Images at Librifly

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[Landscape with Clouds], probably 1856, Salted paper print from glass negative, Image: 31.4 x 44.3 cm (12 3/8 x 17 7/16 in.), irregular, Photographs, Roger Fenton (British, 1819–1869), The towering figure in British photography of the

[John Linnel], 1863, Albumen silver print, Approx. 10.2 x 6.3 cm (4 x 2 1/2 in.), Photographs, Eotto's School of Photography (British, active 1860s

Roslin Chapel, South Porch, 1856, Salted paper print from glass negative, Image: 35.8 x 43.3 cm (14 1/8 x 17 1/16 in.), Photographs, Roger Fenton (British, 1819–1869), Roger Fenton is a seminal figure in the history of British photography

Fotogramm, 1925–1928, Gelatin silver print, 23.9 x 17.9 cm. (9 7/16 x 7 1/16 in.), Photographs, László Moholy-Nagy (American (born Hungary), Borsod 1895–1946 Chicago, Illinois), Moholy-Nagy was a central figure at the Bauhaus in Weimar

[Reclining Odalisque], 1858, Salted paper print from glass negative, 28.5 x 39 cm (11 1/4 x 15 3/8 in.), Photographs, Roger Fenton (British, 1819–1869), Fenton made a series of photographs inspired by the Victorian vogue for the exotic

[Study of a Sculpture], ca. 1900, Gelatin silver print, 39.7 x 29.8 cm (15 5/8 x 11 3/4 in.), Photographs, Attributed to Eugène Druet (French, 1868–1917), This study of an academic sculpture by an unidentified artist may have been made by

Alfred Thompson Gobert, 1849–55, Salted paper print from paper negative, 22.6 x 16.8 cm (8 7/8 x 6 5/8 in.), Photographs, Louis-Rémy Robert (French, 1810–1882), Louis Robert grew up on the premises of the Royal Porcelain Factory at

[Landscape with Cottage], 1844, Daguerreotype, 16.4 x 21.7 cm (6 7/16 x 8 9/16 in.), Photographs, Marie-Charles-Isidore Choiselat (French, 1815–1858), Stanislas Ratel (French, 1824–1904), In the first decade of photography the

The Tomb of Sir Walter Scott, in Dryburgh Abbey, 1844, Salted paper print from paper negative, 16.8 x 17.9 cm (6 5/8 x 7 1/16 in. ), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock), Talbot's second photographically

San Francisco, ca. 1850, Daguerreotype, 21.6 x 16.5 cm (8 1/2 x 6 1/2 in.), Photographs, Unknown, Until recently, this daguerreotype was attributed to Alfred Sands Southworth (1811-1894), a partner in the Boston-based photography firm

Portrait of a Man in Profile, 19th century, Graphite, sheet: 18 1/2 x 14 in. (47 x 35.6 cm), Drawings, Cornelius Varley (British, London 1781–1873 London), Before photography was invented, artists often used optical tools for assistance.

Interior of Lemercier's Lithographic Printing House, ca. 1846, Lithograph, image: 13 1/4 x 16 3/4 in. (33.7 x 42.6 cm), Prints, An early adapter of lithography after it arrived in France about 1800, Joseph Lemercier established one of the

Ritrosetta, 1861–64, Salted paper print from glass negative with applied color, 14.5 x 13.1 cm (5 11/16 x 5 3/16 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913), The mid-nineteenth century saw the simultaneous birth of couture,

Soeur Pierrette Toussaine Blondeau, Hospices de Beaune, 1845–50, Daguerreotype with applied color, Visible: 12.8 x 9.4 cm (5 1/16 x 3 11/16 in.), Photographs, Unknown (French), Sister Pierrette Toussaine Blondeau, seen here with a wounded

Maharaja Sardar Singh of Bikaner, ca. 1860–70, India (Rajasthan, Bikaner), Opaque watercolor, ink, and gold on paper, 16 x 12 in. (40.6 x 30.5 cm), Paintings, Chotu, Maharaja Sardar Singh (r. 1851–72) is captured here in an

[Family Group], 1861–65, Salted paper print from glass negative, Image: 28.9 x 39.5 cm (11 3/8 x 15 9/16 in.), Photographs, Unknown, Although Civil War photography has been much studied, there are still important photographs about which

Maharaja Fateh Singh Hunting Female Bears, dated 1917, Western India, Rajasthan, Udaipur, Ink, opaque watercolor, and gold on paper, Image: 13 3/8 x 18 1/4 in. (34 x 46.4 cm); Page: 21 7/8 x 17 15/16 in. (55.6 x 45.6 cm), Paintings,

Portrait of U. S. Grant, late 19th century, engraving, sheet: 11 7/8 x 9 3/8 inches, Prints, John Chester Buttre (American, Auburn, New York 1821–1893 Ridgewood, New York), After photography by Barr & Young

Pierrot Running, 1854–55, Albumen silver print from glass negative, Image: 26.5 x 20.8cm (10 7/16 x 8 3/16in.), Photographs, Nadar (French, Paris 1820–1910 Paris), Adrien Tournachon (French, 1825–1903), In late 1853, Félix Tournachon

Ichnographs from the Sandstone of Connecticut River, published 1861, Salted paper prints, Books, James Deane (American, 1801–1858), Early on, photography was recognized as a potential tool for scientific investigation. In England and France,

The Manirung Pass, 1860s, Albumen silver print from glass negative, 23.7 x 29.6 cm (9 5/16 x 11 5/8 in.), Photographs, Samuel Bourne (British, 1834–1912), After some initial success as a professional photographer in England, Samuel Bourne

Circe, 1865, Albumen silver print from glass negative, 25.3 x 20.1 cm. (9 15/16 x 7 15/16 in.), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon), My aspirations are to ennoble Photography, '

Paule Gobillard, Jeannie Gobillard, Julie Manet, and Geneviève Mallarmé, 1895, Gelatin silver print, 28.4 x 38.9 cm (11 3/16 x 15 5/16 in.), Photographs, Edgar Degas (French, Paris 1834–1917 Paris), After having made the majority of his

Mormon Emigrant Train, Echo Canyon, ca. 1870, Albumen silver print from glass negative, Image: 6.1 × 10.3 cm (2 3/8 × 4 1/16 in.), Photographs, Charles William Carter (American, born Britain, 1832–1918), Born in London, Charles Carter

The Diwan-i Khas from the Mussaman Burj, Agra Palace, 1862–64, Waxed paper negative with applied media, 37.1 x 46.4cm (14 5/8 x 18 1/4in.), Negatives, John Murray (British, Blackhouse, Aberdeenshire, Scotland 1809–1898 Sheringham,

Gardner's Gallery, 7th and D Streets, Washington, D.C., 1864, Albumen silver print from glass negative, Image: 2 15/16 × 4 1/8 in. (7.5 × 10.5 cm), Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington,

Versuche über Photographie mittelst der Röntgen'schen Strahlen, 1896, Photogravures, 50 x 36 cm (19 11/16 x 14 3/16 in.), Portfolios, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian,

Défilé sur le Pont-Royal, May 1, 1844, Daguerreotype, Image: 6 1/16 × 4 7/16 in. (15.4 × 11.3 cm), Photographs, Marie-Charles-Isidore Choiselat (French, 1815–1858), Stanislas Ratel (French, 1824–1904), In January 1839 the Romantic

The French and English Fleets, Cherbourg, August 1858, Albumen silver print from glass negative, Mount: 21 in. × 26 3/4 in. (53.3 × 68 cm), Photographs, Gustave Le Gray (French, 1820–1884), Le Gray emerged around 1850 as the most

[Gardens of Saint-Cloud], before 1855, Salted paper print from paper negative, Image: 16 1/8 × 14 1/16 in. (41 × 35.7 cm), Photographs, Henri Victor Regnault (French, 1810–1878), A famous physicist and early experimenter with the

[Emmanuel Frémiet], 1880s–90s, Albumen silver print from glass negative, Image: 20.6 × 26.4 cm (8 1/8 × 10 3/8 in.), Photographs, Possibly by Edmond Bénard (French, 1838–1907), The relationship between art and photography was heavily

[Landscape, Pride's Crossing], ca. 1856, Salted paper print from paper negative, 10 1/8 x 13 1/2, Photographs, Samuel Masury (American, 1818–1874), Masury is known primarily as an early daguerreian portraitist who learned his trade in 1842

[Children Fishing], ca. 1900, Platinum print, Image: 9.1 x 25.7cm (3 9/16 x 10 1/8in.), Photographs, William James Mullins (American, 1860–1917), William Mullins, of Franklin, Pennsylvania, was a minor member of the Photo-Secession. He

Frösche in Bauch und Rückenlage, 1896, Photogravure, Image: 9 in. × 6 1/2 in. (22.8 × 16.5 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was

[Four Officers], ca. 1864, Albumen silver print from glass negative, Image: 17.8 x 22.8 cm (7 x 9 in.), Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C.), Gardner was an expert in the new

A Snapshot, Paris, 1911, printed 1912, Photogravure, 13.8 x 17.4 cm. (5 7/16 x 6 7/8 in.), Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York), Born in Hoboken, New Jersey, Stieglitz trained to be an engineer in Germany

Hollow Oak Tree, Fontainebleau, 1855–57, Albumen silver print from glass negative, Mount: 21 9/16 in. × 27 3/8 in. (54.8 × 69.6 cm), Photographs, Gustave Le Gray (French, 1820–1884), Trained as a painter by the artist Paul Delaroche,

Femme turque en toilette de ville, 1870s, Albumen silver print from glass negative, Image: 22.2 x 16.4 cm (8 3/4 x 6 7/16 in.), Photographs, Félix Bonfils (French, 1831–1885), This arresting image of a veiled Turkish woman is one of a large

[Plaster Casts of Bodies, Pompeii], ca. 1875, Albumen print from glass negative, Image: 27.3 x 38.4 cm (10 3/4 x 15 1/8 in.), Photographs, Giorgio Sommer (Italian, born Germany, 1834–1914), Much as photography fixes a moment in time, the

[Women Grinding Paint, Calcutta], ca. 1845, Daguerreotype, Image: 9.4 x 14.4 cm (3 11/16 x 5 11/16 in.), Photographs, Unknown, With the invention of photography, the eighteenth-century British passion for recording exotic flora and fauna and

Ancienne Ferme à Pérenchies, 1854, Salted paper print from paper negative, Image: 23.5 x 29.4 cm (9 1/4 x 11 9/16 in.), Photographs, Alphonse Le Blondel (French, Bréhal 1814–1875 Lille), Le Blondel took up photography during its earliest

Aesculap-Schlange, 1896, Photogravure, Image: 10 3/4 × 8 9/16 in. (27.3 × 21.7 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was the director of

Frauenhand, 1896, Photogravure, Image: 10 3/16 × 4 1/4 in. (25.9 × 10.8 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was the director of an

Elephant Group, 1860s–70s, Albumen silver print from glass negative, 24.8 x 30.6 cm (9 3/4 x 12 1/16 in.), Photographs, Unknown, The technology for photography arrived in India in the 1840s and quickly became popular among the local

[Street with Lamp Post and Wine Shop], 1850s, Waxed paper negative, Image: 6 15/16 × 8 3/4 in. (17.7 × 22.3 cm), irregularly trimmed, Negatives, Unknown (British), In 1841 William Henry Fox Talbot patented the first negative-positive

Cameen in Goldfassung, 1896, Photogravure, Image: 4 5/8 × 6 5/8 in. (11.7 × 16.8 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was the director

The Hand of Man, 1902, printed 1910, Photogravure, 24.2 x 31.9 cm (9 1/2 x 12 9/16 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York), As proprietor of the Little Galleries of the Photo-Secession and

[Seated Female Nude], 1853–54, Albumen silver print from glass negative, Image: 6 13/16 × 4 11/16 in. (17.3 × 11.9 cm), Photographs, Eugène Durieu (French, Nîmes 1800–1874 Geneva), Durieu was a lawyer and early advocate and

[Portrait of a Young Man], 1840, Daguerreotype, Image: 5 x 4.2 cm (1 15/16 x 1 5/8 in.), oval, Photographs, Samuel F. B. Morse (American, Charlestown, Massachusetts 1791–1872 New York), Samuel F. B. Morse met Louis Daguerre, the French

Red Cloud, 1880, Albumen silver print from glass negative, Image: 14 × 9.9 cm (5 1/2 × 3 7/8 in.), Photographs, Charles Milton Bell (American, 1848–1893), Throughout the nineteenth century, the U.S. government invited hundreds of Native

Two Pupils in Greek Dress, 1883, Platinum print , 36.8 x 26.7 cm. (14 1/2 x 10 1/2 in.), Photographs, Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania), Thomas Eakins employed photography as a way to

Patient, Surrey County Lunatic Asylum, 1850–58, Albumen silver print from glass negative, Mat: 11 1/4 × 9 1/8 in. (28.6 × 23.2 cm), Photographs, Hugh Welch Diamond (British, 1808–1886), A medical doctor, antiquarian, and collector of

Chamäleon cristatus, 1896, Photogravure, Image: 4 15/16 × 7 7/8 in. (12.6 × 20 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was the director

[Geisha with Attendant], 1860s, Ambrotype, Image: 10 x 7.6 cm (3 15/16 x 3 in.), Photographs, Yokoyama Matsusaburo (Japanese, 1838–1884), When Japan opened its ports to the West in the 1850s, photography—called shashin, literally, a

Fissore’s Plow from Tortona, Plow from Parma, 1861, Albumen silver print from collodion negative, Image: 4 7/16 × 10 13/16 in. (11.3 × 27.4 cm), Photographs, Pietro Semplicini (Italian, active 1850s–90s), Trained as a chemist,

Pompeii, Pompey’s Lane, Tomb Monument of Mamia, ca. 1853, Salted paper print from a waxed paper negative, Mount: 13 13/16 in. × 19 3/16 in. (35.1 × 48.8 cm), Photographs, Firmin-Eugène Le Dien (French, 1817–1865), Gustave Le Gray

Zanclus cornutus / Acanthurus nigros, 1896, Photogravure, Image: 9 1/2 × 7 13/16 in. (24.2 × 19.8 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder

Grüne Eidechse, 1896, Photogravure, Image: 3 5/8 × 6 1/4 in. (9.2 × 15.9 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was the director of an

Ratte, 1896, Photogravure, Image: 5 7/16 × 9 3/4 in. (13.8 × 24.8 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was the director of an institute

The Terminal, 1893, printed 1911, Photogravure, 12.1 x 16.0 cm (4 3/4 x 6 5/16 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York), As proprietor of the Little Galleries of the Photo-Secession and

The Chess Players, ca. 1845, Salted paper print from paper negative, Sheet: 9 5/8 × 7 11/16 in. (24.5 × 19.6 cm), Photographs, Likely by Antoine-François-Jean Claudet (French, active Great Britain, 1797–1867), Possibly by Nicolaas

Spartan Soldier, 1859, Albumen silver print from glass negative, Image: 35.3 x 43.5 cm (13 7/8 x 17 1/8 in.), Photographs, Charles Nègre (French, 1820–1880), Astonished on first seeing daguerreotypes (about 1844) and dreaming of the

X-Ray of Samples of Various Materials, 1896, Photogravure, Image: 9 1/16 × 6 15/16 in. (23 × 17.7 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder

Hand eines 8 jährigen Mädchens, 1896, Photogravure, Image: 6 7/8 × 3 5/16 in. (17.4 × 8.4 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was

[Street with Lamp Post and Wine Shop], 1850s, Albumen silver print, Image: 6 7/8 × 7 13/16 in. (17.5 × 19.8 cm), Photographs, Unknown (British), In 1841 William Henry Fox Talbot patented the first negative-positive photographic process,

The Terminal, 1893, printed 1913 or before, Photogravure, 25.5 x 33.5 cm (10 1/16 x 13 3/16 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York), As proprietor of the Little Galleries of the

Hand eines 4 jährigen Kindes, 1896, Photogravure, Image: 7 13/16 × 3 1/4 in. (19.9 × 8.2 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was the

Greek Slave, 1851, Salted paper print from paper negative, Image: 8 3/8 × 6 5/16 in. (21.3 × 16.1 cm), Photographs, Hugh Owen (British, 1808–1897), Photography became a primary means of representing sculpture in the mid-nineteenth century,

The Diwan-i Khas from the Mussaman Burj, Agra Palace, 1862–64, Albumen silver print from paper negative, 40.6 x 44.3cm (16 x 17 7/16in.), Photographs, John Murray (British, Blackhouse, Aberdeenshire, Scotland 1809–1898 Sheringham,

The Steerage, 1907, printed in or before 1913, Photogravure, 32.2 x 25.8 cm (12 11/16 x 10 3/16 in.), Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York), As proprietor of the Little Galleries of the Photo-Secession and

Wooden Staircase at Chartres, 1852, Salted paper print from paper negative, Mount: 19 13/16 in. × 13 7/8 in. (50.3 × 35.2 cm), Photographs, Henri-Jean-Louis Le Secq (French, Paris 1818–1882 Paris), Henri Le Secq was a learned and

Cathedral at Orléans, June 21, 1843, Salted paper print from paper negative, 16.3 x 20.2 cm. (6 7/16 x 7 15/16 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock), In 1840 Talbot devised a negative/positive

Solfisch (Pleuronectes solea), 1896, Photogravure, Image: 6 3/4 × 13 5/8 in. (17.1 × 34.6 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was the

[The Averted Head - A Study in Flesh Tones], 1899, Platinum print, 16.5 x 10.5 cm. (6 1/2 x 4 1/8 in.), Photographs, Joseph T. Keiley (American, 1869–1914), Lawyer turned amateur photographer, Keiley was involved in establishing the

Neugeborenes Kaninchen, 1896, Photogravure, Image: 2 11/16 × 5 7/16 in. (6.9 × 13.8 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was the

Zwei Goldfische und ein Seefisch (Christiceps argentatus), 1896, Photogravure, Image: 4 15/16 × 6 9/16 in. (12.5 × 16.6 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian,

Zaida Ben-Yusuf, 1898, Platinum print, Image: 16.3 x 10.9 cm (6 7/16 x 4 5/16 in.), Photographs, F. Holland Day (American, Norwood, Massachusetts 1864–1933 Norwood, Massachusetts), For a few years before and after 1900, Day rivaled

Kno-Shr, Kansas Chief, 1853, Daguerreotype, Image: 17.9 x 14.8 cm (7 1/16 x 5 13/16 in.), Photographs, John H. Fitzgibbon (American, born Britain, 1816–1882), From 1846 to 1860, John Fitzgibbon operated one of America's most prominent

Scene of General McPherson's Death, 1864 or 1866, Albumen silver print from glass negative, Image: 25.4 × 36.1 cm (10 × 14 3/16 in.), Photographs, George N. Barnard (American, 1819–1902), George N. Barnard released this volume of views in

La Tour Eiffel. – Détail du Campanile., 1889, Albumen silver print, Image: 8 5/8 × 10 11/16 in. (21.9 × 27.1 cm), Photographs, Louis-Antonin Neurdein (French, 1846–after 1915), Etienne Neurdein (French, 1832–after 1915), The

Kenji Morita, 1886, Ambrotype, Image: 9.6 x 6.8 cm (3 3/4 x 2 11/16 in.), Photographs, Fujita (Japanese, active 1880s), When Japan opened its ports to the West in the 1850s, photography—called shashin, literally, a copy of truth—soon

Fuss eines 17 jährigen Jünglings, 1896, Photogravure, Image: 8 1/4 in. × 7 in. (21 × 17.8 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was

[Palace of the Dey of Algiers, Algeria], 1859, Waxed paper negative, Image: 28.7 × 38.6 cm (11 5/16 × 15 3/16 in.), Negatives, Gustave de Beaucorps (French, 1825–1906), Beaucorps was born into a wealthy, aristocratic French family and

Alice Liddell as 'The Beggar Maid', 1858, Albumen silver print from glass negative, Image: 16.3 x 10.9cm (6 7/16 x 4 5/16in.), Photographs, Lewis Carroll (British, Daresbury, Cheshire 1832–1898 Guildford), Known primarily as the author of

'Bronze Works' album of photographs, ca. 1912, Photography, Tiffany Studios (1902–32) , New York

Crystal Palace, Hyde Park, Transept, 1852, Paper negative, Image: 30.2 x 40.1 cm (11 7/8 x 15 13/16 in.), Negatives, Benjamin Brecknell Turner (British, 1815–1894), Like many early practitioners, Turner was a gentleman amateur for whom

Karnak (Thèbes), Palais - Partie Posterieure - Fragment de Colonnades Vu du Point S, 1851–52, printed 1853–54, Salted paper print from paper negative, 23.9 x 30.6 cm. (9 7/16 x 12 1/16 in.), Photographs, Félix Teynard (French,

Cour, 7 rue de Valence, 1922, Gelatin silver print from glass negative, Image: 17.2 x 22.7 cm (6 3/4 x 8 15/16 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris), Atget found his vocation in photography in 1897, at the age

The Colosseum, 1856, Albumen silver print from paper negative, Image: 19.5 x 25 cm (7 11/16 x 9 13/16 in.), Photographs, Jane Martha St. John (British, 1803–1882), Jane St. John was most likely attracted to photography through her close

[Seated Lady in Striped Dress with Four Little Girls], 1850s–60s, Coated salted paper print from glass negative, 15.5 x 19.4 cm. (6 1/8 x 7 5/8 in.), Photographs, Franz Antoine (Austrian, 1814–1882), During his tenure as director of the

[Personal Travel Album Made by the Dowager Empress Maria Feoderovna Showing Events in the Daily Life of the Russian Imperial Family], 1916, Gelatin silver prints; photomechanical prints, 29.5 x 42.2 x 5.7cm (11 5/8 x 16 5/8 x 2 1/4in.) each,

Hunford Mill, Surrey, 1855–57, Albumen silver print from glass negative, Image: 19.4 x 23.8 cm (7 5/8 x 9 3/8 in.), Photographs, Henry White (British, Scotland 1819–1903), Like Roger Fenton, whom he knew through the Photographic Society,

Pincian Garden, Rome, 1853–56, Albumen silver print, 19.5 24.8, Photographs, Possibly by Jane Martha St. John (British, 1803–1882), St. John was likely drawn to photography through her friendship with the Llewelyn family, relatives of

Zoological Garden, 1854–56, Salted paper print from paper negative, Image: 9 3/16 × 12 1/16 in. (23.4 × 30.6 cm), Photographs, Louis-Pierre-Théophile Dubois de Nehaut (French, active Belgium, 1799–1872), A judge at the magistrate's

Fotogramm, 1925, Gelatin silver print, 23.8 x 17.8 cm (9 3/8 x 7 in.), Photographs, László Moholy-Nagy (American (born Hungary), Borsod 1895–1946 Chicago, Illinois), Moholy-Nagy played a key role at the Bauhaus in both Weimar and Dessau

Landing Place, Ordnance Wharf, Balaklava, 1855, Salted paper print from glass negative, Image: 26 x 35.1 cm (10 1/4 x 13 13/16 in.), Photographs, Roger Fenton (British, 1819–1869), The Crimean War (1853-56) pitted European nations against

Charles Baudelaire, ca. 1863, Woodburytype, Étienne Carjat (French, Fareins 1828–1906 Paris), Although the great French poet Baudelaire famously declared photography to be 'the refuge of every would-be painter, every painter too ill-endowed

Sky Chief (Tirawahut Resaru), ca. 1867, Albumen silver print from glass negative, Image: 18.6 × 13.2 cm (7 5/16 × 5 3/16 in.), Photographs, Attributed to Edric L. Eaton (American, 1836–1890), This portrait of Sky Chief (Tirawahut Resaru),

Vittorio Emanuele II, 1867, Albumen silver print from glass negative, Image: 6.2 x 4.7 cm (2 7/16 x 1 7/8 in.) oval, Photographs, Cesare Bernieri (Italian, active Turin 1861–70), An avowed patriot, Bernieri fought alongside Garibaldi in the

The ‘Crouching Dragon’ Plum Tree at Kameido from the series An Array of Flowers, Beauties, and Famous Places (hana bijin meisho awase), 「花美人名所合 亀戸 臥龍梅」, Meiji period (1868–1912), 1895, Japan, Triptych of

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