Images at Librifly

search results: Art clear search

The Burn (tail piece), Alfred W. Cooper, active 1850–1901, British, after Alfred W. Cooper, active 1850–1901, British, undated, Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper, Sheet: 3 13/16

Staithes, Yorkshire, Francis Nicholson, 1753–1844, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/8 x 12 7/16in. (23.2 x 31.6cm) and Sheet: 9 1/4 × 12 1/2 inches (23.5 × 31.8 cm),

Standing Horse, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, moderately textured, beige, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Sheet: 6 7/8 x 8 3/4in. (17.5 x 22.2cm) and

El Luxor, Edward Lear, 1812-1888, British, 1867, Watercolor, graphite, white gouache, pen and brown ink on moderately thick, modertately textured, gray wove paper, Sheet: 2 3/4 x 13 5/8 inches (7 x 34.6 cm), boats, figures

The Meet, John Wootton, 1682–1764, British, undated, Pen, in gray ink, black ink, gray wash, and graphite on medium, slightly textured, blued white, laid paper, Sheet: 5 3/8 × 8 5/8 inches (13.7 × 21.9 cm), dogs (animals), figure

Horse and Rider seen from the Rear, Henry Thomas Alken, 1785–1851, British, undated, Graphite on medium, slightly textured, white wove paper, Sheet: 10 5/8 × 10 inches (27 × 25.4 cm) and Frame: 17 1/2 × 16 5/16 × 13/16 inches (44.5 ×

Shipping Scene with Three Figures on shore, Rev. William Gilpin, 1724–1804, British, between 1745 and 1748, Brown wash, gray wash, pen and brown ink, and graphite with some scraping on moderately thick, moderately textured, beige laid

Stained Glass Study, An Otter and Two Fish, Sir John Everett Millais, 1829–1896, British, undated, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 2 1/8 × 4 inches (5.4 × 10.2 cm), animal art, fish, otter

Canis Lupus, or Gray Wolf, Samuel Howitt, 1756–1822, British, undated, Watercolor and pen and brown ink over graphite on medium, slightly textured, cream wove paper, Sheet: 7 3/4 × 8 inches (19.7 × 20.3 cm), animal art, dog (animal

Bee Cuckoo, James Bruce, 1730–1794, British, ca. 1768, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 13 3/8 × 11 1/2 inches (34 × 29.2 cm), animal art

A Dog (marked with measurements), James Sowerby, 1756–1822, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 8 1/8 × 13 1/8 inches (20.6 × 33.3 cm), animal art, dog (animal), dogs, coyotes, wolves,

Study of the Royal Stag, James Valentine, 1815–1879, British, ca. 1865, Albumen print from wet collodion negative on thin, smooth, cream wove paper, Sheet: 4 1/2 × 6 1/2 inches (11.4 × 16.5 cm) and Mount: 13 × 16 3/8 inches (33 × 41.6

Somerset House, London, Frederick Nash, 1782–1856, British, ca. 1825, Oil on artist's board, Support (PTG): 5 5/8 x 8 1/2 inches (14.3 x 21.6 cm), architectural subject, architecture, barge (ceremonial watercraft), boats, buildings,

Fighting Cocks: a Dark-Breasted Fighting Cock, Facing Left, John Frederick Herring, 1795–1865, British, 1829, Oil on panel, Support (PTG): 9 1/8 × 8 inches (23.2 × 20.3 cm), animal art, rooster, sporting art

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Man on Horseback with Bird, James Bruce, 1730–1794, British, undated, Graphite on medium, moderately textured, cream laid paper, Sheet: 12 1/2 × 9 inches (31.8 × 22.9 cm), animal art

Sable Antelope, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink and graphite on medium, smooth, white, wove paper, Sheet: 4 3/16 × 6 11/16 inches (10.6 × 17 cm), animal art

A View of the Town and Harbour of St Peter and St Paul, in Kamtschatka, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches

A Gentleman on a Managed Horse Riding Out With a Lady, James Seymour, 1702–1752, British, undated, Gouache, with pen, in black ink, and graphite on medium, moderately textured, beige, laid paper, Sheet: 5 5/8 × 7 1/8 inches (14.3 ×

Wild Duck Shooting, Edward Duncan, 1803–1882, British, 1825, Watercolor, with pen, in brown ink, and gouache, over graphite, with scratching out on medium, slightly textured, cream, wove paper, Sheet: 6 5/8 × 10 5/16 inches (16.8 ×

A Water Rail, Isaac Spackman, died 1771, British, undated, Watercolor and gouache on vellum, Sheet: 11 x 8 3/8in. (27.9 x 21.3cm) and Sheet: 11 × 8 3/8 inches (27.9 × 21.3 cm), animal art

A Review on Epson Downs, John Nixon, ca. 1760–1818, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 3 1/2 × 8 7/8 inches (8.9 × 22.5 cm), dresses, flags, horses

A Bird, James Sowerby, 1756–1822, British, undated, Watercolor and gouache over graphite on medium, slightly textured, cream wove paper mounted on thick, slightly textured, cream wove paper, Sheet: 8 1/8 x 6 1/4in. (20.6 x 15.9cm),

A Stone Curlew, George Edwards, 1694–1773, British, ca. 1790, Watercolor, pen, black ink, brown ink, and graphite on moderately thick, moderately textured, cream laid paper, Sheet: 10 × 11 1/4 inches (25.4 × 28.6 cm), animal art,

The Meet, Print made by Robert Polhill Bevan, 1865–1925, British, 1898-1899, Lithograph on moderately thick, smooth, cream wove paper, Sheet: 15 x 19 5/16 inches (38.1 x 49 cm) and Image: 9 13/16 x 13 1/8 inches (25 x 33.4 cm), animal art,

Baudins Cockatoo, unknown artist, nineteenth century, after Edward Lear, 1812–1888, British, 1832, Watercolor and pen and black ink on beige board, Sheet: 18 × 14 inches (45.7 × 35.6 cm), animal art

Steeplechasing: The Brook, William J. Shayer, 1811–c.1885, British, 1869, Oil on canvas, Support (PTG): 6 1/2 x 10 3/4 inches (16.5 x 27.3 cm), brook, equestrian, fence, horse (animal), jockey, racing, riding, sporting art, track,

Well and Mosque in Lahore, 18 March 1860, William Simpson, 1823–1899, British, 1860, Graphite on medium, smooth, cream wove paper, Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm) and Binding: 4 1/4 inches (10.8 cm), animal art, camel

Coal Fish, James Sowerby, 1756–1822, British, undated, Watercolor with touches of white gouache on medium, slightly textured, cream wove paper, Sheet: 8 x 12 5/8in. (20.3 x 32.1cm) and Sheet: 8 × 12 3/4 inches (20.3 × 32.4 cm), animal

Steeplechasing: The Field taking a Low Rail and a Brook, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on moderately thick, moderately textured, blued white, wove paper, Sheet: 10 5/8 × 14 7/8 inches (27 × 37.8

Sketch of a Horse, Robert Hills, 1769–1844, British, undated, watercolor and graphite on moderately thick, rough, beige, laid paper, Sheet: 7 13/16 × 8 1/4 inches (19.8 × 21 cm), animal art, horse (animal), studies (visual works

British Men-of-War and a Sloop, Peter Monamy, 1681–1749, British, between 1720 and 1730, Oil on canvas, Support (PTG): 28 x 35 1/2 inches (71.1 x 90.2 cm), boats, flags, marine art, men-of-war, ocean, rowboats, sailboats, sea,

Asinus Hippagrus The Yo-To-Tze, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, graphite, pen and brown ink and black ink on medium, slightly textured, cream, wove paper, Sheet: 4 1/8 × 6 3/8 inches (10.5 × 16.2 cm),

'Qualified Horses and Unqualified Riders:' 'Got in and Getting Out. Very Clever', Henry Thomas Alken, 1785–1851, British, undated, Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, blued white, wove

A Two Master in Sail, Thomas Daniell, 1749–1840, British, active in India, ca. 1789, Gray ink with gray wash over graphite on medium, slightly textured, cream laid paper, Sheet: 6 1/2 x 8 1/4 inches (16.5 x 21 cm), boat, marine art,

Slight sketch of a dog, James Sowerby, 1756–1822, British, undated, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 9 1/2 × 11 7/8 inches (24.1 × 30.2 cm), animal art, dog (animal), dogs, coyotes, wolves,

Sailboats, Thomas Daniell, 1749–1840, British, active in India, William Daniell, 1769–1837, British, undated, Graphite on medium, moderately textured, beige, laid paper; mounted on, moderately thick, moderately textured, cream,

Corsac Dog-Fox, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink, brown ink and graphite on modeately tick, smooth, cream, wove paper, Sheet: 4 3/16 × 6 5/8 inches (10.6 × 16.8 cm), animal art, fox

The English Race-Horse, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, graphite, pen and black ink on medium, slightly textured, cream, wove paper, Sheet: 4 1/4 × 6 3/8 inches (10.8 × 16.2 cm), animal art, horse

Brighton Races, John Nixon, ca. 1760–1818, British, 1805, Watercolor, pen and gray ink, gouache, and graphite with scratching out on thick, slightly textured, cream wove paper, Sheet: 20 1/4 × 26 3/4 inches (51.4 × 67.9 cm), genre

Medo-Persian Horse and Egyptian Horse, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Graphite and pen and gray ink on medium, slightly textured, cream, wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm), animal art

Standing Female Figure, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Brushed black ink, brown wash and graphite on medium, slightly textured, cream wove paper, Sheet: 11 1/2 x 7 1/8 inches (29.2 x 18.1 cm), abstract

Armed Merchantmen off the Dutch Coast Preparing to Set Sail, Attributed to Abraham de Verwer, ca. 1600–ca. 1650, Dutch, undated, between 1610 and 1650, Oil on oval panel, Support (PTG): 11 x 14 inches (27.9 x 35.6 cm), clouds, dock,

Pied Wagtail and Dragonfly, George Edwards, 1694–1773, British, undated, Watercolor, gouache, and graphite on moderately thick, slightly textured, cream laid paper, Sheet: 9 7/8 × 8 inches (25.1 × 20.3 cm), animal art, bird,

Corvs crassirostris (Thick-Billed Raven), James Bruce, 1730–1794, British, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 16 × 12 inches (40.6 × 30.5 cm), animal art, bird,

Frolicking Goat: Three Sketches, George Romney, 1734–1802, British, undated, Pen and brown ink on medium, slightly textured, blued white laid paper, Sheet: 6 1/4 x 7 3/4 inches (15.9 x 19.7 cm), animal, goat, sporting art

Fives played at the Tennis court Leicester Fields, Robert Dighton, 1752–1814, British, ca. 1784, Pen and black ink and brown ink and watercolor, Sheet: 6 x 8in. (15.2 x 20.3cm) and Frame: 7 11/16 × 9 1/4 × 5/16 inches (19.6 × 23.5 × 0.8

Two Dancing Figures, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Brushed black ink on thin, smooth, cream wove paper, Sheet: 7 x 8 7/8 inches (17.8 x 22.5 cm), abstract art, dance, figure, figure study, Vorticism

Natives Hauling a Boat, George Chinnery, 1774–1852, British, undated, Pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 4 × 6 3/4 inches (10.2 × 17.1 cm), boat, figure study, marine art, workers

A Magpie, James Sowerby, 1756–1822, British, undated, Graphite on medium, smooth, cream wove paper, Sheet: 13 × 16 3/8 inches (33 × 41.6 cm), animal art, magpie, Magpies

Fallow Deer: Stag, Doe and Fawn in a clearing, Sawrey Gilpin, 1733–1807, British, ca. 1791, Black chalk and stump over graphite on medium, slightly textured, wove paper mounted to thick, moderately textured, laid paper, Sheet: 7 1/2 × 9

Hay Wagon and Horses, David Cox, 1783–1859, British, undated, Black chalk; verso: red and black chalk on medium, slightly textured, cream wove paper, Sheet: 3 5/8 × 9 1/2 inches (9.2 × 24.1 cm) and Frame: 7 3/16 × 13 × 13/16 inches

A Bird, James Sowerby, 1756–1822, British, undated, Watercolor and gouache over graphite on medium, slighlty textured, cream wove paper, Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm), animal art, bird, Eurasian Skylark

Madeira Fishman, January 14, '68, unknown artist, nineteenth century, 1868, Watercolor and graphite on thick, moderately textured, cream wove paper, Sheet: 5 × 7 inches (12.7 × 17.8 cm), figure study, fisherman, marine art, rocks

A Warship Preparing to Leave the Anchorage, Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804), between 1787 and 1808, Watercolor, pen and black ink, and gray ink on moderately thick, slightly textured,

The Battle of La Hogue, Benjamin West, 1738–1820, American, active in Britain (from 1763), and John Trumbull, 1756–1843, American, 1778, retouched 1806, Oil on canvas, Support (PTG): 64 3/4 x 96 1/4 inches (164.5 x 244.5 cm), battle,

Hippotigris Quacha, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on moderately thick, smooth, cream, wove paper, Sheet: 4 1/8 × 6 1/8 inches (10.5 × 15.6 cm), animal art

Steeplechasing: The Field Jumping in and Out of a Lane, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on moderately thick, smooth, blued white, wove paper, Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm),

Two Hares: On a Hillside, Unknown artist, nineteenth century, after Philip Reinagle, 1749–1833, British, ca. 1805, Enamel on porcelain, Support (PTG): 5 × 6 3/4 inches (12.7 × 17.1 cm), animal art, hares

Luxor, 7:30 am, 20 January 1867 (199), Edward Lear, 1812–1888, British, 1867, Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, brown wove paper, Sheet: 3 1/8 x 10 3/8 inches (7.9 x 26.4 cm), boats,

Roller: Garrulous Roller, William Lewin, 1747–1795, British, before 1790, Watercolor and gouache over graphite with gum arabic on medium, smooth, white vellum, Sheet: 8 1/2 × 6 1/2 inches (21.6 × 16.5 cm), animal art, beak, bird,

No.1 Passage of the Mondego at Pena Cova by the 3rd Division of allied Army, 1810, T. St. Clair, active 1810–1815, after Charles Turner, 1774–1857, British, 1810, Aquatint, colored, army, military art, Coimbra, Coimbra, Distrito de,

Donkey Beside a Tree, Hampstead, John Linnell, 1792–1882, British, undated, Watercolor, with pen, in brown ink, over graphite on medium, smooth, beige, wove paper, Contemporary drawn border: 4 7/16 × 5 1/2 inches (11.3 × 14 cm) and

On the Thames, John Varley, 1778–1842, British, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 13 3/8 x 10 7/8 inches (34 x 27.6 cm), boats, bridges (built works), clouds, docks,

Seascape, George Grosvenor Thomas, 1856–1923, Australian, between 1890 and 1895, Oil on canvas, Support (PTG): 16 x 20 inches (40.6 x 50.8 cm), marine art, sea, seascape, sky, texture, water, waves (natural events

The Race of Daldey, Heneage Finch fourth Earl of Aylesford, 1751–1812, British, undated, Watercolor, pen, brown ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 8 1/4 × 10 7/8 inches (21 × 27.6 cm) and Mount: 14

Gun Dogs, Samuel Howitt, 1756–1822, British, undated, Pen and brown ink and brown wash over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 4 1/8 × 6 inches (10.5 × 15.2 cm), animal art, dogs (animals),

Schooling Horses: Three Studies on a Page, James Seymour, 1702–1752, British, undated, Graphite on medium, slightly textured, cream, laid paper, mounted on, moderately thick, moderately textured, beige, wove paper, Mount: 9 5/16 × 13

Shipping in an Estuary, Probably near Quilleboeuf, Richard Parkes Bonington, 1802–1828, British, 1825 to 1826, Watercolor over graphite with scratching out on medium, slightly textured, cream wove paper, Sheet: 5 3/4 x 9 inches (14.6 x

The Battle of Cape St. Vincent, Robert Cleveley, 1747–1809, British, 1797, Watercolor, graphite and black ink on medium, moderately thick, beige wove paper, Sheet: 4 1/8 x 8in. (10.5 x 20.3cm) and Contemporary drawn border: 4 5/8 × 8 5/8

Studies of a cow's head, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slighlty textured, cream laid paper, Sheet: 5 3/4 × 7 inches (14.6 × 17.8 cm), animal art, cow, jersey, study (visual work

Mr. Jonas Webb, of Babraham, and his Three Rams, Print made by John West Giles, active 1827–1865, after John West Giles, active 1827–1865, 1842, Lithograph with hand coloring on thick, moderately textured, cream wove paper, Sheet: 18

Boat Sketches, Thomas Daniell, 1749–1840, British, active in India, William Daniell, 1769–1837, British, undated, Graphite on medium, slightly textured, beige wove paper; mounted on, moderately thick, slightly textured, cream, wove

Challow Farm, Francis Seymour Haden, 1818–1910, British, 1877, Etching and drypoint on medium, slightly textured, cream antique laid paper, Sheet: 8 x 12 3/8 inches (20.3 x 31.4 cm), Plate: 5 7/8 x 8 7/8 inches (15 x 22.6 cm), and Image:

Two Horses Trotting in Harness, James Seymour, 1702–1752, British, undated, Pen, in brown ink on medium, slightly textured, cream, laid paper, mounted on, moderately thick, moderately textured, beige, wove paper, Mount: 6 11/16 × 8

A Wild Boar, James Ward, 1769–1859, British, 1814, Pen, in brown ink on moderately thick, moderately textured, beige, wove paper, Sheet: 10 9/16 × 14 15/16 inches (26.8 × 37.9 cm), animal art, boar

The Night Riders of Nacton: Whoop! and Away! The large field near Biles Corner, Henry Thomas Alken, 1785–1851, British, undated, Watercolor and gouache on medium, slighlty textured, brown wove paper mounted to thick card, Sheet: 10 1/8 ×

Spearing the Otter, Philip Reinagle, 1749–1833, British, 1805, Oil on canvas, Support (PTG): 14 1/2 x 20 1/4 inches (36.8 x 51.4 cm), animals, dogs (animals), hunters, hunting, recreation, river, riverbank, rural, spear, sporting

Threkiornis aethiopicus (African Sacred Ibis), James Bruce, 1730–1794, British, undated, Watercolor over graphite on medium, slightly textured, cream laid paper, Sheet: 12 5/8 × 9 7/8 inches (32.1 × 25.1 cm), animal art

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

A Finch, Isaac Spackman, died 1771, British, undated, Gouache, watercolor, and graphite on medium, moderately textured, cream laid paper, Sheet: 10 5/8 × 8 3/8 inches (27 × 21.3 cm), animal art, branch, finch

Harbour Scene with Town, Print made by Charles Golding Constable, 1821–1879, British, undated, Etching on moderately thick, slightly textured, beige wove paper, Sheet: 5 7/8 x 8 11/16 inches (15 x 22 cm), Plate: 3 1/4 x 5 1/8 inches (8.3 x

Ladrone Islands in the China Sea, Samuel Davis, 1757–1819, British, undated, Watercolor, pen and black ink, and graphite on moderately thieck, moderately textured, cream, laid paper, mounted on, moderately thick, moderately textured,

A Group of Five Horses Fighting, Sawrey Gilpin, 1733–1807, British, undated, Graphite, pen, in brown ink, and brown wash on medium, moderately textured, cream, laid paper, Sheet: 6 15/16 × 11 3/4 inches (17.6 × 29.8 cm), animal art

Three Jeyties Exercising, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, ca. 1792, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 8 × 11 inches (20.3 × 27.9 cm), athletes,

A Baby Elephant sitting by a fence, Daniel Maclise, 1806–1870, Irish, undated, Graphite on medium, smooth, cream wove paper, Sheet: 4 1/4 × 3 5/8 inches (10.8 × 9.2 cm) and Frame: 10 1/16 × 9 3/16 × 1/4 inches (25.5 × 23.3 × 0.6 cm),

A Horse Standing, Head Turned, Wearing Quarter Sheet, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, moderately textured, cream, laid paper, Sheet: 9 13/16 × 7 3/8 inches (24.9 × 18.7 cm), animal art

Head of a Donkey, George Jones, 1786–1869, British, undated, Watercolor and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 4 15/16 × 3 7/8 inches (12.5 × 9.8 cm), animal art

'Qualified Horses and Unqualified Riders:' 'Topping a Flight of Rails...', Henry Thomas Alken, 1785–1851, British, undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, blued white, wove paper, Sheet: 8 3/16

Shipping in an Estuary, Bernard Lens III, 1682–1740, British, undated, Gray wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper, Sheet: 8 7/16 x 12 1/4in. (21.4 x 31.1cm), Mount: 9 3/4 x 13 5/8in. (24.8 x

Launching at Deptford, John Cleveley the elder, ca. 1712–1777, British, ca. 1757, Oil on canvas, Support (PTG): 41 3/4 × 72 1/8 inches (106 × 183.2 cm), audience, barge (ceremonial watercraft), boats, buildings, city, cityscape,

Grey carriage horses in the coachyard at Putteridge Bury, Hertfordshire, John Frederick Herring, 1795–1865, British, 1838, Oil on canvas, Support (PTG): 40 1/8 x 50 1/8 inches (101.9 x 127.3 cm), animals, equestrian, harness, horses

Guaraxa Aguara-Fox, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on moderately thick, smooth, cream, wove paper, Sheet: 4 3/4 × 7 7/16 inches (12.1 × 18.9 cm), animal art

'Sporting Anecdotes:' Sketch for 'The Sporting Butcher', Henry Thomas Alken, 1785–1851, British, undated, Graphite on medium, slightly textured, cream, wove paper, Sheet: 8 1/2 × 13 1/16 inches (21.6 × 33.2 cm), butchers, dogs

Man on Horseback Carrying Weapons, James Bruce, 1730–1794, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 8 3/4 × 13 1/2 inches (22.2 × 34.3 cm), animal art

A Bay Horse Approached by a Stable-Lad with Food and a Halter, George Garrard, 1760–1826, British, 1789, Oil on canvas, Support (PTG): 24 1/4 x 29 1/2 inches (61.6 x 74.9 cm), animal art, boy, breeches, buckles, child, clouds, collar,

A Horse Grazing, Sawrey Gilpin, 1733–1807, British, 1760, Graphite and gray wash on moderately thick, moderately textured, beige, wove paper, Sheet: 5 7/8 × 7 inches (14.9 × 17.8 cm), animal art

Heads of Two Proboscis Monkeys, James de Carle Sowerby, 1787–1871, British, undated, Engraving on thin, smooth, cream wove paper, Sheet: 3 3/8 x 5 3/16in. (8.6 x 13.2cm), animal art, monkeys (animals

Dort or Dordrecht: The Dort packet-boat from Rotterdam becalmed, Joseph Mallord William Turner, 1775–1851, British, 1818, Oil on canvas, Support (PTG): 62 x 92 inches (157.5 x 233.7 cm), chromaticity, church, city, cityscape, costume,

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

search results: Art clear search