undated, Pen, black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 5 x 6 1/4in. (12.7 x 15.9cm), animal art, elephant (animal), riding

Study of cattle, bull in foreground facing right, Sawrey Gilpin, 1733–1807, British, undated, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 8 1/8 × 12 inches (20.6 × 30.5 cm), animal art, bull, cattle,

Margate, Joseph Mallord William Turner, 1775–1851, British, ca. 1822, Watercolor and scraping out on moderately thick, slightly textured, cream wove paper, Sheet: 6 1/8 x 9 1/4 inches (15.6 x 23.5 cm), cityscape, cliffs, fishermen,

Optical Phenomenon of an Inverted Ship on the Horizon near the Coast of Jameson's Land, Greenland, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper,

Studies of Dogs lying down, James Ward, 1769–1859, British, undated, Black and white chalk on medium, slightly textured, tan wove paper, Sheet: 8 5/8 × 7 5/8 inches (21.9 × 19.4 cm) and Frame: 14 1/8 × 13 × 13/16 inches (35.8 × 33 × 2

The Thames at Chelsea, Thomas Whitcombe, 1763–after 1824, British, 1784, Oil on canvas, Support (PTG): 30 7/8 x 60 1/4 inches (78.4 x 153 cm), boats, bridge (built work), buildings, cityscape, country house, marine art, men, river,

Donkeys, Sawrey Gilpin, 1733–1807, British, undated, Pen and brown ink, graphite and gray wash on moderately thick, moderately textured, cream laid paper, Sheet: 6 3/8 × 7 3/4 inches (16.2 × 19.7 cm), animal art, donkeys

Three Soldiers in Armour Sitting on Stone Blocks, John Hamilton Mortimer, 1740–1779, British, undated, Pen and black ink on medium, slightly textured, cream laid paper, Sheet: 6 7/8 x 7 5/8 inches (17.5 x 19.4 cm), armour, body, blocks,

Flying Squirrel, Samuel Howitt, 1756–1822, British, ca. 1817, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 7 3/8 × 9 3/4 inches (18.7 × 24.8 cm), animal art, branch, flying, squirrel

A Review on Blackheath, May 1785, Thomas Rowlandson, 1756–1827, British, 1785, Watercolor with pen and black ink, over graphite on medium, slightly textured, blued white laid paper, Sheet: 7 9/16 x 13 inches (19.2 x 33 cm), carriages,

Sailing Ships and Small Boats in Rough Sea off the Coast, Samuel Owen, 1768–1857, British, undated, Watercolor and gouache with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 5 1/4 × 4 1/4 inches (13.3 × 10.8

A Bear Attacking a Fallen Indian, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/8 × 7 1/8 inches (13 × 18.1 cm), animal art,

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