Images at Librifly

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A Marsh Tit?, James Sowerby, 1756–1822, British, undated, Graphite on medium, smooth, cream wove paper, Sheet: 13 1/8 × 8 1/4 inches (33.3 × 21 cm), animal art, bird, Marsh Tit

Coyote of Mexico, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink, gray ink, brown ink and graphite on moderately thick, smooth, cream, wove paper, Sheet: 4 9/16 × 7 3/8 inches (11.6 × 18.7 cm),

The Derby Day: Tits and Trampers on the Road to Epsom, Possibly James Pollard, 1792–1867, British, undated, Watercolor and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 9 15/16 × 15 1/16 inches (25.2 × 38.3

Teignmouth Harbor with Ships, unknown artist, nineteenth century, undated, Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 7 1/4 × 9 1/4 inches (18.4 × 23.5 cm), cliff, harbor, marine

La Gabella del Pesce dall Granabello Preso Portici, August 20, John Robert Cozens, 1752–1797, British, ca. 1783?, Graphite and varnish on thin, slightly textured, cream laid paper, Sheet: 7 1/4 x 9 3/4 inches (18.4 x 24.8 cm), boats,

Flying the Kite, Francis Hayman, 1707/8–1776, British, ca. 1740, Pen and brown ink, brown wash and gray wash on medium, slightly textured, beige laid paper, Sheet: 5 5/8 × 9 inches (14.3 × 22.9 cm), building, children, genre subject,

Sharaone, Edward Lear, 1812-1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, beige, wove paper, mounted on, moderately thick, slightly textured, cream wove paper, Sheet: 2 1/8 x 10 inches (5.4

Gone Away, Possibly Henry Thomas Alken, 1785–1851, British, or possibly Samuel Henry Gordon Alken, 1810–1894, British, undated, Graphite and watercolor on medium, slightly textured, blued white, wove paper, Sheet: 8 11/16 × 10 11/16

Shipping off Dover, Samuel Scott, 1701/2–1772, British, 1738, Oil on canvas, Support (PTG): 26 1/2 x 53 inches (67.3 x 134.6 cm), barges (flat-bottomed watercraft), cliffs, flags, full-rigged ships, marine art, men, port, ships,

Wreck and the Merchant Vessel, St. George, at Deal, Kent, John Samuel Hayward, 1778–1822, 1807, Brown wash and graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/4 × 6 5/8 inches (13.3 × 16.8 cm), architectural

Armored men attending a fallen horse, Sawrey Gilpin, 1733–1807, British, undated, Pen and brown ink and graphite on medium, slightly textured, cream laid paper, Sheet: 6 1/2 × 9 1/8 inches (16.5 × 23.2 cm), animal art, figure study,

Parts of the Properly Proportioned Horse, Sawrey Gilpin, 1733–1807, British, 1760, Watercolor, graphite, pen and brown ink on medium, moderately textured, beige, laid paper, Sheet: 8 1/4 × 13 1/4 inches (21 × 33.7 cm), animal art

Slight Sketch of a Kangaroo, James Sowerby, 1756–1822, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 11 7/8 × 9 1/2 inches (30.2 × 24.1 cm), animal art, kangaroos

Study of Two Horses, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slighlty textured, cream wove paper, Sheet: 9 × 7 1/2 inches (22.9 × 19.1 cm), animal art, dog (animal), grazing, horses (animals), study (visual

Near Dendour, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, wove paper, mounted on moderately thick, slightly textured, cream wove paper, Sheet: 2 1/2 x 7 7/16 inches (6.3

The Duke of Devonshire's Flying Childers, James Seymour, 1702–1752, British, 1742, Oil on canvas, Support (PTG): 40 x 50 inches (101.6 x 127 cm), animals, costume, duke, equestrian, horse (animal), portrait, reins, rural, sporting

The Fishery, Richard Wright, ca. 1720–ca. 1775, British, ca. 1764, Oil on canvas, Support (PTG): 35 1/2 x 53 inches (90.2 x 134.6 cm), allegory, carriage, clouds, coast, dark, fishermen, fishing, flags, galleon, lighthouse,

Huntsmen Chasing a Stag, Print made by Robert Robinson, active 1674–1706, British, after Francis Barlow, ca. 1626–1704, British, undated, Mezzotint, with burinwork on medium, moderately textured, blued white, laid paper, Sheet: 6

The Alpine, or Great St. Bernard Dog, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream, wove paper, Sheet: 4 1/4 × 6 1/2 inches (10.8 × 16.5 cm),

Two Studies for a Sculptural Column, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Black ink and pen on medium, slightly textured, cream machine-made laid paper, Sheet: 9 x 7 1/8 inches (22.9 x 18.1 cm), abstract art,

A Meet of the Quorn at Garrendon Park, Loughborough, Leicestershire, John Ferneley, 1782–1860, British, undated, Oil, watercolor, gouache, and graphite on very thick, rough, brown, wood board, Sheet: 10 3/4 × 15 3/4 inches (27.3 ×

Beach Scene, Samuel Prout, 1783–1852, British, undated, Watercolor, pen and brown ink, pen and gray ink, pen and black ink, and graphite on moderately thick, rough, cream wove paper, Sheet: 7 3/4 × 10 inches (19.7 × 25.4 cm), beach,

Scenes from a Steeplechase: The Winner, Henry Thomas Alken, 1785–1851, British, ca. 1845, Oil on canvas, Support (PTG): 10 x 14 inches (25.4 x 35.6 cm), horse (animal), horse racing, jockey, sporting art

A Fist Fight, With the Prince Regent Among the Spectators, George Dance RA, 1741–1825, British, or Nathaniel Dance RA, 1735–1811, British, undated, Watercolor, pen and black ink, brown ink, gray ink, and graphite on medium, slightly

The Double Deliverance, 1588–1605, Print made by unknown artist, seventeenth century, after Samuel Ward, 1577–1640, British, 1621, Etching and line engraving on medium, slightly textured, cream laid paper, Sheet: 15 5/8 × 20 1/2

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

'Landscape Scenery', No. 13: Groups of Infantry and Army Horses, Henry Thomas Alken, 1785–1851, British, 1821, Graphite and red chalk on medium, slightly textured, blued white, wove paper, Sheet: 6 5/16 × 9 11/16 inches (16 × 24.6 cm),

Study of head and neck of a horse, Sawrey Gilpin, 1733–1807, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 5 5/8 × 8 3/4 inches (14.3 × 22.2 cm), animal art, horse (animal

Cave of Surtshellir or Robber's Cavern, Iceland, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm) and

Greytown, Godfrey Thomas Vigne, 1801–1863, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 5 3/8 × 14 3/4 inches (13.7 × 37.5 cm), cows, genre subject, landscape, leisure, marine art,

Portraits of Two Extraordinary Oxen, the Property of the Earl of Powis, James Ward, 1769–1859, British, 1814, Oil on panel, Support (PTG): 35 1/2 x 53 1/4 inches (90.2 x 135.3 cm), animal art, animals, architecture, bulls (animals),

Fisherman's Quarters, Robin Hood's Bay, Joseph Powell, 1780–1834, British, undated, Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 8 × 11 1/4 inches (20.3 × 28.6 cm), bay, beach,

Crouching Female and Standing Male, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Brushed black ink and red pencil on thin, smooth, cream wove paper, Sheet: 7 x 8 7/8 inches (17.8 x 22.5 cm), abstract art, crouching,

Study of a Sleeping Dog, James Ward, 1769–1859, British, undated, Black and white chalk on medium, slightly textured, brown wove paper mounted on thick, slightly textured, brown wove paper, Sheet: 2 7/8 x 7 3/4 inches (7.3 x 19.7 cm) and

Ships near the Coast, unknown artist, formerly John Constable, 1776–1837, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 2 7/8 x 4 5/8 inches (7.3 x 11.7 cm), boats, coast, marine art, sea, ships

A Bird, James Sowerby, 1756–1822, British, undated, Gouache on vellum, Sheet: 9 1/4 × 6 7/8 inches (23.5 × 17.5 cm), animal art, bird, branch, Finches

A British Officer of the Staff and an Officer of Hussars, Sir Robert Kerr Porter, 1777–1842, British, 1810, Watercolor and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 17 3/8 × 14 5/8 inches (44.1 × 37.1 cm),

Who-o-p!, Print made by Robert Polhill Bevan, 1865–1925, British, 1898-1899, Lithograph on moderately thick, smooth, cream wove paper, Sheet: 14 15/16 x 19 1/2 inches (38 x 49.5 cm), Plate: 11 3/16 x 14 inches (28.4 x 35.5 cm), and Image:

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Graphite on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Oriolus monacha (Black Headed Abyssinian Oriole), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches

A Pier at Amsterdam, Thomas Rowlandson, 1756–1827, British, 1792, Watercolor, pen and gray ink, pen and black ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 10 × 11 1/2 inches (25.4 × 29.2 cm), barrels

'Doing the Thing: and the Thing Done:' Doing the Down Leap, Henry Thomas Alken, 1785–1851, British, 1818, Watercolor, with pen, in brown ink, over graphite on medium, moderately textured, blued white, wove paper, Sheet: 5 15/16 × 9 1/8

Three Tigers in a Rocky Landscape, Sawrey Gilpin, 1733–1807, British, undated, Watercolor and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 12 11/16 × 17 13/16 inches (32.2 × 45.2 cm), animal art

Two Saddled Horses in Stalls in a Stable, James Seymour, 1702–1752, British, undated, Graphite on medium, slightly textured, cream, laid paper, Mount: 16 × 22 inches (40.6 × 55.9 cm), Contemporary drawn border: 9 5/16 × 14 3/16 inches

A Bird, James Sowerby, 1756–1822, British, undated, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 12 × 9 1/2 inches (30.5 × 24.1 cm), animal art, Antshrikes, bird, branch

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

One of a Group of Three Studies on the Venetian Logoon, Myles Birket Foster, 1825–1899, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 1 1/4 × 1 3/4 inches (3.2 × 4.4 cm), boats, lagoon,

Four Studies of Dancing Figures, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Brushed black ink on thin, slightly textured, blue wove paper, Sheet: 8 x 5 3/8 inches (20.3 x 13.7 cm), abstract art, dance, figure,

Murex pecten (Venus Comb Murex), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8

The Earl of Lonsdale's Hound Van arriving at a Meet of the Cottesmore Hunt, March 22, 1809, unknown artist, ('C. B.') nineteenth century, 1809, Pen and black ink on medium, slightly textured, cream laid paper, Sheet: 7 1/8 x 12 5/8in. (18.1

Off the Needles, Isle of Wight, Edward William Cooke, 1811–1880, British, 1845, Oil on canvas, Support (PTG): 27 1/2 × 35 1/2 inches (69.9 × 90.2 cm), boats, cave, cavern, cliffs, coast, flags, full-rigged ships, geology, ketch

A Lion, James Sowerby, 1756–1822, British, undated, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 9 1/2 × 11 7/8 inches (24.1 × 30.2 cm), animal art, lion, lions

The Sporting Parson: 'He Then Goes in For Baptism', Hablot Knight Browne, 1815–1882, British, undated, Black chalk, watercolor and gouache on moderately thick, slightly textured, gray, wove paper, Sheet: 10 11/16 × 14 11/16 inches (27.1

Tree Study with Stags (Landscape), George Barret RA, ca. 1728/32–1784, Irish, undated, Pen and gray ink, gray wash, and graphite on medium, slightly textured, cream laid paper, Sheet: 11 × 9 3/8 inches (27.9 × 23.8 cm), animal art,

Study of a Grey Horse, Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800), ca. 1800, Oil on paper, Support (PTG): 8 1/2 x 12 1/8 inches (21.6 x 30.8 cm), animal art, animals, horse (animal), profile (figure), study

Sunda Stink Badger, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on moderately thick, smooth, white, wove paper, Sheet: 4 5/16 × 6 3/4 inches (11 × 17.1 cm), animal art

Bifrons Park, Kent, Perhaps Jan van der Vaardt, 1647–1721, Dutch, active in Britain (from ca. 1674), Formerly perhaps Jan Wyck, ca. 1645–1700, Dutch, active in Britain (from ca. 1664), Formerly unknown artist, seventeenth

Long-Horned Cattle, Robert Hills, 1769–1844, British, undated, Watercolor and graphite on moderately thick, slightly textured, beige wove paper, Sheet: 11 1/4 x 14 15/16 inches (28.5 x 37.9 cm), agriculture, animal art, architectural

Sir Charles Blunt Hunting the Boar and Escaping From the Tiger, James Ward, 1769–1859, British, undated, Graphite on medium, moderately textured, gray, laid paper, Sheet: 14 × 10 1/2 inches (35.6 × 26.7 cm), boar, genre subject,

A Sailing Barge in the Downs, unknown artist, nineteenth century, formerly John Constable, 1776–1837, British, undated, Graphite on medium, cream, wove paper mounted to beige laid paper, Sheet: 3 1/2 x 3 1/8 inches (8.9 x 7.9 cm) and

The Reverend Jemmet Browne at a meet of foxhounds, Peter Tillemans, 1684–1734, Flemish, active in Britain (from 1708), 1730 to 1732, Oil on canvas, Support (PTG): 38 1/2 x 48 1/2 inches (97.8 x 123.2 cm), animals, bell, breeches, dogs

Too Late for the Meet, c. 1860: a Lady on horseback greeting a Man who is alighting from a gig, unknown artist, ( English School ) nineteenth century, ca. 1860, Graphite on medium, slightly textured, laid paper, Sheet: 6 5/8 × 10 3/4 inches

Landscape with Man on Beach, Attributed to William Collins, 1788–1847, British, undated, Watercolor and graphite on medium, moderately textured, cream wove paper, Sheet: 2 5/8 × 2 7/8 inches (6.7 × 7.3 cm), beach, clouds, coast,

Two Riders and a Couple of Hounds Clearing a Wall, Henry Thomas Alken, 1785–1851, British, 1845, Graphite and watercolor on medium, slightly textured, cream, wove paper, Sheet: 9 1/8 × 13 3/16 inches (23.2 × 33.5 cm), dogs (animals),

An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754, Print made by workshop of Mark Catesby, 1682–1749, British,

Mount Rainier from the South Part of Admiralty Inlet, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm)

The Towing Path, Print made by Francis Seymour Haden, 1818–1910, British, 1864, Etching and drypoint on medium, slightly textured, cream laid paper, Sheet: 7 x 9 13/16 inches (17.8 x 24.9 cm), Plate: 5 1/2 x 8 3/8 inches (13.9 x 21.2 cm),

Foxhunting: Near the Death, Edwin W. Cooper of Beccles, 1785–1833, British, 1816, Watercolor, pen and black ink, brown ink, gray ink, and graphite on medium, moderately textured, beige, wove paper, Sheet: 12 5/8 × 19 3/16 inches (32.1

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Sketch studies of camels, Edward Lear, 1812–1888, British, January to April 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 4 13/16 x 2 7/8 inches (12.2 x 7.3 cm), animal art, camels

Agapornis taranta (Black-winged Lovebird), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches (40.3 ×

Studies of Riders in the Hunting Field, Benjamin Marshall, 1768–1835, British, ca. 1805, Oil on canvas, Support (PTG): 14 5/8 × 26 1/4 inches (37.1 × 66.7 cm), figure study, jockeys, sporting art

Cheslakee's Village in Johnstone's Straits, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm) and Binding:

Two Studies: a Foal, and a Mare and Foal, Robert Hills, 1769–1844, British, undated, Watercolor and graphite on moderately thick, moderately textured, beige, laid paper, Sheet: 10 × 6 3/8 inches (25.4 × 16.2 cm), animal art, foals,

Unidentified: A Charging Mameluke Firing a Pistol, Henry Thomas Alken, 1785–1851, British, undated, Graphite with traces of red chalk on medium, slightly textured, blued white, wove paper, Sheet: 6 9/16 × 10 1/16 inches (16.7 × 25.6 cm),

Hungarian and Highland Broadsword Exercise, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and gray and black ink over graphite; verso: graphite on medium, slightly textured, blued white, wove paper, Sheet: 8 3/16 x 10

Zebra, James de Carle Sowerby, 1787–1871, British, undated, Graphite on thin, smooth, cream wove paper, Sheet: 3 7/8 × 4 3/8 inches (9.8 × 11.1 cm), animal art, zebra (mammal

An Early Riser, Francis Seymour Haden, 1818–1910, British, 1897, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 10 7/16 x 13 3/4 inches (26.5 x 35 cm), Plate: 8 13/16 x 11 9/16 inches (22.4 x 29.4 cm), and Image: 8 9/16

A Sailing Dinghy with Three Men Leaving a Rocky Inlet, Joseph Farington, 1747–1821, British, undated, Watercolor, with pen in brown ink, black ink, and graphite; verso: graphite on moderately thick, moderately textuered, beige, wove

Night, Print made by John Boydell, 1720–1804, British, after Charles Brooking, 1723–1759, British, Published by John Boydell, 1720–1804, British, 1756, Etching and line engraving on moderately thick, moderately textured, cream laid

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Grand Canal, Venice, Richard Parkes Bonington, 1802–1828, British, 1826, Oil on millboard, Support (PTG): 9 1/4 x 13 3/4 inches (23.5 x 34.9 cm), architectural subject, architecture, balconies, barge, boats, buildings, canal, canal,

Foxhunting: Clearing a Bank, John Dalby, active 1826–1853, British, ca. 1840, Oil on millboard, Support (PTG): 5 x 6 1/8 inches (12.7 x 15.6 cm), chasing, costume, field, horses (animals), hunters, men, rural, sporting art

The Capture of the 'Marquis d'Antin' and the 'Louis Erasme', Charles Brooking, 1723–1759, British, between 1745 and 1755, Oil on canvas, Support (PTG): 13 x 19 inches (33 x 48.3 cm), battle, bullion, cannons (artillery), cargo vessels,

Sketch for the Scene of a Battle, George Cruikshank, 1792–1878, British, undated, Pen and black ink with watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, gray wove paper, Mount: 7

The Koomrah Horse, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, graphite, pen and black ink on medium, slightly textured, cream, wove paper, Sheet: 4 × 6 7/16 inches (10.2 × 16.4 cm), animal art

Dartmouth, William Collins, 1788–1847, British, undated, Pen and black ink, watercolor and graphite on medium, moderately textured, brown wove paper, Sheet: 5 1/4 × 10 inches (13.3 × 25.4 cm), marine art

Painted Thous Dog, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown - gray ink and graphite on moderately thick, smooth, cream, wove paper, Sheet: 4 3/4 × 7 9/16 inches (12.1 × 19.2 cm), animal art

Foxhunting: The Kill, Peter Tillemans, 1684–1734, Flemish, active in Britain (from 1708), undated, Graphite and gray wash on medium, moderately textured, cream, laid paper, Sheet: 9 1/2 × 7 5/16 inches (24.1 × 18.6 cm), dogs (animals),

Snipe Shooting, James Pollard, 1792–1867, British, undated, Graphite on medium, slightly textured, blued white, wove paper, Sheet: 6 x 14 5/16 inches (15.2 x 36.4 cm), birds, boots, dogs (animals), game (hunted animal), guns

Coastal Scene, Print made by Lydia Bates, active 1784, after John Hamilton Mortimer, 1740–1779, British, 1784, Etching on moderately thick, moderately textured, cream laid paper, Sheet: 11 5/16 x 16 9/16 inches (28.8 x 42.1 cm), Plate: 9

Turdus abyssinicus (Mountian Thrush), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches (40.3 × 30.5

A Mouse, James Sowerby, 1756–1822, British, undated, Graphite and chalk on medium, slightly textured, cream laid paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm), animal art, Mice, mouse

Snipe Shooting, Print made by Matthew Dubourg, active 1786–1838, British, after James Pollard, 1792–1867, British, Published by Jonathan Watson, 1820–1847, British, 1822, Aquatint and etching with hand coloring on moderately thick,

Quagga Male, Charles Hamilton Smith, 1776–1859, Belgian, James Stewart, 1791–1863, British, ca. 1837, Watercolor, pen and brown ink, and black ink, and graphite on moderately thick, smooth, cream wove paper, Sheet: 4 7/16 × 6 7/8

Cave of the Golden Calf: Study for a Mural Decoration, Old Man in Landscape, Spencer Frederick Gore, 1878–1914, British, 1912, Pastel, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper, Sheet: 10 x

Two Shetland Ponies With a Groom, Charles Hancock, 1802–1877, British, 1834, Oil, watercolor, gouache, and pen and brown ink on moderately thick, rough, beige wove paper, Mount: 9 5/16 × 10 3/16 inches (23.7 × 25.9 cm), Contemporary

Cavalry Troops and Camp Followers on the Move, Peter Tillemans, 1684–1734, Flemish, active in Britain (from 1708), undated, Watercolor and graphite; verso: gray wash and graphite on medium, slightly textured, cream laid paper, Sheet: 6

Drove of Sheep and Cows, Robert Hills, 1769–1844, British, undated, Watercolor, gouache and graphite on medium, moderately textured, cream wove paper, Sheet: 10 1/4 x 14 1/2 inches (26 x 36.8 cm), animal art, cattle, cows, death, dog

A Stag, Robert Hills, 1769–1844, British, 1802, Watercolor and graphite on medium, cream, slightly textured wove paper, Sheet: 5 × 7 5/8 inches (12.7 × 19.4 cm), animal art, deer, stag

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