Images at Librifly

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The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), boat, channel (water

Studies of Anglers, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor, Sheet: 4 7/8 × 8 3/16 inches (12.4 × 20.8 cm), angle, figure study, fishing, man, sporting art

A Wren, James Sowerby, 1756–1822, British, undated, Graphite on medium, smooth, cream wove paper, Sheet: 13 × 8 inches (33 × 20.3 cm), animal art, bird, Wrens

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

A Hen, John Linnell, 1792–1882, British, undated, Brown ink on moderately thick, slightly textured, beige wove paper, Sheet: 3 x 3 5/8 inches (7.6 x 9.2 cm), animal art, bird, chicken, hen, shadow

A Crow, James Sowerby, 1756–1822, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 13 × 16 3/8 inches (33 × 41.6 cm), animal art, crow (animal), Crows

Europa Lighthouse, Ceuta, Spain, George Lothian Hall, 1825–1888, British, 1843, Watercolor and graphite on thick, moderately textured, cream wove paper, Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm), architectural subject, buildings,

Boat Sketch, Thomas Daniell, 1749–1840, British, active in India, William Daniell, 1769–1837, British, undated, Graphite on medium, moderately textured, cream laid paper; mountd on, moderately thick, slightly textured, cream, wove

For Japaning, Where may be 200 Different Sorts, Peter P. Benazech, 1767–1794, after C. Fenn, after unknown artist, ( C. Fenn ), Published by John Ryall, active 1755–1762, British, Published by Robert Withy, active 1750–1765,

Stag Hunting, Jan Wyck, ca. 1645–1700, Dutch, active in Britain (from ca. 1664), undated, Pen, in brown ink, graphite, and brown wash on medium, moderately textured, beige, laid paper, Sheet: 8 15/16 × 14 9/16 inches (22.7 × 37 cm),

Three Racehorses with Jockeys Up Galloping in a Group to Left, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on moderately thick, slightly textured, cream, wove paper, Sheet: 10 11/16 × 17 3/4 inches (27.1 ×

After the Race: Owner or Trainer Riding and Conversing with Jockey on Trainer's Hack; at Right, a Racehouse Being Watered and Rugged after Racing (one of pair), Samuel Alken, 1756–1815, British, undated, Graphite and watercolor on medium,

A Partridge?, James Sowerby, 1756–1822, British, undated, Graphite on moderately thick, smooth, cream wove paper, Sheet: 13 × 8 inches (33 × 20.3 cm), animal art, bird, partridge

Portrait of a Sportsman, Possibly Richard Prince, Benjamin Marshall, 1768–1835, British, between 1825 and 1826, Oil on canvas, Support (PTG): 40 x 34 inches (101.6 x 86.4 cm), animals, bird, breeches, dead, death, dogs (animals),

Preparing for the Hunt, John Wootton, 1682–1764, British, ca. 1745, Oil on canvas, Support (PTG): 47 x 49 inches (119.4 x 124.5 cm), architecture, art, birds, breeches (trousers), conversation piece, costume, country house, dogs

Cows in a Pool, attributed to Peter DeWint, 1784–1849, British, undated, Watercolor and graphite on moderately thick, rough, cream wove paper, Sheet: 8 5/8 x 10 5/8 inches (21.9 x 27 cm), animal art, cattle, cows, livestock, ponds,

Two Pack Horses, John Varley, 1778–1842, British, undated, Graphite on thin, slightly textured, cream wove paper, Sheet: 3 3/8 × 5 15/16 inches (8.6 × 15.1 cm), dogs (animals), genre subject, horses (animals), packs, sacks, sporting

Hampton Court, Print made by Francis Seymour Haden, 1818–1910, British, 1864, Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper, Sheet: 6 7/8 x 9 7/16 inches (17.4 x 24 cm), Plate: 5 1/2 x 8 7/16 inches

One of a Group of Three Studies on the Venetian Logoon, Myles Birket Foster, 1825–1899, British, undated, Watercolor and graphite on thick, rough, cream wove paper, Sheet: 1 7/8 × 2 5/8 inches (4.8 × 6.7 cm), boat, gondola, marine art,

A Terrier, Sitting, Facing Left, Peter DeWint, 1784–1849, British, undated, Watercolor and graphite on thick, rough, cream, wove paper, Sheet: 4 1/8 x 4 1/8 inches (10.5 x 10.5 cm), animal art, Terrier (dog

'Scraps', No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds, Henry Thomas Alken, 1785–1851, British, undated, Graphite on medium, slightly textured, blued white, wove paper, Sheet: 7 3/16 × 9 5/16 inches (18.3 × 23.7

Cattle, Sawrey Gilpin, 1733–1807, British, undated, graphite on medium, moderately textured, beige, laid paper, mounted on, moderately thick, smooth, cream, wove paper, Sheet: 6 3/8 × 8 1/4 inches (16.2 × 21 cm) and Mount: 9 5/8 ×

A Group of Five Bulls about to Fight, Thomas Rowlandson, 1756–1827, British, ca. 1810, Gray wash and graphite with pen and brown ink and pen and gray ink on medium, slightly textured, blued white wove paper, Sheet: 5 3/4 x 8 13/16 inches

A European Goldfinch in a Snare, P. Brown, c. 1760–1791, undated, Gouache on vellum, Sheet: 8 3/4 × 7 1/4 inches (22.2 × 18.4 cm), animal art, bird, snares (traps

A European Goldfinch in a Snare, P. Brown, c. 1760–1791, undated, Gouache on vellum, Sheet: 8 1/2 × 7 3/8 inches (21.6 × 18.7 cm), animal art, bird, snares (traps

Foxhunting in Hilly Country, George Morland, 1763–1804, British, 1792, Oil on canvas, Support (PTG): 12 1/4 x 15 1/4 inches (31.1 x 38.7 cm), animals, breeches, bridge (built work), chasing, church, clouds, dogs (animals), falling,

The First Thames Steamboat: Pearl, Edward Duncan, 1803–1882, British, undated, Watercolor and gouache on medium, moderately textured, blue wove paper, Sheet: 10 1/8 x 14 1/2 inches (25.7 x 36.8 cm), boats, flag, marine art, river,

A Parrot, James Sowerby, 1756–1822, British, undated, Graphite on medium, smooth, cream wove paper, Sheet: 7 3/4 × 5 inches (19.7 × 12.7 cm), animal art, branch, parrot

A Donkey and Foal, Robert Hills, 1769–1844, British, undated, watercolor and graphite on thick, cream, rough wove paper, Sheet: 3 7/8 x 4 7/8 inches (9.8 x 12.4 cm), animal art, donkey, fence, foal, trees

Foxhunting: Clearing a Ditch, John Frederick Herring, 1795–1865, British, 1839, Oil on panel, Support (PTG): 10 x 12 inches (25.4 x 30.5 cm), animals, costume, ditch, dogs (animals), horse (animal), hunter, hunting, reins, riding,

A Group of Eight Horses Fighting, Sawrey Gilpin, 1733–1807, British, undated, Pen and black ink, brown wash, gray wash and graphite on medium, moderately textured, blued white laid paper, Sheet: 7 5/16 × 14 3/4 inches (18.6 × 37.5 cm),

Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch, James Seymour, 1702–1752, British, undated, Graphite on moderately thick, slightly textured, cream, wove paper, Mount: 10 1/8 × 11 3/4 inches (25.7

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

An Elephant, George Jones, 1786–1869, British, ca. 1856, Pen, in brown ink, and graphite, heightened with blue wash, and white gouache on medium, slightly textured, blue, wove paper, Sheet: 3 5/8 × 5 inches (9.2 × 12.7 cm), animal

A Game of Cricket (The Royal Academy Club in Marylebone Fields, now Regent's Park), unknown artist, eighteenth century, after Francis Hayman, 1707/8–1776, British, between 1790 and 1799, Oil on panel, Support (PTG): 10 1/4 x 11 1/2 inches

Unfinished Sketch of an Elaborately Saddled Horse, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 9 1/2 × 13 3/8 inches (24.1 × 34 cm),

Horse Frightened by a Lion (Episode A), Josiah Wedgwood, 1730–1795, British, and Thomas Bentley, 1731–1780, British, after George Stubbs, 1724–1806, British, modeled 1780, Solid blue jasper with white relief, shallow oval, Image:

Horse Studies in Relief, after George Stubbs, Edward Burch, 1730–1814, British, after George Stubbs, 1724–1806, British, modeled 1788–1789, Wedgwood, Overall: 13 3/4 × 18 3/4 × 1 1/4 inches (34.9 × 47.6 × 3.2 cm), animal art,

Going out of Kennel, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige, laid paper, mounted on, moderately thick, moderately textured, beige, laid paper,

The Sporting Parson: 'Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!', Hablot Knight Browne, 1815–1882, British, undated, Black chalk, watercolor and white gouache on medium, slightly textured, gray-green,

A Horse, Dog and Figures outside a Cottage, Conrad Gessner, 1746–1826, Swiss, undated, Watercolor over graphite on moderately thick, slighlty textured, beige wove paper, Sheet: 7 × 9 inches (17.8 × 22.9 cm), animal art, animals,

'The Danish Horse' in Training: Standing, with Trainer Holding a Whip, James Seymour, 1702–1752, British, undated, Pen, in brown ink on medium, slightly textured, beige, laid paper, mounted on, moderately thick, moderately textured,

The Death of Nelson, Print made by James Baylis Allen, 1803–1876, British, after Joseph Mallord William Turner, 1775–1851, British, between 1859 and 1879, Steel engraving, historical subject, marine art

Greenwich Hospital from Woolwich Reach, David Cox, 1783–1859, British, formerly attributed to David Cox, 1783–1859, British, 1820s, Watercolor and graphite with scratching out on moderately thick, moderately textured, white wove paper,

Old Lion Insulted, Samuel Howitt, 1756–1822, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 7 3/8 × 6 3/4 inches (18.7 × 17.1 cm), animal art, bull, horse (animal), lion, ram

The Education of Achilles, James Barry, 1741–1806, Irish, ca. 1772, Oil on canvas, Support (PTG): 40 1/2 x 50 3/4 inches (102.9 x 128.9 cm), art, centaurs, child, children, costume, death, diagram, gesture, Greek, herm, horse

A Sportsman with Shooting Pony and Gun Dogs, Edwin W. Cooper of Beccles, 1785–1833, British, ca. 1815, Oil on canvas, Support (PTG): 25 x 30 inches (63.5 x 76.2 cm), animals, costume, dogs (animals), horse (animal), recreation, reins,

Foxhunting: Drawing Covert, George Alken, 1794–active 1837, British, undated, Graphite and watercolor on medium, slightly textured, blued white, wove paper, Sheet: 6 9/16 × 9 7/8 inches (16.7 × 25.1 cm), dogs (animals), fields, fox

A Hunting Accident, Sir Edwin Henry Landseer, 1802–1873, British, 1836, Brown and red ink with brown wash on medium, smooth, cream laid paper, Sheet: 7 1/4 x 9 inches (18.4 x 22.9 cm), accident, horse (animal), sporting art

A Merchantman Becalmed Offshore, David Cox Jr., 1809–1885, British, undated, Watercolor, with pen, in gray ink, and brown ink on medium, slightly textured, cream, wove paper, Sheet: 4 5/8 × 7 1/16 inches (11.7 × 17.9 cm), boats,

Barnett Fair, putting him through his paces, Joseph Crawhall, 1861–1913, British, 1896, Watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 9 7/8 × 10 7/8 inches (25.1 × 27.6 cm), fair, horse (animal), jockey,

Barges on a River, Richard Parkes Bonington, 1802–1828, British, 1826, Oil on millboard, Support (PTG): 9 7/8 x 13 7/8 inches (25.1 x 35.2 cm), barges (flat-bottomed watercraft), boats, clouds, dock, landscape, marine art, reflection,

Red and Yellow Macaw, unknown artist, nineteenth century, after Edward Lear, 1812–1888, British, 1832, Watercolor and pen and black ink on beige board, Sheet: 22 × 16 inches (55.9 × 40.6 cm), animal art

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), boats, channel (water

The Attack of Two Bastions, the Breaches being Made by the Miner, Remi Parr, active 1723–1750, British, after Jacques Rigaud, 1681–1754, French, 1760 to 1770, Hand-colored engraving on wove paper, Sheet: 12 1/2 x 18in. (31.8 x 45.7cm),

Three Figure Studies, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Pen and black ink on medium, smooth, cream wove paper, Sheet: 7 x 4 1/2 inches (17.8 x 11.5 cm), abstract art, figure, figure study, study (visual

Combe Bottom, Francis Seymour Haden, 1818–1910, British, 1860, Etching and drypoint, with plate tone on thin, smooth, cream Asian paper, Sheet: 4 7/16 x 6 1/8 inches (11.3 x 15.5 cm), Plate: 4 5/16 x 5 7/8 inches (10.9 x 15 cm), and

Study of an Ox and Standing Figures, William Simpson, 1823–1899, British, 1860, Graphite on medium, smooth, cream wove paper, Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm) and Binding: 4 1/4 inches (10.8 cm), animal art, camel (mammal),

Scenes from a steeplechase: Near the Finish, Henry Thomas Alken, 1785–1851, British, ca. 1845, Oil on canvas, Support (PTG): 10 x 14 inches (25.4 x 35.6 cm), animals, crowd, equestrians, hedge, horse racing, horse racing, horse riding,

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

One of a Group of Three Studies on the Venetian Logoon, Myles Birket Foster, 1825–1899, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 1 3/4 × 2 3/4 inches (4.4 × 7 cm), boats, lagoon,

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Graphite on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), boats, channel (water

A Crane, James de Carle Sowerby, 1787–1871, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/8 × 7 7/16 inches (23.2 × 18.9 cm), animal art, crane, text

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Study of a Hound, Running, Sir Francis Grant, 1803–1878, British, undated, Pen, in brown ink, verso: graphite on medium, slightly textured, cream, laid paper, mounted on thick, smooth, cream, wove paper, Sheet: 6 3/8 × 8 3/8 inches

The Sporting Parson: 'He Sends Mother Eve's Apples Flying', Hablot Knight Browne, 1815–1882, British, undated, Black chalk, watercolor, and gouache on moderately thick, slightly textured, brown, wove paper, Sheet: 10 3/4 × 14 13/16

Portrait of the Artist's Dromedary, Elijah Walton, 1832–1880, British, 1862, Watercolor, graphite, and pen and brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 10 × 14 inches (25.4 × 35.6 cm), animal art,

Encampment at Maestricht, Thomas Sandby RA, 1721-1798, British, 1747, Pen and black ink, graphite and gray wash on medium, moderately textured, beige, laid paper, Sheet: 2 1/2 x 16 1/16 inches (6.4 x 40.8 cm), army, camp (temporary

Study of a Goat, Thomas Gainsborough RA, 1727–1788, British, late 1770s, Black chalk and stumping, and white chalk on medium, moderately textured, beige wove paper, laid down on card, Sheet: 6 5/8 x 9 7/8 inches (16.8 x 25.1 cm), animal

Cliffs, Paul Nash, 1889–1946, British, undated, Watercolor and graphite on medium, smooth, cream wove paper, Sheet: 9 7/8 × 6 3/4 inches (25.1 × 17.1 cm), abstract art, cliffs

Lord Wennan's Mare Flora, Sawrey Gilpin, 1733–1807, British, 1749, Graphite on medium, moderately textured, beige, laid paper, mounted on, moderately thick, moderately textured, blue, wove paper, Sheet: 8 1/2 × 12 7/16 inches (21.6

Dustanborough Castle, Edward Swinburne, 1765–1847, after Joseph Mallord William Turner, 1775–1851, British, undated, Watercolor over graphite with scraping-out on medium, slightly textured, cream laid paper mounted to thick, slightly

Yacht Racing on the Solent, unknown artist, nineteenth century, Formerly attributed to Peter DeWint, 1784–1849, British, Formerly Joseph Mallord William Turner, (as purchased), 1775–1851, British, ca. 1827, Oil on paper, Support

Cattle with herder in background, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 3 5/8 × 6 1/8 inches (9.2 × 15.6 cm), animal art, cattle, herd, herding, herdsman,

A Gentleman driving a four-in-hand to a Mail Phaeton, accompanied by three grooms, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor, Sheet: 6 x 14in. (15.2 x 35.6cm) and Frame: 12 1/16 × 19 15/16 × 1 inches (30.7 ×

Hunting Scene: The Kill, Henry Thomas Alken, 1785–1851, British, ca. 1840, Oil on canvas, Support (PTG): 18 x 24 1/4 inches (45.7 x 61.6 cm), costume, cottage, dogs (animals), horse (animal), hunters, hunters, hunting, sporting art

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Graphite and watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel

Battledore and Shuttlecock, Francis Hayman, 1707/8–1776, British, ca. 1740, Pen and brown ink, brown wash, gray wash and graphite on medium, slightly textured, beige laid paper, Sheet: 5 5/8 × 9 inches (14.3 × 22.9 cm), battledore and

'Hark': Startled Horse and Alert Rider, Hablot Knight Browne, 1815–1882, British, undated, Graphite, watercolor, and white gouache on medium, slightly textured, gray wove paper, Contemporary drawn border: 8 1/4 × 11 5/8 inches (21 ×

English Draught Horse, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink and graphite on medium, slightly textured, cream, wove paper, Sheet: 4 × 6 3/8 inches (10.2 × 16.2 cm), animal art

Studies of Gulls, James Ward, 1769–1859, British, undated, Graphite and gray wash on medium, smooth, cream wove paper mounted medium, slightly textured, beige laid paper, Sheet: 7 7/8 x 5 inches (20 x 12.7 cm) and Mount: 11 × 8 inches

Jumping a Wooden Fence, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, with pen, in brown ink, and graphite on medium, slightly textured, blued white, wove paper, Sheet: 10 5/8 × 14 11/16 inches (27 × 37.3 cm), dogs

Study of a Lioness, Benjamin Robert Haydon, 1786–1846, British, 1812, Pen and brown ink on medium, moderately textured, beige, laid paper, Sheet: 4 3/8 × 6 1/8 inches (11.1 × 15.6 cm), animal art, lioness, sketch, teeth

Four Corners Played at the Swan, Chelsea, Robert Dighton, 1752–1814, British, ca. 1784, Pen and black ink and brown ink and watercolor, Sheet: 6 x 8in. (15.2 x 20.3cm) and Frame: 7 11/16 × 9 1/4 × 5/16 inches (19.6 × 23.5 × 0.8 cm),

The Portraiture of Bay Bolton, Print made by Richard Houston, ca. 1721–1775, British, after James Seymour, 1702–1752, British, 1756, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm),

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Morning, Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain, after Peter Monamy, 1681–1749, British, Published by John Bowles, 1701–1779, British, 1745, Line engraving and etching on moderately thick,

Near Benout, Edward Lear, 1812-1888, British, 1867, Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper, Sheet: 2 13/16 x 11 13/16 inches (7.1 x 30 cm), boats, landscape, marine art, river,

The Return of the Fleet to Great Yarmouth in 1797, Thomas Rowlandson, 1756–1827, British, 1797, Watercolor and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 10 3/4 x 17 inches (27.3 x 43.2 cm), beach, boats,

Men of War in a Stiff Breeze, Jan Theunisz Blankerhoff, 1628–1669, Dutch, mid-17th century, Oil on canvas, Support (PTG): 18 x 24 inches (45.7 x 61 cm), clouds, marine art, men, men-of-war, meteorology, rowboat, science, sea, seamen,

For Japaning, Where may be 200 Different Sorts, Peter P. Benazech, 1767–1794, after C. Fenn, Published by John Ryall, active 1755–1762, British, Published by Robert Withy, active 1750–1765, British, Published by Robert Sayer,

Hunting Scene: Drawing the Cover, Henry Thomas Alken, 1785–1851, British, ca. 1840, Oil on canvas, Support (PTG): 18 x 24 1/4 inches (45.7 x 61.6 cm), costume, dogs (animals), falling, fence, horses (animals), hunters, hunting,

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

View West of Lout Harbour; Spitzberger, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16

Three Cows Tethered, George Chinnery, 1774–1852, British, 1818, Graphite on medium, slightly textured, beige, wove paper, Sheet: 6 7/8 × 9 7/8 inches (17.5 × 25.1 cm), animal art, camp (temporary settlement), cows, landscape

Felis caligata (Booted Lynx), James Bruce, 1730–1794, British, ca. 1768, Watercolor, pen and black ink, over graphite on moderately thick, slightly textured, cream, laid paper, Sheet: 11 3/4 × 9 3/4 inches (29.8 × 24.8 cm), animal

Bath: The Crescent, Print made by John Robert Cozens, 1752–1797, British, 1773, Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper, Sheet: 11 1/8 x 14 7/8 inches (28.2 x 37.8 cm) and Image: 8

Pheasant Shooting, Print made by Matthew Dubourg, active 1786–1838, British, after James Pollard, 1792–1867, British, Published by Jonathan Watson, 1820–1847, British, 1822, Aquatint and etching with hand coloring on moderately

Retriever with Hare in Its Mouth, unknown artist, nineteenth century, early 19th century, Black chalk on medium, slightly textured, cream laid paper, Sheet: 5 1/2 × 9 1/4 inches (14 × 23.5 cm), animal art, dog (animal), fox (animal),

Crossing the Line Ceremony on Board the Ship, 'Vestal', Julius Caesar Ibbetson, 1759–1817, British, undated, Watercolor, pen and gray ink, and gouache on medium, slightly textured, cream wove paper, Sheet: 7 1/8 × 9 5/8 inches (18.1 ×

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