Images at Librifly

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Sketch of James Rumsey's Boat According to the Drawing that Accompanies His Patent Application

Sketch from the Grand Polish Ball, at Willis's Room, King-Street, St. James's, London, Great Britain

Barbadoes, from an Original Sketch

Sketch in a House at Fahey's Quay, Ennis, the Widow Connor and Her Dying Child

The Military, Naval, and County Service Club, St. James's Street, Principal Drawing Room

Picturesque Sketches of London, Street Sights

The White Drawing Room, Windsor Castle

Epsom Spring Meeting, Sketch on the Downs, Preparing to Start for the Great Metropolitan Stakes, April 13, 1850

Husyn-Abdal, in the Punjab, from a Sketch by G.T. Vigne, Esq

Sketch in the Ring, 'I'Ll Bet against Clincher

Design for beatitude window in presentation portfolio for Arlington Street Church, Boston, Massachusetts, ca. 1905, Made in New York, United States, American, Watercolor, gouache, brown ink, and graphite on artists board with mat, set in

Two Figures, Edo period (1615–1868), 19th century, Japan, Matted painting; ink on paper (wash drawing?), 10 3/8 x 14 in. (26.4 x 35.6 cm), Paintings, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo

Drawing of Sasanian rock relief, A.D. 1860 (drawing), Iran, Qajar, Paper, ink, 12.76 x 15.75 in. (32.41 x 40.01 cm), Paper-Graphics, Lutf 'Ali Khan (1797–1869

Drawing, Late Period, Saite, Dynasty 26, 664–610 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Nespekashuty (TT 312, ), 1st chamber W. wall; 2nd register, 1922–23, Limestone, varnish, 9 x 11.5 x 5.5

Drawing of Group of Centaurs, 18th century, Black chalk, brush and gray wash on blue paper., sheet: 6 5/16 x 10 3/8 in. (16 x 26.3 cm), Drawings, Anonymous, French, 18th century

Drawing of a Grotesque after a 16th-century Decorative Relief., n.d., Black chalk or graphite, sheet: 13 7/16 x 8 9/16 in. (34.1 x 21.8 cm), Drawings, Filippo Cretoni (Italian, late 18th–early 19th century

Drawing of a Grotesque after a 16th-century Decorative Relief., n.d., Black chalk or graphite, sheet: 13 7/16 x 8 11/16 in. (34.1 x 22 cm), Drawings, Filippo Cretoni (Italian, late 18th–early 19th century

Drawing, Late Period, Saite, Dynasty 26, 664–610 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Nespekashuty (TT 312, ), 1st chamber W. wall; 2nd register, 1922–23, Limestone, varnish, 3 x 3.5 x 1

Drawing, Late Period, Saite, Dynasty 26, 664–610 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Nespekashuty (TT 312, ), 1st chamber W. wall; 2nd register, 1922–23, Limestone, varnish, 17 x 6.5 x 9

The Works of the late Professor Camper, on The Connexion [sic] between the Science of Anatomy and The Arts of Drawing, Painting, Statuary, 1794, Illustrations: etching and engraving, 12 3/8 x 9 13/16 x 1 3/16 in. (31.5 x 25 x 3 cm), Books

Drawing, Late Period, Saite, Dynasty 26, 664–610 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Nespekashuty (TT 312, ), 1st chamber W. wall; 2nd register, 1922–23, Limestone, 8.7 x 6.5 x 5.5

The Head of the Virgin in Three-Quarter View Facing Right, 1510–1513, Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing outline in pen and brown ink at upper right (not by Leonardo), Sheet: 8 x

愛染曼荼羅, Aizen Mandala, Heian period (794–1185), Kashō 2 (1107), Japan, Hanging scroll; ink on paper, Image: 23 × 21 in. (58.4 × 53.3 cm), Paintings, This ink drawing from the early twelfth century appears to have been made as a

Design for Ark Doors, Temple Emanu-El, New York, 1910, Made in New York, United States, American, Silver gelatin print with brown ink and graphite on wove paper mounted on board in original warm grey window mat, Overall: 22 15/16 x 21 9/16

Figures in One of Michelangelo's Niches on the Apse of St. Peters, Rome, ca. 1763, Red chalk. Framing lines in pen and brown ink., 17 15/16 x 13 3/16 in. (45.6 x 33.5 cm), Drawings, Hubert Robert (French, Paris 1733–1808 Paris), This

Drawing, Late Period, Saite, Dynasty 26, 664–610 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Nespekashuty (TT 312, ), 1st chamber W. wall; 2nd register, 1922–23, Limestone, 6.5 x 4.5 / 0.7 x 1

Drawing, Late Period, Saite, Dynasty 26, 664–610 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Nespekashuty (TT 312, ), 1st chamber W. wall; bottom register, 1922–23, Limestone, varnish, 11 x 6.5 x 0.7

Drawing of the Crucifixion, ca. 1800, Made in Pennsylvania, United States, American, Watercolor on white paper, 9 1/2 x 7 1/2 in. (24.1 x 19.1 cm), Drawings

The Iliad of Homer, The Odyssey of Homer, Compositions from The Tragedies of Aeschylus, and The Theogony, Works and Days of Hesiod, 1795–1817, Illustrations: line engraving and stipple engraving (Hesiod only), Book: 11 3/16 × 17 5/8 × 2

By Candlelight, ca. 1885–93, Drypoint; only state, plate: 9 3/8 x 6 3/16 in. (23.8 x 15.7 cm), Prints, Julian Alden Weir (American, West Point, New York 1852–1919 New York), Gentle features, softly drawn, mark the serious countenance.

Papyrus charm, New Kingdom, Ramesside, Dynasty 19-20, 1295–1070 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Henenu (TT 313, ), 1922–24, Papyrus, ink, Framed: L. 11.6 × W. 10 cm (4 9/16 × 3 15/16 in.), This

Preparatory drawing for scroll of the Four Seasons in Kyoto, Edo period (1615–1868), 18th century, Japan, Handscroll; ink on paper, Image: 15 1/2 in. × 18 ft. 2 7/16 in. (39.4 × 554.8 cm), Paintings, Maruyama Ōkyo (Japanese, 1733–1795

Winter, after a drawing completed in Saint-Chamond, 1795, Etching with drypoint and roulette; fourth state of four, Sheet: 11 5/8 x 8 9/16 in. (29.6 x 21.7 cm), Prints, Jean Jacques de Boissieu (French, Lyons 1736–1810 Lyons

Dinner dress, 1824–26, British, cotton, silk, wool, Fashionable British dress from the early decades of the nineteenth century reveals a fascination with historical styles. Drawing inspiration from literature, theater costumes, and history

Drawing, 1822, Made in Pennsylvania, United States, American, Watercolor on paper, 7 3/4 x 9 3/4 in. (19.7 x 24.8 cm), Drawings

Drawing, Late Period, Saite, Dynasty 26, 664–610 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Nespekashuty (TT 312, ), 1st chamber W. wall; N. section, 1922–23, Limestone, varnish, 9.2 x 8 x 6.4

Drawing of Female Statue, 18th century, Black chalk, heightened with white, on blue paper., sheet: 10 5/8 x 4 5/8 in. (27 x 11.7 cm), Drawings, Anonymous, French, 18th century

Drawing of Sasanian rock relief: Shapur I (r. A.D. 241-272) and members of his court at Naqsh-i Radjab, southern Iran, A.D. 1860 (drawing), Iran, Qajar, Paper, pencil, ink, 13.78 x 15.75 in. (35 x 40.01 cm), Paper-Graphics-Inscribed, Lutf

Drawing for Wagner's 'Le Vaisseau Fantôme, ' Paris Opéra, 1842, Pen and black ink, brush and gray wash, over graphite, sheet: 10 11/16 x 16 15/16 in. (27.2 x 43.1 cm), Drawings, Pierre Luc Charles Cicéri (French, Saint-Cloud 1782–1868

Drawing of Sasanian rock relief: Ardashir I (r. A.D. 224-241) and the Zoroastrian divinity Ahura Mazda at Naqsh-i Rustam, southern Iran, A.D. 1860 (drawing), Iran, Qajar, Paper, pencil, ink, 12.76 x 15.75 in. (32.41 x 40.01 cm),

Drawing of a Grotesque after a 16th-century Decorative Relief., n.d., Black chalk or graphite, sheet: 13 7/16 x 8 11/16 in. (34.2 x 22.1 cm), Drawings, Filippo Cretoni (Italian, late 18th–early 19th century

Papyrus charm, New Kingdom, Ramesside, Dynasty 19-20, 1295–1070 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Henenu (TT 313, ), 1922–24, Papyrus, ink, Framed: H. 9.5 × W. 9.8 cm (3 3/4 × 3 7/8 in.), This papyrus

Sofa, 1800–1810, Made in Salem, Massachusetts, United States, American, Mahogany, white pine, birch, 40 x 84 x 25 in. (101.6 x 213.4 x 63.5 cm), Furniture, Attributed to Samuel McIntire (1757–1811), A carved eagle, symbol of the new

A Large Tree, 1615–73, Pen and brown ink, on brown paper, 24 3/16 x 16 7/16in. (61.5 x 41.8cm), Drawings, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome), Of his myriad achievements as an artist and man of letters, the

Loose Drawing—Soldier and Man (from Sketchbook), Graphite on paper, Drawings, John William Casilear (American, New York 1811–1893 Saratoga Springs, New York

Sofa, ca. 1800, Made in Salem, Massachusetts, United States, American, Mahogany, white pine, birch, 38 1/2 x 76 x 25 1/2 in. (97.8 x 193 x 64.8 cm), Furniture, Attributed to Samuel McIntire (1757–1811), The shape of this sofa derives

Drawing of a Grotesque after a 16th-century Decorative Relief., n.d., Black chalk or graphite, sheet: 13 7/16 x 8 11/16 in. (34.2 x 22.1 cm), Drawings, Filippo Cretoni (Italian, late 18th–early 19th century

Terracotta lekythos (oil flask), Classical, ca. 440–430 B.C., Greek, Attic, Terracotta; red-figure, H.: 14 1/4 x 4 3/8 in. (36.2 x 11.1 cm), Vases, Youth arming. The sureness and fluency of the Phiale Painter's drawing is evident in this

The American Drawing Book: Manual for the Amateur, Basis of Study for the Professional Artist, 1864, illustrations: wood engraving, book: 12 1/16 x 9 5/8 x 1 7/16 in. (30.7 x 24.4 x 3.6 cm), Books

Drawing of Sasanian rock relief, A.D. 1860 (drawing), Iran, Qajar, Paper, ink, 9.72 x 13.78 in. (24.69 x 35 cm), Paper-Graphics, Lutf 'Ali Khan (1797–1869

Drawing of Two Confronted Griffons, 1770–1800, Made in Pennsylvania, United States, American, Watercolor on paper, 6 1/4 x 8 3/8 in. (15.9 x 21.3 cm), Drawings

Bowl with a Horseman, late 12th–early 13th century, with early 20th century additions, Attributed to Iran, Stonepaste; overglaze painted, and gilded, so-called 'mina'i' ware, 3 11/16 x 8 1/2in. (9.4 x 21.6cm), Ceramics, On enameled ware,

Drawing of a Grotesque after a 16th-century Decorative Relief., n.d., Black chalk or graphite, sheet: 13 7/16 x 8 3/4 in. (34.1 x 22.2 cm), Drawings, Filippo Cretoni (Italian, late 18th–early 19th century

Drawing, ca. 1800, Made in Pennsylvania, United States, American, Watercolor on paper, 9 1/2 x 7 3/8 in. (24.1 x 18.7 cm), Drawings

Design for church interior, late 19th–early 20th century, Made in New York, United States, American, Watercolor on paper, 26 5/8 × 39 15/16 in. (67.6 × 101.5 cm), Drawings, Possibly Tiffany Glass Company (1885–92), Possibly Tiffany

The Two Statues from a set of the Story of Artemesia, early 17th century, French, Paris, Wool, silk (18-19 warps per inch, 8 per cm.), H. 158 x W. 138 inches (401.3 x 350.5 cm), Textiles-Tapestries, After a drawing by Antoine Caron (French,

Design Fragment for the Left Side of the 'Fonte Gaia' in Siena, 1415–16, Pen and brown ink, brush and brown wash, over traces of leadpoint and ruling, on vellum, glued onto secondary paper support, 7-13/16 x 8-7/16 in. (20.1 x 21.4 cm),

View of the Queen's Theatre from the Rotunda at Stowe, Buckinghamshire, ca. 1739, Ink and wash, 11 5/8 x 19 1/2 in. (29.5 x 49.5 cm.), Drawings, Jacques Rigaud (French, Marseilles 1681–1754 Paris), This washed ink drawing shows elegantly

Terracotta lekythos (oil flask), Classical, ca. 440 B.C., Greek, Attic, Terracotta; white-ground, H. 11 7/8 in. (30.2 cm), Vases, Two women. The two sakkoi (snoods) and the mirror hanging on the wall indicate that the ladies are indoors. The

Drawing of a Grotesque after a 16th-century Decorative Relief., n.d., Black chalk or graphite, sheet: 13 7/16 x 8 5/8 in. (34.2 x 21.9 cm), Drawings, Filippo Cretoni (Italian, late 18th–early 19th century

Half-length Bearded Man in Armor and Cape, Drawing Sword (Macbeth?); Three Standing Angels (or Witches?); Male Figure in Skins (from Sketchbook), 1810–20, Ink, wash, on paper, 9 x 11 1/2 in. (22.9 x 29.2 cm), Drawings, Thomas Sully

Drawing of Lions, 1770–1800, Made in Pennsylvania, United States, American, Watercolor on white paper, 5 1/2 x 6 3/4 in. (14 x 17.1 cm), Drawings

Drawing, Late Period, Saite, Dynasty 26, 664–610 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Nespekashuty (TT 312, ), 1st chamber W. wall; 2nd register, 1922–23, Limestone, 10 x 2.5 x 5.5

'Convenience in Drawing Water' from Jūben (Ten Conveniences); 'Pleasure of Dawn' from Jūgi (Ten Pleasures), Edo period (1615–1868), 1800, Japan, Two albums, each with ten leaves; ink and color on paper, Image (each leaf): 7 3/8 × 7 5/8 in.

Roundel with Tobias Drawing the Fish from the Water, 1500–1510, Made in Ghent or Bruges, South Netherlands, South Netherlandish, Colorless glass, silver stain, vitreous paint, Overall Diam.: 8 1/8 in. (20.6 cm), Glass-Stained

Drawing of the Crucifixion, 1800, Made in Pennsylvania, United States, American, Watercolor, gum arabic, and iron gall ink on off-white woven paper, 13 1/2 x 10 1/2 in. (34.3 x 26.7 cm), Drawings

Drawing, Late Period, Saite, Dynasty 26, 664–610 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Nespekashuty (TT 312, ), 1st chamber W. wall; 2nd register, 1922–23, Limestone, varnish, 4.5 x 2.5 x 0.2

Rule for Drawing the Spiral Lines of the Volute of the Ionic Order, in Chippendale Drawings, Vol. I, ca. 1753–54, Black and brown ink, graphite, sheet: 13 3/4 x 8 13/16 in. (34.9 x 22.4 cm), Thomas Chippendale (British, baptised Otley,

Circular Cosmetic Box with a Swivel Lid, New Kingdom, Dynasty 18, early, ca. 1492–1473 B.C., From Egypt, Upper Egypt, Thebes, Sheikh Abd el-Qurna, Tomb of Hatnefer and Ramose (below TT 71), coffin III, 1935–36, Wood, Overall box: h.

Left Part of the Drawing: Floral Ornaments; Right Part of the Drawing: Half Cartouche Decorated with Leaves, Arms and a Lion, mid-17th century, Leadpoint, 11-1/2 x 7-5/8 in. (29.2 x 19.4 cm) irregular borders, Drawings, After Agostino

Study for 'L'embarquement pour les îles', 1923–24, Transfer drawing, 14 1/8 x 14 7/8 in. (35.9 x 37.8 cm), Drawings, Jules Pascin (American (born Bulgaria), Vidin 1885–1930 Paris

Half-Timbered Houses along a Waterway, 1877, Photomechanical reproduction of a drawing in charcoal (stumped), 14-9/16 x 9-5/16 in. (37.0 x 23.7 cm), Drawings, After Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Drawing of a Hunt, 1800–1830, Made in Berks County, Pennsylvania, United States, American, Watercolor on paper, 12 1/2 x 15 in. (31.8 x 38.1 cm), Drawings, Friederich Krebs (died 1815

Drawings and Prints, Drawing, A Hooded Figure in a Landscape, possibly a stage set design, Artist, Herbert E. Crowley, British, London 1873–1939 Zurich, Crowley, Herbert E., 1873, 1939, 1912–24, 1912

Plate 7: The Well: a young woman in center, seen from behind, drawing water from a well that is decorated with reliefs from an ancient sarcophagus, from 'Les soirées de Rome', ca. 1763–64, Etching, Sheet: 5 3/8 × 3 5/8 in. (13.7 × 9.2 cm),

Design for the Salon of the Pleasure Pavilion, Favorita, at Ludwigsburg, 1718, 1718, Pen with brown and gray ink, brush with gray, rose, and yellow green wash, highlighted with gold, over ruled construction; design framed with pen and brown

Drawings and Prints, Drawing, Portrait of Gerard Edema, Artist, Sitter, Attributed to, Mary Beale, Gerard Edema, British, Barrow, Suffolk baptised 1633–1699 London, Dutch, Friesland or Amsterdam ca. 1652–ca. 1707 Richmond, Surrey,

Saint Anthony of Padua and the Miracle of the Miser's Heart, 1501, Pen and brown ink, brush and brown wash, sheet: 9 3/4 x 15 1/2 in. (24.8 x 39.3 cm), Drawings, Antonio Lombardo (Italian, Venice ca. 1458–1516 Venice), The drawing depicts

Drawings and Prints, Drawing, A Farmyard near Merano, Artist, Franz Meyerheim, German, Berlin 1838–1880 Marburg, Meyerheim, Franz, German, 1838, 1880, 1860, 1860

Drawings and Prints, Drawing Ornament & Architecture, Costume Design for a Courtier, likely for the Ballet 'La Belle au Bois Dormant' (Sleeping Beauty), premiered at the Alhambra Theatre in London, 1921, Artist, Léon Bakst, Russian, Grodno

Drawings and Prints, Drawing Ornament & Architecture, Design for the Costume of a Slave, for the Ballet 'La Tragédie de Salomé', Artist, Léon Bakst, Russian, Grodno 1866–1924 Paris, Bakst, Léon, 1866, 1924, 1912

Drawings and Prints, Drawing, Classical Amphitheater, Artist, Louis Jean Desprez, French, Auxerre 1743–1804 Stockholm, Desprez, Louis Jean, French, 1743, 1804, ca. 1777–84, 1772, 1782

Portrait of Nicolas Trigault in Chinese Costume, 1617, Black, red, and white chalk, blue pastel, and pen and brown and black ink on light brown laid paper, 17 9/16 x 9 3/4 in. (44.6 x 24.8 cm), Drawings, Peter Paul Rubens (Flemish, Siegen

Drawings and Prints, Drawing, Southern Landscape with Shepherds and Sheep; verso: Study of a Sheep's Head (?), Artist, Simon van der Does, Dutch, Amsterdam 1653–1717 Antwerp, Does, Simion van der, Dutch, 1653, 1717, late 17th–early

Drawings and Prints, Drawing, Illustration to the Tempest: Caliban, Ferdinand and Ariel, Artist, Etcher, Subject, After, Henry Courtney Selous, Charles Gray, William Shakespeare, British, Deptford 1811–1890 Beaworthy, British, born

Alphabet Book Design (Letters C and K), ca. 1830, Graphite, Sheet: 7 5/16 x 8 3/4 in. (18.5 x 22.2 cm), Drawings, Miss L. E. M. Jones (British, active 1800–1870), In this drawing the letter 'C' is formed by a tower that stands beside a

Drawing of the Clyde (Liber Studiorum, part IV, plate 18), March 29, 1809, Etching and mezzotint; first state of three, plate: 7 3/16 x 10 1/2 in. (18.3 x 26.7 cm), Prints, Design and etched by Joseph Mallord William Turner (British, London

Drawings and Prints, Drawing, The Lighthouse of Travemünde Seen from the South, Artist, Martinus Rørbye, Danish, Drammen 1803–1848 Copenhagen, Rørbye, Martinus, Danish, 1803, 1848, 1834, 1834

Drawings and Prints, Drawing, Boy Holding a Sword, Standing near a Table in an Interior; verso: Various Sketches of Figures and Ornamental Forms, Artist, Former Attribution, Anonymous, Dutch, 17th century, Anthonie Palamedesz., Dutch,

Drawings and Prints, Drawing, Coming Storm–Mother Smelling Thunder, possibly a Wiggle Much design, Artist, Herbert E. Crowley, British, London 1873–1939 Zurich, Crowley, Herbert E., 1873, 1939, ca. 1910, 1905

Horse Dressed Up for a Tournament or Ceremonial Entry, ca. 1620–56 , Brown ink and wash, Sheet: 9 3/16 x 11 7/16 in. (23.4 x 29 cm), Possibly by Baccio del Bianco (Italian, Florence 1604–1656 Escorial) (and workshop), Drawing of a horse

The Contest Between Athena and Poseidon for the Possession of Athens, 1570s, Pen and brown ink, brush and brown wash, over traces of leadpoint or black chalk; squared in red chalk. Traces of framing outlines in pen and darker brown ink, 10-3/16

Drawings and Prints, Drawing Ornament & Architecture, Design for a Daybed, used by Ida Rubinstein during the Rehearsals for Cleopatra, Artist, Léon Bakst, Russian, Grodno 1866–1924 Paris, Bakst, Léon, 1866, 1924, [1909

Drawings and Prints, Drawing, The Door of a Grotto, Artist, William Marlow, British, Southwark, London 1740/41–1813 Twickenham, London, Marlow, William, British, 1740, 1813, ca. 1765–66

Satyrs Admiring the Anamorphosis of an Elephant, 17th century, Engraving, sheet: 9 9/16 x 13 9/16 in. (24.3 x 34.5 cm), Prints, Hans Troschel (German, Nuremberg 1585–1628 Rome), After Simon Vouet (French, Paris 1590–1649 Paris), This

Outline Drawing of 'Sassafras Linen Press', 1904, Graphite, sheet: 10 11/16 x 9 3/16 in. (27.2 x 23.3 cm), Byrdcliffe Arts and Crafts Colony (American, 1902–1915), Ralph Radcliffe Whitehead (American (born England), Yorkshire 1854–1929

Drawings and Prints, Drawing, The Abduction of Deianira, Artist, William Hamilton, British, London 1751–1801 London, Hamilton, William, British, 1751, 1801, 1770–80, 1770, 1780

Study of a Man Gazing Down, 1840–80, Pen and brown ink, Sheet: 7 1/16 × 5 7/16 in. (18 × 13.8 cm), Drawings, George Richmond (British, Brompton 1809–1896 London), Richmond's pen and ink drawing may represent his friend Samuel Palmer's

Drawings and Prints, Drawing, Rye, Artist, Herbert E. Crowley, British, London 1873–1939 Zurich, Crowley, Herbert E., 1873, 1939, ca. 1911, 1906, 1916

Drawings and Prints, Drawing, Portrait of a Man, Artist, baron Antoine Jean Gros, French, Paris 1771–1835 Meudon, Gros, Antoine Jean, baron, French, 1771, 1835, ca.1793–1800, 1788

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