Images at Librifly

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Four horses, figure faintly sketched in background, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slightly textured, beige laid paper, Sheet: 6 1/2 × 8 inches (16.5 × 20.3 cm), animal art, figure (representation),

Macacus (Maimon) Brachyurus, White Maimon, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and red ink, gray ink, and graphite on medium, slightly textured, cream, wove paper, Sheet: 6 3/4 × 4 3/8 inches (17.1 ×

Heterohyrax brucei (Yellow-Spotted Rock Hyrax), James Bruce, 1730–1794, British, ca. 1768, Graphite on medium, slightly textured, cream laid paper, Sheet: 2 5/8 × 4 3/4 inches (6.7 × 12.1 cm), animal art

A Finch (Siskin?), James Sowerby, 1756–1822, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 12 1/2 × 7 7/8 inches (31.8 × 20 cm), animal art, finch

John Smith Barry’s Private Drag and Grey Team, James Pollard, 1792–1867, British, 1824, Oil on canvas, Support (PTG): 32 x 48 inches (81.3 x 121.9 cm), animal art, barn, carriage, dog (animal), genre subject, horses (animals), men,

Old Men O'War, Attributed to Charles Bentley, 1806–1854, British, Formerly attributed to François Louis Thomas Francia, 1772–1839, French, active in Britain, undated, Watercolor and scraping out; verso: graphite on thick, slightly

Boats at Sea, Thomas Daniell, 1749–1840, British, active in India, William Daniell, 1769–1837, British, undated, Graphite on medium, moderately textured, cream laid paper; mounted on, moderately thick, slightly textured, cream wove

The Harbour of Sebastopol, Gaspard Le Marchant Tupper, 1862–1906, 1854, Watercolor, white gouache on moderately thick, slightly textured, light blue, wove paper, Sheet: 6 7/8 x 20 3/8 inches (17.5 x 51.8 cm), bay, boat, cape, cliff,

Boat on the Nile, Edward Lear, 1812–1888, British, January - March 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, beige wove paper, Sheet: 2 7/8 x 5 15/16 inches (7.3 x 15.1 cm), boat, landscape, marine

Point de Galle, Ceylon (Sri Lanka), Charles Dyce, active 1848, British, ca. 1849, Watercolor over graphite with scraping out on medium, slightly textured, cream wove paper, Sheet: 9 3/4 × 13 7/8 inches (24.8 × 35.2 cm), boat, marine art,

Chinese Boats, 1834, George Chinnery, 1774–1852, British, 1834, Graphite, pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 7 × 11 inches (17.8 × 27.9 cm), boats, dock, marine art, mooring, sea

Landscape with Boats, Thomas Daniell, 1749–1840, British, active in India, William Daniell, 1769–1837, British, undated, Graphite on medium, slightly textured, blued white, laid paper; mounted on moderately thick, slightly textured,

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Shipwreck off a Rocky Coast, Thomas Buttersworth, active 1798–1827, British, ca. 1810, Oil on canvas, Support (PTG): 23 1/4 x 35 1/4 inches (59.1 x 89.5 cm), frigate, lifeboats, marine art, meteorology, mountains, rocks (landforms),

Birds of Paradise, Thomas William Wood, 1855–1872, British, 1862, Watercolor on medium, slightly textured, cream wove paper, Sheet: 14 × 10 inches (35.6 × 25.4 cm), animal art, birds-of-paradise, branches, mountain

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

The Bruiser, William Hogarth, 1697–1764, British, 1763, Line engraving on medium, slightly textured, cream laid paper, Sheet: 15 3/4 × 12 inches (40 × 30.5 cm), Plate: 15 × 11 1/8 inches (38.1 × 28.3 cm), and Image: 13 1/8 × 10 1/4

Portraits of a Gray Horse and a Black and White Spaniel, the Property of the Right Honorable C. Arbuthnot, Esq., M.P., unknown artist, attributed to James Ward, (bears signature), 1769–1859, British, 1822, Graphite on very thick, smooth,

A Bird, James Sowerby, 1756–1822, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 8 × 6 1/2 inches (20.3 × 16.5 cm), animal art, bird

A Red Throated Diver, June 1742, Charles Collins, 1660–1744, British, 1742, Watercolor, gouache, brown ink on slightly textured, medium, cream laid paper, Sheet: 15 1/8 × 21 inches (38.4 × 53.3 cm), animal art

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Ship wrecked on a rocky coast, Charles Brooking, 1723–1759, British, between 1747 and 1750, Oil on canvas, Support (PTG): 14 1/2 x 22 inches (36.8 x 55.9 cm), boat, boulders, cargo vessel, disaster, marine art, meteorology, science,

Stable Boy on a Pony, Arthur James Stark, 1831–1902, British, undated, Watercolor, gouache, and graphite on medium, smooth, beige wove paper, Sheet: 5 1/2 × 6 7/8 inches (14 × 17.5 cm), animal art, boy, bridle, horse (animal), pony

Modern Exercise, Robert Dighton, 1752–1814, British, undated, Pen and black ink and gray wash on medium, slightly textured, cream laid paper, Sheet: 6 5/8 × 10 7/8 inches (16.8 × 27.6 cm), ball, bowling, genre subject, men, sporting

Shipping off the Isle of Wight, Alfred Gomersal Vickers, 1810–1837, British, undated, Watercolor and graphite with pen and black ink and pen and brown ink on medium, moderately textured, cream wove paper, Sheet: 7 1/2 × 13 1/16 inches

Bath: The South Parade, Print made by John Robert Cozens, 1752–1797, British, 1773, Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper, Sheet: 11 1/8 x 15 3/8 inches (28.2 x 39.1 cm) and Image: 8

Military Costumes of the Reign of King Henry VI, 1447, Print made by John Augustus Atkinson, (etching), 1775–1831, British, after John Hill, (aquatint), 1770–1850, British, after Charles Hamilton Smith, 1776–1859, Belgian,

The Inn, Purfleet, Francis Seymour Haden, 1818–1910, British, 1869, Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper, Sheet: 8 11/16 x 11 9/16 inches (22 x 29.3 cm), Plate: 6 15/16 x 9 13/16 inches

Shot from a Gun, Henry Thomas Alken, 1785–1851, British, undated, Watercolor and graphite on medium, slighlty textured, cream wove paper, Sheet: 6 7/8 × 9 1/4 inches (17.5 × 23.5 cm), galloping, horses (animals), men, military art

Sketches of Peasants and Work-Horses, Samuel Prout, 1783–1852, British, undated, Watercolor with pen and ink over graphite on moderately thick, slightly textured, beige wove paper, Sheet: 6 x 8 1/2 inches (15.3 x 21.6 cm), animal art,

A Vulture with prey, and a heron, a Pl. for 'A New Drawing Book...of various kinds of Birds, Drawn from life by Mr. Francis Barlow, 1731' (1 of 9), Print made by George Bickham, 1683/4–1758, British, after Francis Barlow, ca. 1626–1704,

Treron waalia (Bruce's Green Pigeon), James Bruce, 1730–1794, British, undated, Watercolor over graphite on medium, slightly textured, cream laid paper, Sheet: 12 3/8 × 9 3/4 inches (31.4 × 24.8 cm), animal art

Doe and Buck, Sawrey Gilpin, 1733–1807, British, undated, Pen and brown ink, graphite, gray wash and rubbing on moderately thick, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream,

Wreckers -- Coast of Northumberland, with a Steam-Boat Assisting a Ship off Shore, Joseph Mallord William Turner, 1775–1851, British, between 1833 and 1834, Oil on canvas, Support (PTG): 35 5/8 x 47 9/16 inches (90.5 x 120.8 cm), beach,

A Saddle Horse of the Duke of Devonshire, Peter Tillemans, 1684–1734, Flemish, active in Britain (from 1708), undated, Watercolor, gouache, graphite, and gray wash on medium, slightly textured, beige, laid paper, mounted on,

Horses in a barn with chickens and a rooster..., Sawrey Gilpin, 1733–1807, British, undated, Graphite and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 × 8 inches (17.8 × 20.3 cm), animal art, barn,

On the Wye, Rev. William Warren Porter, 1776–1804, British, undated, Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/8 × 13 1/8 inches (23.2 × 33.3 cm), cliff, landscape, marine

Stag Hunting - The Hind at Bay: In a Mill-Stream Below a Water-Mill, Right..., Samuel Alken, 1756–1815, British, undated, Watercolor, with pen, in brown ink, black ink, graphite, and gouache on medium, slightly textured, beige, wove

The Shepherd, Print made by George Richmond, 1809–1896, British, 1827, Engraving on moderately thick, slightly textured, cream wove paper with cream chine collé, Sheet: 8 15/16 x 6 9/16 inches (22.7 x 16.6 cm), Plate: 6 7/8 x 4 7/16

The Governess, Emily Mary Osborn, 1828–1925, British, 1860, Oil on canvas, Support (PTG): 13 3/4 x 11 1/2 inches (34.9 x 29.2 cm), art, boys, children, contrast, dog (animal), dolls, educated, educator, fireplace, Furnishings,

River and Boat, Alexander Cozens, 1717–1786, British, ca. 1770, Brushed black ink, pen and black ink, graphite, light brown ground and varnish on thin, slightly textured, cream laid paper, mounted on medium, slightly textured, cream

Coast of Sussex, Pushing Off a Boat to a Vessel in Distress, Joshua Cristall, 1768–1847, British, ca. 1808, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 19 x 28 3/4 inches (48.3 x 73 cm),

Ships in Distress, Richard Bernard Godfrey, 1728–op.1794, British, after Charles Brooking, 1723–1759, British, Published by Laurie & Whittle, 1755?–1836, British, 1796, Line engraving with hand coloring on moderately thick,

Study of Birds, unknown artist, eighteenth century, Formerly attributed to Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800), ca. 1840, Oil on canvas, Support (PTG): 11 x 20 inches (27.9 x 50.8 cm), animal art,

'The Hounds Began Suddenly to Howl in Chorus', Cecil Charles Windsor Aldin, 1870–1935, British, undated, Watercolor, pen and black ink, graphite, and gouache on medium, slightly textured, beige, wove paper, Sheet: 11 7/16 × 8 1/2

`Sketches of Mares and Foals' - an illustrated letter addressed to J. S. Barry, Esq., and dated Aug. 11, 1800, Francis Sartorius, 1734–1804, British, 1800, Pen and black ink on thin, slightly textured, cream laid paper, Sheet: 15 5/16 x

The Two Sheep, Francis Seymour Haden, 1818–1910, British, 1870, Etching and drypoint, with plate tone on moderately thick, moderately textured, cream antique laid paper, Sheet: 9 13/16 x 13 3/8 inches (25 x 33.9 cm), Plate: 4 1/2 x 6

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

A Guillemot, June 1742, Charles Collins, 1660–1744, British, 1742, Watercolor, gouache, brown pen on slightly textured, medium, cream laid paper, Sheet: 14 7/8 × 21 inches (37.8 × 53.3 cm), animal art

Study for Gassed Soldiers, John Singer Sargent, 1856–1925, American, 1918, Charcoal and graphite on medium, moderately textured, cream wove paper mounted on card, Sheet: 18 1/2 x 24 1/4 inches (47 x 61.6 cm), battlefield, death, figure

The Capybara, Charles Hamilton Smith, 1776–1859, Belgian, James Stewart, 1791–1863, British, ca. 1837, Watercolor, pen and brown ink and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 4 13/16 × 7 9/16

A Scarlet Ibis, Sarah Stone, active 1786, British, ca. 1786, Watercolor heightened with white, Sheet: 14 1/2 x 10 3/8in. (36.8 x 26.4cm), animal art, beak, bird, scarlet

Pheasant Shooting, George Morland, 1763–1804, British, ca. 1790, Oil on canvas, Support (PTG): 15 7/8 x 20 1/2 inches (40.3 x 52.1 cm), autumn, birds, dogs (animals), rifle, rural, sporting art, sportsman, trees

Calais Harbour, Attributed to James Holland, 1799–1870, British, undated, Watercolor and graphite with white gouache on moderately thick, slightly textured, brown wove paper, Sheet: 6 5/8 × 11 1/2 inches (16.8 × 29.2 cm), buildings,

Barge on the Medway with Warships Grampian and Dreadnaugh in the Background, Print made by Miles Edmund Cotman, 1810–1858, British, ca. 1838, Etching on medium, moderately textured, blued white laid paper, Sheet: 4 7/16 x 8 1/16 inches

'Riding to Horses with Difficulty', Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, cream, wove paper, Sheet: 9 5/16 × 13 1/4 inches (23.7 × 33.7 cm), field, galloping, hills,

Dane's Island, Thomas Daniell, 1749–1840, British, active in India, William Daniell, 1769–1837, British, undated, Graphite on medium, slightly textured, cream laid paper; mounted on moderately thick, slightly textured, cream, wove

Thames Fishermen, no. 2, Francis Seymour Haden, 1818–1910, British, 1878, Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper, Sheet: 7 1/8 x 10 inches (18.1 x 25.4 cm), Plate: 5 7/8 x 8 7/8 inches (15 x

A Ram and Ewe in a Landscape, George Morland, 1763–1804, British, undated, Watercolor, and graphite on moderately thick, slightly textured, beige, wove paper, Sheet: 8 9/16 × 11 3/8 inches (21.7 × 28.9 cm), Contemporary drawn border: 8

Male Horse, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, moderately textured, beige, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Sheet: 7 1/8 × 8 11/16 inches (18.1 × 22.1 cm)

An Open Road, Patrick Nasmyth, 1787–1831, British, undated, recto: Gouache verso: black chalk on moderately thick, moderately textured, gray, wove paper, Sheet: 6 1/16 × 10 1/2 inches (15.4 × 26.7 cm), animal art

Flock of Sheep, Robert Hills, 1769–1844, British, after 1794, Graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/4 x 7 1/8 inches (23.5 x 18.1 cm), animal art, sheep

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Vidua chalybeata (Village Indigobird), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, goucahe, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches (40.3 ×

Gebel Sheikh Embarak, Edward Lear, 1812-1888, British, 1867, Watercolor, graphite, pen and brown ink on moderately thick, slightly textured, beige wove paper, Sheet: 2 1/16 x 10 inches (5.2 x 25.4 cm), boats, landscape, marine art,

On the Medway, David Cox, 1783–1859, British, early 1850s, Watercolor touched with gouache over graphite on heavy textured Scotch paper, Sheet: 19 x 29 1/8 inches (48.3 x 74 cm), boats, correctional institution, flags, hulks (utility and

Bachelor's Hall: Breaking Cover, Francis Calcraft Turner, active 1782–1846, British, 1835 to 1836, Oil on canvas, Support (PTG): 14 x 19 inches (35.6 x 48.3 cm), animals, chase, dog (animal), equestrian, fence, headgear, horses

Two Hyenas, Samuel Howitt, 1756–1822, British, ca. 1817, Watercolor, pen and black ink and graphite on Medium, moderately textured, cream wove paper, Sheet: 7 × 9 5/8 inches (17.8 × 24.4 cm), animal art

A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo', George Jones, 1786–1869, British, 1815, oil on paper

Lord Stanhope (Later Earl of Chesterfield) as a Boy, Riding a Pony, James Ward, 1769–1859, British, undated, Black chalk on moderately thick, moderately textured, cream, wove paper, Sheet: 9 5/16 × 8 inches (23.7 × 20.3 cm), animal

Entrance to Christmas Harbour, Kerguelen Island and The Arched Rock, Christmas Harbour, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 16 1/8

Near St. Malo, Sir Augustus Wall Callcott, 1779–1844, British, undated, Watercolor, black chalk with scratching out on medium, slightly textured white wove paper, mounted to card, Sheet: 7 1/8 × 10 inches (18.1 × 25.4 cm), marine art,

A Parrot, James Sowerby, 1756–1822, British, undated, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 9 1/2 × 11 5/8 inches (24.1 × 29.5 cm), animal art, parrot

Two Horses Feeding: Each Seen Three-Quarters From the Rear, Facing Left, George Jones, 1786–1869, British, undated, Pen, in brown ink, and graphite on medium, slightly textured, light brown, wove paper, Sheet: 3 1/4 × 4 7/8 inches (8.3

North American Prairie Wolf, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on medium, slightly textured, cream, wove paper, Sheet: 4 3/16 × 6 9/16 inches (10.6 × 16.7 cm), animal art

Chlamyphorus Truncatus, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on medium, smooth, cream, wove paper, Sheet: 4 1/16 × 6 1/2 inches (10.3 × 16.5 cm), animal art

The Rising Moon, Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1857, Etching and drypoint, with plate tone on thick, slightly textured, beige wove paper with beige chine collé, Sheet: 9 x 12 3/16 inches

Four Horses Standing in a Group in the Shade of Large Trees by Water, Sawrey Gilpin, 1733–1807, British, undated, Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, blued white, laid paper, Sheet: 14

Studies of facial features of a horse, Sawrey Gilpin, 1733–1807, British, undated, Graphite, pen and brown ink and brown wash on medium, slightly textured, cream laid paper mounted to medium, slighlty textured, brown wove paper, Sheet: 3

On the Medway, Print made by Miles Edmund Cotman, 1810–1858, British, after John Sell Cotman, 1782–1842, British, ca. 1838, Etching on thin, slightly textured, cream wove paper, Sheet: 5 x 7 1/8 inches (12.7 x 18.1 cm) and Image: 3

Views in the Levant: Men Sailing Small Boat with Cabin Past Buildings and a Camel, unknown artist, ca. 1785, Pen in brown ink, black ink and gray ink with gray wash on medium, moderately textured, cream, laid paper, mounted on moderately

A Bull, Robert Hills, 1769–1844, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 6 3/4 x 6 1/2 inches (17.1 x 16.5 cm), animal art, bull

Evening on the Lagoon, Venice, Hercules Brabazon Brabazon, 1821–1906, British, undated, Watercolor, gouache and graphite on medium, moderately textured, cream wove paper, Sheet: 5 1/2 x 9 5/8 inches (14 x 24.4 cm), boats, clouds,

Bocorvus abyssinicus (Abyssinian Ground Hornbill), James Bruce, 1730–1794, British, undated, Watercolor over graphite on medium, slightly textured, cream laid paper, Sheet: 12 3/8 × 9 3/4 inches (31.4 × 24.8 cm), animal art

Venice from the Lagoon, Print made by Wilfred Williams Ball, 1853–1917, British, undated, Etching on moderately thick, slightly textured, beige wove paper, Sheet: 9 1/4 x 12 11/16 inches (23.5 x 32.2 cm) and Image: 5 11/16 x 9 3/4 inches

Caledonia and Craig Islands, Michel Jean Cazabon, 1814–1888, Trinidadian, active in France ca. 1839-1847, 1857, Pen and black ink, gray ink, black wash, gray wash, graphite, gouache, and scratching out on medium, slightly textured,

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

The Strand Hyaena, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on medium, smooth, white, wove paper, Sheet: 3 13/16 × 6 11/16 inches (9.7 × 17 cm), animal art

The Dog Cart, Philip William May, 1864–1903, British, undated, Pen and black ink on brown paper, Sheet: 9 1/4 × 13 1/2 inches (23.5 × 34.3 cm), animal art, caricature, cart, dog (animal), horse (animal), wagon, whip

The Countess of Coningsby in the Costume of the Charlton Hunt, George Stubbs, 1724–1806, British, ca. 1760, Oil on canvas, Support (PTG): 25 x 29 1/4 inches (63.5 x 74.3 cm), animals, banquet hall, bridle, building, costume, countess,

Setters and Pheasant, Edwin Gill, active 1810, died 1868, undated, Graphite and watercolor on medium, smooth, cream, wove paper, Sheet: 10 3/4 × 13 5/16 inches (27.3 × 33.8 cm) and Image: 10 1/2 × 13 1/16 inches (26.7 × 33.2 cm), dogs

The Sporting Parson: 'He Joins to Cheer Them on Hallelujah!!!!', Hablot Knight Browne, 1815–1882, British, undated, Black chalk, watercolor and gouache on moderately thick, moderately textured, gray, wove paper, Sheet: 10 3/4 × 14 13/16

Soldiers and Country Women, Francis Wheatley, 1747–1801, British, undated, Pen and black ink with watercolor on medium, smooth, cream wove paper, Sheet: 5 x 7 3/8 inches (12.7 x 18.7 cm), apron, babies, bonnet, breeches (trousers),

Isherah - Water Procession of the Image of Doorga Previous to Her Immersion at Sunset, William Prinsep, active 1819–1850, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 5 × 12 1/16 inches (12.7 ×

Farmer with Mules, unknown artist, nineteenth century, formerly John Constable, 1776–1837, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 5 7/8 x 8 3/8 inches (14.9 x 21.3 cm), animal art, farmer,

Marshes opposite Erith, Francis Seymour Haden, 1818–1910, British, 1865, Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper, Sheet: 12 1/16 x 19 7/16 inches (30.7 x 49.4 cm), Plate: 9 7/16 x 14 15/16

Jockey and Racehorse: he in black cap, blue jacket, pink waistcoat and white breeches; the horse, sponged black with purple saddle cloth (reins missing), unknown artist, (Scottish Pearlware), 1830, Scottish pearlware figure, Sheet: 11in.

Maned Wolf, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink, brown ink and graphite on medium, smooth, cream, wove paper, Sheet: 4 11/16 × 7 5/16 inches (11.9 × 18.6 cm), animal art

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