Images at Librifly

search results: Art clear search

Knight in Armour Standing by a Plumed and Caparisoned Horse, Henry Thomas Alken, 1785–1851, British, Jacques Vellekoop, undated, Graphite on medium, smooth, beige, wove paper, Sheet: 6 × 7 7/8 inches (15.2 × 20 cm), armour, genre

Studies of Warriors on Horseback, James Bruce, 1730–1794, British, undated, Graphite on medium, slightly textured, beige laid paper, Sheet: 9 1/4 × 14 3/8 inches (23.5 × 36.5 cm), animal art

The Broken Pipe, Henry William Bunbury, 1750–1811, British, undated, Pen and brown ink and graphite on medium, slightly textured, cream laid paper, Sheet: 8 3/8 × 11 1/8 inches (21.3 × 28.3 cm), animal art, figure study, hat, horse

Elephant, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 5 3/4 × 7 inches (14.6 × 17.8 cm), animal art

The Palace of Mont Alto at Naples, Print made by unknown artist, (de Bois), Published by John Bowles, 1701–1779, British, undated, Etching and line engraving on medium, slightly textured, cream laid paper, laid on contemporary mount made

Thunderstorm at Point Ogle near the Mouth of the Thlewechodyeth and Western View near Mount Barrow during a Fog, Charles Hamilton Smith, 1776–1859, Belgian, after Sir George Back F.R.S, 1796—1878, British, undated, Watercolor and graphite

A Rhinoceros, James Sowerby, 1756–1822, British, undated, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 8 1/2 × 11 inches (21.6 × 27.9 cm), animal art, Rhinoceroses

The Flagship of a Commander in Chief, Charles Brooking, 1723–1759, British, undated, Pen in gray ink, black ink, and gray wash on moderately thick, moderately textured, cream, laid paper, Sheet: 11 13/16 × 18 1/2 inches (30 × 47 cm),

A Lizard with Sketches of a Scorpion and a Spider, unknown artist, 1829, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 10 3/4 x 15in. (27.3 x 38.1cm), animal art, lizard, spider

A Bird's Egg, James Sowerby, 1756–1822, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 5 3/8 × 6 5/8 inches (13.7 × 16.8 cm), animal art, egg

The Spoiled Child, Scene III, Lewis Vaslet, 1742–1808, British, ca. 1802, Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 15 1/2 x 19 1/2 inches (39.3 x 49.5 cm) and

The Day's Sport, James Ward, 1769–1859, British, 1826, Oil on canvas, Support (PTG): 39 1/2 x 51 1/4 inches (100.3 x 130.2 cm), birds, children, costume, dogs (animals), donkey, fence, gamekeepers, girls, guns, hills, hunters,

A Plumed Saddle-Horse, Attributed to Inigo Jones, 1573–1652, British, ca. 1640, Pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 5 5/8 x 5 inches (14.3 x 12.7 cm), animal art, feathers, horse (animal), masques,

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), breakwaters, channel

Five Deer, Sawrey Gilpin, 1733–1807, British, undated, Pen and brown ink, graphite, with rubbing on moderately thick, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper,

'Margrave' with James Robinson Up, John Frederick Herring, 1795–1865, British, 1833, Oil on canvas, Support (PTG): 26 x 38 inches (66 x 96.5 cm), animal art, equestrian, field, man, riding boots, rural, saddle, trousers

Study of a Rababi Musician, William Simpson, 1823–1899, British, 1860, Graphite on medium, smooth, cream wove paper, Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm) and Binding: 4 1/4 inches (10.8 cm), animal art, camel (mammal), carriage,

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Eelback Dun Stock, Ukraine Decussated Horse, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 4 1/8 × 6 5/8 inches (10.5

'The King and Noblemen Before the Stag is Turn'd Out', Robert Dighton, 1752–1814, British, undated, Watercolor, pen and black ink, and gray ink on medium, slightly textured, cream, wove paper, Sheet: 4 1/4 × 13 1/2 inches (10.8 × 34.3

The Mischievous Dog, Samuel Howitt, 1756–1822, British, undated, Watercolor, graphite and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 5 × 7 1/8 inches (12.7 × 18.1 cm), animal art, chained, doghouse, dogs

Stable Boy Holding a Horse in a Landscape, John Collet, ca. 1725–1780, British, undated, Watercolor, and pen and black ink on medium, slightly textured, cream, wove paper, mounted on, medium, moderately textured, cream, laid paper,

Interior of an Academy: The Critics, William Stewart, active 1847–1856, British, 1848, Oil on canvas, Support (PTG): 32 x 24 1/2 inches (81.3 x 62.2 cm), academy, ancient, art, boys, busts, casts, coats, crates, critics, dog

Horse and Rider: a Stout Huntsman on a Galloping Horse, Joseph Crawhall, 1861–1913, British, undated, Pen, in brown ink, and watercolor on moderately thick, slightly textured, beige, laid paper, mounted on, moderately thick, slightly

Saddled Horse, Walking to Left, James Seymour, 1702–1752, British, undated, Graphite on medium, slightly textured, cream, laid paper, mounted on, moderately thick, moderately textured, beige, wove paper, Mount: 9 3/8 × 11 3/4 inches

Tortoise, James Heath, 1757–1834, British, after James Bruce, 1730–1794, British, 1789, Engraving, hand colored, animal art, tortoise

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Wreck off Hastings, William Miller, 1796–1882, British, after Joseph Mallord William Turner, 1775–1851, British, 1859-1879, Steel engraving ( Art Journal

Sketches of a Gelding, James Seymour, 1702–1752, British, undated, Pen, in brown ink on medium, slightly textured, cream, laid paper, mounted on, moderately thick, moderately textured, cream, laid paper, Mount: 4 5/8 × 5 3/8 inches

Salmon Cove Observatory Inlet New Cornwall, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding:

Earl Talbot's Hound, Thomasine, John Linnell, 1792–1882, British, 1839, Graphite, watercolor, gouache and chalk on medium, slightly textured, beige wove paper, Sheet: 16 5/8 x 19 inches (42.2 x 48.2 cm), animal art, dog (animal),

Herdsman, Dog, and Cow, James Bruce, 1730–1794, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 8 3/4 × 13 1/2 inches (22.2 × 34.3 cm), animal art

A Species of Wild Duck, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 4 5/8 × 5 1/2 inches (11.7 × 14 cm), animal art, duck, feathers

The Crabodage, or Surinam Aguara Dog, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on moderately thick, slightly textured, white, wove paper, Sheet: 4 13/16 × 7 1/2 inches (12.2 ×

Three Ships, Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771), undated, Gray wash with pen and black ink over graphite on medium, slightly textured, beige laid paper, Sheet: 5 1/8 × 8 1/8 inches (13 ×

Resting Place at Night in the Northern Expedition, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and

Hay Barge in a Calm Sea, Attributed to Charles Bentley, 1806–1854, British, formerly attributed to Richard Parkes Bonington, 1802–1828, British, undated, Watercolor and graphite on medium, cream, slightly textured wove paper, Sheet: 5

Cowdray, Francis Seymour Haden, 1818–1910, British, 1882, Etching and drypoint on thick, slightly textured, cream wove paper, Sheet: 9 3/16 x 12 3/16 inches (23.3 x 31 cm), Plate: 9 3/16 x 12 3/16 inches (23.3 x 31 cm), and Image: 5 15/16

An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754, Print made by Mark Catesby, 1682–1749, British, 1754,

Two Jockeys Galloping Neck and Neck to Right, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, beige, wove paper, Sheet: 8 15/16 × 12 3/4 inches (22.7 × 32.4 cm), galloping, horse

Piscator, no. 2, John Dillwyn Llewelyn, 1810–1882, British, 1856, Albumen print from oxymel negative on thin, smooth, cream wove paper, Sheet: 9 1/2 × 7 1/2 inches (24.1 × 19.1 cm) and Mount: 17 3/8 × 12 inches (44.1 × 30.5 cm),

Study of a Horse's Head, John Michael Rysbrack, 1694–1770, Flemish, active in Britain (from 1720), undated, Black ink, gray and brown wash over graphite on medium, slightly textured, cream wove paper, Sheet: 10 x 7 1/2in. (25.4 x 19.1cm)

Head and Shoulders of a Cart Horse, James Ward, 1769–1859, British, undated, Graphite on medium, smooth, beige wove paper, Sheet: 8 5/8 x 10 3/4 inches (21.9 cm), animal art, cart, horse (animal

His Majesty's Ship Britannia Returning to Port, Louis Haghe, 1806–1885, British, after T. L. Hornbrook, 1780–1850, British, Printed by William Day, 1824–1913, British, ca. 1840, Lithograph, hand-colored on moderately thick,

Cedros Bay, Michel Jean Cazabon, 1814–1888, Trinidadian, active in France ca. 1839-1847, 1857, Pen and black ink, gray ink, gray wash, black wash, graphite, gouache and scratching out on mediium, slightly texturerd, cream, wove paper,

Lord Harrington and Lord Petersham, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and gray and red-brown ink, over graphite; verso: graphite shading on medium, slightly textured, biege, wove paper, Sheet: 8 9/16 x 6

Nearing Port in a Stormy Sea, François Louis Thomas Francia, 1772–1839, French, active in Britain, undated, Brown wash and brown and black ink with gouache on moderately thick, rough, gray wove paper, pasted on thick, smooth, cream

Lord Penryn's Slate Quarries, John Henderson, 1764–1843, British, undated, Watercolor and graphite on medium, slighlty textured, cream wove paper, Sheet: 8 1/4 × 10 1/4 inches (21 × 26 cm), boats, lake, marine art, men, mountains,

Illustration for R.S. Surtees', 'The Analysis of the Hunting Field': The Meet: 'With Bright Faces and Merry Hearts', Henry Thomas Alken, 1785–1851, British, undated, Watercolor over etched outline, with gouache, and pen in black ink on

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

Sir Sidney Meadows Schooling a Horse, James Seymour, 1702–1752, British, undated, Pen, in brown ink on thin, moderately textured, beige, laid paper, mounted on, moderately thick, moderately textured, beige, wove paper, Mount: 6 7/8

Huntsman with Hounds, Sir Edwin Henry Landseer, 1802–1873, British, undated, Pen, in brown ink, with red chalk and white chalk on medium, slightly textured, beige wove paper, Sheet: 9 15/16 × 13 15/16 inches (25.2 × 35.4 cm), horse

The Hlymar, or Hamur, Persian Wild Ass, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink, black ink and graphite on medium, smooth, cream, wove paper, Sheet: 3 7/8 × 6 3/8 inches (9.8 × 16.2 cm),

The Sporting Parson: 'The Sporting Parson at the Meet(ing) of His 'Dear Brethren' ', Hablot Knight Browne, 1815–1882, British, undated, Black chalk, watercolor and white gouache on moderately thick, slightly textured, gray, wove paper,

Arctic Dog, Facing Left, James Ward, 1769–1859, British, undated, Graphite on medium, smooth, cream, wove paper, mounted on, modertately thick, slightly textured, beige, laid paper, Mount: 6 1/16 × 7 9/16 inches (15.4 × 19.2 cm)

Three Toucans, James de Carle Sowerby, 1787–1871, British, undated, Watercolor and graphite on medium, smooth, cream wove paper, Sheet: 12 13/16 × 6 1/2 inches (32.5 × 16.5 cm), animal art, birds, branch, Ramphastidae (family

The Quorn Hunt: a Sketch of the Artist and his Friends Moving Off, John Ferneley, 1782–1860, British, ca. 1825, Oil on canvas, Support (PTG): 10 3/4 x 23 1/2 inches (27.3 x 59.7 cm), coat, dogs (animals), horses (animals), hunt, hunting,

Three Pheasants Surrounding an Owl, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, moderately textured, cream, laid paper, Sheet: 9 7/16 × 13 1/16 inches (24 × 33.2 cm), animal art

A Grotto in the Gulf of Salerno, Sunset, Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75), 1780 to 1781, Oil on canvas, Support (PTG): 40 x 50 inches (101.6 x 127 cm), boat, grotto, gulf, landscape, lateen rig,

The City and St. Paul's from the South Bank, William Marlow, 1740–1813, British, undated, Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream

A Setter: Standing, unknown artist, after a model by Ralph Wood, ca. 1775, Pearlware figure, Sheet: 11 1/4in. (28.6cm), animal art, dog (animal

The Opening of the Carnival at Rome, Paul Sandby RA, 1731–1809, British, after David Allan, 1744–1796, British, born in Scotland, Published by Paul Sandby RA, 1731–1809, British, ca. 1781, Aquatint and etching on medium, moderately

Column at Yarmouth to the Memory of Lord Nelson, Print made by John Sell Cotman, 1782–1842, British, after John Sell Cotman, 1782–1842, British, Published by John Sell Cotman, 1782–1842, British, 1817, Etching on moderately thick,

His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board, Louis Haghe, 1806–1885, British, after T. L. Hornbrook, 1780–1850, British, Printed by William Day, 1824–1913, British, ca. 1840, Lithograph,

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

Deer and Dog, unknown artist, nineteenth century, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 13 5/8 × 7 7/8 inches (34.6 × 20 cm), animal art, deer, dog (animal), grass, tree

Kingswear Seen from Dartmouth, Devon, Thomas Girtin, 1775–1802, British, ca. 1797, Watercolor with pen in brown ink over graphite on medium, moderately textured, beige, laid paper, Sheet: 7 5/8 x 12 13/16 inches (19.4 x 32.5 cm), boats,

Plymouth Dock, Thomas Rowlandson, 1756–1827, British, 1817, Watercolor with pen and gray ink, pen and red ink, and pen and brown ink on medium, moderately textured, beig, laid paper, Sheet: 6 7/8 x 11 5/8 inches (17.5 x 29.5 cm),

Study of Goats, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 7 5/8 × 9 inches (19.4 × 22.9 cm), animal art, goats, grazing, horn

Two Fishing Boats at Brighton Beach, Attributed to Augustine Maria Aglio, 1777–1857, Italian, active in Britain, 1819, Black chalk and pen and black ink on medium, slighlty textured, cream wove paper, Sheet: 5 1/4 × 10 7/8 inches (13.3 ×

Album Drawing, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches (41 cm),

A Saddled Horse, Facing Left, Peter Tillemans, 1684–1734, Flemish, active in Britain (from 1708), undated, Watercolor, brown wash, graphite, and gouache on medium, slightly textured, beige, laid paper, Sheet: 5 5/8 × 6 3/4 inches

A Duck, James Sowerby, 1756–1822, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 8 1/8 × 5 3/4 inches (20.6 × 14.6 cm), animal art, duck

Archers Stalking a Stag, John Martin, 1789–1854, British, 1821, Watercolor, brown wash, and graphite, with scratching out on medium, slightly textured, cream wove paper, Sheet: 7 3/4 x 10 1/2 inches (19.7 x 26.7 cm), Bow and arrow,

A Camel Resting, Side View to the Right, George Jones, 1786–1869, British, ca. 1856, Graphite, pen, in brown ink, brown wash, and white gouache on medium, moderately textured, blue, wove paper, Sheet: 3 5/8 × 5 5/16 inches (9.2 ×

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Graphite and watercolor on medium, slightly textured, white wove paper, Binding: 4 inches (10.2 cm), Cover: 4 x 6 5/8 inches (10.2 x 16.8 cm), and Sheet:

The Weary Ploughman, Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1858, Etching and drypoint on thick, slightly textured, cream wove paper with cream chine collé, Sheet: 11 3/4 x 17 1/16 inches (29.8 x

Dancing Figure, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Brushed black ink on thin, smooth, cream wove paper, Sheet: 7 x 4 1/2 inches (17.8 x 11.5 cm), abstract art, dance, figure, figure study, study (visual

Water Buffalo Grazing, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Pen and black ink, gray wash and graphite on medium, slighlty textured, cream laid paper mounted to medium, moderately textured, cream wove paper,

Study of Cattle, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slightly textured, beige laid paper, Sheet: 6 1/4 × 6 3/4 inches (15.9 × 17.1 cm), animal art, bears, cattle, cows, horses (animals

View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795, John William Edye, 1760–1802, Danish, after T. M. Waller, active 1795–1797, Published by T. Whitewood Jr., active 1797, 1797, Aquatint and

Enkhuysen, Edward William Cooke, 1811–1880, British, undated, Graphite on moderately thick, slightly textured, white wove paper, Sheet: 4 3/8 × 7 inches (11.1 × 17.8 cm), dock, lighthouse, marine art, marine art, port, sails,

The Deer-Stalker, Oct. 15, 1852, Sir Edwin Henry Landseer, 1802–1873, British, 1852, Pen, in brown ink, and brown wash on medium, smooth, cream laid paper, Sheet: 7 3/16 × 4 3/8 inches (18.3 × 11.1 cm), deer, hunting, sporting art

The Battle at La Hogue, William Woollett, 1735–1785, British, after Benjamin West, 1738–1820, American, active in Britain (from 1763), 1781, Etching and engraving on moderately thick, moderately textured, beige, laid paper, Sheet: 19

Sun Under a Cloud, Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain, after Peter Monamy, 1681–1749, British, Published by John Bowles, 1701–1779, British, 1745, Line engraving and etching on moderately

Rizaghat, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, cochineal, pen and brown ink on moderately thick, moderately textured, gray wove paper, Sheet: 2 15/16 x 10 9/16 inches (7.5 x 26.8 cm), boats, figures

Two Tree Creepers?, James Sowerby, 1756–1822, British, undated, Graphite and watercolor with pen and brow ink on medium, slightly textured, cream wove paper, Sheet: 8 × 6 1/2 inches (20.3 × 16.5 cm), animal art, birds, Creepers

A Lugger and a Smack in Light Airs, Charles Brooking, 1723–1759, British, ca. 1750, Oil on copper, Support (PTG): 7 x 10 inches (17.8 x 25.4 cm), boats, fishing boats, light, luggers, marine art, sailboat, sea, seascape

Embarkation at Southampton, June 20th 1794 (Version A), Thomas Rowlandson, 1756–1827, British, 1794, Pen and brown and gray ink with gray wash over graphite on moderately thick, moderately textured, beige, antique laid paper, Sheet: 8

Rehearsal of an opera, Marco Ricci, 1676–1729, Italian, active in Britain (1708–10; 1711–16), ca. 1709, Oil on canvas, Support (PTG): 19 x 22 inches (48.3 x 55.9 cm), alto, art, bonnet (hat), books, cello, chitarrone, coats,

Coursing - After the Kill, James Seymour, 1702–1752, British, undated, Pen, in brown ink, with red chalk, and graphite on medium, moderately textured, cream, laid paper, Mount: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm), Contemporary

Wolf Fish, James Sowerby, 1756–1822, British, 1804, watercolor over graphite on thick, slightly textured, cream wove paper, Sheet: 7 1/8 × 11 1/2 inches (18.1 × 29.2 cm), animal art, wolffish

A Sloop of War in a Light Breeze, J. Hill, active 19th century, after George Webster, 1797–1864, British, Published by Gaetano Testolini, active 1760–1811, James John Hill, 1811–1882, British, 1811, Aquatint on moderately thick,

Bachelor's Hall: The Meet, Francis Calcraft Turner, active 1782–1846, British, 1835 to 1836, Oil on canvas, Support (PTG): 14 x 19 inches (35.6 x 48.3 cm), dogs (animals), horses (animals), men, reins, sporting art, top hat, trees

A Wren, James Sowerby, 1756–1822, British, undated, Graphite on medium, smooth, cream wove paper, Sheet: 8 3/8 × 6 3/4 inches (21.3 × 17.1 cm), animal art, bird

Coast Scene with White Cliffs and Boats on Shore, Joseph Mallord William Turner, 1775–1851, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 7 1/4 x 9 1/8 inches (18.4 x 23.2 cm), boats,

A Doli, a Horse, and Figure Studies, William Simpson, 1823–1899, British, 1860, Graphite on medium, smooth, cream wove paper, Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm) and Binding: 4 1/4 inches (10.8 cm), animal art, camel (mammal),

Cricketers - a pair: each in iron-red cap, spotted shirt and red sash, one bowling, one batting, Staffordshire pottery, 19th to mid-19th century, Staffordshire, Sheet: 13 1/2in. (34.3cm), cricket, cricketer, sporting art

A Weasel, Edward Lear, 1812–1888, British, 1832, Watercolor with pen in brown ink, with gouache and gum over graphite on medium, smooth, cream wove paper, Sheet: 7 3/8 x 11 inches (18.7 x 27.9 cm), animal art, fur, log, weasel,

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

search results: Art clear search